21 Monday Jul 2014
Posted in Big Harts Creek, Lincoln County Feud, Music, Stiltner
Tags
genealogy, Green McCoy, Harts Creek, history, life, Lincoln County, music, photos, Sherman McCoy, Spicie McCoy, Stiltner, Wayne County, West Fork, West Virginia
Sherman Boyd McCoy (1888-1943), son of Green and Spicie (Adkins) McCoy, resident of Wayne County, WV
21 Monday Jul 2014
Posted in Calhoun County, Ed Haley, John Hartford, Music
Tags
Alabama, Arnoldsburg, Ashland, Bill Day, Brandon Kirk, Buttermilk Mountain, Calhoun County, Catlettsburg, Cincinnati, Doc White, Ed Haley, Ella Haley, England, fiddlers, fiddling, George Hayes, Grand Ole Opry, Great Depression, Harvey Hicks, history, Jean Thomas, Jilson Setters, John Hartford, Kentucky, Laury Hicks, Minnie Hicks, Mona Haley, music, Nashville, Nora Martin, Rogersville, Rosie Day, Sweet Florena, Ugee Postalwait, West Virginia, writing
I asked Ugee if Laury ever listened to the Grand Ole Opry and she said, “Yes. He got to hear it the year before he died. He got a radio. Let’s see, what is his name? George Hayes. We had Hayeses that lived down at Arnoldsburg. And he brought Dad up a little radio when Dad was down sick.”
Now, did Ed Haley ever hear the Grand Ole Opry?
“Oh, yes. He heard it down in Kentucky.”
Did he like it?
“No. He went to Cincinnati one time. They was a gonna make records — him and Ella — but they wanted to pick out the one for him to play. Nobody done him that a way. So he said, ‘I’ll pick my own.’ He went to Nashville once. I don’t know as he went to the Grand Ole Opry but he went to Nashville. Somebody drove him, took him down. But when he found out what they done, he didn’t have no use for that.”
Ugee made it clear that she had missed out on most of Ed’s wild times. She knew nothing about his running around with people like Doc White or chasing women. She did say he was bad about telling “dirty jokes.”
“Many a time he’s told me, ‘All right, Ugee. You better get in the kitchen. I’m gonna tell a dirty joke.’ And he’d tell some kind and you could hear the crowd out there just a dying over it. Ella’d say, ‘Mmm, I’ll go to the kitchen, too.'”
I asked Ugee about Ed’s drinking and she told the story again about her brother Harvey giving him drinks to play “Sweet Florena”. She sang some of it for me:
Oncest I bought your clothes, sweet Florena.
Oncest I bought your clothes, sweet Florene
Oncest I bought your clothes but now I ain’t got no dough
And I have to travel on, sweet Florene.
After finishing that verse, Ugee said, “That’s part of the song. And Ella didn’t like to hear that song. I think it reminded her of some of his old girlfriends or something. And she didn’t like for him to play ‘Buttermilk Mountain’, either. He’d throw back his head and laugh. She’d say, ‘Don’t play that thing. I don’t want to hear that thing.’ But she’d second it. She’d draw her eyes close together.”
Brandon asked Ugee about her aunt Rosie Hicks, who was Laury’s sister and a close friend to the Haley family. She said Aunt Rosie was working in Ed’s home in Catlettsburg when she met Blind Bill Day (her sixth husband) during the early years of the Depression. It was a rocky marriage, according to Rosie’s only child, Nora (Davis) Martin.
“I was gonna tell you about him hitting Aunt Rosie,” Ugee said. “He came through the house and Aunt Rosie was upstairs quilting and all at once — Nora said she was in the kitchen cooking — and she heard the awfulest noise a coming down the stairs and said, ‘Mommy had old Bill Day by the leg and was bringing him bumpety-bump down the stairs, dragging him. Got him in the kitchen. He just walked up and hit her with that left hand right in the mouth. She just jerked his britches off of him and started to sit his bare hind-end on the cook stove — and it red hot.’ And Nora said, ‘Oh, Mommy, don’t do that. You’ll kill him.’ She said, ‘That’s what I’m a trying to do.’ And she grabbed her mother and him both and jerked them away from there.”
Ugee was more complimentary of Day’s colleague, Jean Thomas.
“I’ve got cards from her and letters and pictures,” she said. “I’ve been to her house — stayed all night with her. She was nice. She was too good to Bill Day. She spent money on him and give him the name of Jilson Setters. Sent him to England and he played for the queen over there.”
Brandon wondered if Bill Day was a very good fiddler.
“Well, I’m gonna tell ya, I stayed all night with Aunt Rosie and Bill Day one time,” Ugee said. “They lived on 45th Street in Ashland, Kentucky. My brother took me and my mom down there and he hadn’t seen Aunt Rosie for a long time. She’d married again and she lived down there in Ashland, Kentucky. And we aimed to see Ed and Ella, but they was in Cincinnati playing music. That’s who we went to see. So Harvey, he filled hisself up with beer. That’s the first time I ever seen a quart bottle of beer. Anyway, we went up there to hear Uncle Bill play. Harvey laid down on the bed like he was sick. He wasn’t sick: he wanted me just to listen to that fellow play that fiddle. He knowed I’d get sick of it. And he played that song about the Shanghai rooster. I never got so tired in my life of hearing anything as I did that. He only played three pieces. Harvey laid there, he’d say, ‘Play that again. I love it.’ And I had to sit there and listen to it, ’cause I didn’t want to embarrass him by getting up and walking out. I walked over to Harvey and I said, ‘You’re not sick and you’re not tired, so you get up.’ Said, ‘Ugee, I’ve got an awful headache. I drove all the way down here.’ I said, ‘That bottle that you drank give you the headache, so you get up and you listen to your Uncle Bill.’ He went to the toilet. I said, ‘I’m telling you right now — you’re gonna listen to Uncle Bill if I have to listen to him.’ Harvey said, ‘I’m not listening to him no longer. I’ve heard all I want to hear of Uncle Bill.’ I got Harvey up and then I run and jumped in the bed and I covered my head up with a pillow. But we stayed all night and Aunt Rosie went home with us. She told him she’s a going up to Nora’s, but she went to Calhoun with us in the car, and I reckon while she’s gone old Bill tore up the house. I don’t think they lived together very long after that ’cause it wasn’t very long till she come back home. It was home there at my dad’s.”
Brandon asked if Day ever played with Ed in Calhoun County and Ugee said, “Oh, no. If he had, Dad woulda kicked him out.”
Okay, I thought: so Laury had no tolerance for lesser fiddlers. What about Ed?
“Ed Haley, if somebody was playing a piece of music and they wasn’t hitting it right, he’d stick his hands in his pockets and say, ‘Goddamn, goddamn,'” Ugee said. “Dad’d say, ‘Boy, ain’t he good?’ Ed would cuss a blue streak. Then after the man was gone, whoever it was, Dad and Ed would go to mocking him. Dad and Ed Haley was like brothers. They loved each other. Ella and Mom, too. Jack was the baby the first time I seen Ed after he was married. They was expecting Lawrence, so they named him after my dad. Then when she had Mona, why instead of calling her Minnie, she named her after Mom.”
