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In Search of Ed Haley 337

17 Thursday Jul 2014

Posted by in Big Harts Creek, Culture of Honor, Ed Haley, Lincoln County Feud

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Brandon and I also called Bob Bryant, a son of the infamous French Bryant, who lived with his son at the mouth of Piney Creek on West Fork. Billy Adkins had encouraged us to call Bob, saying that he would probably tell us what he knew of the Haley-McCoy murders. When we called Bob, his son said we were welcome to talk with his dad, although he warned us that his memory wasn’t very good.

Bob said he was born on Piney in 1911.

When I asked him about French Bryant he said he knew very little about him because his dad “was pretty old” when he was born. He said he did remember his father talking “some” about the Haley-McCoy affair.

“Milt and Green were pretty rough fellers who got in a lot of trouble all the time,” Bob said. “They were bad to drink. Milt Haley and Green McCoy was fiddlers — I think so. Maybe they was. Yeah, I almost know they was. One of them picked the banjo, I believe, but I don’t know for sure.”

Bob said Hugh Dingess, who was “kind of an outlaw,” organized a posse to fetch Milt and Green after they shot Al and Hollena Brumfield. They found them over around Wolf Creek in Martin County, Kentucky.

“Them Dingesses up there killed them,” Bob said. “It didn’t take much to get them to shoot you back then. People’d shoot you just to be a doing something.”

I asked Bob if he ever heard anything about who took part in what he kept calling “the shooting” and he said, “Hugh Dingess and four or five more.”

He paused, then said, “A few of them I wouldn’t want to tell you.”

We were just waiting for him to say his father’s name when he said, “Short Harve Dingess was pretty rough. Seems like he was in that bunch some way.”

Some of the others were: Al Brumfield, Charley Brumfield, Fed Adkins, and Burl Farley.

Bob never identified his father as a member of the mob but mentioned that his father was a friend to the Dingesses on Smokekouse.

He said he remembered seeing Ed play at the schoolhouse above the mouth of Piney when he was nineteen years old.

“He was a real fiddler,” Bob said.

In subsequent weeks, Brandon and I went through most of our information — processing it, sorting it, discussing it. We thought more about the story of Milt causing Ed’s blindness by dipping him in ice water and wondered how anyone would have ever equated those as cause-effect events. I got on the phone with Dr. Tom Holzen, a doctor-friend of mine in Nashville, who said Milt’s dipping of Ed in ice water, while a little crude, was actually the right kind of thing to do in that it would have lowered his fever. Based on that, Milt seems to have been a caring father trying to save Ed’s life or ease his suffering. Was it the act of a desperate man who had already lost other children to disease?

In Search of Ed Haley 336

15 Tuesday Jul 2014

Posted by in Big Harts Creek, Ed Haley

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By the spring of 1997, Brandon and I were at a reflective point in our research efforts. We had begun to lose our edge. After all, how many times could we ask, “Now, how did Ed Haley hold the bow?” or “Do you remember the names of any tunes he played”? We decided to step away from interviewing people and focus on writing what we knew about Ed’s life and music. I spent long hours in Nashville at my dining room table listening to Ed’s recordings and working with the fiddle, while Brandon — in his three-room house in Ferrellsburg — transcribed interviews, re-checked facts, and constructed a manuscript. This went on for quite some time.

Eventually, Brandon came to visit and we decided to telephone a few people and ask more questions. Our first call went out to Edith Dingess, the only surviving child of Ed’s uncle, Peter Mullins. Andy and Dobie Mullins had told us about her several months earlier when we visited them on Harts Creek. Edith, they said, had recently moved from her home on Mud Fork in Logan to stay with a daughter in Columbus, Ohio. When we dialed her up, her daughter said, “She might be able to give you some information. Her memory is pretty bad. She’s 81 years old and she’s had a couple of real major heart attacks.”

I first asked Edith if she knew about Ed’s mother — her aunt — who apparently died in the early 1890s. Unfortunately, Edith didn’t know anything about her. As a matter of fact, she said she barely remembered Ed, who we knew had been practically raised by her father. She said he was a “nice person, likeable” who would “laugh and joke and go on.”

“I know Ed Haley used to come to our house with Mrs. Haley and they had a little girl. Might’ve had some boys — older,” Edith said. “I believe they lived down around Huntington. They’d come up home when my dad was a living and we was all home — I was young then — and they’d play music and we’d have company. We used to have some square dances at our house. We had some good times when he come up there.”

Edith said Ed’s children led him around, but he also got around using a cane.

Before we hung up, Edith gave us the telephone number of her niece, “Little Liza,” who lived with a daughter in Lancaster, Ohio. This was wonderful; I had first heard about Little Liza from Lawrence and Pat Haley in 1991. Little Liza had grown up in Uncle Peter’s home and was a featured face in family photographs. Prior to this lead, I wasn’t even sure if she was still alive.

When we called Liza, we first spoke with her daughter, Ora Booth, who gave the familiar introduction: “I don’t know if you’ll get too much out of her or not. She’s kinda forgetful and she repeats herself a lot. All I can do is put her on the phone and see what you get out of her. She’s seventy-six and her mind just comes and goes on a lot of things.”

I told Liza that I was good friends to Lawrence and Pat Haley, had heard a lot about her, and was very interested in Ed’s life. She said Ed used to stay a week or two with Uncle Peter — who she called “Poppy” — before heading back to Ashland. To our surprise, she had no idea exactly how Ed was related to her family.

“It’s been so long and you know I’ve been sick and everything and been operated on for cancer and stuff and I just don’t feel good,” she said. “When you get old, your mind just comes and goes.”

Just when I thought Liza’s memories of Ed had all but disappeared, she said, “I tell you, he was awful bad to drink all the time. Lord, have mercy. Anything he could drink, he’d drink it. That might have been half what killed him. He was a mean man. Just mean after women and stuff. I don’t know whether he could see a bit or not, but you’d get and hide from him and he’d come towards ya. I was scared of him.”

