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Brandon Ray Kirk

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Brandon Ray Kirk

Tag Archives: Milt Haley

In Search of Ed Haley 157

24 Saturday Aug 2013

Posted by Brandon Ray Kirk in Ed Haley

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Appalachia, Ashland, Brandon Kirk, Ed Haley, Fred B. Lambert, Green Shoal, history, Lincoln County Crew, Marshall University, Milt Haley, Sam Vinson Harold, Tom Ferrell, writing

     Around that time, I received a very important letter in the mail from Brandon Kirk, the Harts genealogist. “Here are some documents pertaining to your research which I found in the F.B. Lambert Collection here at Marshall University,” he wrote. “There is a good chance that there may be more references in the collection regarding old time fiddlers.” Along with Brandon’s note was a single photocopied page of an interview with someone named Sam Vinson Harold on February 22, 1951. “Ed Haley was originally from Kentucky, about Ashland,” Lambert wrote. “I think he is living yet. Milt Haley, Blind Ed’s father, was a great fiddler. Some one shot him, on his porch, at mo. of Green Shoals.” Harold claimed to have penned the tune about Milt Haley’s death, “The Lincoln County Crew”, with someone named Tom Ferrell. This interview — while small in content — was a great find because it was the first solid reference that Milt was a fiddler, which meant Ed would’ve had music around in his childhood and could’ve possibly even begun learning to play by watching him.

In Search of Ed Haley 137

29 Saturday Jun 2013

Posted by Brandon Ray Kirk in Ed Haley

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Babe Hale, banjo, Charlotte Spaulding, Ed Haley, fiddler, Grace Marcum, John Hartford, Johnny Hager, Josie Cline, Milt Haley, Mont Spaulding, Tug River, writing

Charlotte Spaulding, Grace’s daughter, guided Lawrence, Pat, and I to see 81-year-old Babe Hale. I told him about my interest in Ed’s life and he started talking about his Aunt Josie. I showed him one picture of Ed and he said, “That looks just like her almost.” I pulled out Ed’s picture from Parkersburg Landing and he said, “Looks more like Uncle Mont.” I was pretty sure that there was some kind of family connection between Ed and Mont and Josie, especially when Babe said his brother George Hale had went by the nickname of “Milt.” Maybe Josie and Mont were somehow Milt Haley’s children by a previous marriage.

“Josie’s mom and dad are buried down here at Grey Eagle,” Babe said. “He was killed in a raft. You know, they used to take logs down the river. They’s big rafts, trees tied together. And he was killed that way. He was killed on a raft.”

Babe told me more about Josie Cline — some very peculiar details.

“Josie collected toll up there, and when I’d go across, I had to pay, too. It didn’t make any difference to her: she’s gonna get three cents some way or other. But she was really manly. She wore men’s shoes and everything.”

So she wore a long dress all the time?

“Oh yeah,” Babe said. “She was really an old-fashioned woman.”

Charlotte said, “She looked like a man, didn’t she, Babe?”

I asked Babe what tunes she and Mont played and he said, “Oh, God, ‘Sourwood Mountain’ and everything. No, they could really knock it off now, both of them.”

We went to Grace’s briefly before heading back to Ashland. I was under the impression that Grace might have confused Ed with Mont Spaulding, although she had claimed to know about Ed’s banjo-picking friend, Johnny Hager.

“Yeah, he played the banjo with her,” she had said. “He was a little man. He was with them. They was two or three people traveled with them.”

In Search of Ed Haley 116

24 Friday May 2013

Posted by Brandon Ray Kirk in Ed Haley

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Ed Haley, fiddler, Grace Marcum, history, John Hartford, Josie Cline, Lucian Muncy, Milt Haley, Pat Haley, Rush Muncy, Sammy Muncy, Tug River, writing

For reasons I can’t quite explain, although perhaps related to my belief in genetic memory, Ed Haley’s genealogy remained a real source of interest to me. I knew virtually nothing about his father’s background, although I had a strong suspicion that Milt Haley’s roots were somewhere along the Tug Fork at the West Virginia-Kentucky border — that same section of country made famous by the Hatfield-McCoy feud. Taking a tip from Pat Haley, I called Grace Marcum, a woman of advanced age who was somewhat of an authority on the old families in her section of the Tug Valley. I first asked Grace if she remembered a fiddler named Ed Haley.

“Oh, I did know Ed Haley years ago when I was a girl,” she said. “He played a fiddle and he was blind. He had a sister named Josie and she married a Cline and he stayed with her.”

What?

“Oh, Lord,” Grace laughed. “I was just a young girl. I’m 80 years old now.”

I said to Grace, “Now, we’d understood that the Muncys were related to the Haleys,” and she said, “They was. Ed visited Loosh and his wife pretty often. He stayed with Loosh a while and then he stayed with Rush a while. They was old Uncle Sammy Muncy’s boys. They used to live here. My daddy sold him the store. He bought our grocery store out, Loosh did. Yeah, they always kept a grocery store a going, both of them did.”

In Search of Ed Haley 94

24 Wednesday Apr 2013

Posted by Brandon Ray Kirk in Ashland, Ed Haley, Music

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Appalachia, Ben Haley, Chloe Mullins, Cleveland, Clyde Haley, Ed Haley, Ella Haley, genealogy, history, Imogene Haley, Jack Haley, Jackson Mullins, Janet Haley, Laura Belle Trumbo, Lawrence Haley, Margaret Ryan, Milt Haley, Mona Haley, music, Nellie Muncy, Noah Haley, Pat Haley, Patsy Haley, Ralph Payne, Sherman Luther Haley, William Trumbo, Wilson Mullins

Not too long after talking with Patsy, her son Scott sent me a copy of Ed’s genealogy, most of which came directly from Ed and Ella. “James Edward Haley was born in August and was the son of Milt and Imogene (Mullins) Haley,” the notes began. “He died February 4, 1951 in Ashland, KY. He married Martha Ella Trumbo, a daughter of William A. and Laura Belle (Whitt) Payne Trumbo. She was born July 14, 1888 and died November 26, 1954 in Cleveland, OH. At the time of their marriage, Ella had one child from a previous relationship: Ralph A. Payne who married Margaret Ryan and who died on May 22, 1947.”

Patsy listed Milt Haley’s parents as Benjamin Haley and Nellie Muncy, and Emma Jean (Imogene) Haley’s parents as Andrew Jackson Mullins and Chloe Ann Gore.

There was detailed information on Ed and Ella’s children.

“Sherman Luther Haley, the oldest, died as an infant. Clyde Frederick Haley was born on June 13, 1921 and never married. Noah Earl Haley was born on October 26, 1922 and married Janet J. Fried in September of 1951. Allie Jackson Haley was born on April 6, 1924. He married Patsy J. Cox on October 25, 1946 and died on March 23, 1982. Lawrence Alfred Haley was born on January 8, 1928. He married Patricia M. Hulse in February of 1949. Monnie May Haley was born on May 5, 1930 and married in 1945 to Wilson Mullins.”

In Search of Ed Haley 90

16 Tuesday Apr 2013

Posted by Brandon Ray Kirk in Big Harts Creek, Ed Haley, Lincoln County Feud, Music

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Appalachia, Clyde Haley, Ewell Mullins, fiddler, Harts Creek, Harts Mountain, history, Hollene Brumfield, John Hartford, Liza Mullins, Logan County, Milt Haley, music, Peter Mullins, West Virginia, Zack Williams

I asked Clyde if Ed ever talked about his early life on Harts Creek and he said, “He didn’t talk to us kids too much. My dad’s folks were from all around Logan County, West Virginia. I didn’t know who they were. I remember his Aunt Liza and Uncle Peter Mullins. ‘Club-Footed Peter’ Mullins, they called him, and ‘Reel-Footed Peter’ Mullins. That was his uncle. I remember them because I was the one that went with him when he went up that way. As a matter of fact, I went up there one time and stayed just for a whole year.”

I said, “Your grandfather Milt Haley was involved in an attempted murder…” before being cut off. “Yeah, Hollene Brumfield. I know about that. I know things about it, because I’ve been up there. He killed this guy and in the process of trying to kill this guy, he shot Hollene Brumfield in the face and mutilated her pretty bad. It was a accident. Hollene was riding behind her husband on a horse down Harts Creek. He missed him and shot Hollene — killed her. That’s the way I always got the story from my dad.”

Clyde seemed to have Milt’s story down better than any of Ed’s other kids, so I pressed him for more details about Harts Creek. I asked him about the musicians in that vicinity and he said, “They didn’t play the kind of music my dad played. There was one old fiddler up there, lived up in the head of Harts Creek. Not off on one of the branches — right straight up Harts Creek past Ewell Mullins’ store. This guy’s name was Zack Williams. Him and my dad used to fiddle together. Never went out on big sprees or anything like that, but he’d go up to Zack Williams’ house up on the top of the mountain — head of Harts Mountain — and they’d make music up there. Zack was a pretty good fiddle player.”

