28 Saturday Jul 2018
Tags
Appalachia, Baumgardner's String Band, Belford Harvey, blind, David Miller, fiddle contest, fiddlers, fiddling, Grimes Music Shop, Guyandotte Mockingbirds, Hell Back of Maysville, history, Logan, Logan Banner, Logan County, music, Ohio, Paddy's on the Short Rows, Sourwood Mountain, West Virginia
Logan (WV) Banner, 29 April 1927. Belford Harvey was a multi-instrumentalist associated with David Miller and the Guyandotte Mockingbirds.
Logan (WV) Banner, 16 September 1927.
04 Sunday Oct 2015
Tags
Appalachia, Ashland, blind, Ed Haley, Ed Haley Memorial Fiddle Contest, fiddle, fiddler, fiddling, Kentucky, life, music, Parkersburg Landing, photos, Rounder Records
Parkersburg Landing album, Ed Haley Memorial Fiddle Contest, Ashland, Kentucky, 19 September 2015
31 Sunday Aug 2014
Posted in Ed Haley, John Hartford, Music
Tags
Arthur Smith, banjo, Ben Walker, Benny Martin, Bernie Adams, Billy Adkins, blind, Brandon Kirk, Buddy Emmons, Clayton McMichen, Doug Owsley, Durham, Ed Haley, fiddlers, fiddling, Green McCoy, Haley-McCoy grave, Harts, history, Imogene Haley, Indiana, Jeffersonville, John Hartford, Johnny Hager, Lawrence Haley, Mark O'Connor, Matt Combs, Melvin Kirk, Michael Cleveland, Milt Haley, Mona Haley, music, Nashville, North Carolina, Smithsonian, Snake Chapman, Tennessee, Texas Shorty, Ugee Postalwait, Webster Springs, West Virginia, Wilson Douglas, writing
When Ed first went out into the neighborhood with his dad’s fiddle and armed with his melodies (as interpreted by his mother) I think he probably caused not a small sensation amongst family and neighbors and his ear being as great as it was I think he picked up an incredible amount of other music really fast. I think he played with a lot of ornaments when he was a teenager and up into maybe even his thirties. Snake Chapman and Ugee Postalwait have alluded to this. Snake said the dining room recordings just didn’t sound as old-timey as he remembered Ed playing and Ugee said she remembered him and her dad talking about the little melodies between the notes. Of course Ed had to have been through a lot of subtle changes in style since that time. I think in later years he stripped a lot of the ornaments out of his fiddling in order to appeal to the Arthur Smith-Clayton McMitchen crowd who loved the radio style that was so much in vogue at that time. This might have helped make a little more money on the street. People have always liked to hear someone play and sound just like what they hear on the radio or a record. But I think if someone had asked Ed if he had done that consciously that he would have denied it and if he was in a bad mood they might have even had a fight on their hands.
I keep having this idea of Ed imitating other instruments on the fiddle because I’ve tried it myself and wouldn’t it be something that some of these great parts was really an imitation of John Hager’s banjo playing. I’d love to know where that passage is or whether it even exists.
It’s obvious that when Ed had good firm second that wouldn’t slow down for anything, he really leaned back on the beat and got in that little pocket where so many great musicians like to be. Ella and Mona really held up a good solid beat, but I’ll bet Ed was hard on them — a real taskmaster. It’s all in that rhythm section. Wilson Douglas told me one time that Ed always told him to play it real lazy. Texas Shorty, Benny Martin, and Buddy Emmons refer to it as holding on to the note as long as you can before you start the next one. This is an important part of Ed’s feel and sound and it really comes through on the dining room recordings. I get it by playing as slow as I can against a beat I hope is not gonna move, and then I swing the notes with a dotted note feel — a real lilt if I can get it — and just drag on the beat as hard as I can ’cause I know it’s not gonna slow down. I’d love to know just when Ed figured that out or if it was always there. I always think of Ed in his younger years playing on top of the beat or even ahead of it like I did when I was young and full of piss and vinegar. Actually when you’re playing alone you do hafta pretty well stay on top of the beat to hold the time or at least set it, cause you are the beat but you have to keep from rushing which we will tend do when we get to hard passages in order to get them over with. We’ll not do that no more. Mark O’Connor told me one time that while he is playing a tune he’ll play on top of and behind the beat on purpose. He described playing behind it as letting the beat drag you along…almost like water skiing. Oh, to have known what Ed and John Hager or Bernie Adams sounded like together.
I think Ed worked on his fiddling probably daily most of his life so it is fair to say that it was changing all the time. This would explain the varying descriptions of his playing that have come down. I’m sure they’re probably all accurate. Lawrence, Ugee, and Mona always said Ed played with great smooth long bow strokes and Snake Chapman always was adamant about him playing with short single strokes and Slim Clere said the same thing — that he bowed out everything — no bow slurs. Of course, in the dining room sessions you can hear both ways. It’s amazing how well Ed did without the feedback of working with a tape recorder. What an incredible ear he had. As far as I know, the only time he probably heard himself played back was the recordings we have. I hope there are others out there but I’ve come to doubt it.
Brandon and I have always had a gut feeling that if we’d dug down into the hillside a little further at Milt and Green’s grave we might have found something. We only went down five feet and then we were defeated by the rain. What if we had gone down the requisite six feet? What if, like the probe, Owsley had misjudged the bottom of the grave shaft due to the mud and water? What if it hadn’t rained and muddied up the work area? If Melvin Kirk and Ben Walker went so far as to bury the men in a deep grave, why not assume they would have gone for the standard six feet grave traditionally dug? In the following weeks, old timers around Harts kept telling Brandon and Billy, “If they didn’t dig at least six feet, it’s no wonder they didn’t find anything.” We didn’t want to question the professionalism of experts like the Smithsonian forensic team or seem like we wanted to find Milt and Green so badly that we couldn’t accept the concept that they were gone…but what if? The explanation that Doug Owsley gave us about the coal seam and underground stream made a lot of sense. Needless to say we were really disappointed. I had started to rationalize that not finding anything might indicate that they were buried in the nude and just thrown in the hole with no box or winding sheet or anything.
I was in Durham, North Carolina, the other day and I saw a fiddler on the street and I automatically found myself thinking of Ed. I didn’t have to fill in or rearrange much in my imagination to see him there playing on the street — even though this man was standing up, and played nothing like him. Of course when Ed was younger he probably stood up to play all the time like in the Webster Springs picture…dapper and wearing his derby. I always seem to picture Ed sitting down. Another great thrill for me is a young blind fiddler from Jeffersonville, Indiana, named Michael Cleveland who when he plays I can see Ed at nineteen. He stands up so straight he almost looks like he’s gonna fall over backward the way Lawrence said his dad did. When he plays I can’t take my eyes off of him thinking of Ed. Now my friend Matt Combs, who has done a lot of the transcriptions for this book, sits with me and plays Ed’s notes off of the paper, and I play off the top of my head, so in that sense it’s like playing with him.
I guess it’s time to just leave this alone and get back to my study of the fiddle. Maybe get geared up for “Volume Two.” I spend long hours here at the dining room table with my tape recorder and I can hear Lawrence and feel Ed as I try and play my way back into the past. I find that the study of Ed’s music leads me to the study of all music and the way it’s played.
10 Sunday Aug 2014
Posted in Big Harts Creek, Ed Haley, John Hartford, Music
Tags
blind, Brandon Kirk, Cacklin Hen, Cas Baisden, Clyde Haley, Ed Haley, Ella Haley, Ewell Mullins, fiddling, Harts, Harts Creek, history, John Hartford, Logan County, music, Peter Mullins, Robert Martin, Trace Fork, West Virginia, World War II, writing
Early the next morning, Brandon and I arrived on the bus in Harts and drove to see Cas Baisden, who we spotted in a porch swing up main Harts Creek, just above the mouth of Smoke House Fork. It was a pastoral scene: a somewhat old farmhouse, several chickens in the yard and a few cattle in the distance who’d done a marvelous job of clearing the mountainside just back of the place. As we pulled up to the house, I realized that it was built fairly high off of the ground — probably as a precaution against flooding. Cas just kind of stared down at us as we unloaded from the car.
Once he figured out who we were, he invited us in to the living room. There we learned that Cas was eighty-seven years old and had spent his whole life on Harts Creek.
“I was born in 1910,” he said. “The only five years I was gone from here was when I was in the Army. I left here the second day of April ’42. I spent five year in the Air Force. Never was off the ground.”
Wow — I had to ask, “What is the secret to living so long?”
“Working, working, buddy,” Cas said. “I work ever day a little bit. I wish you’d a seen the coal and stuff I packed in this morning. I got two calves down there and chickens and cats and dogs. I live on tobacco, Cheerios, and milk.”
Ever drink any whiskey?
“Barrels of it,” he said. “It’s been ten or twelve years since I quit fooling with drinking. Yeah, I went up here and joined the church and things. A fella never knows what he misses when he gets in a church. I used to be rougher’n a cob.”
Cas was partly raised by Uncle Peter Mullins, so he remembered Ed Haley well.
“He’d come up there to Peter’s and just go from house to house playing music and eating,” he said. “He used to go up to Ewell’s — I guess where he was raised — and come down that road just a running and hollering and whooping and cutting the awfulest shine that ever was and you wouldn’t a thought he could a stayed in that road. I don’t know how he done it, but he’d take spells like that. If he got a hold of you with a knife, though, he was dangerous. Hang on you and cut as long as they’s a thread on you. Him and that old woman, they’d get drunk and they’d fight up there. You know, it’s a wonder they hadn’t a killed one another. I believe they did try to cut one another up there at old man Peter’s one time.”
What about the Haley kids?
“Why them young’ns would do anything,” Cas said. “Clyde went out here where Robert Martin used to live on that mountain and went down in the well and they had a time a getting him out. And up here a little bit was a big sycamore and he was up in there and we’d throw rocks at him, son, and if we’d a hit him and knocked him out of there he’d been killed. I believe Clyde was the meanest one among them, I don’t know.”