I asked Liza who Ed played music with when he visited at Peter’s and she said, “He just played with his wife. He didn’t have nobody else to play with. Lord, him and her’d get into a fight and they’d fight like I don’t know what.”

I wondered if Ed fought with his kids.

“Yeah, they liked to killed Ed Haley one time up there,” she said. “They’d just get into a fight and the kids’d try to separate their mommy and daddy and it’d just all come up. I had to holler for Ewell to come down there and get them boys off’n Ed Haley ’cause I was afraid they’s a gonna kill him. I didn’t want that to happen, you know? He got down there and buddy he put them boys a going. They was mean. I guess they took that back after Ed Haley. Yeah, he’d come up there and go here and yonder. After Mommy and Poppy got so bad off, people’d bring him down there and set him off and I had to take care of them, so Poppy just told him, said, ‘Ed, she has to wait on us and she can’t wait on you. You’ll just have to go somewhere else.’ He did.”

That was a horrible image.

In Search of Ed Haley 334

09 Wednesday Jul 2014

Posted by in Calhoun County, Ed Haley, Music

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Around that time, as Billy and Brandon wandered in the woods of eastern Kentucky, I called Jimmy Triplett, a fiddler and protégé of Doc White in West Virginia. Doc, in addition to being Ed’s friend, was a jack of all trades — fiddler, doctor, dentist… I’d recently heard that he was a photographer and wondered if maybe he had pictures of Ed or Laury Hicks. Jimmy wasn’t really sure.

“It was way back when he was a youth that he took pictures,” he said. “I guess he was considered an amateur, but he made a lot of photographs used for postcards.”

I asked Jimmy if Doc ever talked about Ed and he said, “Yeah, he talked about how good he was and everything. He said that he was one of the best that he ever heard.”

What kind of tunes did Doc play?

“The main one Doc plays is ‘Pigeon on the Gate’ — he got that from Ed Haley,” Jimmy said. “I think it would be in standard tuning — it’s a D tune. I don’t know that there’s that many other tunes that he got off of Ed Haley that he played, but he talked about him a whole bunch and then described seeing him and his wife play.”

Jimmy played a tape over the telephone of Doc talking and playing “Pigeon on the Gate”.

“Here’s one they call the ‘Pigeon on the Gate’,” Doc said. “Ed Haley, a blind man, played that tune from Kentucky. Best fiddler that ever I heard draw a bow. His wife was blind and she played the mandolin. They used to come through the country and stop at our houses and stay for days and play with us. You ought to’ve heard him play the fiddle. He’d make them fellas over there sick.”

Jimmy referred me to John Morris, an Ivydale-area fiddler who’d known Doc and even learned “Pigeon on the Gate” from him. John was too young to remember Ed personally (he was fifty-something) but had heard a lot of stories.

“I growed up hearing about Ed Haley from my dad,” John said. “I heard a lot of other stories about him later. He used to come here and stay at my grandparents’ house some. Their names were Amos and Ocie Morris. They just lived about a mile and a half from the train station and it was on the way to Calhoun County and they were from Calhoun County. He’d ride the train to Ivydale. If it was the evening train, usually a lot of people from Calhoun County — the next county back — stayed at my grandparents’ house. He’d stay at my grandpaw and grandmaw’s up here and then go on the next day. He usually, I think, visited with Laury Hicks mostly.”

What about Laury?

“Laury Hicks was evidently a riverman,” John said. “I believe it was Aunt Minnie Moss that said he could take a hog’s head of salt or something under each arm and he poled boats up and down the Elk River and hauled supplies when they used them flatboats. I’ve heard stories of his strength — what a strong and robust kind of a man he was. My dad said that when Laury Hicks died, Ed Haley wasn’t here and the next time he come through they took a chair and set it out at Laury Hicks’ grave and Ed Haley sat out on Laury Hicks’ grave and fiddled for about four hours.”

John said stories abounded about Ed among the people of Calhoun County.

“They told that they was having church over there someplace one night in an old school building or something on top of the hill between Walker and Stinson,” he said. “Ed happened to be in the country and they wanted him to play some hymns. He got started playing and he got off of playing hymns and they wound up breaking up church and having a dance. And they was about to take him up over it — about to get in trouble with the law over it — for breaking up church.”

I asked John if he thought that was a true story and he said, “Well, I’ve heard that. I know Ed cussed all the time. He was bad to cuss and swear. I heard that my Grandmaw Morris about put him away from the table for swearing at the table. Dad said he swore continuously.”

It was coincidental that John would mention Ed’s profanity. A few days later, Brandon met a niece to Johnny Hager at a genealogical meeting and she said Johnny quit traveling with Ed because he used foul language and because he had another woman in Calhoun County. Supposedly, when this woman died Ed played the fiddle at her grave all night. This “other woman” story may have had some merit: Wilson Douglas told me that Ed had an illegitimate daughter in that country.

1st Annual Ed Haley Fiddle Contest

07 Monday Jul 2014

Posted by in Ashland, Big Sandy Valley, Ed Haley, John Hartford, Music

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Ed Haley Contest 1

(L-R) Peter Even, Mike Compton, Brandon Kirk, J.P. Fraley, Nancy McClellan, Paul David Smith, and John Hartford.

In Search of Ed Haley 331

03 Thursday Jul 2014

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About an hour later, Brandon showed up at Pat’s, followed by various members of the Haley clan: Noah, Clyde, and a bunch of children and grandchildren. The house was soon full of people — talking and eating. It was a bittersweet moment due to Lawrence’s absence, although his spirit was everywhere. I watched the Haleys — Ed’s children and grandchildren — business executives, gamblers, bar owners — mix with one another. Conversation was friendly between them, although there seemed to be an estrangement — especially among the younger ones. Basically, they were raised up separate from each other (the “Kentucky Haleys” vs. the “Ohio Haleys”); to be honest, it was as if they really didn’t know each other that well.

I realized that the binding force in Ed’s family — the glue that held all of them together — was the music…or at least the memory of it. Children who had never met before were sitting in the floor together or running through the house and yard — some hearing about Ed for the first time. I kept thinking about how one of them might some day pick up a fiddle and naturally crank out some of those “Haley licks.”