In Search of Ed Haley 86

07 Sunday Apr 2013

Posted by Brandon Ray Kirk in Ed Haley

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Brandon Kirk, Charles Wolfe, Green McCoy, Harts Creek, history, Huntington, John Hartford, Lawrence Haley, Marshall University, Milt Haley, timbering, West Virginia, writing

Around that same time, I called Brandon Kirk, a great-nephew to Lawrence Kirk. Brandon was into genealogy and local history; for the past several years, he had been heavily researching the Brumfields. A college student and library assistant at Marshall University in Huntington, West Virginia, he spent his weekends at Harts interviewing neighbors, gathering up old photographs and documenting cemeteries. He said his family had told him about my recent trip to Harts; he was eager to make contact and compare notes on the story of Al Brumfield’s trouble with Milt Haley, especially since I represented a “non-Brumfield, non-Harts Creek” perspective.

After my initial call, Brandon sent me detailed letters in giant manila envelopes full of information about the Brumfields, the death of Milt Haley and the Adams and Mullins families on Harts Creek. It went a long way in explaining who some of the people were in the stories Lawrence and I had been hearing. It was clear that Brandon had a lot of information to offer. He knew all the genealogies, geography, and chronology that we’d been lacking to completely understand the story of Milt Haley and Ed’s connection to Harts Creek.

At the time of the Haley-McCoy murders, according to Brandon, Harts was in the midst of a timber boom. It was a tumultuous time: a whole new economic system had descended on locals who’d previously been primarily small farmers. Competition and the desire to accumulate wealth and status had created a lot of jealousy among and within local families. This new way of life was made worse by the arrival of “new faces” in town, many of whom were transients from Kentucky looking for work. Brandon figured that Milt Haley and Green McCoy were among these immigrants, as their family names were absent from the old records around Harts Creek. In his estimation, Milt and Green may have been like so many of the new arrivals: outlaws trying to escape a seedy past in a somewhat isolated but moderately booming town. He cited at least one such example in his own family tree.

As for the Haley-McCoy murders, Brandon and I seemed to have traced down roughly the same versions of the story. He said it was just one of many murder stories in Harts’ past that had caught his interest — and only one of several involving his ancestors. As a result, he had neglected to hunt down many possible leads regarding it. It was one of probably a hundred incredible stories pertaining to Harts.

I told Brandon about my recent trip, how I had gone to Milt and Green’s grave with Lawrence Kirk. He said he had never been to the grave but had heard that Milt and Green were buried together in a single hole. I wondered why they were buried together and he suggested that if they were handcuffed together at the time of the murders maybe it was a practical decision; or maybe their mutilated bodies warranted a “rushed job.” There may have also been a customary aspect to the burial: in 1882, during the Hatfield-McCoy feud, three of Randolph McCoy’s sons were buried together after their single-night execution.

Around that time, I compiled Xerox versions of my notes on Ed’s life and sent it to Lawrence Haley and Dr. Wolfe. Dr. Wolfe showed his copy to Judy McCollough of the University of Illinois Press who immediately called and told me that I had a book in the works and that she wanted to print it. It was the first time I had really thought about my research regarding Ed Haley as anything more than an obsession to totally immerse myself in his life. I told her that it wasn’t a book yet, but if it was gonna be there was a tremendous amount of work that needed to be done.

Jackson Mullins Home, Drawn by John Hartford (1993)

04 Thursday Apr 2013

Posted by Brandon Ray Kirk in Big Harts Creek, Ed Haley, John Hartford, Spottswood

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Appalachia, art, genealogy, Harts Creek, history, Jackson Mullins, John Hartford, Logan County, Milt Haley, Turley Adams, West Virginia

Jackson Mullins Cabin Floorplan 1

Jackson Mullins Home, Sketch by John Hartford, 1993

In Search of Ed Haley 84

01 Monday Apr 2013

Posted by Brandon Ray Kirk in Ed Haley

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Clifton Mullins, Harts Creek, Jackson Mullins, John Hartford, Lawrence Haley, Liza Mullins, Logan County, Milt Haley, Peter Mullins, Turley Adams, Weddie Mullins, West Virginia, writing

     Lawrence, Clifton, and I headed back down to Joe’s in order to see more of his pictures. We first looked in a smokehouse near Joe’s trailer. As Clifton took hold of the door, he proudly mentioned that it had come from Uncle Peter’s old log home. Almost as soon as I stepped inside, just back of an ancient spinning wheel, piles of rotting furniture and bags of god-knows-what, I spotted the large framed photograph of Bill and Peter Mullins — two very serious young men with thick mustaches. Thinking that the picture showed Peter and his brother Weddie, Clifton began to tell of Weddie’s death.

     “They went over to Dingess and they got into a fight about an election or something and one of them got shot over there and they brought him back across the mountain, you know, on the horses. Weddie, he got killed.”

     Nearby this picture was a faded one of equal size featuring what appeared to be a whole family of people. My first inclination was to assume it was the Jackson Mullins family, maybe even showing Milt Haley and Ed somewhere in the shadows.

     Clifton said we were welcome to borrow the two large pictures. He then fetched a box from which we borrowed 22 small photographs. Satisfied, we headed down to Turley’s for his input on their identification.

     Turley was very interested in the large photo of what we thought was Weddie and Peter Mullins, since Weddie was his grandfather.

     “They shot and wounded a constable or sheriff or something another over at Dingess,” he said. “John Dillon was the sheriff over there, or deputy-sheriff. He killed Weddie, and Peter, he got away. Peter come home and Uncle John went back over there and Peter went with him but he didn’t go in, I don’t think. He went in, said this guy was laying there dying, said he asked him how he was. They said, ‘Well, seems to me like he’s a dying.’ Said he just pulled a gun there and shot him and said, ‘He’s dead now.'”

     I was most interested in the large faded photo of what I presumed to be the Jackson Mullins family. The picture showed a very old couple, who I figured to be Jackson and Chloe, Ed’s grandparents. There was another smaller picture of the couple, which we had borrowed from Joe’s box. Turley, though, didn’t think it was Jackson and Chloe Mullins.

     “I can tell you who I think that is,” he said. “Lude and Van Mullins.”

     Van Mullins, he said, was a brother to Peter’s wife Liza.

     “So Aunt Liza was a Mullins before she married Peter Mullins?” I asked.

     “Yeah, I guess so,” Turley said, as if he’d never thought of it before.

     After looking at more of Joe’s pictures, I asked Turley about the location of the old Milt Haley house. He said it used to sit at the site of his present-day home.

     “When I was a little boy I could remember it,” he said. “They was a big old log house front and they was a big long porch. And they had guest rooms. And then the kitchen was back there. Had a big chimney in it. And then they had that porch and everything back through there. Had that big kitchen in it and big fireplace. They could just put a big kettle in there and make a whole big kettle of stuff.”

     It resembled the old Stonewall Workman home, Turley said, although I had no idea what that meant.

     “The year I was six years old is when they remodeled that house — seven,” he said. “I remember after they took a part of it off the top, made it a story and a half.”

     I drew out a floor plan of “The Milt Haley House” based on Turley’s memories.

In Search of Ed Haley 83

28 Thursday Mar 2013

Posted by Brandon Ray Kirk in Big Harts Creek, Ed Haley, Green Shoal, Lincoln County Feud, Spottswood

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Alice Baisden, Appalachia, blind, Cas Baisden, Clifton Mullins, Clyde Haley, Dicy Baisden, Ed Haley, Ella Haley, Green Shoal, Harts Creek, Hazard, history, Imogene Haley, John Hartford, John Henry, Kentucky, Lawrence Haley, Lincoln County Feud, Liza McKenzie, Liza Mullins, Loretta Mullins, Mag Farley, Milt Haley, Perry County, Peter Mullins, Sol Bumgarner, Trace Fork, West Virginia

We found Bum on our way up the hollow and went to sit on his porch with his aunt, Liza McKenzie, two of his sisters, Alice and Dicy — and of course Shermie. As soon as Liza figured out who we were she looked at Lawrence and said he was just a small boy the last time she’d seen him.

“Yeah, I guess around 1940 or ’41 was the last time I come to this area,” Lawrence said.

Liza said, “Well, I lived in Kentucky about sixty years. Perry County, up in Hazard.”

I said to her, “Is that where Milt Haley was from?” and she said, “I don’t know but now Ed Haley was borned and raised right around here. When he was a boy, he got up on top of that house down there where Aunt Mag used to live — in that old two-story house — and rolled off in a box. Mother said, ‘Lord, Ed, are you hurt?’ He said, ‘No, God no. It’s give me eyesight.’ He said he jarred his eyesight back.”

I liked Liza right away.

I asked her if she had any pictures and she said, “Loretta’s mother had all the pictures of Ed Haley I ever did know. They used to have a picture down there at Loretta’s of Ed’s mother. She was a pretty woman.”

She looked at Clifton and said, “Clif, I believe your mother had a picture of Ed Haley that was made down there at the old home where he was born and raised. Down there where Aunt Mag used to live. I know they had them.”

Clifton remembered it.

“Yeah, they was sitting out in the yard,” he said. “They was together. She was in the chair and he was standing. He didn’t have no pants on.”

Clifton said, “Yeah, you’re right. They was a picture down there. But I looked; they was so many pictures in that box.”

     Box of pictures? I thought.