20 Sunday Jul 2014
Posted in Calhoun County, Ed Haley, John Hartford, Music
Tags
Alabama, banjo, Booger Hole, Brandon Kirk, Calhoun County, Dixie, Ed Haley, Elizabeth Hicks, fiddle, fiddlers, fiddling, Gid Tanner, Hinkey Dinkey Dee, Jasper McCune, Jim McCune, John Hartford, John McCune, Laury Hicks, Minnie Hicks, Mount Airy, music, North Carolina, Perry Meadows, Ralph Haley, Rogersville, Skillet Lickers, Tom McCune, Ugee Postalwait, Washington Hicks, West Fork Gals, West Virginia, writing
As Ugee spoke about her life, I pulled out the Laury Hicks fiddle and began to play. For Ugee, hearing it painted pictures and conjured up images from long ago. Her eyes teared up, full of emotion and melancholy.
“I never thought I’d hear Dad’s fiddle played again,” she said, after I played one tune.
For the next half-hour, I played for her, intermittently asking things like, “Did you ever hear Ed play ‘The Star Spangled Banner’?”
“I certainly have.”
What about “Dixie”?
“Oh my god, yes. Him and Dad both played ‘Dixie’.”
Did they play “West Fork Gals”?
“Oh, yeah. I don’t think they was any fiddling pieces back then they didn’t know.”
Before putting the fiddle back in the case, I asked what Ed did when he needed repairs on his fiddles.
“They didn’t work on their fiddles very much,” Ugee said. “They kept their fiddles in good shape. I’ve seen Dad string the bow hair off a horse’s tail. Seen him do that a many a time. He’d string up the bows for Ed, too. Dad could do all of that.”
Did Ed trade fiddles a lot?
“Oh, yeah. Anybody that came along. He’s been there with three or four. He used to come and try to trade some of them off to Dad. Sometimes Dad’d trade with him, sometimes he didn’t. I’ve seen my dad have as high as seven fiddles.”
I showed Ed’s fiddle to Ugee and she said, “Ed Haley got that fiddle from Dad. Ed traded him a real dark-looking fiddle. Ed got my guitar, too. He wanted it for Ralph.”
Brandon asked Ugee about her father’s background, a very important thing considering his strong presence in Ed’s life. She said he was born in 1880 to Washington and Elizabeth (McCune) Hicks in Calhoun County.
“Well, he come very near to getting killed when he was young,” she said. “Perry Meadows stabbed him seven times with a knife right around the heart in a fight. They didn’t think he’d live at all. He told Perry if he lived, ‘I’ll get you.’ He liked to beat Perry to death after he got older. Old Mrs. Meadows was gonna indict Dad over it it but Dad rode a pony horse and went with Ab Moss’ mother to Mount Airy, North Carolina. Back then, they wasn’t no roads — just trails. Took his big dog with him named Ring. He come very near to beating Perry to death, though, I guess. They was friends afterwards. Perry lived down the road just about half a mile below us. Dad never cared that much about Perry but he treated him right.”
Ugee spoke little about Laury’s bachelor days but implied that his musical skill and talent at square dancing made him popular with the ladies.
“They wouldn’t have a square dance in the country without having Laury Hicks,” she bragged.
She felt Laury inherited his musical talent from his mother’s side of the family, the McCunes. Laury’s uncle Jim McCune, who lived at the infamous “Booger Hole,” had musical children: John was a good fiddler on two or three tunes, while Jasper was the best banjoist in the area. Another son Tom “could play the banjo, but he was the best whistler I ever heard in my life. Dad give him a dollar a day to come up and whistle for him when he was bad sick.”
“All them McCunes could play music and they could dance, too,” Ugee said, before adding that they were mostly known as singers.
In 1904, Laury married Minnie Shaver. Because he was so close to his mother (he was her “favorite”), he remained living at home with his new bride. Years later, he played his fiddle and sang for his mother at her deathbed. Ugee sang all she could remember of the song:
There was an old man, he had a wooden leg.
He had no tobaccer but tobaccer he’d beg.”
“That was Grandpap Hicks’ favorite and the night that Granny died in 1923 I was putting her to bed and he was just see-sawing on the fiddle. She said ‘Laury, play your dad’s tune,’ and he said, ‘Oh Mam, I have to change the key.’ She said, ‘Don’t make no difference. Play Wash’s piece.’ I never will forget: I went to the kitchen and he was playing that and he hollered, ‘Hey, Ugee! Come here quick!’ And I come back in and seen they was something wrong with Granny. And I run and aimed to work with her…she was gone.”
Ugee couldn’t remember the title of her grandfather’s favorite tune, nor any more words to it, but Brandon later found those lyrics in a song recorded by Gid Tanner and His Skillet Lickers called “Hinkey Dinkey Dee”.
20 Sunday Jul 2014
Posted in Big Harts Creek, Ed Haley, Music
Tags
Appalachia, fiddlers, genealogy, Harts Creek, history, life, Lincoln County, music, photos, U.S. South, West Virginia, Wog Dalton
Moses “Wog” Dalton (1845-1933), an old fiddler from Big Branch of Harts Creek, Lincoln County, WV
19 Saturday Jul 2014
Posted in Calhoun County, Ed Haley, John Hartford, Music, Roane County
Tags
Akron, Alabama, blind, Brandon Kirk, Calhoun County, Christmas, crime, Ed Haley, Ella Haley, fiddle, fiddling, Harvey Hicks, history, John Hartford, Johnny Hager, Laury Hicks, Marietta, measles, Milt Haley, music, Ohio, Parkersburg, Rogersville, Soldiers Joy, Spencer, Stinson, Ugee Postalwait, Webster Springs, West Virginia, writing
On April 12, 1997, Brandon and I went to see Ugee Postalwait in Rogersville, Alabama. For the most part, she repeated a lot of the same stories I’d heard before, maybe with a new detail or two here and there. We began with her memories of Ed and Johnny Hager, who came to her father’s house around 1913. Brandon asked her specific questions about Johnny, which caused her to say: “He was a little short fella, slender. He was a nice person. Well-mannered. He was a good banjo-player. John Hager was a good friend of Dad and Mom’s both — all of us. Us kids, too. He used to write Mom and Dad. He wrote them from Webster Springs and he wrote them from Greenbrier. Different places where he was at. John wrote a letter back home and said he quit traveling with Ed ’cause Ed drank. He couldn’t take it. I’ve often wondered and studied about what become of him.”
Later, Ed sometimes came with a guitar player, but Ugee couldn’t recall his name.
Brandon was curious to know how far Ed traveled with his music, so he asked if Ed and Ella ever played around Parkersburg.
“I’m pretty sure they have,” Ugee said, “and Marietta, too. Harvey took them up to Akron to play music and they crowded that street so bad up there that they passed a law up there, you couldn’t stand on the corner and play music any more. They wouldn’t allow them to stand on the street. They had to move. See, they was such a crowd got around them.”
I asked, “How much do you reckon Ed would take in of a night?”
Ugee said, “I have seen Ed and Ella take in as much as a hundred dollars right there in Spencer.”
Wow, were they using a cup or a hat to collect money?
“They never used no cup. Just sit a box down or hat down and people come through and throwed money in it. Anyone that come along and dropped money in there, they’d play just the same.”
Would he play me anything I’d ask for?
“Why sure. He’d play it for you and then maybe if you asked for it again he might play you something else and call it that. He didn’t care to rename songs, like ‘Soldiers Joy’. He might call that ‘Runnin’ the Soldier’ or ‘Runnin’ the Track’ or something like that.”
I reminded Ugee that she heard Ed say he just picked up a fiddle and started playing it when he was small and she said, “Oh, yeah. He’d sit in the floor and play on that fiddle. Somebody brought something in that had two strings on it. He wasn’t very old. Just barely a walking, he said. Just like him a talking to me one time, telling me about his dad. Telling about them a lynching him. He said, ‘Goddamn him, they oughta lynched him.’ And I never asked him why. Why would a man say that about his dad? Maybe he was thinking about that man putting him in that barrel of water and causing him to be blind. But Ella’s eyes, they was ate out with blue vitriol.”