Brandon and I sat in the living room with Noah, Clyde, and Mona. Clyde immediately started talking about Ed.

“I used to hate him — hate that man — the way he treated Mom,” he said.

“Evidently, Mom cared for him or she wouldn’t a let it go on,” Noah said.

“I learnt as I got older and got a little tolerance in my mind I learned to forgive my hate for my dad to something else,” Clyde said. “I give it to God or whatever you want to call it.”

“I think the reason you didn’t like him Clyde was because when we stole them ducks there at Keyser Creek, he took each one in a room by ourself and he took a strap and he held us by the arm and he beat the hell out of us,” Noah said, laughing.

“That was Mr. Runyon’s ducks,” Clyde said. “Yeah, he beat us with the buckle part of that belt.”

“Yeah, and I think that’s why you didn’t like him,” Noah said. “I remember that beating we got.”

Clyde said, “Oh, we got a good one, didn’t we?”

I asked where Ed lived when that happened and Clyde said, “That was a four-room house. Ralph, our oldest brother, he had made a trapdoor in that floor and he used to bootleg moonshine through that trapdoor.”

“Clyde, you remember the cow he stole and kept it under the porch?” Noah asked.

Clyde said, “Yeah, Ralph did that. That wasn’t a cow. That was a calf. Our house stood up on stilts and Ralph or somebody had fenced that all in to keep that calf in. Got that while he was in the CCCs.”

Noah said, “And he built a trapdoor so he could go down through the floor…”

“In the bedroom,” Mona added.

Clyde laughed and said, “Ralph got that calf in the house and he was trying to put that calf up in Mom’s lap and it done something all over Mom.”

In Search of Ed Haley 330

02 Wednesday Jul 2014

Posted by in Ed Haley, Music

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Meanwhile, plans were underway for an “Ed Haley Fiddle Festival” in Ashland. The whole idea was conceived by Pat Gray, a local real estate agent who’d been inspired by an article in the Ashland Daily Independent regarding our interest in Ed’s life. Pat incorporated the “festival” (which was actually a fiddling contest) into Ashland’s Poage Landing Days, a citywide carnival-like celebration centered on the downtown area. The fiddle contest was scheduled to take place in the basement/auditorium of a Presbyterian church in Ashland. Pat declared me the “Grand Marshall” of the Poage Landing Parade, booked my band and I for an evening show and even offered to put us up at her place.

We pulled into Ashland on September 20th, 1996 and parked the bus in a church parking lot just down the hill from Pat Haley’s. Mike Compton, my mandolin player, and I walked up to Pat’s for breakfast (at her invitation) where I found her entertaining Mona and Patsy (Jack’s wife). Mona had written out the words to some of Ed’s songs for me, like “My Happy Childhood Days Down on the Farm”:

When a lad I used to dwell

In a place I loved so well

Far away among the clover and the bees.

Where the morning glory vine

‘Round our cabin door did twine

And the robin red breast sang among the trees.

In my happy boyhood days down on the farm.

There was a father old and gray

And a sister young and gay

And a mother dear to keep us from all harm.

There I passed life’s sunny hours

Running wild among the flowers

In my happy boyhood days down on the farm.

It was obvious that Mona had been thinking a lot about Ed’s music, so I didn’t waste any time getting my fiddle out for her. She caught me a bit off guard when she asked me if she could accompany me using Mike’s mandolin. The next thing I knew, she was playing right along with me — scarily like her mother. After we’d finished a tune everyone got really quiet, then Patsy looked at Mike and said, “You’ve just lost your job.”

Several tunes later, I asked Mona about Ed’s bowing style. There was a lot of conflicting information on that, so I wanted to get her opinion again. She said Ed “mixed things up,” or more specifically, that he varied his bowing between long and short strokes.

I had kinda figured that was true and had even come to think that maybe he had “area bowings,” much like his “area tunes.” It’s really a very natural thing. I play different tunes and different ways when I’m with the Goforths and Hawthornes in Missouri than when I’m with Earl Scruggs and Benny Martin in Nashville, or Fletcher Bright, or Jim Wood, or Bruce Molsky and Brad Leftwich, or Charlie Acuff, or Buddy Spicher, or Hoot Hester.

I should say here that all this business of bow holds, short and long bow strokes, and whether Ed held the fiddle under his chin or not, should never be taken as Scripture. In my own experience, I’ve held the fiddle under my chin, on my arm, on my chest, with all kinds of chin rests, no chin rests, shoulder rests, and used different kinds of bows. (I even used to tape a tin penny nail or two on the bow shaft for weight when I pulled it for long square dances so I wouldn’t have to press down with my index finger.) I’ve bowed heavy, light, long strokes, short strokes, off-string, on-string, and so forth. I’m sure that Ed’s technique — like mine or probably any musician — was constantly changing. What I have tried to document with Ed is who saw him play a certain way, where and when. It’s important to keep that in mind so as to not get lost in the contradictions.

In Search of Ed Haley 329

28 Saturday Jun 2014

Posted by in Big Harts Creek, Culture of Honor, Ed Haley, Lincoln County Feud, Spottswood, Timber

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Satisfied that we’d taken up enough of Andy’s day, we drove up Trace Fork to see Wirt Adams, an older brother to Joe Adams. Wirt was busy installing a waterbed but took a break to talk with us. “Well, come on in boys, but I’ve only got a few minutes,” he seemed to say. Inside, however, after I had pulled out my fiddle and he had grabbed a mandolin, he seemed ready to hang out with us all day.

I told Wirt that I was trying to find out about Haley’s life. He said old-timers in the neighborhood used to tell stories about Ed playing for dances on Saturday nights with Johnny Hager, a banjo-picker and fiddler. Ed eventually left Harts Creek and got married but came back to stay with his cousins every summer.