Before I could ask about them, Clifton said, “There’s one down there faded out. It’s in a big frame. I got it in another building.”

He told me, “I can show them to ya.”

About that time, Cas Baisden came up to the porch. Bum said he was Liza’s 83-year-old twin brother. I asked Cas if he remembered Ed and he said, “I knowed him, yeah. He was raised up here. Old man Peter lived down at the mouth of the holler and his boy lived up the road here and old man Ed’d go up there and he’d come down that road a running and jumping just like he could see and cut the awfulest shine that ever was.”

Lawrence joked, “That’s probably how Clyde got to be the way he was.”

Cas said, “Yeah, I guess Clyde took after him. Clyde went out here and got down in a well once and they had the awfulest time that ever was getting him out. Way back in top of a mountain.”

I asked Cas about the first time he ever saw Ed and he said, “It’s been many a year ago. He stayed down here, him and his wife and them. They’d play music and drink and fight and scratch with one another and them boys was so mean… He’d get so drunk he couldn’t walk.”

Bum knew that Ed was real “easy to get mad about music,” but said he could get him to play nearly anything he wanted because Ed liked him. He’d ask Ed to play something like “John Henry” and he’d say, “Are you sure that’s what you want me to play? You know, I was just thinking about playing that.” If Ed didn’t like someone Bum said he’d “goof around” and not play for them.

Things kinda tapered off after that. Nobody knew anything about Ed having any brothers. Cas had heard about Ed’s father, who he thought was named Green.

“You know, he got killed when I was a little fella, I guess,” Cas said. “His name was Green. They took him over yonder on Green Shoal, they said, and killed him. Walked him down here and up Smoke House and over and down Piney and across the river.”

I asked if Lawrence looked like Ed and Liza said, “Yes, he does. Ed was a bigger man than he is. Ed was a big man.”

But Lawrence looks like Ed in the face?

“Yeah, he looks like him all over.”

Cas said, “Ed was a taller man. I guess he takes after his mother. She’s a little short woman.”

Lawrence agreed: “Yeah, she was about five feet tall — not much bigger than Aunt Liza.”

In Search of Ed Haley 81

20 Wednesday Mar 2013

Posted by Brandon Ray Kirk in Big Harts Creek, Cemeteries, Ed Haley, John Hartford, Music, Spottswood

≈ 1 Comment

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accordion, Bernie Adams, blind, Clifford Belcher, Ed Belcher, Ed Haley, Ewell Mullins, fiddle, guitar, harmonica, history, Hoover Fork, Inez, John Adams, John Hartford, Johnny Adams, Johnny Hager, Kentucky, Liza Mullins, Milt Haley, music, Peter Mullins, Robert Martin, Turley Adams, Violet Adams, West Fork

Satisfied with our stop on West Fork, Lawrence and I said our farewells to the Kirks and went to see Turley and Violet Adams on Trace Fork. After some small talk about new developments, Turley told us about his uncle Johnny Hager and father Johnny C. Adams traveling with Ed in the early days. He said Uncle Johnny was the one who got Haley to take his music on the road, while his father just traveled around with them.

“They left here playing music together,” Turley said. “My father just helped them take care of their musical instruments — carried it around and stuff — but they done the music. He would sing with somebody but he never did sing by hisself. And Ed Belcher, I think, played with them then. He could play anything but played a guitar mostly.”

So where all did they travel to?

“They played up at Logan on the radio at one time,” Turley said. “They had a program on up there, Ed Belcher did. Oh man, that’s been back in the thirties. Maybe ’36, ’35. I was just a little bitty boy. I just heard these tales — I don’t know them for sure.”

I asked about Johnny Hager.

“I was just a great old big boy the last time I seen Johnny Hager,” Turley said. “He came to our house, stayed around a little while and left. He was kindly a small fella. My dad was, too. Ed would make two of ary one of them. He was a great big feller, Ed was. Now Ewell Mullins, they was all buddies. Now Johnny Hager and Ed could play music. I heard an old guy on television one day talking about how him and Ed used to play in front of a church somewhere together. Yeah, he called him ‘Blind Fiddling Ed Haley.’ Said he’s just a real good friend to him. But he lives in Inez, Kentucky, that feller does.”

I said, “Well, isn’t Inez where Milt is supposed to be from?”

Turley said, “Milt, now my dad just could remember him. He said he was a hard-working fellow and when he’d come in home he’d just tell them boys, ‘Right now, we got to have a fight and get everything settled and we’ll be all right.’ They liked to fight. I guess that was Ed and he had how many more — two more?”

I said, “You mean Ed had brothers?” and Turley said, “I think he did. I believe my dad said he had a brother and one of them got in a fight one time and he bit Milt’s ear off right in the yard right down there. Now, they was Milt’s boys. I guess Ed is Milt’s boy, ain’t he?”

Lawrence said he’d never heard of his father ever having any brothers or sisters, but it sure was a strange coincidence that we heard a story about “Milt’s ear” right after hearing Bob Adkins’ account of Green and “the nick.” Maybe Milt had the nick — which would’ve reversed their roles in Bob’s story of their final days.

So Ed had brothers?

“Far as I know, they was two or three more of them from the tales they told, you know,” Turley said. “Uncle Peter and Aunt Liza used to tell it. Said every time they come home — Milt and them boys — said he’d just fight with all of them at one time. Have a good time. Say, ‘Now we’re friends.’ Back then, that’s what they believed in.”

This was a major development.

“I just heard these tales,” Turley said. “I don’t know how true they are. About Milt coming home and say, ‘Now, we’ll straighten ‘er out right now and we won’t have no more problems while I’m here.’ That’s the way he run his family, you know. That old woman said, ‘I’ll agree to that. That’s the way it ought to be done.’ I don’t guess she could do anything with them boys.”

Hoping for clues about Ed’s “brothers,” I asked if any of the old gravestones in the cemetery behind Turley’s had any writing on them. Unfortunately, Violet said all the markers had rolled down the hill in recent years and the land had leveled out to where it didn’t even resemble a cemetery. All she knew about the cemetery was that there was a “big grave” in it at one time that belonged to a woman with the last name of Priest (she was the only person buried there who her mother-in-law had actually known).

Turley said he last heard Ed play the fiddle at Clifford Belcher’s tavern on Harts Creek where he played for money and drinks. Violet remembered him playing music all night at her father’s home on Hoover Fork with Robert Martin (her great-uncle) and Bernie Adams. She described Bernie as a “real skinny” bachelor who sang “a little bit but not much” and who “was a real good guitar player, but he never would hardly play.”

“He’d get to drinking and he’d play but if he wasn’t drinking he wouldn’t play,” she said.

Turley said Bernie could also play the banjo, harmonica, fiddle and accordion.

In Search of Ed Haley 81

18 Monday Mar 2013

Posted by Brandon Ray Kirk in Ed Haley

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Belle Fowler, creative nonfiction, crime, feud, history, Iris Williams, John Fowler, John Hartford, Lawrence Haley, Lincoln County, Milt Haley, Shelby Kirk, writing

Back at Iris Williams’, we met another of her brothers, Shelby Kirk. We told Shelby a little of what we’d heard about Milt’s death from Roxie Mullins, who he said had recently died, then listened to his version of the trouble.

“They brought them in there sometime that night and they said they was killed at the edge of daylight,” he said. “There was a boy John Fowler told me once, he said, ‘I’ve heard my aunt Belle Fowler tell about that.’ Said she was there, a little girl. Said in one of them rooms they had apples picked off of a tree and had them stored, poured out you know, up there in a room. And said she got in that pile of apples and covered her head up with them apples to keep from hearing that when they was getting ready to kill them. They said they was a crying and a begging, wanting not to be killed away from their families and their children but they went right on and did it anyhow. They said they led them out the back door one at a time and as they come out that back door they was a fellow hit them with a double-headed axe — sideways, top of the head.”

I asked Shelby where the killing took place and he said it occurred on the Green Shoal side of the river, opposite where Mr. Kirk had showed us.

“The old house is still standing right there,” he said. “It’s just got some weather-boarding on it. An old log house.”

Shelby tried to describe the way law and order worked around Harts in Milt Haley’s day.

“Boy, they used to have mobs,” he said. “Used to have an outfit called the Night Riders down in here. If they got it in for me or you one — if we’d done something, you know — why, they’d pull straws to see who was gonna do the killing.”

In Search of Ed Haley 79

10 Sunday Mar 2013

Posted by Brandon Ray Kirk in Ed Haley

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Al Brumfield, Ben Walker, Burl Farley, feud, French Bryant, Green McCoy, Hollene Brumfield, Lawrence Kirk, Melvin Kirk, Milt Haley, Stella Abbott, timbering, Victor Shelton, writing

Mr. Kirk had heard a lot about Milt Haley’s trouble with the Brumfields. His version of events, along with that of Roxie Mullins, Bob Adkins and the Goldenseal article, comprised the bulk of what I knew of Milt’s death.

“I feel like that I’ve got pretty much the base of what happened, but there’ve been add-ons and deletions and so on along the way,” he said. “It was a tragic thing.”

The whole trouble had nothing to do with John Runyon, as we’d previously heard.