Ugee fully believed that measles had caused Ed’s blindness because they almost “put her blind,” too, when she was a girl.
“I must have been about five years old,” she said. “Well, Ed musta been there, too. Musta been the same year he was there that I had the measles and I went blind in my eyes. Couldn’t see nothing for three or four days. Had Granny’s bed set up by the side of the fireplace. I remember that instead of springs, it had rope. And Christmas time come up. And Dad, he played Santa Claus, I reckon. He got me jellybeans. I couldn’t see nothing for two or three weeks. I didn’t think I’d ever see again. Back then, they called them the ‘big’ measles and the ‘little’ measles. The big ones, they called the German measles. And I had them bad. Harvey come around — he was older than I was — he’d say, ‘You stink’, ’cause he could smell that fever on me.”
Brandon asked Ugee what year she was born in, to kind of help us better understand the time frame of her memories.
“I was born in 1907,” she said. “I got married in 1924. I left and went to Akron, but we come back ever month for a long time. If we knowed Ed was a coming in, we was there. I moved back in 1930. We lived on the farm until 1941. Then we went to a farm at the mouth of Stinson.”
At some point, Ugee moved back to Akron, where she lived when I first met her in 1991.
17 Thursday Jul 2014
Posted in Big Harts Creek, Culture of Honor, Ed Haley, Lincoln County Feud
Tags
Al Brumfield, banjo, Billy Adkins, blind, Bob Bryant, Brandon Kirk, Burl Farley, Charley Brumfield, Ed Haley, Fed Adkins, fiddlers, French Bryant, Green McCoy, Harve "Short Harve" Dingess, history, Hollene Brumfield, Hugh Dingess, John Hartford, Kentucky, Lincoln County Feud, Martin County, measles, Milt Haley, music, Nashville, Piney, Smokehouse Fork, Tom Holzen, West Fork, Wolf Creek, writing
Brandon and I also called Bob Bryant, a son of the infamous French Bryant, who lived with his son at the mouth of Piney Creek on West Fork. Billy Adkins had encouraged us to call Bob, saying that he would probably tell us what he knew of the Haley-McCoy murders. When we called Bob, his son said we were welcome to talk with his dad, although he warned us that his memory wasn’t very good.
Bob said he was born on Piney in 1911.
When I asked him about French Bryant he said he knew very little about him because his dad “was pretty old” when he was born. He said he did remember his father talking “some” about the Haley-McCoy affair.
“Milt and Green were pretty rough fellers who got in a lot of trouble all the time,” Bob said. “They were bad to drink. Milt Haley and Green McCoy was fiddlers — I think so. Maybe they was. Yeah, I almost know they was. One of them picked the banjo, I believe, but I don’t know for sure.”
Bob said Hugh Dingess, who was “kind of an outlaw,” organized a posse to fetch Milt and Green after they shot Al and Hollena Brumfield. They found them over around Wolf Creek in Martin County, Kentucky.
“Them Dingesses up there killed them,” Bob said. “It didn’t take much to get them to shoot you back then. People’d shoot you just to be a doing something.”
I asked Bob if he ever heard anything about who took part in what he kept calling “the shooting” and he said, “Hugh Dingess and four or five more.”
He paused, then said, “A few of them I wouldn’t want to tell you.”
We were just waiting for him to say his father’s name when he said, “Short Harve Dingess was pretty rough. Seems like he was in that bunch some way.”
Some of the others were: Al Brumfield, Charley Brumfield, Fed Adkins, and Burl Farley.
Bob never identified his father as a member of the mob but mentioned that his father was a friend to the Dingesses on Smokekouse.
He said he remembered seeing Ed play at the schoolhouse above the mouth of Piney when he was nineteen years old.
“He was a real fiddler,” Bob said.
In subsequent weeks, Brandon and I went through most of our information — processing it, sorting it, discussing it. We thought more about the story of Milt causing Ed’s blindness by dipping him in ice water and wondered how anyone would have ever equated those as cause-effect events. I got on the phone with Dr. Tom Holzen, a doctor-friend of mine in Nashville, who said Milt’s dipping of Ed in ice water, while a little crude, was actually the right kind of thing to do in that it would have lowered his fever. Based on that, Milt seems to have been a caring father trying to save Ed’s life or ease his suffering. Was it the act of a desperate man who had already lost other children to disease?
15 Tuesday Jul 2014
Posted in Big Harts Creek, Ed Haley
Tags
Andy Mullins, Ashland, blind, Brandon Kirk, Columbus, Dobie Mullins, Ed Haley, Edith Dingess, Ella Haley, Ewell Mullins, Ferrellsburg, fiddling, genealogy, Harts Creek, history, Huntington, Imogene Haley, John Hartford, Kentucky, Lancaster, Lawrence Haley, Liza Mullins, Liza Napier, Logan, Mud Fork, music, Nashville, Ohio, Ora Booth, Pat Haley, Peter Mullins, West Virginia, writing
By the spring of 1997, Brandon and I were at a reflective point in our research efforts. We had begun to lose our edge. After all, how many times could we ask, “Now, how did Ed Haley hold the bow?” or “Do you remember the names of any tunes he played”? We decided to step away from interviewing people and focus on writing what we knew about Ed’s life and music. I spent long hours in Nashville at my dining room table listening to Ed’s recordings and working with the fiddle, while Brandon — in his three-room house in Ferrellsburg — transcribed interviews, re-checked facts, and constructed a manuscript. This went on for quite some time.
Eventually, Brandon came to visit and we decided to telephone a few people and ask more questions. Our first call went out to Edith Dingess, the only surviving child of Ed’s uncle, Peter Mullins. Andy and Dobie Mullins had told us about her several months earlier when we visited them on Harts Creek. Edith, they said, had recently moved from her home on Mud Fork in Logan to stay with a daughter in Columbus, Ohio. When we dialed her up, her daughter said, “She might be able to give you some information. Her memory is pretty bad. She’s 81 years old and she’s had a couple of real major heart attacks.”
I first asked Edith if she knew about Ed’s mother — her aunt — who apparently died in the early 1890s. Unfortunately, Edith didn’t know anything about her. As a matter of fact, she said she barely remembered Ed, who we knew had been practically raised by her father. She said he was a “nice person, likeable” who would “laugh and joke and go on.”
“I know Ed Haley used to come to our house with Mrs. Haley and they had a little girl. Might’ve had some boys — older,” Edith said. “I believe they lived down around Huntington. They’d come up home when my dad was a living and we was all home — I was young then — and they’d play music and we’d have company. We used to have some square dances at our house. We had some good times when he come up there.”
Edith said Ed’s children led him around, but he also got around using a cane.
Before we hung up, Edith gave us the telephone number of her niece, “Little Liza,” who lived with a daughter in Lancaster, Ohio. This was wonderful; I had first heard about Little Liza from Lawrence and Pat Haley in 1991. Little Liza had grown up in Uncle Peter’s home and was a featured face in family photographs. Prior to this lead, I wasn’t even sure if she was still alive.
When we called Liza, we first spoke with her daughter, Ora Booth, who gave the familiar introduction: “I don’t know if you’ll get too much out of her or not. She’s kinda forgetful and she repeats herself a lot. All I can do is put her on the phone and see what you get out of her. She’s seventy-six and her mind just comes and goes on a lot of things.”