Wirt said he sometimes bumped into him in local taverns:

“It was in the forties,” he said. “About ’47, ’48, ’49, ’50 — along there somewhere. We called it Belcher’s beer garden. It was a roadhouse over on Crawley Hill. Well, I just come in there from the mines and Ed was there and he heard somebody say that I was there and he said, ‘Come on over here Wirt and play one.’ I think the fella that’d been playing with him had got drunk and passed out. Well I played one or two with him and then Charley Conley and them boys come in and Charley says, ‘C’mon over here Wirt and get in with us.’ Ed said, ‘Don’t do that, you’re playing with me.’ I really wasn’t playing with him. I had my mine clothes on. I just come in there and picked up Bernie Adams’ old guitar. If you was playing they’d sit you a beer up there — no money in it. Mostly for fun, we thought. We’d gang up on Saturday night somewhere and play a little. Sometimes they’d dance.”

Wirt felt that Ed was “a good fiddler, one of the best in that time.”

I asked him about Ed’s bowing and he said, “It didn’t look like he moved it that far over the whole thing [meaning very little bow usage] but he played tunes where he did use the long stroke. But most of it was just a lot of movement but not no distance. Just hacking, I call it. Him and Johnny Hager were the only two fellas I know who done that.”

Brandon wondered about Ed’s tunes.

“Well, he played that ‘Blackberry Blossom’ — that was one of his favorites — and then he played ‘The Old Red Rooster’ and he played ‘Raggedy Ann’ and ‘Soldiers Joy’. He had one he called ‘somethin’ in the shucks’. I forget the name of it. Anyhow, it was one of the old tunes. And ‘Pop Goes the Weasel’, I’ve heard him play that.”

I asked if Ed played “Birdie” and he said, “Yeah. Now, that’s one of Charley’s favorites. ‘Chinese Breakdown’, that was one of Ed’s. ‘Down Yonder’.”

Wirt told us more about Johnny Hager and Ed Belcher.

“Johnny Hager was a banjo player but he could play the fiddle, too. He played the old ‘overhand’ [on the banjo]. He was a good second for somebody. Now Ed Belcher was a different thing altogether. He played all kinds of stuff. He played classical, he could play hillbilly. He played a piano, he played accordion, he played a banjo, he played a guitar. He was a good violin player. He tuned pianos for a living. Well, I’d call him a professional musician. They had talent shows in Logan. He’d sponsor that. He’d be like the MC and these kids would go in and play. He was a head musician. He was good. He could do ‘Spanish Fandango’ on the guitar and make it sound good. He could play all kinds of tunes. I never could play with him but then he could take the piano and make it talk, too. He was just an all-around musician.”

Brandon asked Wirt if he knew the story about how Ed came to be blind.

“Milt Haley was Ed’s dad,” Wirt said matter-of-factly. “They said his dad was kind of a mean fella and he took Ed out when he was a little kid — held him by the heels — and ducked him in the creek. He had some kind of a fever in wintertime. I’ve heard that, now. Ed never would talk about it. I never heard him mention his dad.”

Wirt had only heard “snippets” about Milt’s death.

“It was pretty wild times,” he said. “I understand the whole thing was over timberworks. These people, they’d have a splash dam on this creek and they’d get their logs and haul them in this bottom at the mouth of Trace — this was one of them. They had a splash dam and when the water got up they’d knock that dam out and that’d carry the logs down to Hart and they had a boom and them Brumfields owned the boom. They charged so much a log. Some way over that, there was some confusion. But I’ve seen Aunt Hollene. She was supposed to been riding behind old man Al Brumfield, her husband, and they shot at him and hit her.”

After Milt was caught, he made a last request.

“They said they asked him if he wanted anything and he wanted them to bring him a fiddle,” Wirt said. “He wanted to play a tune. Now this is hearsay but I’ve heard it several times. They said he played the fiddle and they hung him.”

In Search of Ed Haley 328

26 Thursday Jun 2014

Posted by in Big Harts Creek, Ed Haley, Lincoln County Feud, Music

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From Naaman’s, we drove out of Trace and on up Harts Creek to see Andy Mullins, who Brandon had met a few months earlier at Bill Adkins’ wake. Andy had just relocated to Harts after years of living away in Michigan; he had constructed a new house in the head of Ticky George Hollow. Andy was a son to Roxie Mullins, the woman who inspired my fascination with Harts Creek. Andy, who we found sitting in his yard with his younger brother Dobie, was very friendly. He treated us as if we had known him for years.

“I was just catting when you fellas come up through there,” Andy said to us. “One of the girls lost a cat down there over the bank last night — a kitten. This morning I went down there and it was up in that rock cliff and I took its mother down there and it whooped the mother. And I took one of the kittens down there and it whooped the kitten. The old tomcat, he come down there and he whooped it. It went back up under that damn rock.”

I liked Andy right away.

We all took seats in lawn chairs in the front yard where Andy told about Ed Haley coming to see his parents every summer when he was a boy, usually with his wife. He described him as having a “big, fat belly” and weighing about 200 pounds.

“He wasn’t much taller than Dobie but he was fat,” Andy said. “I can remember his eyes more than the rest of him because his eyes was like they had a heavy puss over them or something. It was real thick-like. Not like they were clouded or anything.”

Even though Ed was blind, he could get around all over Harts Creek and even thread a needle.

Andy had heard that Milt caused Ed’s blindness.

“They said that Ed got a fever of some kind when he was a baby and Milt went out and cut a hole in the ice and stuck him under the ice in the creek to break the fever,” he said.

Andy knew very little about Milt.

“Just that Milt got killed, that was it, over shooting the old lady down at the shoal below Bob Dingess’ at the mouth of Smokehouse,” he said.

“All the old-timers that knows anything about his daddy is probably dead,” Dobie said.

Brandon said we’d heard rumors that Milt and Green were innocent of shooting Hollena Brumfield and Andy quickly answered, “That’s what my father-in-law told me.”

Changing the conversation back to Ed, Andy said, “Ed used to go up on Buck Fork to George Mullins’ to stay a lot and up to Grover Mullins’. He lived just above George’s place — the old chimney is the only thing still standing.”