“The real thing behind it, them Adamses over in yonder and the Brumfields, they got into it over the timber,” Mr. Kirk said. “What they’d do, them people’d cut that big timber and put it in them creeks. Then they’d get spring floods and float them out. Brumfield had what they called a boom in down there to catch that timber. Then they’d make them into rafts and raft them down the river to the town of Guyandotte. There was a log market there. And Al got to stealing their logs.”

That was an interesting new development in the story, I thought. I mean, maybe Al Brumfield wasn’t completely innocent in the trouble. And maybe Milt was, in the eyes of at least some locals, justified in ambushing him.

“Word of mouth that’s come down to me from my mother and grandmother, some of the Adamses was supposed to hired McCoy and Haley to shoot Aunt Hollene, old man Al Brumfield’s wife. I remember her well. She had a hole in her jaw there. When she’d eat or talk, spit would work up in it. Or if she would eat candy or something, you could see the candy. She was a tough old lady. She’d been blowed up in a sawmill and had a short leg — walked with a cane. Cussed like a sailor every time she made a step. But they shot her.”

Now where did this shooting take place?

“The shooting was supposed to took place up on Big Hart there at the mouth of Thompson Branch,” Mr. Kirk said. “They was coming down the creek. They’d been up there visiting Hollene’s parents. She was one of them Dingesses from up there.”

Mr. Kirk said Al was shot in the arm and fell from his horse, while his wife was shot in the face.

Surprisingly, there were rumors of Milt and Green’s innocence, but Mr. Kirk “never did hear that expounded on.”

“I’ve heard it said a time or two, ‘Well, I doubt them being the ones that did it.’ I never would get into a discussion ’cause — not that it mattered either way to me in one sense — but I was convinced that they did it.”

Once Milt and Green were captured in Kentucky, a lynch mob formed in Harts consisting of Hugh Dingess (Hollena’s brother), French Bryant and several Brumfields. They joined up with Victor Shelton, a local lawman.

“You see, old man Victor Shelton was a constable or JP down here and he was a friend to them Brumfields,” Mr. Kirk said. “He went over there to Kentucky with them and they turned them over to Victor Shelton. When he come back across the river into West Virginia he just turned them over to the Brumfields and he come on back. They had horse roads all through these mountains and creeks everywhere. He probably left them over in there around Twelve Pole somewhere and went on back down in here around Ranger someplace where he lived. But that’s the way they got in charge of them.”

After taking possession of Milt and Green, the mob re-crossed the Tug River at the present-day town of Kermit in Mingo County and went up Jenny’s Creek (or possibly Marrowbone Creek) to Twelve Pole Creek. They entered Harts Creek at the head of Henderson Branch and made their way to Hugh Dingess’ home on Smoke House. At that location, they ate a big meal and spent the night. The next day, they headed up Bill’s Branch and crossed a mountain onto Piney Creek. They rode down Piney to the West Fork (just above Iris Williams’ home), went a short distance up Workman Fork, turned up Frank Fleming Hollow and dropped down off of the ridge to a home near the Guyandotte River. (Mr. Kirk was very adamant about this home being on the west side of the river, not at the mouth of Green Shoal where Bob Adkins had said.) By that time, “Dealer Dave” Dingess, Charley Brumfield, Burl Farley, Will Adkins and “Black John” Adkins had joined the gang.

At this home, the mob questioned Milt and Green separately and tried to secure a confession. As one was led out the door, he hollered to his friend, “Don’t tell ’em a damn thing!” — but his partner told it all, thus deciding their guilt in the eyes of the mob. (Based on what we’d heard from Bob Adkins, I figured that it was Green McCoy who made the confession.)

A host of young local ladies, including Stella Abbott, cooked a chicken supper as Milt and Green’s last meal. Either Milt or Green (undoubtedly an emotional wreck) said he wasn’t hungry, so his partner replied, “Eat, drink, and be merry for tomorrow ye may die.” Supposedly, a Brumfield nearby them then said, “Eat, drink, and be merry for tomorrow ye shall die.”

Mr. Kirk said French Bryant supposedly killed Milt and Green, although he’d also heard that Burl Farley, a timber boss from Harts Creek who was connected to the Dingess family, “gave the order” to shoot them.

“Old man French Bryant was a big old mountaineer-type fellow,” Mr. Kirk said. “Rough talking, grouchy. Most people liked him pretty good. French Bryant was married three times, I reckon. Yeah, that old man, I went to his funeral. He’s buried right at the head of Piney there.”

There was a lot of confusion over the murders. Word was spread through the community that Haley and McCoy were killed by a mob who’d taken them from the Brumfield posse. Mr. Kirk dismissed that notion, saying, “The ones who got them in Kentucky were the ones who killed them.” He was certainly a good source for that statement considering his family connection to the Brumfields.

Lawrence and I hung onto Mr. Kirk’s every word as he described Milt Haley’s burial, which he said occurred the day following the murders.

“The next morning, Melvin Kirk, who was my father’s father, and several other people — I don’t know who else — went with Ben Walker and got them either in a sled or an old wagon and hauled them around there,” he said. “My grandfather helped them take them around there and clean them up. Back then they didn’t take them to a funeral home — they just wrapped them and made a rough burial preparation. I think they made a coffin for them and buried them on the old man Walker’s property. Of course, there was a preacher at the burial because old man Ben Walker was an ordained preacher. He’s the one that married my father and mother in 1911.”

Mr. Kirk turned our attention toward a mountain across the creek.

“See that gap yonder in the hill? Right over there, they call that the Walker Branch. That’s where old man Ben Walker lived. He was an old preacher. He owned all of this land in here. You can go right over there and turn right and go up that side of the river right over to where they were killed.”

I asked Mr. Kirk whose decision it was to bury Milt and Green at that location and he said, “The old man Ben Walker decided where to put them. I never did go to their grave. A lot of people thinks it’s down in the lower end of that garden. There are some graves down there, but that’s not it.”

He wasn’t sure why they chose to bury them in a single grave.

“I guess it was just maybe the work involved. I think they’ve been quite a little bit of that done here where there was multiple deaths. Whenever I was young, my daddy and I would ride down that creek. He’d tell me, ‘Right up on that hill is where Haley and McCoy’s buried.’ He called his daddy ‘Paw.’ Said, ‘Paw and Ben Walker took them up there and buried them.’ Just got a rock for a marker.”

In Search of Ed Haley 78

07 Thursday Mar 2013

Posted by Brandon Ray Kirk in Ed Haley

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Bernie Adams, blind, Ed Belcher, Harts Creek, history, Iris Williams, John Hartford, Lawrence Haley, Lawrence Kirk, Lincoln County, Logan, Milt Haley, music, West Virginia, writing

The next day, Lawrence and I went to find Milt Haley’s grave on the West Fork of Harts Creek. It had been two years since our initial trip up the Guyandotte Valley and I was excited to once again plant my feet on the grounds of Ed Haley’s childhood. We followed Bob Adkins’ directions to the West Fork of Harts Creek, where we found a confusing sign labeled “East Fork Road” pointing us across a stone bridge and past a somewhat large red brick church. Lower West Fork was very much different from my memories of main Harts Creek — more sparsely settled. It was surprisingly beautiful farm country with a view of an almost-forgotten agrarian way of life. There were old barns, cattle and tiny farms all along the nice little road.

Not surprisingly, Lawrence and I were unable to find the Milt Haley grave, which we figured was located in a thicket on top of one of the surrounding mountains. Hoping for the best, we decided to ask for directions at a nice-looking house. We chose a neat little white home, where an older lady came out and showed almost complete confusion as we asked about Ed Haley, Milt Haley and a grave. Once she figured out what we were talking about, though, she introduced herself as Iris Williams, said she was part-Brumfield and pointed toward the grave just down the road and to the right on a hill. She said her older brother Lawrence Kirk would know all about it. She went back inside and called Lawrence, who said he’d come right over and tell us what he knew about Ed Haley and the Haley-McCoy murders.

It wasn’t long until Lawrence Kirk pulled into the driveway and popped out of his car. He was a short stocky 70-something-year-old fellow with thinning hair and glasses. He made his way toward the porch, grinning and waving a newspaper. He said he had seen me on TV and unraveled the paper, which featured a front-page story about our recent visit to see Lynn Davis in Huntington.

In one of those “strange contact moments,” I introduced him to Lawrence Haley. It was a first-ever meeting of men whose ancestors had shot it out along Harts Creek over one hundred years earlier. They seemed to like each other right away and made it clear they held no grudges over their ancestors’ troubles. This was great news — no barriers to information flow. However, I have to admit, I got a little adrenaline rush in thinking that Lawrence and I were now in “enemy territory.” In my mind, the 1889 feud was still smoldering in the hearts and minds of at least a few people.

Instead, we all sat on Mrs. Williams’ front porch with Mr. Kirk, who remembered Ed well.

“I’ve heard Ed Haley play up there at the courthouse square many of a time in Logan with Ed Belcher,” he said. “They’d get together up there sometimes and play all day. I’d be with my dad up there when I was a youngster. I kinda got acquainted with the old man, enough to speak to him. He’d always ask you who it is. ‘Yeah, I know some Kirks,’ he’d say.”