I told Liza that I was good friends to Lawrence and Pat Haley, had heard a lot about her, and was very interested in Ed’s life. She said Ed used to stay a week or two with Uncle Peter — who she called “Poppy” — before heading back to Ashland. To our surprise, she had no idea exactly how Ed was related to her family.
“It’s been so long and you know I’ve been sick and everything and been operated on for cancer and stuff and I just don’t feel good,” she said. “When you get old, your mind just comes and goes.”
Just when I thought Liza’s memories of Ed had all but disappeared, she said, “I tell you, he was awful bad to drink all the time. Lord, have mercy. Anything he could drink, he’d drink it. That might have been half what killed him. He was a mean man. Just mean after women and stuff. I don’t know whether he could see a bit or not, but you’d get and hide from him and he’d come towards ya. I was scared of him.”
I asked Liza who Ed played music with when he visited at Peter’s and she said, “He just played with his wife. He didn’t have nobody else to play with. Lord, him and her’d get into a fight and they’d fight like I don’t know what.”
I wondered if Ed fought with his kids.
“Yeah, they liked to killed Ed Haley one time up there,” she said. “They’d just get into a fight and the kids’d try to separate their mommy and daddy and it’d just all come up. I had to holler for Ewell to come down there and get them boys off’n Ed Haley ’cause I was afraid they’s a gonna kill him. I didn’t want that to happen, you know? He got down there and buddy he put them boys a going. They was mean. I guess they took that back after Ed Haley. Yeah, he’d come up there and go here and yonder. After Mommy and Poppy got so bad off, people’d bring him down there and set him off and I had to take care of them, so Poppy just told him, said, ‘Ed, she has to wait on us and she can’t wait on you. You’ll just have to go somewhere else.’ He did.”
That was a horrible image.
13 Sunday Jul 2014
Posted in African American History, Ed Haley, Music
Tags
accordion, Aracoma, Ashland, Bill Bowler, Clayton White, Ed Haley, Ella Haley, history, Kentucky, Kiss Me Quick, Lawrence Haley, Logan, Lula Lee, Man of Constant Sorrow, Manuel Martin, Mona Haley, music, Nora Martin, Old Man Duff, Pat Haley, Soutwood Mountain, West Virginia, writing
Meanwhile, as Brandon flushed out more information about the 1889 feud, I was on the phone with Ed’s daughter, Mona Hager. In no time, she was singing “Old Man Duff”, one of Ed’s songs:
Old Man Duff was so doggone tough
That they called him dynamite.
On a mattress filled with broken glass
He rested well each night.
He combed his hair with a garden rake
And he ate his vittles raw.
He picked his teeth with a horseshoe nail
And he shaved his beard with a saw.
Old Man Duff was mighty tough
And rough as a man could be.
He had hair on his chest
And he wore no vest a
And he looked like a chimpanzee.
Old Man Duff had a daughter fair
But she died a poor old maid.
Lots of men woulda courted her
But they were all afraid.
Once old Duff seen a fella with her.
You could hear him rave and shout:
He’d put his hand down the poor man’s throat
And he’d turn him inside out.
Old Man Duff was mighty rough
And tough as a man could be.
He ate iron nails and the bones of whales
And he drank gasoline for tea.
Old Man Duff lived a thousand years
And he died and went below.
And when old Satan looked at him
He smiled and said, “Hello.”
Now the fire was mighty hot
When they put old Duff in there,
But he layed right down and he went to sleep
And it never singed a hair.
Old Man Duff was mighty rough
And tough as a man could be.
He had hair on his chest
And he wore no vest
And he looked like a chimpanzee.
Mona also remembered Ed singing “Man of Constant Sorrow”. She said Ed sometimes sang “little ditties” like with “Sourwood Mountain”. Ella did the same thing to “Kiss Me Quick”.
Kiss me quick, kiss me runnin’.
Kiss me quick ’cause my daddy’s comin’.
Love my wife, love my baby.
Love my biscuits sopped in gravy.
Ed never called square dances but would “blurt out some of the square dance reel” while fiddling.
I told Mona that I was still very interested in the source of Ed’s music.
“Pop was around a lot of blacks, you know, up in the coalfields up in West Virginia,” she said. “I even had a black nanny up there. She babysat me sometimes for Mom and Pop. Now that was at Manuel and Nora Martin’s house on the hill there at Aracoma [near Logan]. And Pop took me up to an old color lady’s bootleg joint one time somewhere up in West Virginia. And I know he was around a lot of blacks and I know that he learned some of the black’s music. They had a lot of blind friends that made music on the street, too, and one of them was Clayton White. He played an accordion. He walked up from 15th to 16th and back, you know.”
I asked Mona how many musicians were playing on the streets of Ashland in Ed’s time and she said, “Well, there was Pop and Mom, and there was Bill Bowler, and then there was a lady named Lula Lee. Now she was an illiterate woman and a lot of people got my mom and her mixed up. Mom was a cultured lady.”
I asked Mona if she thought her mother’s education rubbed off on Ed over the years and she said, “Oh, yeah. He only got uncultured when he was drinking. He talked well educated but of course he wasn’t. He was a very intelligent man.”
Mona seemed surprised when I told her that Ed could supposedly quote the Bible.
I asked her more about Ed’s and Ella’s relationship in later years and she said, “You know about me bringing him back from Logan back to Mom after they were divorced? Well, I was up there and I persuaded Pop to come home with me and I brought Pop home and he had one of those long change purses that snapped together and he had that in his pocket. And when we got home, he sit down and he was talking to Mom and he said, ‘Ella, I’ve got this plumb full of half-dollars and if you’ll let me sit by your fire this winter, I’ll give them all to you.’ I’m glad I took him home. That was when we lived on Greenup. He stayed with her until he died. Eventually Mom stayed with Lawrence and Patricia. She didn’t do any good after Pop died. She lost her friends. She didn’t have anybody to talk to.”
So after their divorce, they had a good relationship?
“They had a better relationship than they did before the divorce,” Mona said.
09 Wednesday Jul 2014
Posted in John Hartford, Music
Tags
banjo, Benny Martin, bluegrass, Brandon Kirk, buck dancing, fiddle, history, John Hartford, John Henry's Music Barn, music, Sparta, Tennessee
7th Annual Benny Martin Days, 1999
09 Wednesday Jul 2014
Posted in Calhoun County, Ed Haley, Music
Tags
Amos Morris, Billy Adkins, Brandon Kirk, Calhoun County, Doc White, Dolly Bell, fiddler, fiddling, history, Ivydale, Jimmy Triplett, John Hartford, John Morris, Johnny Hager, Laury Hicks, Minnie Moss, music, Ocie Morris, Pigeon on the Gate, Stinson, Walker, West Virginia, Wilson Douglas, writing
Around that time, as Billy and Brandon wandered in the woods of eastern Kentucky, I called Jimmy Triplett, a fiddler and protégé of Doc White in West Virginia. Doc, in addition to being Ed’s friend, was a jack of all trades — fiddler, doctor, dentist… I’d recently heard that he was a photographer and wondered if maybe he had pictures of Ed or Laury Hicks. Jimmy wasn’t really sure.
“It was way back when he was a youth that he took pictures,” he said. “I guess he was considered an amateur, but he made a lot of photographs used for postcards.”
I asked Jimmy if Doc ever talked about Ed and he said, “Yeah, he talked about how good he was and everything. He said that he was one of the best that he ever heard.”
What kind of tunes did Doc play?