I asked Cas if he ever played music and he said, “Nah, I done well to call hogs. But now Ed was about as good a fiddler as they was. Nobody could play better than Ed. He could play anything on earth he wanted to play.”
Cas had memories of Ed playing at Uncle Peter’s, either outside for small crowds or inside for “big dances” before “they finally broke up and quit.” The old dances started about the “edge of dark” and people would just “jump around — most people never could dance” – until sun-up. There was no trouble — just “fiddle, dance, drink” — although a person had to watch out for what Cas called the “old hedgehogs.”
I asked him if Ed ever drank much at the dances and he said, “Sure. He’d get to drinking and have more fun than the one’s a dancing.”
When Ed wasn’t around to play dances on Trace, Robert Martin would show up and fiddle tunes like “Cacklin’ Hen”. Martin had the first radio “that was ever in this country” so people went to his house “out on the mountain” and listened to it until “way late in the night.”
31 Thursday Jul 2014
Posted in Big Harts Creek, Ed Haley, Lincoln County Feud, Shively
Tags
Alton Conley, Big Creek, blind, Blood in West Virginia, Brown's Run, Burl Farley, Charles Conley Jr., Charlie Conley, Clifford Belcher, Conley Branch, crime, Ed Belcher, Ed Haley, Ella Haley, fiddler, fiddling, Green McCoy, Green Shoal, Guyandotte River, Harts Creek, history, John Brumfield, Lincoln County Feud, Logan, Logan County, Milt Haley, Mona Haley, music, Robert Martin, Smokehouse Fork, Warfield, West Virginia, Wirt Adams, writing
From Clifton’s, we went to see Charlie Conley, Jr., a fiddler who lived on the Conley Branch of Smokehouse Fork of Harts Creek. Wirt Adams had mentioned his name to us the previous summer. We found Charlie sitting on his porch and quickly surrounded him with a fiddle, tape recorder, and camera.
When I told him about my interest in Ed Haley’s life, he said Ed played so easy it was “like a fox trotting through dry leaves.”
Charlie said Ed was a regular at Clifford Belcher’s tavern.
“Right there, that’s where we played at on the weekends,” he said. “He used to play there a lot, the old man Ed Haley did. Me and another boy, Alton Conley — he’s my brother-in-law, just a kid… I bought him a guitar and he learned how to play pretty good. He could second pretty good to me, but he couldn’t keep up with that old man. He knowed too many notes and everything for him. The old man realized he was just a kid.”
Charlie told us an interesting story about how Ed came to be blind.
“Milt and Burl Farley, they was drinking where Burl lived down at the mouth of Browns Run. And Ed was just a little baby — been born about a week. Old man Burl said to Milt, ‘Take him out here and baptize him in this creek. It’ll make him tough.’ And it was ice water. He just went out and put him in that creek and baptized the kid and the kid took the measles and he lost his eyes. That’s how come him to be blind.”
That was an interesting picture: Milt and Burl hanging out on Browns Run. We had never really thought about it, but there was a great chance that all the men connected up in the 1889 troubles knew each other pretty well and maybe even drank and played cards together on occasion. For all we knew, Milt may have worked timber for Farley.
Brandon asked Charlie if he knew what happened to Milt Haley.
“They said the Brumfields killed him,” Charlie said. “Him and his uncle was killed over at a place called Green Shoal over on the river somewhere around Big Creek. They were together when they got killed. That was way back. I never knew much about it.”
Obviously Green McCoy wasn’t Ed’s uncle, but I had to ask Charlie more about him.
“All I can tell you is he was old man Ed’s uncle,” he said. “They lived over there on the river, around Green Shoal.”
So Ed was raised on the river?
“No, he lived down here on the creek, right where that old man baptized him in that cold water at the mouth of Browns Run,” Charlie said. “That’s where he was born and raised at, the old man was.”
I guess Charlie meant that Green lived “over there on the river,” which was sorta true.
He didn’t know why Milt Haley was killed, but said, “Back then, you didn’t have much of a reason to kill a man. People’d get mad at you and they wouldn’t argue — they’d start shooting. Somebody’d die. I know the Conleys and the Brumfields had a run in over there on the river way back. Oh, it’s been, I guess, ninety year ago. Man, they had a shoot-out over there and right to this day they got grudges against the Conley people. I’ve had run-ins with them several times. I say, ‘Look man, this happened before my time. Why you wanna fool with me for?’ But they just had a grudge and they wouldn’t let go of it.”
When we asked Charlie about local fiddlers, he spoke firstly about Robert Martin.
“They said Robert was a wonderful fiddler,” he said. “I had a half-brother that used to play a guitar with him when he played the fiddle named Mason Conley. I used to play with his brothers over there on Trace and with Wirt and Joe Adams. Bernie Adams — he was my first cousin. They said Robert was a wonderful fiddler.”
What about Ed Belcher?
“Yeah, Ed was pretty good, but he couldn’t hold old man Ed Haley a light to fiddle by. Belcher was more of a classical fiddler. Now, he could make a piano talk, that old guy could. I knowed him a long time ago. I noticed he’d go up around old man Ed and every oncest in a while he’d call out a tune for him to play. Ed’d look around and say, ‘Is that you, Belcher?’ Said, ‘Yeah,’ and he’d set in a fiddling for him. Maybe he’d throw a half a dollar in his cup and walk on down the street.”
Brandon said to Charlie, “Ed Belcher lived up at Logan, didn’t he?” and Charlie blew us away with answer: “Well now, old man Ed Haley lived up there then at that time. They lived out there in an apartment somewhere. The little girl was about that high the last time I seen her.”
Well, that was the first I heard of Ed living in Logan — maybe it was during his separation from Ella, or maybe there was an earlier separation, when Mona was a little girl.
I asked about a tune called “Warfield” and Charlie said, “That ‘Warfield’ is out of my vocabulary, buddy. I’ve done forgot them old tunes, now.”
28 Monday Jul 2014
Posted in Culture of Honor, Ed Haley, Lincoln County Feud, Music
Tags
Ashland, blind, Cincinnati, Crosley Radio Weekly, Ed Haley, Ella Haley, feud, fiddler, fiddling, Green McCoy, Hamlin, history, Kentucky, Lincoln County Feud, Lincoln Republican, Milt Haley, music, Ohio, West Virginia, WLW
About that time, Brandon found this teeth-rattling article while scanning through microfilm of the Lincoln Republican at the public library in Hamlin, West Virginia. It was titled “Ed Haley and Wife Play for the Radio” and dated Thursday, August 28, 1924.
The Crosley Radio Weekly, published at Cincinnati, Ohio, contains a good picture of Ed Haley and wife, the blind musicians so well known in Hamlin, with an interesting story of Mr. Haley, which we reproduce as follows:
The picture above is that of Mr. and Mrs. Ed Haley, of Ashland, Ky., blind fiddlers, who soon will entertain WLW listeners with a most interesting concert. They have the reputation of being the best old-time music makers of the mountains of West Virginia and Kentucky, making a living for themselves and their three children by playing at dances and county fairs. Mr. Haley is shown playing a fiddle connected with which there is a very interesting story of the old mountain feud days. His father was involved in the famous Brumfield-McCoy feud and was captured by the Brumfields. He was told he was to be shot to death in five minutes, during which time he calmly played his fiddle, the same one his son plays for radio listeners and which he was holding when the above picture was taken. The feudist and a friend was shot to death when the five minutes expired and both their bodies were buried in a wooden box. The fiddle, however, was kept by the Brumfields for some years and later returned to the son of the murdered man.
23 Wednesday Jul 2014
Posted in Calhoun County, Ed Haley, John Hartford, Music
Tags
Alabama, blind, Brandon Kirk, Calhoun County, Clyde Haley, Ed Haley, Ella Haley, genealogy, history, Jack Haley, John Hartford, Lawrence Haley, Mona Haley, Noah Haley, Ralph Haley, Rogersville, Ugee Postalwait, West Virginia, writing
Ugee said, “I never will forget the first time I seen Ella. I’d fixed cabbage for supper — big head of cabbage. Next morning, Ed said, ‘Where’s the cabbage?’ I said, ‘Well you don’t want cabbage for breakfast.’ ‘Oh,’ Ella said, ‘We love cabbage for breakfast.’ I went and got that cabbage and heated it up. I wish you’d a seen her eating that cabbage. I didn’t know anyone ate cabbage for breakfast. I was a fixing eggs and bacon.”
Brandon asked about Ella’s appearance.
“Ella wasn’t no bad looking woman at all,” Ugee said. “She was a nice looking woman, I thought. When I seen her, she had had three kids and she was a little heavier then. She kept herself nice-looking. She liked to wear nice dresses and she liked to wear hose. You’d be surprised to see her wash them kids and clean them. Now really you would. She’d pick them kids up and say, ‘Come here, you’ve got a dirty face.’ How she knowed they had a dirty face, I don’t know.”
I asked Ugee if Ed ever got into any fights, because his face looked lop-sided in one of his pictures.
“Aw, he’s fell a lot of times,” she said. “I’ve seen his boy Clyde and that Ralph — wasn’t his son, but he called him his son — I’ve seen them lead him across logs and let him fall down and laugh about it. Yeah, they didn’t care for doing anything like that. No wonder when he’d get up, if he could get to one of them, he’d whoop one of them. They was into everything. I never seen Lawrence or Jack either one into anything. But you turned Ralph or Clyde loose anyplace, they might ‘weigh’ chickens and kill your chickens. Maybe put a string around their neck and hold them up and maybe kill two or three hens — choke them to death. Why, Ed’d get mad. Ella would, too, over things like that. She’d say, ‘My, my, my.’ They’d run in and grab their purse and take their money. Ella’d buy anything they wanted.”