Mr. Kirk said he used to see Ed and his wife on the Logan-Williamson bus that ran between the coalfields and Huntington.

“I felt sympathetic towards them,” he said. “They were blind — handicapped — and I’d notice them. I can’t remember that well about him. I can’t remember too much how he was dressed. It bears on my mind about ever time I ever saw him he was bald-headed. I’m not sure…but he played that fiddle.”

Mr. Kirk last saw Ed play music on a Sunday just before the election of 1948 or ’50 at the Harts Tavern. His uncle Taylor Brumfield was the owner of the tavern. Ed was there with Bernie Adams, who Mr. Kirk called “a pretty good guitar player.”

“Bernie was bad to drink,” he said. “He just drunk liquor until it finally killed him, I reckon.”

Ed was “being pretty sassy” at the tavern.

“They wasn’t giving him enough money to please him, you know,” Mr. Kirk said. “They was buying him a few drinks but he felt like fellows ought to throw him in a few dollars of money along. But that bunch there, they had to have their quarters to buy some beer with.”

Ed told Bernie, “Well hell, let’s go. This tight bunch here won’t buy a man no beer. Can’t get a crowd together no how.”

Bernie said, “Now, Ed. Don’t get to talking too rough about these fellows around Harts. Some of your folks didn’t have too good a relation with these Brumfields around here.”

“Aw, to hell with these damn Brumfields,” Ed said. “There’s nobody afraid of these Brumfields.”

I almost fell off the porch laughing.

In Search of Ed Haley 72

24 Sunday Feb 2013

Posted by Brandon Ray Kirk in Ed Haley

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blind, Clyde Haley, Ed Haley, Ella Haley, fiddle, fiddler, Great Depression, Green McCoy, Harts Creek, history, Imogene Haley, Lawrence Haley, Milt Haley, Mona Haley, music, Noah Haley, Peter Mullins, writing

We all met up with Mona later in the day. She acted surprised that I was even interested in seeing her again, joking, “I’m good for something, aren’t I?” She was extremely talkative and almost immediately took over the conversation in a way that gave me the impression she really knew a great deal about Ed and Ella’s music. It was quite a different presentation than my first meeting with her.

“See my brothers don’t know about music like I know about music,” she said right away. “They know the tunes and they know the keys and stuff, but I don’t think they listened like I did. I paid attention to Pop’s music because I love music. I always loved music.”

She told Lawrence, “You don’t have the ear for it like I do.”

It was the first time I had heard someone be so candid with Lawrence. He seemed a little put off by it, muttering, “Probably not.”

We told Mona about talking with Bob Adkins and she said, “Pop’s mother was supposed to had the whole side of her face blown away. Now whether she was killed or not, I don’t know. That happened on Harts Creek and that’s what made Milt Haley get in with Green McCoy ’cause one of the Hatfields shot my dad’s mother’s face away. Side of her face. Well now, that’s how I understood it. But I’ve heard it said about that sinkhole that fills up with blood where that Milt Haley and Green McCoy was beat to death — buried in the same grave — and every time it rains, the grave fills up with blood.”

Noah said of Milt, “Well, ain’t he the guy that shot the person that shot Pop’s mom in the face? I thought Pop’s dad shot and killed the guy that shot his mother in the face.”

Mona wasn’t sure about that but said, “I know that Pop said that if he could see, he would get the guy that hurt his mother. Shot her. Her name was Emma Jean.”

Mona was sure the measles had caused her father to go blind, not Milt or ice water.

“No,” she said emphatically, “Ice water wouldn’t make you go blind. He had the measles.”

She said Ed started playing the fiddle when he was small and never talked about learning from anyone.

“Did you know that he started out on a cornstalk homemade fiddle?” she asked me. “I heard that his uncle or somebody up in the hills made him a cornstalk fiddle. Musta been Uncle Peter, I don’t know. Uncle Peter was a crippled man. His foot was turned backwards.”

Noah said, “He was a mean one, too.”

Mona knew little else about Ed’s life on Harts Creek.

“I don’t know if I told you about him talking about… As a young boy he was sitting on one of those log fences that goes this way — zig-zag, I call it — and it was a bull pasture inside. And he always carried a pistol with him. For what, I don’t know. It was a bull pasture fence he was sitting on and he was playing his little cornstalk fiddle and somebody come back behind him and was playing a joke on him by acting like a bull — you know, making noises like a bull. So Pop pulled that pistol out and shot and missed him by about an inch.”

Mona was quick to mention Ella, pointing out that “she figures in a lot of this, too.” I agreed, of course, but hadn’t been able to find out much about her from Lawrence, who seemed to keep his memories of her to himself. Every time Pat brought her name up, he said things like, “John doesn’t want to hear about Mom — he wants to know about Pop.” He always said it in a straightforward way that I knew to basically avoid the subject, as did Pat.

Mona said her parents met when Ella came to one of Ed’s “concerts”.

“I remember a lot of things about Mom,” she said. “Me and Mom was close. She walked around to feel if there was dirt on the floor — to see if it was clean — and if it wasn’t heads would roll. And she could cook. I remember back, I guess, during the Depression, her making lard cans full of soup so she could feed the neighbors and she had big bread pans full of cornbread for the dogs. And she could type as good as any typist.”

Mona looked at Lawrence and said, “Remember that whistle she had for us? It was like a calliope whistle. It was plastic or tin or something. And every one of us had a different tune. Each one of us knew our tunes. Different note.”

Mona’s pride in Ed and Ella seemed a little more on-the-surface than what I had detected with Lawrence.

“If there was a movie made, then there should’ve been one made about that — two blind people raising kids,” she said. “I’m just in awe of them and how they took care of all of us kids. They kept food and they kept shelter for us and we never went hungry. And they kept clothes on us. And I just don’t know how they done it. We always had a stable home. They always kept us occupied. We’d sit around in the wintertime and they’d give us soda crackers and apples and tell us to take a bite of one of them and then try to say a tongue twister.”

Mona said, “And we’re all reasonably intelligent,” although she jokingly pointed out that there were “some rogues in the family.”

Noah smiled and said, “I don’t know but one rogue.”

Mona knew exactly who he meant, so she told me, “That’s my other brother Clyde he’s talking about. He’s a rogue, but he’s all right.”

She said she was probably the real rogue of the family.

“Mom was real strict with me, but I was pretty head-strong,” she said. “I was rougher than all the boys put together, I reckon. At least that’s what they told me.”

In Search of Ed Haley 71

23 Saturday Feb 2013

Posted by Brandon Ray Kirk in Ed Haley

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Ashland, Ella Haley, fiddler, Harts Creek, history, Joe Mullins, John Hartford, Kentucky, Lawrence Haley, Milt Haley, music, Noah Haley, Ralph Haley, West Virginia, writing

     The next day, Lawrence and I dropped in on Noah and told him about our intentions to find Milt Haley’s grave on Harts Creek. He said he had gone to Harts some time ago only to find that everyone who ever knew his father had passed away. Lawrence said Joe Mullins was still around so far as he knew. Joe was a first cousin to Ed and the son of Uncle Peter Mullins…as well as Lawrence’s major source of information about his father’s early life.

     “Well, he should know quite a bit about Pop,” Noah said. “He sure defended him.”

     He looked at me and said, “Pop would get drunk — drunker’n dickens. He’d start on Mom and us kids would take up for Mom. Then Joe would jump all over us. Joe and Noah both would.”

     Noah, Lawrence explained, was referring here to Noah Mullins, a first cousin to his dad and a brother to Joe. Noah Haley was named after him, although it seemed apparent to me he thought more of his mother’s people than his father’s on Harts Creek.

     “Joe should know a lot about those things,” Noah continued. “He knows when we used to get moonshine out of them hills.”

     Well, that was an interesting subject to open with — very different from my talks with Lawrence. I could sense that Noah had brought up a touchy subject with Lawrence — domestic problems and alcohol — but I wanted to know a little more. I asked Noah if Ed drank a lot in his early days and he said, “Well, if somebody’d give it to him, he’d drink, yeah. He’d get stone drunk. But he didn’t drink unless somebody’d give it to him. He was meaner than hell when he was drinking.”

     Unlike Lawrence and Mona, Noah seemed to have no musical inclination whatsoever.

     “Well, the only thing I can show you, he never held the fiddle under his neck. He held it right here,” he said, motioning toward his arm. “That’s about all I can tell you about him holding the fiddle. Of course, when he’d come across this way with the bow, he’d make two chords instead of one with one streak across the bow.”

     Make two notes in other words?

     “Yeah, two chords or notes or whatever you call them.”

     Lawrence said, “I was telling John that Pop could play the banjo real good, too.”

     Noah quickly agreed, “Yeah, he could play the banjo, he could play guitar, he could play a mandolin — any kind of a stringed instrument, just about.”

     Noah remembered Ed living at several different places around Ashland.

     “I was born on Horse Branch,” he said. “We lived in three different places on Keyes Creek — maybe four. Then we lived at Ward Hollow. Then we lived on 17thStreet. We lived in two places on Greenup.”

     Noah told me about Ed and Ella going downtown to play on the streets.