“The main one Doc plays is ‘Pigeon on the Gate’ — he got that from Ed Haley,” Jimmy said. “I think it would be in standard tuning — it’s a D tune. I don’t know that there’s that many other tunes that he got off of Ed Haley that he played, but he talked about him a whole bunch and then described seeing him and his wife play.”
Jimmy played a tape over the telephone of Doc talking and playing “Pigeon on the Gate”.
“Here’s one they call the ‘Pigeon on the Gate’,” Doc said. “Ed Haley, a blind man, played that tune from Kentucky. Best fiddler that ever I heard draw a bow. His wife was blind and she played the mandolin. They used to come through the country and stop at our houses and stay for days and play with us. You ought to’ve heard him play the fiddle. He’d make them fellas over there sick.”
Jimmy referred me to John Morris, an Ivydale-area fiddler who’d known Doc and even learned “Pigeon on the Gate” from him. John was too young to remember Ed personally (he was fifty-something) but had heard a lot of stories.
“I growed up hearing about Ed Haley from my dad,” John said. “I heard a lot of other stories about him later. He used to come here and stay at my grandparents’ house some. Their names were Amos and Ocie Morris. They just lived about a mile and a half from the train station and it was on the way to Calhoun County and they were from Calhoun County. He’d ride the train to Ivydale. If it was the evening train, usually a lot of people from Calhoun County — the next county back — stayed at my grandparents’ house. He’d stay at my grandpaw and grandmaw’s up here and then go on the next day. He usually, I think, visited with Laury Hicks mostly.”
What about Laury?
“Laury Hicks was evidently a riverman,” John said. “I believe it was Aunt Minnie Moss that said he could take a hog’s head of salt or something under each arm and he poled boats up and down the Elk River and hauled supplies when they used them flatboats. I’ve heard stories of his strength — what a strong and robust kind of a man he was. My dad said that when Laury Hicks died, Ed Haley wasn’t here and the next time he come through they took a chair and set it out at Laury Hicks’ grave and Ed Haley sat out on Laury Hicks’ grave and fiddled for about four hours.”
John said stories abounded about Ed among the people of Calhoun County.
“They told that they was having church over there someplace one night in an old school building or something on top of the hill between Walker and Stinson,” he said. “Ed happened to be in the country and they wanted him to play some hymns. He got started playing and he got off of playing hymns and they wound up breaking up church and having a dance. And they was about to take him up over it — about to get in trouble with the law over it — for breaking up church.”
I asked John if he thought that was a true story and he said, “Well, I’ve heard that. I know Ed cussed all the time. He was bad to cuss and swear. I heard that my Grandmaw Morris about put him away from the table for swearing at the table. Dad said he swore continuously.”
It was coincidental that John would mention Ed’s profanity. A few days later, Brandon met a niece to Johnny Hager at a genealogical meeting and she said Johnny quit traveling with Ed because he used foul language and because he had another woman in Calhoun County. Supposedly, when this woman died Ed played the fiddle at her grave all night. This “other woman” story may have had some merit: Wilson Douglas told me that Ed had an illegitimate daughter in that country.
07 Monday Jul 2014
Posted in Ashland, Big Sandy Valley, Ed Haley, John Hartford, Music
Tags
Annadeene Fraley, Ashland, banjo, Brandon Kirk, Ed Haley, Ed Haley Fiddle Contest, fiddlers, fiddling, history, J P Fraley, John Hartford, Kentucky, mandolin, Mike Compton, music, Nancy McClellan, Paul David Smith, Peter Even, photos
(L-R) Peter Even, Mike Compton, Brandon Kirk, J.P. Fraley, Nancy McClellan, Paul David Smith, and John Hartford.
06 Sunday Jul 2014
Posted in Lincoln County Feud
Tags
Appalachia, Blood in West Virginia, books, Brandon Kirk, Goldenseal, Hatfield-McCoy Feud, Ken Sullivan, Kentucky, Lincoln County, Lincoln County Feud, music, Tug Valley, University of Pittsburgh, University of Rochester, University of Virginia, West Virginia, West Virginia Encyclopedia, West Virginia Humanities Council
I proudly announce Ken Sullivan’s endorsement of my book, Blood in West Virginia: Brumfield v. McCoy. Mr. Sullivan, executive director of the West Virginia Humanities Council, ranks as one of Appalachia’s most distinguished and recognized editors. Best known for his promotion and editorship of the West Virginia Encyclopedia (2006), which has sold more than 17,000 copies, Mr. Sullivan is also the former editor of West Virginia’s premier state magazine, Goldenseal. Educated in history at the University of Virginia and University of Rochester, with a PhD from the University of Pittsburgh, he has consistently offered top-notch work on a variety of Appalachian subjects. It was during Mr. Sullivan’s tenure at Goldenseal that I first read a contemporary account of the Lincoln County Feud. Receiving praise from such an outstanding and accomplished editor as Ken Sullivan means a great deal to me.
Here is Mr. Sullivan’s endorsement of Blood in West Virginia:
“This book brings a deadly story to life: As the Hatfield-McCoy Feud was finally coming to a close in the Tug Valley of West Virginia and Kentucky, another bloody vendetta was under way in nearby Lincoln County, West Virginia. Here it was Brumfields versus McCoys — and Haleys and Runyons and Adkinses and others — with results that were equally fatal. Author Brandon Kirk has done remarkable work in untangling the complex web of kinship connections linking both friends and foes, while detailing the social and economic strains of changing times in the mountains. The story he documents in these pages had lasting implications for the families and individuals involved — and, curiously, for the folk music of the region.”
05 Saturday Jul 2014
Posted in Culture of Honor, Harts, Lincoln County Feud, Twelve Pole Creek, Wayne
Tags
Al Brumfield, Andrew D. Robinson, Beech Fork, Ben Adams, Bob Dingess, Brandon Kirk, crime, diptheria, Goble Richardson, Green McCoy, Green Shoal, Guyandotte River, Harrison McCoy, Harts, Harts Creek, history, Lincoln County Feud, Lynza John McCoy, Milt Haley, Monroe Fry, music, Paris Brumfield, Ross Fowler, Sallie Dingess, Sherman McCoy, Spicie McCoy, Warren, Wayne, Wayne County, Wayne County News, West Fork, writing
A few weeks later, Brandon called Nellie Thompson in Wayne, West Virginia. Nellie reportedly had the picture of Milt Haley and Green McCoy.
“I don’t know if I have anything like that or not,” Nellie said, “but I do have an old letter from Green McCoy.”
What?
Almost hyperventilating, he asked her to read it over the telephone.
Nellie fetched it from somewhere in the house, said it was dated May 19, 1889, then read it to him and said he was welcome to see it.
The next day, she called Brandon back and said, “I think I’ve found that picture you were looking for. It’s a little tin picture with two men in it.”
Oh god.
A few days later, Brandon drove to see Nellie about the picture and letter. Before dropping in on her, he spent a little time at the local library where he located a story about Spicie McCoy.
“As I promised last week, today we will explore the life of a lady who claimed to have a cure for diphtheria,” the story, printed in the Wayne County News (1994), began. “Spicie (Adkins) McCoy Fry was so short that if you stretched out your arm she could have walked under it. Anyone who lived in the East Lynn area knew who Spicie Fry was because she had probably been in almost every church around to sing at a revival meeting, something she loved to do. Spicie was well educated. She saw that her children went to school. Once out of grade school, Spicie’s sons took advantage of correspondence courses in music, art, and any other subject they could get thru the mail order catalog. Spicie’s son Monroe Taylor Fry was a self-taught musician.”