He also went up in the head of Hoover to see George Baisden, a banjo-picker who’d hoboed with him in his younger days. The two of them had a lot of adventures, like the time Ed caught a train at Dingess and rode it over to Williamson to play for a dance or at a tavern. Just before they rolled into town, George pushed him off the train then jumped off himself. It made Ed so mad that George had to hide from him for the rest of the night.

I asked Andy if Ed ever told those kind of stories on himself and he said, “He told big tales, I’d call them, but I don’t remember what they were. Well, he set and talked with my grandmother and grandfather all the time he was here, and Mom. I never paid any attention to what they talked about really. I guess, man, I run these hills. I was like a goat. Hindsight is 20/20.”

Not long into our visit with Andy, he got out his guitar and showed me what he remembered about Bernie Adams’ guitar style. From there, he took off on Bill Monroe tunes, old lonesome songs, or honky-tonk music, remarking that he could only remember Ed’s tunes in “sketches.”

I asked, “Do you reckon Ed would sing anything like ‘Little Joe’?” and he said, “I don’t know. It’s awful old. I heard him sing ‘The Maple on the Hill’. He played and sang the ‘Black Sheep’.”

“He played loud, Ed did,” Dobie said.

“And sang louder,” Andy said immediately. “He’d rare back and sing, man.”

The tune he best remembered Ed singing was “The Drunkard’s Hell”.

I wanted to know the time frame of Andy’s memories.

“1944, ’45,” he said. “I was thirteen year old at that time. Now in ’46, we lived across the creek up here at Millard’s. Him and Mona Mae and Wilson — they wasn’t married at the time — went somewhere and got some homebrew and they all got pretty looped. That was up on Buck Fork some place. Ed got mad at Wilson and her about something that night and that’s the reason they didn’t play music — him and Claude Martin and Bernie Adams.”

I asked Andy about Ed’s drinking and he said, “Just whatever was there, Ed’d drink. He didn’t have to see it. He smelled it. Ed could sniff it out.”

Brandon wondered if Ed ever played at the old jockey grounds at the mouth of Buck Fork. Andy doubted it, although it sure seemed to me like the kind of place for him to go. There was moonshine everywhere and men playing maybe ten card games at once.

“They’d get drunk and run a horse right over top of you if you didn’t watch,” Andy said. “It was like a rodeo.”

The last jockey ground held at the mouth of Buck Fork was in 1948.

In Search of Ed Haley 327

25 Wednesday Jun 2014

Posted by in Big Harts Creek, Ed Haley, Lincoln County Feud

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After talking with Luster, we drove to see Naaman Adams on Trace Fork. We talked in the yard with Naaman, who wore a straw hat and work clothes. His mother, we knew from Billy’s records, was Imogene Mullins, a first cousin to Ed’s mother and her namesake.

Naaman said his grandfather Ben Adams had lived in an old log cabin at the mouth of Adams Branch on Trace. Ben had feuded frequently with his neighbors and once ordered sixteen rifles for protection — eight .32 Winchesters and eight .38 Winchesters. To our surprise, Naaman said he had one of those very rifles. Disappearing momentarily into his house, he returned outside with a magnificent 1873 model .38 Winchester. Pointing to a dark spot on its butt end, Naaman said it had been caused by rifle fire. Apparently, during a feud, as Ben stood in his doorway shooting at his enemies, someone fired back, striking his rifle and causing the spot. He didn’t know if this incident occurred during the 1889 troubles.

Of the old feuds, Naaman said: “People back then feuded amongst themselves but ganged up on outsiders. People’d be killed and nobody knew who did it.”

Naaman said Ben’s feud “just died out” when a lot of the participants moved away from the area. The law eventually confiscated most of his guns. Someone located one of them in the old Logan Courthouse when it was torn down in the sixties. Bob Dingess had a .32, as did Ernest Adams, while a Hall on Twelve Pole had a .38.

Just before we left, Naaman mentioned that his wife was a daughter of Ewell Mullins, Ed’s first cousin. Ewell, of course, was the man who had bought Ed’s Trace Fork property in 1911. Naaman said when his father-in-law had bought the property, it contained a one-story boxed log house, which stood near a sugar tree toward the branch. Later, Ewell moved the house further up the bottom; old-timers had told Naaman about placing logs under the house and rolling it. In the 1950s, Naaman and several other men demolished the house. They did it in stages: first, the front was removed and rebuilt, then the back was removed and rebuilt. The newer home — the one there now, which we had nicknamed the “red house” — was patterned in its design after the older one.

This was a little disheartening: there didn’t seem to be anything left from Ed’s time on Harts Creek (nor in Ashland or in Calhoun County).

In Search of Ed Haley 326

24 Tuesday Jun 2014

Posted by in Big Harts Creek, Ed Haley, Lincoln County Feud

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From Harts proper, we headed up Harts Creek to the home of Luster Dalton, a son of Ed’s friend, Dood Dalton. Luster was born in 1924 and used to play the fiddle on weekends for free drinks at local “dives” with his brother Stump and two cousins. I asked him if he learned much from Ed and he said, “Yeah, I learned a lot from the old man Ed. He was a real fiddle player, son.”

I wondered if anybody around Harts played like Ed.

“Not as good as he could, no,” Luster said. “I’d have to say no to that. That old man really knew how to handle that job, buddy.”

Luster tried to remember some of Ed’s tunes.

“Way back in them days, they had one they called ‘Cacklin’ Hen’ and ‘Wild Horse’ and such as that on down the line,” he said.

I got my fiddle out and pointed it toward Luster, who said, “They ain’t a bit of use in me to try that. I’ve had too many bones broke.”

I tried to get him to just show me anything — but he refused.

He chose instead to talk, starting with how Ed came to visit his father on Big Branch.

“He came about onest a year and would maybe stay a month,” Luster said. “He’d maybe stay a week at Dad’s and go to some other family and stay a week and go up Logan and stay a week or so with somebody. Him and his old woman both would come and a couple three of his kids. Mona was one of them’s name. About all of them I guess has been to my dad’s. I don’t see how they raised a bunch of kids — neither one of them could see. That’s something we got to think about. They was good people. And a fella by the name of Bernie Adams used to come with them — he was a guitar picker — and they’d sit up there and sing and pick up at my dad’s till twelve o’clock and go to bed and go to sleep, get up the next morning, go into ‘er again. I went in the army in 1940, I believe it was, and I know I’ve not heard from them since then.”