Even though Ed’s kids treated him rough, Ugee said he “liked to joke and talk and laugh. I never seen Ed Haley mad but once in my life. Me and him almost fit, too, that time. He whooped Clyde. He oughta whipped Clyde but not like he did. Clyde aimed to jerk him off the porch. If he had, he’d a killed him. And he jerked his belt off and he went to whooping Clyde. And he was whooping hard. He was trying to beat him to death. I walked out on the porch and said, ‘That’s enough, Ed.’ And he said, ‘Damn him. He tried to kill me.’ I grabbed a hold of the belt. He said, ‘Ugee, let loose of it.’ I said, ‘I ain’t letting loose of it. You’ve whooped him enough and I don’t want to see no more of that. While I’m living, don’t you ever hit one of them kids with a belt. I don’t allow that.’ He said, ‘I’ll whip them with a belt when I’m damn good and ready.’ I said, ‘You’ll not whip them here — not like that.’ I mean, he was beating him.”
Brandon asked if the other boys were mean to Ed or ever got whipped and Ugee said, “Clyde’s the only one I ever seen him whoop. They was about to send him to reform school — stealing, I think. He musta been about fourteen years old. That there Ralph, he was ornerier than… That Ralph even shot hisself with a gun to see how it’d feel to be shot. That was up where we lived. My mother doctored him. Mona, she was ornery. She’d steal off her mom. Take stuff out and destroy it. She was pretty as she could be. She’d just look at you as if to say, ‘I’ll do as I please.’ Ed swore she was just like her aunt on her mother’s side. And Noah was sneaking — dangerous sneaking. He was into everything and he’d lie. Noah was awful bad about gambling.”
Ugee really contrasted Ralph, Clyde, Noah, and Mona with Jack and Lawrence.
“Jack and Lawrence was gentlemen,” she said. “None of them come up with Lawrence, far as I’m concerned. He would lead his mom and dad anyplace. I can see how careful he was. That little hand of his leading his mother around this mud hole, ’round this log and stuff. Really, I’m not taking up for him because he’s dead or anything like that. I always called him ‘my little boy.’ He was always littler than the rest of them.”
19 Saturday Jul 2014
Posted in Calhoun County, Ed Haley, John Hartford, Music, Roane County
Tags
Akron, Alabama, blind, Brandon Kirk, Calhoun County, Christmas, crime, Ed Haley, Ella Haley, fiddle, fiddling, Harvey Hicks, history, John Hartford, Johnny Hager, Laury Hicks, Marietta, measles, Milt Haley, music, Ohio, Parkersburg, Rogersville, Soldiers Joy, Spencer, Stinson, Ugee Postalwait, Webster Springs, West Virginia, writing
On April 12, 1997, Brandon and I went to see Ugee Postalwait in Rogersville, Alabama. For the most part, she repeated a lot of the same stories I’d heard before, maybe with a new detail or two here and there. We began with her memories of Ed and Johnny Hager, who came to her father’s house around 1913. Brandon asked her specific questions about Johnny, which caused her to say: “He was a little short fella, slender. He was a nice person. Well-mannered. He was a good banjo-player. John Hager was a good friend of Dad and Mom’s both — all of us. Us kids, too. He used to write Mom and Dad. He wrote them from Webster Springs and he wrote them from Greenbrier. Different places where he was at. John wrote a letter back home and said he quit traveling with Ed ’cause Ed drank. He couldn’t take it. I’ve often wondered and studied about what become of him.”
Later, Ed sometimes came with a guitar player, but Ugee couldn’t recall his name.
Brandon was curious to know how far Ed traveled with his music, so he asked if Ed and Ella ever played around Parkersburg.
“I’m pretty sure they have,” Ugee said, “and Marietta, too. Harvey took them up to Akron to play music and they crowded that street so bad up there that they passed a law up there, you couldn’t stand on the corner and play music any more. They wouldn’t allow them to stand on the street. They had to move. See, they was such a crowd got around them.”
I asked, “How much do you reckon Ed would take in of a night?”
Ugee said, “I have seen Ed and Ella take in as much as a hundred dollars right there in Spencer.”
Wow, were they using a cup or a hat to collect money?
“They never used no cup. Just sit a box down or hat down and people come through and throwed money in it. Anyone that come along and dropped money in there, they’d play just the same.”
Would he play me anything I’d ask for?
“Why sure. He’d play it for you and then maybe if you asked for it again he might play you something else and call it that. He didn’t care to rename songs, like ‘Soldiers Joy’. He might call that ‘Runnin’ the Soldier’ or ‘Runnin’ the Track’ or something like that.”
I reminded Ugee that she heard Ed say he just picked up a fiddle and started playing it when he was small and she said, “Oh, yeah. He’d sit in the floor and play on that fiddle. Somebody brought something in that had two strings on it. He wasn’t very old. Just barely a walking, he said. Just like him a talking to me one time, telling me about his dad. Telling about them a lynching him. He said, ‘Goddamn him, they oughta lynched him.’ And I never asked him why. Why would a man say that about his dad? Maybe he was thinking about that man putting him in that barrel of water and causing him to be blind. But Ella’s eyes, they was ate out with blue vitriol.”
Ugee fully believed that measles had caused Ed’s blindness because they almost “put her blind,” too, when she was a girl.
“I must have been about five years old,” she said. “Well, Ed musta been there, too. Musta been the same year he was there that I had the measles and I went blind in my eyes. Couldn’t see nothing for three or four days. Had Granny’s bed set up by the side of the fireplace. I remember that instead of springs, it had rope. And Christmas time come up. And Dad, he played Santa Claus, I reckon. He got me jellybeans. I couldn’t see nothing for two or three weeks. I didn’t think I’d ever see again. Back then, they called them the ‘big’ measles and the ‘little’ measles. The big ones, they called the German measles. And I had them bad. Harvey come around — he was older than I was — he’d say, ‘You stink’, ’cause he could smell that fever on me.”
Brandon asked Ugee what year she was born in, to kind of help us better understand the time frame of her memories.
“I was born in 1907,” she said. “I got married in 1924. I left and went to Akron, but we come back ever month for a long time. If we knowed Ed was a coming in, we was there. I moved back in 1930. We lived on the farm until 1941. Then we went to a farm at the mouth of Stinson.”
At some point, Ugee moved back to Akron, where she lived when I first met her in 1991.
17 Thursday Jul 2014
Posted in Big Harts Creek, Culture of Honor, Ed Haley, Lincoln County Feud
Tags
Al Brumfield, banjo, Billy Adkins, blind, Bob Bryant, Brandon Kirk, Burl Farley, Charley Brumfield, Ed Haley, Fed Adkins, fiddlers, French Bryant, Green McCoy, Harve "Short Harve" Dingess, history, Hollene Brumfield, Hugh Dingess, John Hartford, Kentucky, Lincoln County Feud, Martin County, measles, Milt Haley, music, Nashville, Piney, Smokehouse Fork, Tom Holzen, West Fork, Wolf Creek, writing
Brandon and I also called Bob Bryant, a son of the infamous French Bryant, who lived with his son at the mouth of Piney Creek on West Fork. Billy Adkins had encouraged us to call Bob, saying that he would probably tell us what he knew of the Haley-McCoy murders. When we called Bob, his son said we were welcome to talk with his dad, although he warned us that his memory wasn’t very good.
Bob said he was born on Piney in 1911.
When I asked him about French Bryant he said he knew very little about him because his dad “was pretty old” when he was born. He said he did remember his father talking “some” about the Haley-McCoy affair.
“Milt and Green were pretty rough fellers who got in a lot of trouble all the time,” Bob said. “They were bad to drink. Milt Haley and Green McCoy was fiddlers — I think so. Maybe they was. Yeah, I almost know they was. One of them picked the banjo, I believe, but I don’t know for sure.”
Bob said Hugh Dingess, who was “kind of an outlaw,” organized a posse to fetch Milt and Green after they shot Al and Hollena Brumfield. They found them over around Wolf Creek in Martin County, Kentucky.
“Them Dingesses up there killed them,” Bob said. “It didn’t take much to get them to shoot you back then. People’d shoot you just to be a doing something.”
I asked Bob if he ever heard anything about who took part in what he kept calling “the shooting” and he said, “Hugh Dingess and four or five more.”
He paused, then said, “A few of them I wouldn’t want to tell you.”
We were just waiting for him to say his father’s name when he said, “Short Harve Dingess was pretty rough. Seems like he was in that bunch some way.”
Some of the others were: Al Brumfield, Charley Brumfield, Fed Adkins, and Burl Farley.
Bob never identified his father as a member of the mob but mentioned that his father was a friend to the Dingesses on Smokekouse.
He said he remembered seeing Ed play at the schoolhouse above the mouth of Piney when he was nineteen years old.
“He was a real fiddler,” Bob said.
In subsequent weeks, Brandon and I went through most of our information — processing it, sorting it, discussing it. We thought more about the story of Milt causing Ed’s blindness by dipping him in ice water and wondered how anyone would have ever equated those as cause-effect events. I got on the phone with Dr. Tom Holzen, a doctor-friend of mine in Nashville, who said Milt’s dipping of Ed in ice water, while a little crude, was actually the right kind of thing to do in that it would have lowered his fever. Based on that, Milt seems to have been a caring father trying to save Ed’s life or ease his suffering. Was it the act of a desperate man who had already lost other children to disease?
15 Tuesday Jul 2014
Posted in Big Harts Creek, Ed Haley
Tags
Andy Mullins, Ashland, blind, Brandon Kirk, Columbus, Dobie Mullins, Ed Haley, Edith Dingess, Ella Haley, Ewell Mullins, Ferrellsburg, fiddling, genealogy, Harts Creek, history, Huntington, Imogene Haley, John Hartford, Kentucky, Lancaster, Lawrence Haley, Liza Mullins, Liza Napier, Logan, Mud Fork, music, Nashville, Ohio, Ora Booth, Pat Haley, Peter Mullins, West Virginia, writing
By the spring of 1997, Brandon and I were at a reflective point in our research efforts. We had begun to lose our edge. After all, how many times could we ask, “Now, how did Ed Haley hold the bow?” or “Do you remember the names of any tunes he played”? We decided to step away from interviewing people and focus on writing what we knew about Ed’s life and music. I spent long hours in Nashville at my dining room table listening to Ed’s recordings and working with the fiddle, while Brandon — in his three-room house in Ferrellsburg — transcribed interviews, re-checked facts, and constructed a manuscript. This went on for quite some time.