After a short time, Brandon drove to Nellie’s home, where she produced a small tin picture of two men sitting together. One of the men was obviously Green McCoy based on the picture we had already seen of him. The other fellow, then, was Milt.
As Brandon stared at the tintype, Nellie handed him Green’s letter. It was penned in a surprisingly nice handwriting, addressed to his brother Harrison, and was apparently never mailed. At the time of his writing, it was spring and McCoy had just moved back to Harts — probably after a short stay with his family or in-laws in Wayne County. He may’ve been there with his older brother, John, who’d married a girl almost half his age from Wayne County earlier in February.
Dear Brother. after a long delay of time I take this opertunity of droping you a few lines to let you know that I am well hoping when these lines reaches you they may find you all the same. Harrison you must excuse me for not writing sooner. the cause of me not writing is this[:] the post master here is very careless. they let people brake open the letters and read them so I will write this time to let you know where I am and where Lynza is. I have moved back to the west fork of Harts Creek and Lynza is married and living in wayne co yet on beach fork. everybody is done planting corn very near in this country. every thing looks lively in this part. tell Father and mother that I[‘m] coming out this fall after crops are laid by if I live and Lynza will come with me. tell all howdy for me. you may look for us boath. if death nor sickness don’t tak[e] place we will come. Harrison I would rather you would not write anymore this summer. people brakes open the letters and reads them so I will not write a long letter. Brumfield and me lives in 2 miles of each other and has had no more trubble but every body says that he will kill me if I don’t kill him. I look to have trouble with him so I will close this time.
On the back of the letter was written the following: “My wife sends her best respects to you all and says she would like to see you all. my boy is beginning to walk. he is a spoiled boy to[o].”
Clutching carefully onto the tintype and letter, Brandon asked Nellie what she’d heard about Milt and Green’s death. She didn’t really know much, but her brother Goble Richardson said he’d always heard that pack-peddlers who boarded with Paris Brumfield never left his home alive. These men were supposedly killed, tied to rocks, and thrown to the bottom of the Guyan River where the fish ate their rotting corpses. Soon after the “disappearance” of these pack-peddlers, Paris would be seen riding the man’s horse, while his children would be playing with his merchandise.
When Brandon arrived home he studied over Green McCoy’s letter — all the cursive strokes, the occasional misspellings, trying to extract something from it beyond what it plainly read.
Strangely, the letter didn’t reveal to which Brumfield — Al or Paris — Green referred when he wrote, “every body says that he will kill me if I don’t kill him.” It seems likely, though, based on what Daisy Ross had said, that Green referenced Paris.
Still, it was Al Brumfield who was ambushed only three months later.
What started their trouble?
And who was the careless postmaster who allowed people to “brake open the letters and read them?”
At the time of the Haley-McCoy trouble, Harts had two post offices: Harts and Warren. The postmaster at Harts — where McCoy likely received his mail — was Ross Fowler, son to the Bill Fowler who was eventually driven away from Harts by the Brumfields. Ross, though, was close with the Brumfields and even ferried the 1889 posse across the river to Green Shoal with Milt and Green as prisoners (according to Bob Dingess) in October of 1889. A little later, he worked in Al Brumfield’s store. The postmaster at Warren was Andrew D. Robinson, a former justice of the peace and brother-in-law to Ben Adams and Sallie Dingess. Robinson seems to have been a man of good credit who stayed neutral in the trouble.
05 Saturday Jul 2014
Posted in Harts, John Hartford, Music, Women's History
Tags
Harts, John Hartford, life, Lincoln County, music, photos, Phyllis Kirk, raccoon, West Virginia
Phyllis Kirk (and her pet raccoon) with John Hartford, Harts, Lincoln County, WV, c.1995
04 Friday Jul 2014
Posted in Calhoun County, Ed Haley, Music
Tags
Ashland, Brandon Kirk, Calhoun County, Ed Haley Fiddle Contest, Ella Haley, fiddler, fiddling, George Carr, history, Kentucky, Laury Hicks, Madison, midwife, Minnie Hicks, music, Roane County, Spencer, Walker School House, West Virginia, writing
The next day, at the fiddling contest, Brandon met George Carr of Madison, West Virginia. George said Ed was the reason he started playing the fiddle many years ago.
“I was raised in Calhoun County,” he said. “I first saw Ed Haley as a small boy in the one-room Walker School House. Sometime in the early ’30s, about ’34, ’35, I’d say. Him and his wife came and they played for us and he fascinated me with that fiddle. And he had a son called ‘Puckett’ and I don’t know what ever became of him. But Ed and his wife would play on the streets in Spencer where the stock sale was every Friday and they would play there and she pinned a tin cup in her apron and they got nickels and dimes and quarters and fifty cents but no greenbacks. He stayed with a fella by the name of Laury Hicks who was a local fiddler and a self-taught veterinarian. His wife, Minnie Hicks, was a midwife — delivered many, many babies — who held my father in her arms when he was a small baby and he died in ’75 and he was 77 years old.”
03 Thursday Jul 2014
Tags
Ashland, Ed Haley, Ella Haley, Harold Postalwait, Kentucky, Mona Haley, music, Pat Haley, photos
Mona Haley and Harold Postalwait at Pat Haley’s house, Ashland, KY, c.1996
03 Thursday Jul 2014
Tags
Ashland, Brandon Kirk, Clyde Haley, Ed Haley, Ella Haley, genealogy, history, John Hartford, Kentucky, Keyser Creek, life, music, Noah Haley, Pat Haley, Ralph Haley, writing
About an hour later, Brandon showed up at Pat’s, followed by various members of the Haley clan: Noah, Clyde, and a bunch of children and grandchildren. The house was soon full of people — talking and eating. It was a bittersweet moment due to Lawrence’s absence, although his spirit was everywhere. I watched the Haleys — Ed’s children and grandchildren — business executives, gamblers, bar owners — mix with one another. Conversation was friendly between them, although there seemed to be an estrangement — especially among the younger ones. Basically, they were raised up separate from each other (the “Kentucky Haleys” vs. the “Ohio Haleys”); to be honest, it was as if they really didn’t know each other that well.
I realized that the binding force in Ed’s family — the glue that held all of them together — was the music…or at least the memory of it. Children who had never met before were sitting in the floor together or running through the house and yard — some hearing about Ed for the first time. I kept thinking about how one of them might some day pick up a fiddle and naturally crank out some of those “Haley licks.”
Brandon and I sat in the living room with Noah, Clyde, and Mona. Clyde immediately started talking about Ed.
“I used to hate him — hate that man — the way he treated Mom,” he said.
“Evidently, Mom cared for him or she wouldn’t a let it go on,” Noah said.
“I learnt as I got older and got a little tolerance in my mind I learned to forgive my hate for my dad to something else,” Clyde said. “I give it to God or whatever you want to call it.”
“I think the reason you didn’t like him Clyde was because when we stole them ducks there at Keyser Creek, he took each one in a room by ourself and he took a strap and he held us by the arm and he beat the hell out of us,” Noah said, laughing.
“That was Mr. Runyon’s ducks,” Clyde said. “Yeah, he beat us with the buckle part of that belt.”
“Yeah, and I think that’s why you didn’t like him,” Noah said. “I remember that beating we got.”
Clyde said, “Oh, we got a good one, didn’t we?”
I asked where Ed lived when that happened and Clyde said, “That was a four-room house. Ralph, our oldest brother, he had made a trapdoor in that floor and he used to bootleg moonshine through that trapdoor.”