Luster didn’t know if Milt Haley was a fiddler but had heard the old-timers talk about how either him or Green McCoy had shot Hollena Brumfield through the jaw at the mouth of the Rockhouse Fork on Harts Creek.

“They were murdered in a little log house,” Luster said. “They took a pole axe and beat them to death and then chopped them up.”

A Visit to the “Murder House” (1996)

22 Sunday Jun 2014

Posted by in Green Shoal, Lincoln County Feud

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The next day, Brandon, Billy, and I went to investigate the Watson Lucas-Lon Lambert home at the mouth of Green Shoal. For a long time, we had suspected it of being the actual “murder house,” the place where Haley and McCoy had been brutally murdered in 1889. Cecil Lambert, the current owner and occupant of the dwelling, told us, however, upon our arrival that it was not the same house. He said his father, Lon, had told him prior to his death that the old Fry log house was long torn down. The Fry home, he said, had been located just a few feet downriver from the current home, generally at the present-day location of a garage. Cecil had done some recent remodeling and was pretty sure that his father was correct: he hadn’t found a single log anywhere behind the walls.

Cecil walked us over to a nearby embankment and showed us what he figured to be the last remaining vestige of the Fry house: some old foundation stones strewn down into a ditch. He then took us through the house, which (unfortunately for our imaginations) really didn’t have a nineteenth century look to it.

There was one thing on the second floor that excited us: easily visible through a large hole in the wall (courtesy of Cecil’s remodeling) were some old dried beans lying on the rafter “floor.” It made us think of what Vergia Rooney had said about people using the top story of the old Fry house for drying peaches and apples. Of course, the beans we could see were not George Fry’s…but finding them like we did sure struck us as a coincidence.

Back outside, Brandon walked around the house searching for anything that might connect it with the events of 1889. He made a significant find on the upriver side, which Vergia remembered as being part of the original house. Clearly visible in a corner was an old foundation stone just like the ones at the ditch. We did not notice any more old stones under the house that day, but Cecil later found many more after further remodeling. On the upriver (or “original”) side of the house, foundation stones were intact (at least partially) while on the downriver (or “newer”) side, foundation stones had been tossed in the ditch. There was also a “hidden” door on the downriver side of the house (where Vergia had remembered one swinging open in the old days).

Back at Billy’s, Brandon got out the Fry history book and located a picture of A.S. Fry’s home at Green Shoal, presumably taken around the time of the murders. We compared it mentally with what we remembered about the present home at Green Shoal and noted a few similarities but nothing really conclusive. Then we noticed in the photograph that the Fry dwelling had an extension of rough lumber off to one side that resembled the current Lambert house. It wasn’t clear whether the log portion was on the upriver or downriver side but if it was on the downriver side (the end Vergia said was torn away) it would explain why some of the old foundation stones were lying about in that direction. In such a scenario, both Vergia and Lambert would be correct in their account of what happened to the Fry house. In other words, there was a real chance that the building was at least partly intact — although radically remodeled.

In Search of Ed Haley 325

21 Saturday Jun 2014

Posted by in Big Harts Creek, Ed Haley, Logan, Music

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That night, Brandon and I congregated at Billy Adkins’ house in Harts Bottom.  In ensuing conversation, Billy told us about Marshall Kelley, an old-timer in the community who remembered Ed. He dialed Marshall up, then put me on the telephone. Marshall said he was seventy-three years old, had been born and raised about three miles up Harts Creek and was the son of a Baptist preacher. He was great: I didn’t have to prod him with questions. He just took off, beginning with a story about seeing Ed walking up toward Dood Dalton’s.

“I was about two or three blocks away from him,” Marshall said. “I lived in a house about 100 yards from the road and I could see the people going and coming up and down the road. And I saw a man — a little bit short — going, walking. It looked like he was carrying a guitar — might have been a mandolin — in one hand and his fiddle in the other hand. Somebody said they believed that was Ed Haley and he was being led by a young man that was just a little taller than him. In other words, this man was holding onto his arm. They were walking side by side. And he went down there and went up a hollow then about half a mile — maybe three quarters of a mile — to the home of Dood Dalton. They were acquainted with each other. Ed played the fiddle the biggest part of the afternoon.”

I asked Marshall if he remembered anything specific about Ed’s fiddling.

“I heard him play the ‘Cacklin’ Hen’ on the fiddle and made her cackle,” he said. “Buddy, he could make that sound just almost exactly like a chicken cackling. And I noticed the sound of that fiddle. And down in those little grooves — places where you could look down in the head of his fiddle — I could see some letters down in there, like a little sticker, that said, ‘Made in Germany.’ And his fiddle looked old cause it didn’t have much varnish on it. Dood made mention about putting new varnish on it and he said he didn’t want to. He said they played better — had a better sound — without any varnish on it. None of them sounded just like his fiddle and he wouldn’t change.”

Marshall said he saw Ed play at Logan and Huntington, too.

Then I heard him two or three times in Logan up around the courthouse singing and playing. One time they was a woman with him somebody said was his wife and she was also blind. I believe she was playing a mandolin. Then the next thing, I grew up a little bit and I went to Huntington. And I was a going down one of the streets and I heard a fiddle a playing. It was far enough away that I couldn’t tell what direction it was in. I stopped once and listened. And after a while, I went on down there and here was a gang of people ganged up and there was him and his wife again a playing. And I thought as I went walking down that way, ‘That sounds just like Ed Haley.’ And sure enough it was.”

Just before Marshall and I hung up, he told me what he knew about the Haley children.

“I only got acquainted with the one named Clyde,” he said. “And I saw him there at Dood Dalton’s house. Just talked with him a little bit. Me and him was approximately the same age. He got to sparking Dood’s girl and I was trying to take her away from him and whenever I seen I couldn’t make no headway I just walked away and left and then she quit him.”