Eventually, Brandon came to visit and we decided to telephone a few people and ask more questions. Our first call went out to Edith Dingess, the only surviving child of Ed’s uncle, Peter Mullins. Andy and Dobie Mullins had told us about her several months earlier when we visited them on Harts Creek. Edith, they said, had recently moved from her home on Mud Fork in Logan to stay with a daughter in Columbus, Ohio. When we dialed her up, her daughter said, “She might be able to give you some information. Her memory is pretty bad. She’s 81 years old and she’s had a couple of real major heart attacks.”
I first asked Edith if she knew about Ed’s mother — her aunt — who apparently died in the early 1890s. Unfortunately, Edith didn’t know anything about her. As a matter of fact, she said she barely remembered Ed, who we knew had been practically raised by her father. She said he was a “nice person, likeable” who would “laugh and joke and go on.”
“I know Ed Haley used to come to our house with Mrs. Haley and they had a little girl. Might’ve had some boys — older,” Edith said. “I believe they lived down around Huntington. They’d come up home when my dad was a living and we was all home — I was young then — and they’d play music and we’d have company. We used to have some square dances at our house. We had some good times when he come up there.”
Edith said Ed’s children led him around, but he also got around using a cane.
Before we hung up, Edith gave us the telephone number of her niece, “Little Liza,” who lived with a daughter in Lancaster, Ohio. This was wonderful; I had first heard about Little Liza from Lawrence and Pat Haley in 1991. Little Liza had grown up in Uncle Peter’s home and was a featured face in family photographs. Prior to this lead, I wasn’t even sure if she was still alive.
When we called Liza, we first spoke with her daughter, Ora Booth, who gave the familiar introduction: “I don’t know if you’ll get too much out of her or not. She’s kinda forgetful and she repeats herself a lot. All I can do is put her on the phone and see what you get out of her. She’s seventy-six and her mind just comes and goes on a lot of things.”
I told Liza that I was good friends to Lawrence and Pat Haley, had heard a lot about her, and was very interested in Ed’s life. She said Ed used to stay a week or two with Uncle Peter — who she called “Poppy” — before heading back to Ashland. To our surprise, she had no idea exactly how Ed was related to her family.
“It’s been so long and you know I’ve been sick and everything and been operated on for cancer and stuff and I just don’t feel good,” she said. “When you get old, your mind just comes and goes.”
Just when I thought Liza’s memories of Ed had all but disappeared, she said, “I tell you, he was awful bad to drink all the time. Lord, have mercy. Anything he could drink, he’d drink it. That might have been half what killed him. He was a mean man. Just mean after women and stuff. I don’t know whether he could see a bit or not, but you’d get and hide from him and he’d come towards ya. I was scared of him.”
I asked Liza who Ed played music with when he visited at Peter’s and she said, “He just played with his wife. He didn’t have nobody else to play with. Lord, him and her’d get into a fight and they’d fight like I don’t know what.”
I wondered if Ed fought with his kids.
“Yeah, they liked to killed Ed Haley one time up there,” she said. “They’d just get into a fight and the kids’d try to separate their mommy and daddy and it’d just all come up. I had to holler for Ewell to come down there and get them boys off’n Ed Haley ’cause I was afraid they’s a gonna kill him. I didn’t want that to happen, you know? He got down there and buddy he put them boys a going. They was mean. I guess they took that back after Ed Haley. Yeah, he’d come up there and go here and yonder. After Mommy and Poppy got so bad off, people’d bring him down there and set him off and I had to take care of them, so Poppy just told him, said, ‘Ed, she has to wait on us and she can’t wait on you. You’ll just have to go somewhere else.’ He did.”
That was a horrible image.
11 Friday Jul 2014
Posted in Big Harts Creek, Culture of Honor, Ed Haley, Lincoln County Feud, Warren
Tags
Al Brumfield, Albert Dingess, Anthony Adams, Ben Adams, Bill Brumfield, Bill's Branch, Billy Adkins, blind, Blood in West Virginia, Boardtree Bottom, Brandon Kirk, Buck Fork, Burl Farley, Carolyn Johnnie Farley, Cecil Brumfield, Charley Brumfield, Charlie Dingess, crime, Ed Haley, Fed Adkins, fiddling, French Bryant, George Fry, Green McCoy, Green Shoal, Hamlin, Harts Creek, Harve "Short Harve" Dingess, Hell Up Coal Hollow, Henderson Dingess, history, Hugh Dingess, John Brumfield, John Dingess, Kentucky, life, Lincoln County Feud, Low Gap, Milt Haley, murder, Paris Brumfield, Polly Bryant, Smokehouse Fork, Sycamore Bottom, Tom Maggard, Trace Fork, Vilas Adams, West Fork, West Virginia, Will Adkins, Williamson, writing
Al rounded up a gang of men to accompany him on his ride to fetch the prisoners in Williamson. Albert and Charlie Dingess were ringleaders of the posse, which included “Short Harve” Dingess, Hugh Dingess, John Dingess, Burl Farley, French Bryant, John Brumfield, and Charley Brumfield. Perhaps the most notorious member of the gang was French Bryant – “a bad man” who “did a lot of dirty work for the Dingesses.” On the way back from Kentucky, he tied Milt and Green by the arms and “drove them like a pair of mules on a plow line.”
“French Bryant run and drove them like a pair of horses ahead of these guys on the horses,” John said. “That’s quite a ways to let them walk. Old French, he married a Dingess. I knew old French Bryant. When he died, he was a long time dying and they said that he hollered for two or three days, ‘Get the ropes off me!’ I guess that come back to him.”
When the gang reached the headwaters of Trace Fork — what John called “Adams territory” — they sent a rider out ahead in the darkness to make sure it was safe to travel through that vicinity.
Waiting on the Brumfield posse was a mob of about 100 men hiding behind trees at Sycamore Bottom, just below the mouth of Trace Fork. This mob was led by Ben and Anthony Adams and was primarily made up of family members or people who worked timber for the Adamses, like Tom Maggard (“Ben’s right hand man”).
As the Brumfield rider approached their location, they began to click their Winchester rifles — making them “crack like firewood.” Hearing this, the rider turned back up Trace Fork, where he met the Brumfields and Dingesses at Boardtree Bottom and warned them about the danger at the mouth of Trace. They detoured safely up Buck Fork, then stopped at Hugh Dingess’ on Smokehouse where they remained for two or three days, not really sure of what to do with their prisoners. They made a “fortress” at Hugh’s by gathering about 100 men around them, fully aware that Ben Adams might make another effort to recapture Milt and Green.
While at Hugh’s, they got drunk on some of the red whiskey and apple brandy made at nearby Henderson’s. They also held a “trial” to see if Milt and Green would admit their guilt. They took one of the men outside and made him listen through the cracks between the logs of the house as his partner confessed on the inside. About then, the guy outside got loose and ran toward Bill’s Branch but was grabbed by “Short Harve” Dingess as he tried to scurry over a fence.
After this confession, the Brumfields and Dingesses considered killing Milt and Green on the spot but “got scared the Adamses was gonna take them” and headed towards Green Shoal.
John didn’t know why they chose George Fry’s home but figured Mr. Fry was a trusted acquaintance. He said they “punished” them “quite a bit there” but also got one to play a fiddle.
“These people that killed them, they made them play their last tune,” John said. “One of them would play and one guy, I think, he never would play for them. I forgot which one, but they never could get one guy to do much. The other one’d do whatever they’d tell him to do. That’s just before they started shooting them. The tune that they played was ‘Hell Up Coal Hollow’. I don’t know what that tune is.”
After that, the mob “shot their brains out” and left them in the yard where the “chickens ate their brains.”
A neighbor took their bodies through Low Gap and buried them on West Fork.
John said there was a trial over Haley and McCoy’s murders, something we’d never heard before. Supposedly, about one hundred of the Brumfields and their friends rode horses to Hamlin and strutted into the courtroom where they sat down with guns on their laps. The judge threw the case out immediately because he knew they were fully prepared to “shoot up the place.”
This “quick trial,” of course, didn’t resolve the feud. Back on Harts Creek, Ben Adams often had to hide in the woods from the Dingesses. One time, Hugh and Charlie Dingess put kerosene-dowsed cornstalks on his porch and set them on fire, hoping to drive him out of his house where they could shoot him. When they realized he wasn’t home, they extinguished the fire because they didn’t want to harm his wife and children. Mrs. Adams didn’t live long after the feud. Ben eventually moved to Trace Fork where he lived the rest of his life. Charlie never spoke to him again.
John also said there seemed to have been a “curse” on the men who participated in the killing of Haley and McCoy. He said Albert Dingess’ “tongue dropped out,” Al Brumfield “was blind for years before he died,” and Charlie Dingess “died of lung cancer.” We had heard similar tales from Johnny Farley and Billy Adkins, who said mob members Burl Farley and Fed Adkins both had their faces eaten away by cancer. Vilas Adams told us about one of the vigilantes drowning (Will Adkins), while we also knew about the murders of Paris Brumfield, John Brumfield, Charley Brumfield, and Bill Brumfield.
Just before hanging up with John, Brandon asked if he remembered Ed Haley. John said he used to see him during his younger days on Harts Creek.
“When he was a baby, old Milt wanted to make him tough and he’d take him every morning to a cold spring and bath him,” he said. “I guess he got a cold and couldn’t open his eyes. Something grew over his eyes so Milt took a razor and cut it off. Milt said that he could take that off so he got to fooling with it with a razor and put him blind.”
John said Ed made peace with a lot of the men who’d participated in his father’s killing and was particularly good friends with Cecil Brumfield, a grandson of Paris.