“Clyde, you remember the cow he stole and kept it under the porch?” Noah asked.
Clyde said, “Yeah, Ralph did that. That wasn’t a cow. That was a calf. Our house stood up on stilts and Ralph or somebody had fenced that all in to keep that calf in. Got that while he was in the CCCs.”
Noah said, “And he built a trapdoor so he could go down through the floor…”
“In the bedroom,” Mona added.
Clyde laughed and said, “Ralph got that calf in the house and he was trying to put that calf up in Mom’s lap and it done something all over Mom.”
02 Wednesday Jul 2014
Tags
Ashland, Ashland Daily Independent, Benny Martin, Brad Leftwich, Bruce Molsky, Buddy Spicher, Charlie Acuff, Earl Scruggs, Ed Haley Fiddle Contest, Ella Haley, fiddling, Fletcher Bright, history, Hoot Hester, Jim Wood, John Hartford, Kentucky, mandolin, Mike Compton, Mona Haley, music, My Happy Childhood Days Down on the Farm, Nashville, Pat Gray, Pat Haley, Patsy Haley, Poage Landing Days, writing
Meanwhile, plans were underway for an “Ed Haley Fiddle Festival” in Ashland. The whole idea was conceived by Pat Gray, a local real estate agent who’d been inspired by an article in the Ashland Daily Independent regarding our interest in Ed’s life. Pat incorporated the “festival” (which was actually a fiddling contest) into Ashland’s Poage Landing Days, a citywide carnival-like celebration centered on the downtown area. The fiddle contest was scheduled to take place in the basement/auditorium of a Presbyterian church in Ashland. Pat declared me the “Grand Marshall” of the Poage Landing Parade, booked my band and I for an evening show and even offered to put us up at her place.
We pulled into Ashland on September 20th, 1996 and parked the bus in a church parking lot just down the hill from Pat Haley’s. Mike Compton, my mandolin player, and I walked up to Pat’s for breakfast (at her invitation) where I found her entertaining Mona and Patsy (Jack’s wife). Mona had written out the words to some of Ed’s songs for me, like “My Happy Childhood Days Down on the Farm”:
When a lad I used to dwell
In a place I loved so well
Far away among the clover and the bees.
Where the morning glory vine
‘Round our cabin door did twine
And the robin red breast sang among the trees.
In my happy boyhood days down on the farm.
There was a father old and gray
And a sister young and gay
And a mother dear to keep us from all harm.
There I passed life’s sunny hours
Running wild among the flowers
In my happy boyhood days down on the farm.
It was obvious that Mona had been thinking a lot about Ed’s music, so I didn’t waste any time getting my fiddle out for her. She caught me a bit off guard when she asked me if she could accompany me using Mike’s mandolin. The next thing I knew, she was playing right along with me — scarily like her mother. After we’d finished a tune everyone got really quiet, then Patsy looked at Mike and said, “You’ve just lost your job.”
Several tunes later, I asked Mona about Ed’s bowing style. There was a lot of conflicting information on that, so I wanted to get her opinion again. She said Ed “mixed things up,” or more specifically, that he varied his bowing between long and short strokes.
I had kinda figured that was true and had even come to think that maybe he had “area bowings,” much like his “area tunes.” It’s really a very natural thing. I play different tunes and different ways when I’m with the Goforths and Hawthornes in Missouri than when I’m with Earl Scruggs and Benny Martin in Nashville, or Fletcher Bright, or Jim Wood, or Bruce Molsky and Brad Leftwich, or Charlie Acuff, or Buddy Spicher, or Hoot Hester.
I should say here that all this business of bow holds, short and long bow strokes, and whether Ed held the fiddle under his chin or not, should never be taken as Scripture. In my own experience, I’ve held the fiddle under my chin, on my arm, on my chest, with all kinds of chin rests, no chin rests, shoulder rests, and used different kinds of bows. (I even used to tape a tin penny nail or two on the bow shaft for weight when I pulled it for long square dances so I wouldn’t have to press down with my index finger.) I’ve bowed heavy, light, long strokes, short strokes, off-string, on-string, and so forth. I’m sure that Ed’s technique — like mine or probably any musician — was constantly changing. What I have tried to document with Ed is who saw him play a certain way, where and when. It’s important to keep that in mind so as to not get lost in the contradictions.
28 Saturday Jun 2014
Posted in Big Harts Creek, Culture of Honor, Ed Haley, Lincoln County Feud, Spottswood, Timber
Tags
accordion, Al Brumfield, Andy Mullins, banjo, Bernie Adams, Billy Adkins, Birdie, Blackberry Blossom, Brandon Kirk, Charles Conley Jr., Chinese Breakdown, Clifford Belcher, Crawley Creek Mountain, Down Yonder, Ed Belcher, Ed Haley, fiddle, fiddler, guitar, Harts, Harts Creek, history, Hollene Brumfield, Joe Adams, John Hartford, Johnny Hager, Logan, Logan County, Milt Haley, music, piano, Pop Goes the Weasel, Raggedy Ann, Soldiers Joy, Spanish Fandango, timbering, Trace Fork, West Virginia, Wirt Adams, writing
Satisfied that we’d taken up enough of Andy’s day, we drove up Trace Fork to see Wirt Adams, an older brother to Joe Adams. Wirt was busy installing a waterbed but took a break to talk with us. “Well, come on in boys, but I’ve only got a few minutes,” he seemed to say. Inside, however, after I had pulled out my fiddle and he had grabbed a mandolin, he seemed ready to hang out with us all day.
I told Wirt that I was trying to find out about Haley’s life. He said old-timers in the neighborhood used to tell stories about Ed playing for dances on Saturday nights with Johnny Hager, a banjo-picker and fiddler. Ed eventually left Harts Creek and got married but came back to stay with his cousins every summer.
Wirt said he sometimes bumped into him in local taverns:
“It was in the forties,” he said. “About ’47, ’48, ’49, ’50 — along there somewhere. We called it Belcher’s beer garden. It was a roadhouse over on Crawley Hill. Well, I just come in there from the mines and Ed was there and he heard somebody say that I was there and he said, ‘Come on over here Wirt and play one.’ I think the fella that’d been playing with him had got drunk and passed out. Well I played one or two with him and then Charley Conley and them boys come in and Charley says, ‘C’mon over here Wirt and get in with us.’ Ed said, ‘Don’t do that, you’re playing with me.’ I really wasn’t playing with him. I had my mine clothes on. I just come in there and picked up Bernie Adams’ old guitar. If you was playing they’d sit you a beer up there — no money in it. Mostly for fun, we thought. We’d gang up on Saturday night somewhere and play a little. Sometimes they’d dance.”
Wirt felt that Ed was “a good fiddler, one of the best in that time.”
I asked him about Ed’s bowing and he said, “It didn’t look like he moved it that far over the whole thing [meaning very little bow usage] but he played tunes where he did use the long stroke. But most of it was just a lot of movement but not no distance. Just hacking, I call it. Him and Johnny Hager were the only two fellas I know who done that.”
Brandon wondered about Ed’s tunes.
“Well, he played that ‘Blackberry Blossom’ — that was one of his favorites — and then he played ‘The Old Red Rooster’ and he played ‘Raggedy Ann’ and ‘Soldiers Joy’. He had one he called ‘somethin’ in the shucks’. I forget the name of it. Anyhow, it was one of the old tunes. And ‘Pop Goes the Weasel’, I’ve heard him play that.”
I asked if Ed played “Birdie” and he said, “Yeah. Now, that’s one of Charley’s favorites. ‘Chinese Breakdown’, that was one of Ed’s. ‘Down Yonder’.”