     “Soon as they could get a ride downtown, that’s when they’d go. It would be kinda early, before two o’clock. Sometimes the’d have quite a few people standing around listening to them. And of course, they played for just change that people’d give them. Sometimes they’d have ten, fifteen people standing around wanting them to play a piece of music. He’d never play the same song unless somebody would, you know, give him a quarter or a dime or a nickel or something to suggest a song for him to play, then he might play the same one he just played. Sometimes they would play a couple three hours and then they’d go eat or go to the restroom or whatever. And then they’d come back and play another two or three hours.”

     Lawrence said his oldest brother Ralph was a part of the act during the First World War.

     “There’s a picture of Ralph in a little jumpsuit type of thing and they said he’d be up on a stage,” he said. “Pop and Mom might be playing and he would dance around up here on that stage with them and then when he’d get ready to come off of it he’d stand on the edge and do a flip and come off on his feet.”

     Noah said, “Yeah, Ralph always was acrobatic.”

     I said, “Well that’s what got him, wasn’t it?” and Noah said, “Yeah, hanging by his toes from a tree about two feet from the ground. He slipped and broke his neck. But he always was acrobatic. He could run and make a complete turnover. His whole body.”

     Noah said Ed never played on the street at night, allotting that time for square dances. I asked him how much he made per dance and he said, “I don’t know, maybe he’d go play at a dance, he’d get, sometimes, maybe five dollars. He wouldn’t get a whole lot. Hell, a dollar a day then did what ten does today. I remember Ralph, our brother, going out and working for a dollar a day. If they made a dollar a day — or two dollars a day — they was doing good enough to keep us surviving.”

     I said, “So, by today’s standards, it would’ve been like making twenty dollars a day?” and Noah agreed, “I would guess so, yeah.”

     Lawrence added, “It was according to economic times.”

     Noah didn’t hesitate to brag on his father.

     “I think they come there one time from the Grand Ole Opry and wanted him to come play on it and he wouldn’t go,” he said. “I went with them a lot of times when they was playing at the courthouses. They worked all over West Virginia — Beckley. Well, they went downtown here in Ironton. You know we’d take a bus everywhere we’d go. We didn’t have no car. We’d generally stay with friends there up around Logan or Harts Creek.”

     Speaking of Harts Creek, I wondered if Ed had ever talked about learning to play the fiddle from anyone around there. Noah said no — “he just took it up hisself when he was a kid.” He and Lawrence both agreed that Ed never talked about his early life and only seldom mentioned his parents.

     “The only thing I know about my grandfather on my father’s side is about him shooting this guy and they killed him,” Noah said. “Shot his wife through the mouth, I think it was. I think Pop said it was. And then his dad went after this guy with a pistol, killed him, and somebody killed his dad, is the way I heard it. But he never did confide much in anything like that with us.”

     Well, that sure was a different version of things from what Lawrence had initially heard from his dad — and it was much closer to the truth.

In Search of Ed Haley 68

19 Tuesday Feb 2013

Posted by Brandon Ray Kirk in Ed Haley

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Al Brumfield, Bob Adkins, Brooke Dingess, Cat Fry, feud, Green McCoy, Harts Creek, history, Hugh Dingess, Jake Adkins, John Hartford, Lawrence Haley, Lincoln County, Milt Haley, West Virginia

The next day, Al and his posse headed for Hugh Dingess’ “great old big house” on Harts Creek. Bob’s mother Brooke Dingess was a witness to events that followed.

“They stayed all night there and they wanted to be awful sure that they were right, you know,” Bob said. “See, they didn’t want to kill somebody that was innocent. Well they took Haley outside and put handcuffs behind him and gagged him so he couldn’t make a noise and stuck a gun in his back and told him if he made any noise they’d shoot him, see? And a funny thing happened out there, though. He broke loose from them and pretty near got away.

“And then they told McCoy that they had taken Milton down there to hang in the orchard, and if he had anything to say he had better be saying it, see? He broke down and cried and he told them the truth about it. And he told them that they pulled straws on which one would do the shooting and it fell on Green and he got sick — vomited — and he just couldn’t do it. So Haley said, ‘You ain’t got no nerve. Give me the gun and I’ll do it.’ And he claimed Haley was the one that shot. He didn’t do it.”

As if to prove his story, Green then said something to the effect of, “You go down there and check at that sinkhole and you’ll see a pile of shavings that I whittled with my long razor.”

Bob said, “Well, Haley came out and cursed McCoy and told him he didn’t have any nerve and said everything to him. Said that fellow just cried and said, ‘Now, you know I’m telling every bit the truth.'”

Bob said the mob was convinced by McCoy’s confession, but I felt it had a few holes in it. First of all, what if Green skewed the truth by blaming everything on Milt — who he thought was dead — in the hopes of saving his own life? Second of all, why would he and Milt have only had one gun between them for their ambush? Of course, maybe these details were worked out by subsequent confessions not remembered by any living person today. In any case, the mob was apparently satisfied.

Bob said, “They didn’t do anything to them there. They weren’t nobody’s fool, now. They didn’t want any murder going on around their home; then it would be too easy to pin it on them. They’d go to somebody else’s home.”

Bob said his aunt Catherine Fry — an eyewitness to subsequent events — told him the rest of the story about Milt’s murder. He said she was nineteen years old at the time and lived at the mouth of Green Shoal on the Guyandotte River. She said a mob arrived at her home during the night and woke her from her sleep.

“Well, Cat said the first thing she knew she was sitting in the living room — the front room, you know,” Bob said. “They had whiskey there. A lot of drinking going on and a whole bunch of them… Must have been ten to fifteen maybe. The Brumfields and Dingesses all mixed up, you know. Haley and McCoy were back in the bedroom under guard. They had them both in bed.”

Milt continued to verbally abuse Green for admitting their guilt.

“Around ten o’clock, somebody shot the lamp out and Cat run and jumped behind a flour barrel over in the kitchen corner until the fracas was over.”

Milt and Green were shot in bed then pulled out in the yard where the mob “took an axe and cut their heads open and shot them all up — shot them all to pieces.”

I asked Bob what happened next and he said, “They got on their horses and left — walked off and left them. Al Brumfield was one of the head fellows who was there and he was a first cousin of Dad’s. Evidently somebody else took his horse. He came down to Grandfather’s house, which was his uncle by marriage and he told Grandpaw what they had done. Grandpaw told him to go on upstairs and go to bed. No, he did not want to do that because he was afraid those McCoy and Haley people might come in on him, friends or something, [and trap him in the house]. He slept up in the hollow under a beech tree up there. It was summertime, you know. I bet he didn’t sleep good and if he did he shouldn’t have. And the next morning he got out and he ate his breakfast with Grandpaw and then he went on to Harts — home, you know?”

In the next few days, someone hauled Milt and Green’s bodies to the West Fork of Harts Creek and buried them in a single, unmarked grave.

Bob gave us directions to the grave, which he’d last seen as a boy.

“You go up main Harts Creek. It’s not over a mile, I don’t think. It’s the first big creek that turns off to your left. You turn to the left there across the creek and go up that road about a mile or a mile and a quarter and they’s a little hollow there and they’s a house right in there. It’s been a good while since I been up there. If you’ll ask some of them people there, they’ll tell you right where it is.”

Lawrence and I planned to go to Harts in a few days and find it.

Bob said, “We lived there in a house right down below there for one year before we came down here. We sold our old farm up there and we had no where to go and we moved over there on an uncle of mine’s farm. And I farmed one summer right down below there. I went up there and saw that. Had just a little stone. Two of them there. They was buried in the same grave. Them stones may be torn down and gone now. We left there in 1919 or ’20.”

Bob Adkins Interview, Part 2 (1993)

18 Monday Feb 2013

Posted by Brandon Ray Kirk in Breeden, Ed Haley, Guyandotte River, Hamlin, Harts, John Hartford, Lincoln County Feud

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Al Brumfield, Appalachia, Bob Adkins, Breeden, Cincinnati, crime, feud, feuds, Green McCoy, Guyandotte River, Harts Creek, Henderson Dingess, history, Hollene Brumfield, John Dingess, John Hartford, John W Runyon, Kentucky, Lincoln County Feud, Milt Haley, Norfolk and Western Railroad, Thompson Branch, Tug River, Twelve Pole Creek, West Virginia

Wow. So what about Al Brumfield, the guy who got into the feud with Milt?

“Well, he was a little more tamer fellow than old Paris but he was kind of a rough character — mean as a snake,” Bob said. “All those Brumfields were, you know. They was a tough outfit, all of them was.”

Al and his wife Hollena lived in a large white house at the mouth of Harts Creek, which Bob said had recently burned. They had a store and log boom nearby and kept a boat tied up at the riverbank for easy access across the Guyandotte. Things were going great for them until John Runyon (who Bob called “the root of all evil”) moved in from Kentucky.

“That fellow Runyon, he had a saloon and a store right across the creek there at the mouth of Harts, you know — a shebang,” Bob said. “And Aunt Hollene and Al Brumfield, they had a big store over there on the other side of the creek, over on the lower side of the creek. They was competitors in a way, you know. This fellow Runyon hired these two thugs to kill them, so as to get rid of their competition. And he hired Milt Haley and Green McCoy to kill them. They got a side of bacon and a can of lard and five dollars to do that…each. And these fellows, Milt Haley and Green McCoy, were two characters. I don’t know why they ever took a chance on that. Them boys got into that before they knew what they was into. Them Brumfields was mean as the devil up there.”