26 Thursday Jun 2014
Posted in Big Harts Creek, Ed Haley, Lincoln County Feud, Music
Tags
Andy Mullins, banjo, Bernie Adams, Bill Adkins, Bill Monroe, Billy Adkins, Black Sheep, blind, Bob Dingess, Brandon Kirk, Buck Fork, Claude Martin, Dingess, Dobie Mullins, Drunkard's Hell, Ed Haley, Floyd Mullins, George Baisden, George Mullins, Green McCoy, Grover Mullins, guitar, Harts Creek, history, Hollene Brumfield, John Hartford, Logan County, Maple Leaf on the Hill, measles, Michigan, Millard Thompson, Milt Haley, Mona Haley, moonshine, music, Naaman Adams, Roxie Mullins, Smokehouse Fork, Ticky George Hollow, Trace Fork, West Virginia, Williamson, Wilson Mullins, writing
From Naaman’s, we drove out of Trace and on up Harts Creek to see Andy Mullins, who Brandon had met a few months earlier at Bill Adkins’ wake. Andy had just relocated to Harts after years of living away in Michigan; he had constructed a new house in the head of Ticky George Hollow. Andy was a son to Roxie Mullins, the woman who inspired my fascination with Harts Creek. Andy, who we found sitting in his yard with his younger brother Dobie, was very friendly. He treated us as if we had known him for years.
“I was just catting when you fellas come up through there,” Andy said to us. “One of the girls lost a cat down there over the bank last night — a kitten. This morning I went down there and it was up in that rock cliff and I took its mother down there and it whooped the mother. And I took one of the kittens down there and it whooped the kitten. The old tomcat, he come down there and he whooped it. It went back up under that damn rock.”
I liked Andy right away.
We all took seats in lawn chairs in the front yard where Andy told about Ed Haley coming to see his parents every summer when he was a boy, usually with his wife. He described him as having a “big, fat belly” and weighing about 200 pounds.
“He wasn’t much taller than Dobie but he was fat,” Andy said. “I can remember his eyes more than the rest of him because his eyes was like they had a heavy puss over them or something. It was real thick-like. Not like they were clouded or anything.”
Even though Ed was blind, he could get around all over Harts Creek and even thread a needle.
Andy had heard that Milt caused Ed’s blindness.
“They said that Ed got a fever of some kind when he was a baby and Milt went out and cut a hole in the ice and stuck him under the ice in the creek to break the fever,” he said.
Andy knew very little about Milt.
“Just that Milt got killed, that was it, over shooting the old lady down at the shoal below Bob Dingess’ at the mouth of Smokehouse,” he said.
“All the old-timers that knows anything about his daddy is probably dead,” Dobie said.
Brandon said we’d heard rumors that Milt and Green were innocent of shooting Hollena Brumfield and Andy quickly answered, “That’s what my father-in-law told me.”
Changing the conversation back to Ed, Andy said, “Ed used to go up on Buck Fork to George Mullins’ to stay a lot and up to Grover Mullins’. He lived just above George’s place — the old chimney is the only thing still standing.”
He also went up in the head of Hoover to see George Baisden, a banjo-picker who’d hoboed with him in his younger days. The two of them had a lot of adventures, like the time Ed caught a train at Dingess and rode it over to Williamson to play for a dance or at a tavern. Just before they rolled into town, George pushed him off the train then jumped off himself. It made Ed so mad that George had to hide from him for the rest of the night.
I asked Andy if Ed ever told those kind of stories on himself and he said, “He told big tales, I’d call them, but I don’t remember what they were. Well, he set and talked with my grandmother and grandfather all the time he was here, and Mom. I never paid any attention to what they talked about really. I guess, man, I run these hills. I was like a goat. Hindsight is 20/20.”
Not long into our visit with Andy, he got out his guitar and showed me what he remembered about Bernie Adams’ guitar style. From there, he took off on Bill Monroe tunes, old lonesome songs, or honky-tonk music, remarking that he could only remember Ed’s tunes in “sketches.”
I asked, “Do you reckon Ed would sing anything like ‘Little Joe’?” and he said, “I don’t know. It’s awful old. I heard him sing ‘The Maple on the Hill’. He played and sang the ‘Black Sheep’.”
“He played loud, Ed did,” Dobie said.
“And sang louder,” Andy said immediately. “He’d rare back and sing, man.”
The tune he best remembered Ed singing was “The Drunkard’s Hell”.
I wanted to know the time frame of Andy’s memories.
“1944, ’45,” he said. “I was thirteen year old at that time. Now in ’46, we lived across the creek up here at Millard’s. Him and Mona Mae and Wilson — they wasn’t married at the time — went somewhere and got some homebrew and they all got pretty looped. That was up on Buck Fork some place. Ed got mad at Wilson and her about something that night and that’s the reason they didn’t play music — him and Claude Martin and Bernie Adams.”
I asked Andy about Ed’s drinking and he said, “Just whatever was there, Ed’d drink. He didn’t have to see it. He smelled it. Ed could sniff it out.”
Brandon wondered if Ed ever played at the old jockey grounds at the mouth of Buck Fork. Andy doubted it, although it sure seemed to me like the kind of place for him to go. There was moonshine everywhere and men playing maybe ten card games at once.
“They’d get drunk and run a horse right over top of you if you didn’t watch,” Andy said. “It was like a rodeo.”
The last jockey ground held at the mouth of Buck Fork was in 1948.
21 Saturday Jun 2014
Posted in Big Harts Creek, Ed Haley, Logan, Music
Tags
Billy Adkins, blind, Brandon Kirk, Cacklin Hen, Clyde Haley, Dood Dalton, Ed Haley, Ella Haley, fiddle, fiddling, guitar, Harts, Harts Creek, history, Huntington, John Hartford, Lincoln County, Logan, mandolin, Marshall Kelley, music, West Virginia, writing
That night, Brandon and I congregated at Billy Adkins’ house in Harts Bottom. In ensuing conversation, Billy told us about Marshall Kelley, an old-timer in the community who remembered Ed. He dialed Marshall up, then put me on the telephone. Marshall said he was seventy-three years old, had been born and raised about three miles up Harts Creek and was the son of a Baptist preacher. He was great: I didn’t have to prod him with questions. He just took off, beginning with a story about seeing Ed walking up toward Dood Dalton’s.
“I was about two or three blocks away from him,” Marshall said. “I lived in a house about 100 yards from the road and I could see the people going and coming up and down the road. And I saw a man — a little bit short — going, walking. It looked like he was carrying a guitar — might have been a mandolin — in one hand and his fiddle in the other hand. Somebody said they believed that was Ed Haley and he was being led by a young man that was just a little taller than him. In other words, this man was holding onto his arm. They were walking side by side. And he went down there and went up a hollow then about half a mile — maybe three quarters of a mile — to the home of Dood Dalton. They were acquainted with each other. Ed played the fiddle the biggest part of the afternoon.”
I asked Marshall if he remembered anything specific about Ed’s fiddling.
“I heard him play the ‘Cacklin’ Hen’ on the fiddle and made her cackle,” he said. “Buddy, he could make that sound just almost exactly like a chicken cackling. And I noticed the sound of that fiddle. And down in those little grooves — places where you could look down in the head of his fiddle — I could see some letters down in there, like a little sticker, that said, ‘Made in Germany.’ And his fiddle looked old cause it didn’t have much varnish on it. Dood made mention about putting new varnish on it and he said he didn’t want to. He said they played better — had a better sound — without any varnish on it. None of them sounded just like his fiddle and he wouldn’t change.”
Marshall said he saw Ed play at Logan and Huntington, too.
Then I heard him two or three times in Logan up around the courthouse singing and playing. One time they was a woman with him somebody said was his wife and she was also blind. I believe she was playing a mandolin. Then the next thing, I grew up a little bit and I went to Huntington. And I was a going down one of the streets and I heard a fiddle a playing. It was far enough away that I couldn’t tell what direction it was in. I stopped once and listened. And after a while, I went on down there and here was a gang of people ganged up and there was him and his wife again a playing. And I thought as I went walking down that way, ‘That sounds just like Ed Haley.’ And sure enough it was.”
Just before Marshall and I hung up, he told me what he knew about the Haley children.
“I only got acquainted with the one named Clyde,” he said. “And I saw him there at Dood Dalton’s house. Just talked with him a little bit. Me and him was approximately the same age. He got to sparking Dood’s girl and I was trying to take her away from him and whenever I seen I couldn’t make no headway I just walked away and left and then she quit him.”
20 Friday Jun 2014
Posted in Big Harts Creek, Culture of Honor, Ed Haley, Lincoln County Feud
Tags
Al Brumfield, Albert Dingess, Ben Adams, Bill's Branch, blind, Buck Fork, Dorothy Brumfield, Ed Haley, Ella Haley, feud, French Bryant, Green McCoy, Harts Creek, Harve "Short Harve" Dingess, history, Hollene Brumfield, Hugh Dingess, John Brumfield, Lincoln County Feud, Logan County, Milt Haley, Piney, Smokehouse Fork, Ticky George Adams, timbering, Violet Mullins, West Virginia, writing
Sensing that Dorothy had told all she knew about Ed and knowing that she was one-quarter Dingess, we asked her about Milt Haley.
“Some terrible things went on about Ed’s daddy,” she said. “I heard about that.”
Dorothy blamed the trouble squarely on Ben Adams. She said he was a “bully” who wanted to control all the timber on Harts Creek. He hired Milt Haley and Green McCoy to kill Al Brumfield but they accidentally shot Hollena.
“And them men that shot them went back in towards Kentucky somewhere and they put out a reward for them,” Dorothy said.
Haley and McCoy were soon caught and a Brumfield posse took possession of them.
Ben Adams organized a mob to free them at the mouth of Smoke House Fork but the Brumfields were warned by a spy and detoured up Buck Fork and over a mountain to Hugh Dingess’ house.
“The Adamses come a hair of catching them,” Dorothy said. “You can just imagine what kind of war would have been if they had a got them.”