In Search of Ed Haley 323

19 Thursday Jun 2014

Posted by in Big Harts Creek, Ed Haley, Holden

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About a half hour later, we drove up the Smoke House Fork of Harts Creek to see Dorothy Brumfield. Dorothy lived in a white one-story home situated on a hillside overlooking the Hugh Dingess Elementary School, just down the stream from the old Henderson Dingess homeplace. Dorothy had been born in 1929 at Louisa, Kentucky, but came to Harts when she was seventeen and soon married John Brumfield, a son of Ed’s friend, Cecil. Her father was a descendant of Albert Dingess, a member of the 1889 mob.

I started the conversation by asking Dorothy about Ed. She said she never knew him personally but heard that he lost his eyesight after his father dipped him in water. She also heard that he was a great fiddler when he got “pretty high” but was mean and eager to fight if he drank too much.

Dorothy knew the story about Ed borrowing a fiddle from her father-in-law Cecil Brumfield; her husband later acquired it. “He had come through here and borrowed a fiddle off of Paw Brumfield, him and Bernie Adams, and went up yonder to Logan and pawned it,” she said. “Paw Brumfield liked to never found it.”

Dorothy said the only time she actually saw Ed was when her husband brought him home early one Sunday morning around 1949-50.

“My husband worked at Holden, and I’d heard tell of Ed Haley but I hadn’t met him,” she said. “So John stopped at the top of Trace Mountain at this place. Back then, they called them saloons. And he was supposed to been in at one o’clock in the morning. He didn’t make it. Oh, did I get mad when four o’clock come in the morning. Here he knocked on the door and I could tell someone was with him, but I couldn’t make out that it was a blind person with him. I thought it was just somebody real drunk that had passed out. He got here in the house with him and I fixed them something to eat.”

“Why didn’t I know you all was over there and got me a babysitter and caught me a ride over there and had me a time?” Dorothy said to her husband. “What would you done if I’d walked in?”

“What, mam?” Ed said.

“All them women John had over there tonight,” she said to Ed.

“Mam, he didn’t have no women,” Ed said.

“Now sir, you told me you couldn’t see,” she said. “How do you know?”

“Well, John sit beside of me,” Ed said.

A little later, Dorothy fixed Ed a bed and she went and asked her husband, “Would you tell me who in the world you’ve brought home with you again?”

John said he’d stopped in at that saloon and found Ed playing music “and a bunch of them women dancing” and he “wouldn’t leave Ed there. When they closed, he brought him here.”

“Well, then they got up the next morning and I said, ‘Now John you help him around and show him around.’ I was already mad at John for laying out. Little bit jealous, too. We hadn’t been married long.”

Dorothy said she cooked a big breakfast for everyone.

“Mam, have you got any onions?” Ed asked her at the table.

“Yes I have but why would you want an onion for breakfast?” she said.

“Don’t you know what onions are good for?” Ed said. “Many a things.”

Dorothy said Ed seemed intelligent by the morning conversation.

After breakfast, Ed went back into the front room and played the fiddle for Dorothy’s kids in front of the fireplace. She said he held his fiddle under his chin and played “Wildwood Flower” and an extremely fast version of “Cripple Creek”.

John said, “Ed, play that there ‘Birdie’ for these children.”

“Well, he stayed around and I think they drunk all the booze up,” Dorothy said. “John, he was wanting more booze, too, so he went off with Ed to Aunt Alice’s or somewhere and got some liquor and he didn’t come back till about dark. I don’t know where all he took Ed. When he come back, he kept telling me why he brought him here. He said that he didn’t want to leave him. If something happened, he wouldn’t forgive hisself. Nobody else wouldn’t take him after all the big time was over with.”

In Search of Ed Haley 321

17 Tuesday Jun 2014

Posted by in Big Harts Creek, Culture of Honor, Ed Haley, Lincoln County Feud, Timber

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Trying to lift our spirits, we went to see Vilas Adams, who lived on the Boardtree Branch of Trace Fork. Vilas was a great-grandson of Ben Adams and a grandson of Ticky George Adams. He was very friendly, inviting us inside his very nice home where his wife fed us a whole mess of good food, which we ate between asking questions.

I first asked him about his memories of Ed Haley, who he said frequented Ewell Mullins’ store during the late 1930s and early forties.

“Down there at old man Ewell’s store, they’d gather in there of an evening and tell tales, old man Jeff Baisden and them,” Vilas said. “My grandpaw Ant Adams and I would walk down there and then Ed would walk down there from Uncle Peter’s. It was a quarter a mile — just a little hop and a jump I call it. Ed would come in there and fiddle for them and if they wanted a certain song, they’d give him a quarter or fifty cents. That was good money I guess back then.”

Vilas’ grandfather Anthony Adams (a brother to Greasy George) always gave Ed a quarter to hear his favorite tune.

“What was Ed like?” I asked.

Vilas implied that he was withdrawn.

“Mostly he stayed with that fiddle,” he said. “He was good.”

Like most of the other older people in Harts, Vilas knew about the Haley-McCoy killings.

“My grandpaw would tell me them tales but I wouldn’t pay no attention,” he said. “He was telling about them fellers — Sol Adams — going over there and locating them and they went back and captured them. Well, his daddy Anthony tried to waylay them and take them back through here somewhere. They thought they’d come through these hills somewhere but they missed them.”

So, Sol Adams — a 20-year-old nephew to Ben Adams who was often called “Squire Sol” because of his status as an officer of the law — “went over and located Haley and McCoy” in Kentucky after the ambush. Meanwhile, his father Anthony and uncle Ben Adams, organized a gang to recapture them as the Brumfields brought them back through Harts Creek. This seemed strange: why would Sol operate against the interests of his family? And why would he have even been compelled to even become involved since he was a Logan County justice and the crime had occurred in Lincoln County?

Brandon asked Vilas if he knew who had been in the Adams gang and he said, “No, I’ve heard my grandpaw talk but I’ve forgot some of it. They was somebody from down around Hart somewhere. He said they took them over around Green Shoal or over in there somewhere and killed them. Grandpaw said they maybe hit them with axe handles.”