Bob spun out the details of Milt and Green’s ambush of Al Brumfield.

“Every Sunday, Al and Hollene would get on their horse and they’d ride up to the Forks of Big Hart about ten miles to visit her father. He was old Henderson Dingess, my great-grandfather. Al had a fine riding horse and he’d get on the horse and she’d ride behind him, see? And they’d been up there on a pretty summer day, and they’d done had dinner with her father.”

Haley and McCoy, meanwhile, laid in wait for them in a sinkhole at Thompson Branch with a .30/.30 Winchester.

“And Al and Hollene came along about three or four o’clock in the evening and those thugs laywaid them on the side of the hill up there as they came back down Harts Creek. They shot at Al’s head. That horse jumped and that bullet missed his head and hit Hollene right in the face right there and the bullet knocked her teeth out and came out this side here. It knocked her off of the horse.”

Al was carried on down the creek by his horse, which “sprang and run” so Milt and Green came off the hill toward his wife.

“They aimed to shoot Aunt Hollene again — and she a laying there in the road, her eyes full of blood. She couldn’t see hardly who it was. But she begged them not to shoot her anymore, because she figured they’d already killed her. She told them she was dying and begged them out of it.”

At that point, Al came back up along the creek bed shooting toward them “and they got scared and they run.”

Bob said, “Well, the Brumfields didn’t know who it was so they watched all around to see who it was. They watched Runyon like a hawk but he changed his name and walked right off. He left his store, his saloon and his family and went back to Kentucky. They hunted for years for him but they never did find him. He never poked his head around there anymore, not even to contact his family.”

Milt and Green also disappeared from the neighborhood — which caused locals to assume that they were guilty of some role in the trouble.

“And these two guys just left their family and went into Kentucky and just deserted their families,” Bob said. “Then they knew who it was. And they started looking for them.”

Al Brumfield put out a $3,000 reward for their capture. Detectives were told to search in river towns, as both men had run rafts out of the Guyan River.

A detective caught Green McCoy first in a Cincinnati restaurant. He identified him by noticing a nick in one of his ears. Just before apprehending him, the detective walked up and said, “I think you’re the man I’m looking for.” Once caught, Green gave the whereabouts of Milt, who was found working a butter churn on a steamboat at the river. Both men were jailed. Al Brumfield was informed of their capture by letter.

Brumfield organized two of his brothers-in-law and perhaps one of his brothers into a posse and rode to the rendezvous point (presumably in the vicinity of Cincinnati). He posed as a sheriff, paid the reward, took possession of the two men, then headed across eastern Kentucky and up the Tug River to Williamson. He and his gang rode a train on the N&W across Twelve Pole to Breeden, where they crossed the mountain and spent a night at the home of John Dingess, Hollena’s brother. Dingess ran a large country store and saloon, Bob said, but “nothing exciting happened around there.”

Bob Adkins Interview, Part 1 (1993)

15 Friday Feb 2013

Posted by Brandon Ray Kirk in Big Harts Creek, Ed Haley, Hamlin, Harts, Huntington, Lincoln County Feud

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Al Brumfield, Appalachia, Bob Adkins, Charleston, Charley Brumfield, crime, Emma Jane Hager, genealogy, Goldenseal, Griffithsville, Hamlin, Harts, Harts Creek, history, Hollena Brumfield, Huntington, Imogene Haley, John Hartford, Lawrence Haley, Lincoln County, Lincoln County Feud, Milt Haley, Paris Brumfield, Philip Hager, West Hamlin, West Virginia

The next day, Lawrence and I decided to go see 89-year-old Bob Adkins in Hamlin, West Virginia. In a recent Goldenseal article, Bob had given his biography, including his family’s connection to the story of Milt’s murder. Since reading his narrative, I’d been anxious to ask him about Milt, as well as to confirm or disprove my suspicion that his father’s first wife Emma Jane Hager was the same person as Ed’s mother.

To get to Bob’s house, we took Route 10 out of Huntington to Lincoln County. We turned off onto Route 3 just inside the county line at West Hamlin, then drove on for about ten minutes, crossed a hill and cruised into Hamlin — Lincoln County’s seat of government. Bob Adkins’ nice two-story house sat just past a block of small struggling businesses and through the only red light in town. We found Bob out back relaxing on a patio near a flower garden in full bloom.

After all the introductions, I mentioned my theory about Ed’s mother, which Bob shot out of the water right away. He was positive that Emma Jane Hager was not the same person as Emma Haley.

“No, Emma Jane Hager was old man Philip Hager’s daughter,” Bob said. “Dad got her from Griffithsville, 10 miles toward Charleston. Dad come down there and stole her.”

Bob knew all about Milt’s death but stressed that what he knew about it was hear-say, that he didn’t want to get sued and that we couldn’t take his word as gospel because there was “so dern many of ’em a shootin’ and a bangin’ around amongst each other” in Harts that he sometimes got his stories confused. Maybe Bob did have a foggy memory, as he claimed, but I found him to be a walking — or rather, sitting — encyclopedia of Harts Creek murders.

“I was born and raised up there until I was nineteen years old, but I was never afraid,” Bob said. “I walked all hours of the night and everything and do as I please, but I always tended to my business, you know. Kin to most of them. I never bothered nobody. Nobody never bothered me, but that doesn’t say they wouldn’t shoot you. Well, all you had to do was tend to your own business.”

Bob eased into the story of Milt’s death by giving Lawrence and I some background on the Brumfields. He knew a lot about them because Hollena Brumfield, the woman Milt supposedly shot, was his mother’s aunt and “about half way raised her.” She was a Dingess prior to marrying Al Brumfield.

“Now those Dingesses up there, I never knew of them to bother anybody much,” Bob said of his kinfolk. “Some of the older ones shot and banged around a little bit. But look out for them Brumfields. They was into it all the time. If they couldn’t get anybody else to shoot, they’d shoot theirselves — their own people.”

Al Brumfield’s father Paris was the most notorious of the old Brumfields.

“Well, one thing, he killed an old pack peddler up there at Hart, took his stuff and threw him in the river,” Bob said of the Brumfield patriarch. “And he killed another man, too. I forget the other fellow’s name. Son, he was a mean old man, I’ll tell you that. Why, he’d kill anybody. He lived about three quarters of a mile from the mouth of the creek down the river there in at the end of a bottom, see?”

Bob kind of chuckled.

“Yeah, killed that old pack peddler,” he said. “That’s what they said he did. I don’t know. He was a mean old devil. And boy, he’d killed two men.”

I wanted to know more about the Brumfields since they seemed to have been so wrapped up in the story of Milt Haley.

“What happened to Paris Brumfield?” I found myself asking.

“I tell you, old Paris, he got what was coming to him,” Bob said. “He was as mean as a snake and he would beat up on his wife every time he got drunk. And Paris’ wife got loose from him and she came down to her son Charley’s for protection. Charley was a grown man and was married and had a family and he lived down the road a quarter of a mile. Charley told her to come on in the house and there’d be nobody to bother her there and he told her to stay back in the room and he would take care of it. Old Paris, he was drunk and he didn’t get exactly where she was and he finally figured out where she was and old Paris come down there to get his wife. When he come down, Charley, his son, was setting on the porch with a Winchester across his lap. A Winchester is a high-powered gun, you know? And that day and time, they had steps that came up on this side of the fence and a platform at the top of the fence and you walked across the platform and down the steps again. That kept the gates shut so that the cattle and stuff couldn’t come into the yard. Well, he got up on that fence and Charley was setting on the porch with that Winchester. He said, ‘Now, Paw don’t you step across that fence. If you step across that fence, I’m going to kill you.’ And Paris quarreled and he fussed and he cussed and he carried on. That was his wife and if he wanted to whip her, he could whip her. He could do as he pleased. He was going to take his wife home. Charley said, ‘Now, Paw. You have beat up on my mother your last time. You’re not going to bother Mother anymore. If you cross that step, I am going to kill you.’ And he kept that up for a good little while there. ‘Ah, you wouldn’t shoot your own father.’ Drunk, you know? And Charley said, ‘You step your foot over that fence, I will.’ Paris was a little shaky of it even if he was drunk. Well, after a while he said, ‘I am coming to get her,’ and when he stepped over that fence, old Charley shot him dead as a doornail.”

You mean he killed his own father?

“His own father,” Bob said. “He killed him. That got rid of that old rascal. And that ended that story. They never did even get indicted for that or nothing. Everybody kept their mouth shut and nobody didn’t blame Charley for it because old Paris had beat up on his mother, you know? Everyone was glad to get rid of him.”