A large number of men gathered in at Hugh’s for protection, including Albert Dingess (her great-grandfather), “Short Harve” Dingess (her great-uncle), John Brumfield, and French Bryant, among others. At some point, they took Milt outside and shot a few times to scare Green into making a confession inside Hugh’s, but Milt yelled, “Don’t tell them a damn thing. I ain’t dead yet!” McCoy yelled back, “Don’t be scared. I ain’t told nothing yet!”
Dorothy said the mob eventually took Milt and Green up Bill’s Branch and down Piney where they “knocked their heads out with axes and the chickens eat their brains.”
Just before we left Dorothy, we asked if she remembered any of Ed’s family. She said his uncle Ticky George Adams (the grandfather of her late husband) was a ginseng digger who spoke with a lisp and loved to heat hog brains. This image contrasted sharply with what others around Harts Creek had said: that he was a moonshiner who’d shoot someone “at the drop of a hat.” Violet Mullins had told us earlier how Ticky George would get “fightin’ mad” if anyone called him by his nickname. The only thing Dorothy knew about Ed’s wife was, “She went in the outside toilet and then after that some woman went in there and said they was a big blacksnake a hanging. They said she went places and played music.”
19 Thursday Jun 2014
Posted in Big Harts Creek, Ed Haley, Holden
Tags
Albert Dingess, Alice Dingess, Birdie, blind, Brandon Kirk, Cecil Brumfield, Cripple Creek, Dorothy Brumfield, Ed Haley, fiddler, fiddling, Harts Creek, Henderson Dingess, history, Holden, Hugh Dingess Elementary School, John Brumfield Jr., John Hartford, Kentucky, Logan County, Louisa, Milt Haley, music, Smokehouse Fork, West Virginia, Wildwood Flower, writing
About a half hour later, we drove up the Smoke House Fork of Harts Creek to see Dorothy Brumfield. Dorothy lived in a white one-story home situated on a hillside overlooking the Hugh Dingess Elementary School, just down the stream from the old Henderson Dingess homeplace. Dorothy had been born in 1929 at Louisa, Kentucky, but came to Harts when she was seventeen and soon married John Brumfield, a son of Ed’s friend, Cecil. Her father was a descendant of Albert Dingess, a member of the 1889 mob.
I started the conversation by asking Dorothy about Ed. She said she never knew him personally but heard that he lost his eyesight after his father dipped him in water. She also heard that he was a great fiddler when he got “pretty high” but was mean and eager to fight if he drank too much.
Dorothy knew the story about Ed borrowing a fiddle from her father-in-law Cecil Brumfield; her husband later acquired it. “He had come through here and borrowed a fiddle off of Paw Brumfield, him and Bernie Adams, and went up yonder to Logan and pawned it,” she said. “Paw Brumfield liked to never found it.”
Dorothy said the only time she actually saw Ed was when her husband brought him home early one Sunday morning around 1949-50.
“My husband worked at Holden, and I’d heard tell of Ed Haley but I hadn’t met him,” she said. “So John stopped at the top of Trace Mountain at this place. Back then, they called them saloons. And he was supposed to been in at one o’clock in the morning. He didn’t make it. Oh, did I get mad when four o’clock come in the morning. Here he knocked on the door and I could tell someone was with him, but I couldn’t make out that it was a blind person with him. I thought it was just somebody real drunk that had passed out. He got here in the house with him and I fixed them something to eat.”
“Why didn’t I know you all was over there and got me a babysitter and caught me a ride over there and had me a time?” Dorothy said to her husband. “What would you done if I’d walked in?”
“What, mam?” Ed said.
“All them women John had over there tonight,” she said to Ed.
“Mam, he didn’t have no women,” Ed said.
“Now sir, you told me you couldn’t see,” she said. “How do you know?”
“Well, John sit beside of me,” Ed said.
A little later, Dorothy fixed Ed a bed and she went and asked her husband, “Would you tell me who in the world you’ve brought home with you again?”
John said he’d stopped in at that saloon and found Ed playing music “and a bunch of them women dancing” and he “wouldn’t leave Ed there. When they closed, he brought him here.”
“Well, then they got up the next morning and I said, ‘Now John you help him around and show him around.’ I was already mad at John for laying out. Little bit jealous, too. We hadn’t been married long.”
Dorothy said she cooked a big breakfast for everyone.
“Mam, have you got any onions?” Ed asked her at the table.
“Yes I have but why would you want an onion for breakfast?” she said.
“Don’t you know what onions are good for?” Ed said. “Many a things.”
Dorothy said Ed seemed intelligent by the morning conversation.
After breakfast, Ed went back into the front room and played the fiddle for Dorothy’s kids in front of the fireplace. She said he held his fiddle under his chin and played “Wildwood Flower” and an extremely fast version of “Cripple Creek”.
John said, “Ed, play that there ‘Birdie’ for these children.”
“Well, he stayed around and I think they drunk all the booze up,” Dorothy said. “John, he was wanting more booze, too, so he went off with Ed to Aunt Alice’s or somewhere and got some liquor and he didn’t come back till about dark. I don’t know where all he took Ed. When he come back, he kept telling me why he brought him here. He said that he didn’t want to leave him. If something happened, he wouldn’t forgive hisself. Nobody else wouldn’t take him after all the big time was over with.”
03 Tuesday Jun 2014
Posted in Culture of Honor, Ed Haley, Green Shoal, Lincoln County Feud
Tags
Al Brumfield, Arena Ferrell, blind, Brandon Kirk, Cat Fry, crime, feud, Green McCoy, Green Shoal, Harts, history, Hollene Brumfield, Ida Taylor, J.L. Caldwell, Jake Davis, Jim Brumfield, Lincoln County, Lon Lambert, Mae Brumfield, Milt Haley, Paris Brumfield, Virgie Rooney, Watson Lucas, West Virginia, writing
In the early summer of 1996, Brandon made contact with Vergia Rooney, a daughter of Jim Brumfield and granddaughter of Paris Brumfield. Vergia was born in 1899 (making her the oldest person interviewed in this project) and was raised on Green Shoal. She was an older sister to Ida Taylor, with whom we had spoken in 1995. She had lived in Texas since 1930.
Vergia said Al Brumfield practically raised her father, who was young when his parents died. Later, when Vergia was about five years old, she went with her father to visit Al at his beautiful two-story white house in Harts. As far as she remembered, Al was well-dressed, clean-shaven, and had dark hair. He was blind, so he wore dark glasses and kept a cane near him. “He was suffering from a progressive illness he had which terminated to him being blind,” Vergia said. For much of the visit, Al sat in the first story front room facing the river, what he called the “sitting room.” He eventually adjourned to the kitchen where he sat at the table and had coffee and a piece of cake.
Vergia said Al’s home was nice and had a store built next to it so close that the two buildings almost touched each other. The whole place was busy with workers, all of whom were supervised by Aunt Hollena Brumfield. Vergia didn’t remember Al having a gristmill but he did have a large barn just up the creek in a bottom. A little further, behind Mae Brumfield’s present-day house, was his log boom, which had in earlier years been the scene of a lot of trouble.
This “earlier trouble,” of course, was the 1889 feud, which Vergia said started when some “McCoy outlaws” became jealous over the Brumfield boom and ambushed Al and Hollena as they rode a single horse down the creek. It was never proven, but Milt Haley and Green McCoy were accused of committing the ambush. They were taken to a two-story, log house at the mouth of Green Shoal and beaten to death by a Brumfield mob.
Vergia’s grandmother Cat Fry hid under a bed during the killings.
The morning after Milt and Green’s murder, Vergia’s mother spotted their bodies on her way to school.
“It was an awful sight,” Vergia said. “They were draped on the front steps and yard. One of them lay across the doorstep going into the house.”
There was never a trial because people like Cat Fry, who knew a lot about the killings, seldom discussed it. Vergia didn’t hear anyone mention the names of the participants when she lived in Harts because many of the people involved were still alive in the community.
Vergia said the murders occurred at the present-day Lon Lambert place at the mouth of Green Shoal. It was vacant when she first remembered it and was in terrible condition. At that time, it faced upriver and had a front and back door, which she remembered swinging open at times, with two steps leading into each of the two doorways. There were windows in the front and back of the house. It had, at most, two rooms on the bottom floor. The upstairs was used as a “drying room” for apples and peaches. Around 1905, Al Davis moved in and remodeled it. He tore the downriver side (back) away, which had pretty much collapsed, and boxed in the old door on the front of the house. A new front door was constructed to face the railroad tracks.
Vergia’s memories of Al Davis living in and remodeling the old Fry home were interesting in that he never owned the property. From 1902 until 1915, the property was in the hands of J.L. Caldwell, who likely rented it to Davis and perhaps others. Watson Lucas bought it in 1919 from Arena Ferrell.
“I am unable to remember in detail about the house as I never was inside the home until Watson Lucas brought the property,” Vergia later wrote Brandon. “I was there twice but several times after the Lamberts purchased the property from Watson Lucas. There were 2 BR, 1 LR-Kitchen, DR and bath room downstairs and I believe, there was a ladder [inside the house] utilized to [get] upstairs for awhile. I was never upstairs, but I think there [were] two rooms upstairs later on.”
Watson’s daughter-in-law Mabel Lucas remembered the home when she moved to Harts in 1939-40 as having four rooms downstairs and two rooms upstairs. There was no staircase in the house; to get upstairs, one had to climb a set of steps built outside against the upriver side of the building. So far as Mabel knew, the place was a frame house (not log), insinuating that the old Fry home had been torn down in previous years.
18 Sunday May 2014
Posted in Calhoun County, Civil War, Ed Haley, Music
Tags
Ashland, Atlanta, Big Ugly Creek, Birdie, blind, Boatin' Up Sandy, Catlettsburg, Chapmanville, Charleston, Cincinnati, civil war, Clark Kessinger, Coalton, Crawley Creek, Ed Haley, Ella Haley, fiddlers, fiddling, Girl With the Blue Dress On, Godby Branch School, Grantsville, Grayson, Great Depression, Green Shoal, Harts School, history, Hugh Dingess School, John Hartford, Kentucky, Lawrence Haley, Logan, Margaret Arms, Mona Haley, music, Orange Blossom Special, Pat Haley, Ralph Haley, Slim Clere, Sweet Georgia Brown, Tennessee Waggoner, The Old Lady Carried the Jug Around the Hill, Wewanta, writing
We hadn’t played long until Slim was telling me more about his background.