Wirt told us more about Johnny Hager and Ed Belcher.
“Johnny Hager was a banjo player but he could play the fiddle, too. He played the old ‘overhand’ [on the banjo]. He was a good second for somebody. Now Ed Belcher was a different thing altogether. He played all kinds of stuff. He played classical, he could play hillbilly. He played a piano, he played accordion, he played a banjo, he played a guitar. He was a good violin player. He tuned pianos for a living. Well, I’d call him a professional musician. They had talent shows in Logan. He’d sponsor that. He’d be like the MC and these kids would go in and play. He was a head musician. He was good. He could do ‘Spanish Fandango’ on the guitar and make it sound good. He could play all kinds of tunes. I never could play with him but then he could take the piano and make it talk, too. He was just an all-around musician.”
Brandon asked Wirt if he knew the story about how Ed came to be blind.
“Milt Haley was Ed’s dad,” Wirt said matter-of-factly. “They said his dad was kind of a mean fella and he took Ed out when he was a little kid — held him by the heels — and ducked him in the creek. He had some kind of a fever in wintertime. I’ve heard that, now. Ed never would talk about it. I never heard him mention his dad.”
Wirt had only heard “snippets” about Milt’s death.
“It was pretty wild times,” he said. “I understand the whole thing was over timberworks. These people, they’d have a splash dam on this creek and they’d get their logs and haul them in this bottom at the mouth of Trace — this was one of them. They had a splash dam and when the water got up they’d knock that dam out and that’d carry the logs down to Hart and they had a boom and them Brumfields owned the boom. They charged so much a log. Some way over that, there was some confusion. But I’ve seen Aunt Hollene. She was supposed to been riding behind old man Al Brumfield, her husband, and they shot at him and hit her.”
After Milt was caught, he made a last request.
“They said they asked him if he wanted anything and he wanted them to bring him a fiddle,” Wirt said. “He wanted to play a tune. Now this is hearsay but I’ve heard it several times. They said he played the fiddle and they hung him.”
26 Thursday Jun 2014
Posted in Big Harts Creek, Ed Haley, Lincoln County Feud, Music
Tags
Andy Mullins, banjo, Bernie Adams, Bill Adkins, Bill Monroe, Billy Adkins, Black Sheep, blind, Bob Dingess, Brandon Kirk, Buck Fork, Claude Martin, Dingess, Dobie Mullins, Drunkard's Hell, Ed Haley, Floyd Mullins, George Baisden, George Mullins, Green McCoy, Grover Mullins, guitar, Harts Creek, history, Hollene Brumfield, John Hartford, Logan County, Maple Leaf on the Hill, measles, Michigan, Millard Thompson, Milt Haley, Mona Haley, moonshine, music, Naaman Adams, Roxie Mullins, Smokehouse Fork, Ticky George Hollow, Trace Fork, West Virginia, Williamson, Wilson Mullins, writing
From Naaman’s, we drove out of Trace and on up Harts Creek to see Andy Mullins, who Brandon had met a few months earlier at Bill Adkins’ wake. Andy had just relocated to Harts after years of living away in Michigan; he had constructed a new house in the head of Ticky George Hollow. Andy was a son to Roxie Mullins, the woman who inspired my fascination with Harts Creek. Andy, who we found sitting in his yard with his younger brother Dobie, was very friendly. He treated us as if we had known him for years.
“I was just catting when you fellas come up through there,” Andy said to us. “One of the girls lost a cat down there over the bank last night — a kitten. This morning I went down there and it was up in that rock cliff and I took its mother down there and it whooped the mother. And I took one of the kittens down there and it whooped the kitten. The old tomcat, he come down there and he whooped it. It went back up under that damn rock.”
I liked Andy right away.
We all took seats in lawn chairs in the front yard where Andy told about Ed Haley coming to see his parents every summer when he was a boy, usually with his wife. He described him as having a “big, fat belly” and weighing about 200 pounds.
“He wasn’t much taller than Dobie but he was fat,” Andy said. “I can remember his eyes more than the rest of him because his eyes was like they had a heavy puss over them or something. It was real thick-like. Not like they were clouded or anything.”
Even though Ed was blind, he could get around all over Harts Creek and even thread a needle.
Andy had heard that Milt caused Ed’s blindness.
“They said that Ed got a fever of some kind when he was a baby and Milt went out and cut a hole in the ice and stuck him under the ice in the creek to break the fever,” he said.
Andy knew very little about Milt.
“Just that Milt got killed, that was it, over shooting the old lady down at the shoal below Bob Dingess’ at the mouth of Smokehouse,” he said.
“All the old-timers that knows anything about his daddy is probably dead,” Dobie said.
Brandon said we’d heard rumors that Milt and Green were innocent of shooting Hollena Brumfield and Andy quickly answered, “That’s what my father-in-law told me.”
Changing the conversation back to Ed, Andy said, “Ed used to go up on Buck Fork to George Mullins’ to stay a lot and up to Grover Mullins’. He lived just above George’s place — the old chimney is the only thing still standing.”
He also went up in the head of Hoover to see George Baisden, a banjo-picker who’d hoboed with him in his younger days. The two of them had a lot of adventures, like the time Ed caught a train at Dingess and rode it over to Williamson to play for a dance or at a tavern. Just before they rolled into town, George pushed him off the train then jumped off himself. It made Ed so mad that George had to hide from him for the rest of the night.
I asked Andy if Ed ever told those kind of stories on himself and he said, “He told big tales, I’d call them, but I don’t remember what they were. Well, he set and talked with my grandmother and grandfather all the time he was here, and Mom. I never paid any attention to what they talked about really. I guess, man, I run these hills. I was like a goat. Hindsight is 20/20.”
Not long into our visit with Andy, he got out his guitar and showed me what he remembered about Bernie Adams’ guitar style. From there, he took off on Bill Monroe tunes, old lonesome songs, or honky-tonk music, remarking that he could only remember Ed’s tunes in “sketches.”
I asked, “Do you reckon Ed would sing anything like ‘Little Joe’?” and he said, “I don’t know. It’s awful old. I heard him sing ‘The Maple on the Hill’. He played and sang the ‘Black Sheep’.”
“He played loud, Ed did,” Dobie said.
“And sang louder,” Andy said immediately. “He’d rare back and sing, man.”
The tune he best remembered Ed singing was “The Drunkard’s Hell”.
I wanted to know the time frame of Andy’s memories.
“1944, ’45,” he said. “I was thirteen year old at that time. Now in ’46, we lived across the creek up here at Millard’s. Him and Mona Mae and Wilson — they wasn’t married at the time — went somewhere and got some homebrew and they all got pretty looped. That was up on Buck Fork some place. Ed got mad at Wilson and her about something that night and that’s the reason they didn’t play music — him and Claude Martin and Bernie Adams.”
I asked Andy about Ed’s drinking and he said, “Just whatever was there, Ed’d drink. He didn’t have to see it. He smelled it. Ed could sniff it out.”
Brandon wondered if Ed ever played at the old jockey grounds at the mouth of Buck Fork. Andy doubted it, although it sure seemed to me like the kind of place for him to go. There was moonshine everywhere and men playing maybe ten card games at once.
“They’d get drunk and run a horse right over top of you if you didn’t watch,” Andy said. “It was like a rodeo.”
The last jockey ground held at the mouth of Buck Fork was in 1948.
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Genealogy and History in North Carolina and Beyond
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Brandon Ray Kirk 