Vilas said his grandfather told him something horrible had happened to most of the men who murdered Haley and McCoy.

“He said just about every one of them that was in on that, something bad happened to them,” he said. “I heard one of them’s own boy killed one of them. And one of them got drowned and my grandpaw said the river wasn’t deep. Said he fell off a horse or something right at the mouth of Hart.”

Of course, Vilas was referring to Paris Brumfield, who was killed by his son Charley in 1891, and to Will Adkins, who drowned at the mouth of Harts Creek on November 23, 1889.

Brandon asked Vilas about “old Ben Adams” and he almost immediately started talking about the old timber business.

“See, that was my great-grandpaw,” he said. “They would build splash dams. They had one right out here. They had them tied some way or the other. And they built them up on Hart there, maybe up on Hoover, and they’d work all winter and put them logs in the creek. And in the spring when them floods come, it would wash all them logs down around Hart and then they’d put them together and raft them on down to Kenova. I guess that was all they had to make a living — timber and farm.”

Ben, of course, made his living in timber. He lived at the mouth of Adams Branch, a little tributary of Trace Fork presently referred to as Still Hollow.

“Over there at what we call Still Hollow, they said he had a still-house there and he had a license to make apple brandy back then,” Vilas said. “And he would go with a wagon everywhere and get apples. They was a log house over there in the mouth of that holler — just down the road here a little ways. When I was a boy the old log house was there, but it rotted down. Just one-story as far as I can remember. The old well’s there. He had some kind of an old store or saloon right there.”

Vilas speculated very little on Ben Adams’ personality, but compared him to his son, Greasy George Adams: “always a likeable fella but seemed like trouble followed him.” He heard that after Ben’s first wife died, he lived with first one woman, then the next. He eventually got into a heap of trouble by murdering a local postman, Jim Martin.

“He killed a fella right over there at the mouth of that hollow,” Vilas said. “My grandpaw said he had some sort of an old store or saloon and he was shooting out the door. Right there in the mouth of that holler. It broke him. Lawyers. Lost everything he had.”

It was rumored that Ben’s and Martin’s trouble had something to do with a woman or a right-of-way.

In Search of Ed Haley 319

12 Thursday Jun 2014

Posted by in Big Harts Creek, Ed Haley, Harts, Lincoln County Feud

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A little later, Brandon visited Lillian Ray, a seventy-something-year-old daughter of Cecil Brumfield who lived in a beautiful two-story house on the Smokehouse Fork of Harts Creek. Lilly, he discovered, had a lot of the old Dingess family photographs. To Brandon’s surprise, there were several thick-paged Victorian velvet-covered albums full of tintypes and a few boxes of sepia images on decorative cardboard squares. Only a few were labeled, but he recognized some of the faces: Al Brumfield, Henderson and Sallie Dingess, Hugh Dingess, Mrs. Charley Brumfield, Mrs. John Brumfield, and Dave Dingess. No doubt, there were pictures in the album of Ben Adams and Hollena Brumfield in their youth.

Before leaving, Brandon asked Lilly about Ed Haley. She said she remembered him coming to her father’s house when he lived in the old Henderson Dingess homeplace. He would just show up, leading himself with a cane, and stay for two or three days. Lilly hated to see him come because he was so hateful to the Brumfield children — “always running his mouth.” She described him as a “little short man” who “drank a lot” and told how he and Bernie Adams once borrowed a fiddle from her father and then pawned it off in Logan. The fiddle originally belonged to Tom Martin.

Not long after visiting Lilly, Brandon sent me a letter updating me on his research along with pictures of people we’d only imagined. As they turned up, I wondered if I were to go into a room with Al, Paris, Milt, Green, French, Cain, Runyon — without knowing who any of them were — which ones would I take to strictly on a personality basis? Which ones would I have a gut reaction to think, “Well, he’s a pretty fair good old boy,” or, “Boy, I don’t know about that feller there. Something’s just not right.” I mean, you walk in the room and, “That’s Al Brumfield?” No way. “That’s Cain Adkins?” Nope, I can’t believe that.

In Search of Ed Haley 318

11 Wednesday Jun 2014

Posted by in Civil War, Ed Haley, Music

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Around that same time, Brandon located a picture of Ben France in a newsletter called High Notes: Mountain Music from West Virginia (1996). France was the most famous fiddler in the Guyandotte Valley during the 1850s. He may have been acquainted with Ed’s grandfather, Ben Haley, or even influenced Milt or Ed.

“These are the ‘Old Soldier Fiddlers’ — two Union, two Confederate — who toured the country after the Civil War,” the caption read. “The second fiddler from the left is Ben France of Wayne County, a Confederate courier who was second on the scene after Stonewall Jackson was fatally wounded. France was the great-great-great-great-great-uncle of our own Bing Brothers. Thanks to Dave Bing for the use of the photograph.”

A little later, I called Dave Bing, a West Virginia fiddler pretty well known among the traditional festival circuit, to ask him about the picture.

“Uncle Ben was born in what is now Wayne County, West Virginia, in the 1840s,” he said. “He joined the Confederate Army at the age of seventeen and served as a carrier in the Shenandoah Valley campaign. He was in the area on a mission the night Stonewall Jackson was shot and was said to be the second man to come to his aid. During the Battle of Gettysburg, he was wounded and transferred to the Army of Tennessee where he served until the end of the war. Uncle Ben was known as a fine horseman.”

France became somewhat of a professional musician after the war.

“After the war, Uncle Ben and three other war veterans (all fiddlers) toured the country playing resorts and fine hotels,” Bing said. “The group was known as the ‘Blue and the Gray.’ Uncle Ben once played by invitation for John D. Rockefeller, Sr. at his hotel. He was an outstanding banjo player but was more famous for his fiddling. He was well-dressed and always had his fiddle — which he called ‘Sally.’ He never married but was the father of a daughter. He died in 1917. He was buried in Henry France Cemetery located off of Long Branch in Cabell County.”