“I came from a line of Irish fiddlers,” he said. “My dad, his brothers, and his dad… The old man was so good on the fiddle — he was in the Civil War — my grandfather — that the soldiers all chipped in and bought him a fiddle and he didn’t have to fight. He was from Coalton on the road to Grayson out back of Ashland.”
Slim said his dad played “The Old Lady Carried the Jug Around the Hill” and “Girl With the Blue Dress On”.
Here comes the girl with the blue dress on, the blue dress on, with the blue dress on.
Everybody’s crazy about the girl with the blue dress on…
I asked him if his father played “Catlettsburg” and he said yes, although it was not the same version as what Ed played.
“My dad played it,” Slim said. “He played ‘Birdie’, ‘Tennessee Waggoner’. He got these two fingers cut when he was working at a steel mill and his fingers stayed stiff so he had to play the rest of his life with these two fingers. I don’t remember when he played with all five ’cause I was too small. He played ‘Boatin’ Up Sandy’.”
Every now and then, Slim would tell me something about Ed.
“Every Saturday Ed would go to a county courthouse someplace,” he said. “Believe it or not, he was in Grantsville one time when I was up there, sitting on the steps up there at the courthouse. I walked over, I said, ‘Ed, aren’t you out of place?’ He said, ‘You’re liable to find me anywhere.'”
I asked Slim if he ever saw Ed drunk and he said, “I don’t think I ever saw him sober. He didn’t get too high. Seemed like it give him more pep.”
I asked Slim if he remembered Sweet Georgia Brown coming to see Ed in Ashland and he said, “He was up in Ashland at one time. We called him Brownie. Well, he wasn’t around Ed too much. Ed was a close guy. He didn’t associate with a lot of people. Now, he liked me pretty well…but most fiddle players don’t like fiddle players.”
Speaking of fiddlers, Slim said he had met a lot of them during his lifetime. I wondered if he ever met any as good as Ed and he said, “Clark Kessinger was the closest. I think Clark learned from him. See when Clark made records for Brunswick — they had a studio down in Ashland — Ed wouldn’t play on it. He wouldn’t make records. Didn’t want to. He wouldn’t play over the radio. He said they wasn’t any money in that. He wanted to be somewhere somebody could throw a nickel or dime in that cup. He was very poor. He wasn’t starving to death, but — his wife was blind, too — there was no way that they could make any money. And he had a 17- or 18-year-old boy — he was a good guitar player, but he wouldn’t play with him. I don’t remember what his name was. He was ashamed of his father and mother — to get out in public. Not for any personal reasons…just the fact he could see and they couldn’t.”
Slim began talking about his own career in music, mostly his Depression-era radio work. He mentioned working with or meeting people like Bill and Charlie Monroe and Earl Scruggs and even credited himself with bringing “Orange Blossom Special” to Charleston from Atlanta in October of 1938. He kind of caught us by surprise when he spoke of having played all through the Guyandotte Valley.
“We played personal appearances up and down through there,” Slim said. “Played schools and theaters: Godby Branch School, up on Crawley Creek — one room school — and Hugh Dingess School — it was about an eight-room red brick building — Green Shoal, Wewanta. Harts School, I guess I must have played that school fifteen times. From about ’39 on up to 50-something. Everybody turned out when we played Harts. It was supposed to be the meanest place they was on the Guyan at that time. Came across Big Ugly Creek there. See, it goes from Lincoln County over into Boone. I used to broadcast down in there. I’d say, ‘All you Big Ugly girls be sure to come out and see us now.'”
I asked Slim if he played with any local musicians and he said, “No, we went in and played the show. Once in a while, we’d have amateur contests and they’d come in. Well, we’d have fiddling conventions at big high schools.”
I asked Slim if he ever saw Ed around Harts and he said, “No, not down there. Only time I ever seen Ed was around Ashland and Logan and Chapmanville. He played at the bank in Chapmanville. Chapmanville was 12 miles from Logan.”
Later that night, Brandon and I found some more family photographs in a box at Pat Haley’s. One was of Ella, while others were of Margaret Arms. Margaret was a real “mystery lady”: nobody seemed clear on her relationship to the Haley family. Lawrence Haley had remembered her as a cousin to either Ed or Ella, while Mona called her “Margaret Thomas” and said she lived in Cincinnati.
16 Friday May 2014
Tags
Ashland, Atlanta, Bert Layne, Bill Day, Blackberry Blossom, blind, Clayton McMichen, Dill Pickle Rag, Ed Haley, Ed Morrison, Ella Haley, fiddle, fiddlers, Gary, Goodnight Waltz, Grand Ole Opry, history, Indiana, Jesse Stuart, John Carson, Kentucky, Lowe Stokes, mandolin, music, Ohio, Over the Waves, Portsmouth, Riley Puckett, Slim Clere, South Charleston, South Shore, Sweet Bunch of Daisies, Theron Hale, Vanderbilt University, Wednesday Night Waltz, West Virginia, World War I, WSM
The next day, after a few hours of sleep at Wilson’s house, Brandon and I drove to see fiddler Slim Clere in South Charleston, West Virginia. Slim was born in Ashland around the time of the First World War and knew a lot about Ed. We were parked behind his two-story house and were unloading our “gear” when he appeared out of a back door and led us inside his house (past some type of home recording studio) and up a flight of stairs. We sat down in the living room where we met his wife, a vivacious middle-aged woman who fetched several scrapbooks at Slim’s request. We flipped through the pages while Slim told us about some of his early experiences.
“I knew Jesse Stuart in 1934,” he said. “He lived at South Shore, Kentucky, across the river from Portsmouth, Ohio. He went to Vanderbilt. I believe he did play football. He used to date Theron Hale’s daughter that used to be at WSM at the Grand Ole Opry. I thought maybe he might marry her but he didn’t. Well anyway, I went away. I left my home and went to Atlanta. Well I went to Gary, Indiana, and everywhere, and worked with Bert Layne and Riley Puckett and some of those old-timers. I knew old Fiddlin’ John Carson. I never did meet Lowe Stokes. He lost an arm in a hunting accident. At one time he was a better fiddle player than McMichen. But Mac come out of it. He really could play. I patterned a lot of my style after him.”
Slim pointed to a picture of himself in his youth and said, “That’s back when I had hair and teeth.”
I was anxious to talk about Ed, so I asked Slim if he could remember the first time he ever saw him.
“I grew up knowing him,” Slim said. “He used to come down to the Ashland Park there every Sunday and sit around and fiddle for nickels and dimes on a park bench and I’d sit on there and watch him play.”
Slim said Ed Haley, Ed Morrison, and Bill Day were his primary influences during his younger days in Ashland.
“He was hot stuff,” Slim said of Haley.
He described Ed as a “loner” but said his wife was always with him.
“The old lady chorded a taterbug mandolin,” he said.
Ed played on a little yellow fiddle, which he wouldn’t let anyone “get a hold of,” and kept a cup between his legs for money. Down at his feet on the ground was his old wooden case, “made like a coffin.”
How much would you have to put in the cup to get him to play a tune?
“Didn’t matter,” Slim said.
Could he tell how much you dropped into the cup?
“He’d know just to the tee what it was,” he said. “He could tell the difference between a penny and a dime.”
Would the length of how long he played the tune depend on how much you dropped in the cup?
“No, he liked to play.”
Slim and I got our fiddles out and played a lot of tunes — or parts of tunes — back and forth for about a half an hour. I wanted to know all about Ed’s technique and repertoire. Slim said he “cradled” his fiddle against his chest (“all the old-timers used to do that”) and held the bow way out on the end with his “thumb on the underneath part of the frog.” He moved very little when playing.
“The only action he had was in that arm…and it was smooth as a top,” Slim said. “He fingered his stuff out. He didn’t bow them out. He played slow and beautiful and got the melody out of it. Now, he could play stuff like ‘Dill Pickle Rag’ where you had to cross them strings and that ‘Blackberry Blossom’ was one of his favorites. He played ‘Goodnight Waltz’, ‘Wednesday Night Waltz’. I don’t think ‘The Waltz You Saved For Me’ had been invented yet. He played ‘Over the Waves’ and ‘Sweet Bunch of Daisies’. He didn’t double-stop it, though.”
13 Tuesday May 2014
Posted in Big Creek, Big Harts Creek, Big Ugly Creek, Calhoun County, Music
Tags
Akron, Arthur Smith, banjo, Bertha Bias, Big Creek, blind, Boone County, Boone County Genealogical Society, Broad Branch, Calhoun County, Chapmanville, Clay County, Dave Brumfield, Dicy Thomas, Dolly Bell, Ed Belcher, Ed Haley, Ella Haley, fiddle, fiddler, Garretts Fork, genealogy, Greenview, Harts Creek, Harvey Hicks, Hewetts Creek, history, Hubert Baisden, Irene Hager, Jeff Baisden, Jeff Duty, Jess Chambers, Johnny Hager, Kanawha County, Kansas, Kentucky, Kith and Kin, Laury Hicks, life, Little Coal River, Logan County, Lydia Johnson, Madison, Mary Baisden, Morehead, music, North Fork, Ohio, Powderly, Riland Bias, Robert Martin, Rowan County, Sampson Thomas, Simon Bias, Spruce Fork, Texas, Trace Fork, Turley Adams, Ugee Postalwait, Victoria Adams, West Virginia, Wilson Craddock, writing
After his return to West Virginia, Johnny Hager took immediate notice of the large number of musicians who lived in the head of Big Harts Creek. His first cousin, Jefferson “Jig-Toe” Baisden (1879-1970), was a dancer and banjo-picker. J. E. “Ed” Belcher (1889-1970), who played several instruments, and Robert Martin, an Arthur Smith-style fiddler, were other significant musicians in the area. Ed Haley (1885-1951), a blind fiddler from Trace Fork, particularly caught Hager’s attention. Johnny’s desire to absorb Haley’s music was understandable because, as Jess Chambers stated, “It was a badge of honor to have played with Ed Haley.” Jeff Baisden, a cousin to both men, may have introduced the pair.
Johnny could supposedly play any instrument and his trip out to Kansas allowed him to soak up a variety of western tunes and playing styles which were completely new to folks in Logan County. Both of these qualities, his diverse musical capabilities and his unique musical background, ensured that he an Ed Haley had many intense music sessions. According to Turley Adams, Johnny’s great-nephew, Hager encouraged Ed to take his show on the road and volunteered to serve as Haley’s “eyes” on such trips. This willingness to travel, coupled with his apparent competence as a musician, made Johnny a perfect sidekick to Ed. Haley and Hager were both unmarried, a convenience which allowed them to roam the country with few cares or responsibilities.
Johnny and Ed traveled to various places in West Virginia but are particularly remembered up around the Calhoun-Clay County area north of Kanawha County. Aside from being populated with rural folks similar to Hager’s neighbors in Logan and Boone Counties, the area was also endowed with a host of great musicians. Haley and Hager wintered there as young men with a fiddler named Lawrence “Laury” Hicks (1880-1937). Ugee (Hicks) Postalwait of Akron, Ohio, a daughter of Laury Hicks, said that Ed and Johnny first came and visited her father in the early 1910s. Hager was a tall, slim banjo-picker. When Ed and Johnny left Laury’s home in the spring, with Johnny leading the way, Ugee and her brother stood on the bank by the house and “hollered and cried after them.”
Most agree that Johnny’s travels with Ed Haley ended around 1914 when Haley married Ella Trumbo, a blind music instructor from Morehead in Rowan County, Kentucky. Haley’s habit of cursing and drinking also helped end the partnership. Hager did not care for it.
For the most part, Johnny spent the remainder of his life playing music while boarding with his Baisden kinfolk on the North Fork of Big Creek. Irene Hager, a daughter of Hubert E. and Mary (Pauley) Baisden, remembered Johnny playing music on her father’s front porch in the late 1920s. Her father, a banjo-picker, lived at Greenview and the Big Branch of Spruce Fork of Little Coal River in Boone County. Hubert Baisden was Johnny’s first cousin. Hager boarded with him for several weeks at a time. One of Hager’s chores at the Baisden home was to keep wood in the stove. Irene said that Johnny often talked about his early travels with Ed Haley.
Johnny Hager was a man with little roots and family, a fellow who never had a real home. Many from Harts Creek remember that Hager was simply from the “the North Fork of Big Creek.” Dave Brumfield, a great-nephew, said that Hager stayed in that vicinity with a Thomas family. No doubt, this Thomas family was headed by Sampson Thomas who married Dicy Adams, a sister-in-law to Johnny’s sister Victoria Adams. Incidentally, just over the mountain from North Fork was the Broad Branch of Big Ugly Creek where lived a fiddler named Jefferson “Jeff” Duty (born about 1877). During Hager’s stay on the North Fork, he probably visited this musician (and any others in this locality) to learn a few new licks.
Hager also stayed with Simon and Bertha (Baisden) Bias on Bias Branch in Boone County. Mrs. Bias’ grandfather, Riland Baisden, was a brother to Johnny Hager’s mother. He spent a lot of time on the Garretts Fork of Big Creek with the Barkers before leaving them to stay with Wilson Craddock’s family on Hewitts Creek in Boone County. Mr. Craddock’s widow has a necklace which Johnny gave her during his time there. Lydia (Adkins) Johnson of Powderly, Texas, recalled that Hager lived with her mother and father during her “growing up years at home” in the late 1920s and 1930s. Johnson “was born (around 1923) and raised in Boone Co. just over the hill from Chapmanville.” Hager was a hard worker and was very efficient at “old-time” carpentry jobs and such tasks as digging wells. According to Johnson: “[Johnny] was a handy man, & a fiddle player. (Sometimes) a neighbor would need him to come live with them, to build them an out house for them. He was noted for the best out houses, he earned his keep by living with & helping others.”
Lydia Johson described Johnny as “a very neat man” and Dolly Bell agreed, stating that he always kept his hair cut and his face shaved. He never wore suits and never dated women so far as any of his family knew. In Irene Hager’s words, he “was a pretty straight fellow” and Dave Brumfield said he never drank when visiting his father’s home on Harts Creek.
NOTE: Originally published in “Kith and Kin of Boone County, West Virginia” Volume XXII
Published by Boone County Genealogical Society
Madison, West Virginia, 1997
Dedicated to the late Dolly (Hager) Bell
26 Saturday Apr 2014
Tags
Asa Neal, banjo, Birdie, blind, C&O Railroad, Charlie Mershon, Chet Rogers, Clark Kessinger, Clayt Fry, Community Common, Devil's Dream, Dinky Coffman, Dominique Bennett, Ed Haley, Ella Haley, Elmer Lohorn, fiddle, fiddlers, fiddling, Girl I Left Behind Me, Great Depression, Harry Frye, history, Jason Lovins, John Hartford, John Lozier, John Simon, Kentucky, Kid Lewis, music, Norfolk and Western Railroad, Ohio, Portsmouth, Portsmouth Airs, Portsmouth YMCA, Ragtime Annie, Roger Cooper, Roy Rogers, Russell, West End Jubilee, writing
A little later, I met John Lozier at Portsmouth. He was a real ball of energy. It was hard to believe that he was in his late eighties. I just sat back and listened to him talk about Ed.
“The first time I ever saw Ed Haley he was sitting on the street in a little old stool of a thing — him and his wife — had a little boy with him. They always kept a little boy with them — one of the kids that would lead them here and there and yander. And I didn’t know this but a fella by the name of Charlie Mershon was there and the Mershons are all fiddlers. They live over here in Ohio somewhere. And Charlie went home and told his dad, ‘I heard a man that could out-fiddle you.’ He went over and he had to take his hat off to Ed. But Ed had long, slim fingers like a woman and he played so soft you just had to listen. He was a great fiddler.”
I asked John to tell me about playing with Ed at the Portsmouth YMCA.
“A fella by the name of Dinky Coffman was the head of the entertainment committee at the N&W over here in Portsmouth,” he said. “Well, whenever Dink Coffman would want us to have a little shindig or whatever you want to call it he would take us over in the shops at the N&W at noon. They was about seven hundred people worked over there at one time. And nickels and dimes — whatever they could get — that’s the way Ed Haley made his living. It had to be a rough life. Of course, back in the twenties you make a dollar, honey, you could wrap it ’round a corncob and be nigger rich. And the last time I played with Ed Haley was at the YMCA at the C&O Russell yards.”
I asked John how Ed looked back then and he said, “Ed was a little old short pot-bellied feller. He had an old brown hat on as well as I can remember and just an old brown coat and a pair of britches. He didn’t dress like he was going out on vaudeville stage or anything. His wife would take Braille with her and read Braille for a little extra entertainment. She played a banjo-uke — eight string, short neck — but she just played chords. Mostly me and her would play and she would second after me. One time, we went up to the Russell yards at the YMCA up there and she accompanied me on the piano. I never knew any of the kids.”
John asked to see my fiddle, so I lifted it out of the case and reached it to him. He said to his wife, “Oh, Lord. Look at this. Isn’t that done pretty? My granddad made fiddles and he used three things: a wood chisel, a pocketknife, and a piece of window glass. All he bought was the fingerboard and the apron. And he made little wood clamps and wedges. He wouldn’t let me pick up the fiddle — afraid I’d drop it and break the neck out of it. And I started playing old fiddle tunes on a harp.”
Not long after that, John pulled out his harmonica and played “Devil’s Dream”, “Portsmouth Airs”, “Birdie”, “Girl I Left Behind Me”, and “Ragtime Annie”.
I joined in every now and then, which prompted him to say things like, “You’re putting something extra in there,” or “You missed a note. See that?”
To call him feisty would be a huge understatement.
At one point, he said, “I’m trying to tell you something. You’re gonna be here all day. This is my day.”
A little later he said, “I don’t know if you know what you’re doing or not, but you’re putting a few little slip notes in there. You put more notes in that than what Ed would have put in it. You’ve been listening to Clark Kessinger records.”
Uh-oh.
John opened up a whole new facet of our conversation by mentioning Clark Kessinger, who he’d heard play one time at the West End Jubilee on Market Street in Portsmouth.
“Clark Kessinger was a hard loser in a contest,” John said. “If he lost, he’d just stomp and carry on something awful.”
Clark came to Portsmouth and played a lot because of the great number of musicians in the town during the Depression.
“I come into Portsmouth about the time that Roy Rogers left here,” John said. “Now he had a cousin that was a better guitar player than he was: Chet. He had a little neck like a turkey. And him and Dominique Bennett, Clayt Fry, Elmer Lohorn… Elmer Lohorn was the only man I ever seen that played ‘companion time’ on the guitar. It was a double time — everything he done was doubled. And Harry Frye was a fine tenor banjo player. We had one guitar player by the name of Kid Lewis — was a smart-alec — and he could play classical stuff. But they just sat around and played cards and drank moonshine and got good. Asa Neal was, I’d say, our champion fiddler around here. Asa Neal bought ever record that Clark Kessinger ever put out.”
At that moment, John Simon, a local folklorist, showed up with Roger Cooper, a Buddy Thomas protégé. I got Roger to play the fiddle while I seconded him on my banjo. John Lozier jumped in when we weren’t playing something “just right.” At some point, Jason Lovins, a local newspaper reporter, dropped in with a camera and asked a few questions. He promised to plug my interest in Ed’s life in the Community Common.
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Genealogy and History in North Carolina and Beyond
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Brandon Ray Kirk 