In Search of Ed Haley 54

20 Sunday Jan 2013

Posted by Brandon Ray Kirk in Ed Haley

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Appalachia, Ashland, Big Sandy River, Bill Bowler, blind, Cabell County, Ed Haley, Ella Haley, Field Furniture Store, Gibson's Furniture Store, Green McCoy, guitar, Harts Creek, history, Ironton, John Hartford, Kentucky, Lawrence County, Lawrence Haley, life, Logan, Milt Haley, Mona Haley, music, Noah Haley, Ohio, Paintsville, Peter Mullins, Portsmouth, Ralph Haley, Route 23, Route 60, Russell, South Point, West Virginia, writing

Lawrence said we could go see Mona if Noah would show us the way. Apparently, Lawrence didn’t know where his own sister lived. Noah agreed to guide us there, but drove a separate car so he could leave right away. He and Mona weren’t getting along. On the way, I said to Lawrence, “Now this sister is the youngest one?” and he said, “Yeah, she’s the baby.” I said, “She’s the only sister you have, and her name is?” “Mona,” he finished. “M-O-N-A. That wasn’t what she was intended to be named. Mother intended her to be named after old Doc Holbrook’s wife — her name was Monnie.”

Mona was staying with her daughter in nearby Ironton, Ohio. At the door, before Lawrence could tell her who I was or the reason for our visit, she looked right at me and said, “Well I know you. I’ve seen you on television.” It was an instant connection. I noticed that she had a high forehead just like her father.

We went on out in the yard where she showed a little surprise that Noah had led us to her house.

“He’s mad at me,” she said before sighing, “I feel sorry for poor old Noah. So lonely. Has to buy his friendship.” Right away, she dispelled our hopes that she had any of Ed’s records.

“No, I don’t have any,” she said. “I let my part of the records get away from me. I lost mine in my travels. I left them somewhere and never did get them back. It was around ’56. I went back to get them and the lady — Dorothy Bates — had moved. And I think she’s dead. I was living here in Ironton.”

Mona seemed a little emotionless — her voice was hollow, distant, as if her mind was a million miles away. She didn’t seem to show much remorse about losing her father’s records — “I’m sorry that I did, but you know hindsight’s 20/20.”

I asked her if Ed ever talked about his father or mother and she said, “He talked about his dad getting killed. He said that he was in the Hatfield-McCoy feud and he got killed with Green McCoy. He was a friend to the McCoys, I guess. And that’s all I can tell you about that. And he never talked about his mother at all.” Mona had no idea who Ed’s mother was and knew nothing about her connection with Uncle Peter Mullins on Harts Creek. She didn’t even remember what year her father died, saying, “My memory is failing me. I was married and living at South Point.”

I noticed again how much Mona looked like her dad.

I asked her if she ever had any long talks with him and she said, “My mother and I were very close but we didn’t talk much about my dad. I’ll tell you, I loved my dad but I didn’t like him very much because he was mean.”

She laughed and said to Lawrence, “Wasn’t he?”

“Yeah, if you struck him the wrong way,” Lawrence admitted. “He never was mean to me. I can’t even remember Pop whipping me.”

Mona insisted, “He wasn’t ever mean to me either but he was mean to Mom.”

I asked her what Ed did to her mother and Lawrence said (somewhat agitated), “He was a little bit mean to Mom. He’d fight with her sometimes and we’d have to stop things like that.”

It got a little quiet — a whole new facet of Ed’s life had just opened up to me.

“Maybe I shouldn’t have said that,” Mona said, “but that’s how I feel. I sympathize with him now but he was a mean man.”

Lawrence tried to smooth it over by saying, “I put that down, part of it, to frustration with his condition. Really, I do.”

Sensing Lawrence’s dislike of the topic, I got the conversation directed back toward Ed’s music. He and Mona remembered Pop playing frequently on the streets of Ashland at Gibson’s Furniture Store, Field Furniture Store (later Sears) on 17th and Winchester and at the Ashland (later Second) National Bank on 16th and Winchester. It made sense that Ed often played on Winchester Avenue, the main east-west thoroughfare through town, currently merged with Route 60 and Route 23. I asked if Ralph ever played with Ed and Ella on the street and Mona said no — that he only played with them at home. Bill Bowler, a blind guitarist, was the person she remembered playing with her father on the street.

“He wasn’t very good,” Mona said. “When they’d get ready to set down and make music Pop would have to tune up his guitar for him.”

Ed hung around Ashland through the winter, Lawrence said, then took off around February. There was not a particular place he went first; it just depended on his mood. Mona said he was in Greenup County, Kentucky, often.

“He played in front of the courthouse there,” she said. “I’ve seen them have that whole front of the courthouse with people standing around dancing.”

She and Lawrence also remembered Pop playing in Portsmouth, Ohio; Cabell County, West Virginia; Logan, West Virginia; Lawrence County, Kentucky; Paintsville, Kentucky; and “all up and down the Big Sandy River.”

“They’d play around railroad YMCAs, too,” Lawrence said. “They had one in Ashland, one in Russell. And down on the N&W they had a big railroad YMCA in Portsmouth — New Boston, I guess. And there was a big steel mill at New Boston. Mom used to play there more than Pop, I guess. Mom used to play at the main gate.”

Mona and Lawrence gave me a great idea of how Ed dressed when on the road. She said he wore “moleskin pants and a long-sleeve shirt — sometimes a top coat when it was cold.” Lawrence said his dad always buttoned his shirt “all the way to the top button” but never wore a tie and mostly wore blue pants. For shoes, he preferred some type of slipper, although he sometimes wore “high top patent leather shoes” — what I call “old man comfort shoes.” Mona said he always donned a hat, whether it was a Panama hat, straw hat or felt hat. He also packed his fiddle in a “black, leather-covered case” — never in a paper sack as Lawrence remembered. “No,” she stressed, seeming amused at the idea of Ed having anything other than a case. Lawrence disagreed, clearly recalling to the contrary — “Buddy, I have.” He said Ed seldom had his fiddle in a case when he went through the country, usually just tucking it under his arm. “Same way with Mom. She didn’t have a case for her mandolin a lot of times. I guess that’s the reason he wore out so many, reckon?”

In Search of Ed Haley 52

18 Friday Jan 2013

Posted by Brandon Ray Kirk in Ed Haley

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Appalachia, Ashland, Ed Haley, Ella Haley, genealogy, history, John Hartford, Kentucky, Lawrence Haley, life, Milt Haley, Noah Haley, U.S. South, writing

     Lawrence Haley and I spent an hour or so driving around Ashland looking at many of the sites where Ed had lived in town. Not one single residence was still standing. As we visited each site, I noticed that the Haley residences seemed to have been in poor areas of town…although I didn’t suggest this to Lawrence.

     “They never did own a home,” Lawrence said of his parents. “They always rented. About eight different places in Ashland and one in Catlettsburg that I can remember.”

     In 1933, according to city directories, Ed and Ella lived at 805 45th Street. The next year, Ella received a postcard at 1030 45t Street. The 45th Street area of Ashland — renamed Blackburn Avenue in recent years — was a long street situated to the back of town, with schools and churches intermixed occasionally with small residences. It was the longest street in town.

     Lawrence guided me to 37th Street, also known as Ward Hollow, where the Haleys settled around 1937-38. Ward Hollow, I discovered, was recently cleared entirely of homes and filled with dirt as part of some planned business development. It was nothing like Lawrence or Curly Wellman remembered it.

     “This was a two-lane road at that time,” Lawrence said, looking up the hollow where he once lived. “And they was a bunch of houses sat up on the bank. There wasn’t too many trees up through there. About twelve to fifteen houses — small homes, twenty-five or thirty foot long. We lived in a three-bedroom house. I was just a kid then.”

     In 1944, the Haleys moved downtown to 105 17th Street, the spot where Haley made his home recordings. From this location, presently occupied by a dull gas building and a partially empty lot near the floodwall, Haley could easily walk up 17th Street past City Hall to the post office or Central Park.

     In 1947, the Haleys were briefly at 5210 45th Street, before settling at 1040 Greenup Avenue. Two years later, Ella was listed in city directories at 932 45th Street. Today, this spot is almost wiped out, although a Little Caesar’s pizza is on the corner of a modern building at 933 45th Street.

     Around 1950, the Haleys lived at 2144 Greenup Avenue. This spot, where Ed Haley died in 1951, is the current site of a Boyd County Ford parking lot and Pathways, Inc. “They’ve got a mental health center there where Pop died,” Lawrence said.

     In 1952, Ella lived at 932 45th Street.

     As Lawrence and I made our way around town, I suggested going to see his older brother Noah who had recently moved back to town.

     “Well that’ll be fine John, but if he’s playing cards I ain’t even gonna go around him because that’s one of his vices,” he said. “He used to go down there to Covington, Kentucky, some and lose his shirt. Two or three shady people have been after him to collect his debts.”

     It seemed as if each of the Haley children had some kind of a major hang-up, which kept me thinking about Milt Haley’s genetics — as well as Ed’s. I asked Lawrence if Noah was a drinker and he said, “He doesn’t drink any more. I think he’s got to the point where drinking aggravates his system too much.” There was also the restlessness. Milt Haley came to Harts Creek from “over the mountain” — probably the Tug Valley — and married a local girl. After the trouble with Al Brumfield, he hid out in Kentucky. Ed Haley, perhaps taking a genetic cue from his father, left Harts Creek at a young age and roamed throughout West Virginia and eastern Kentucky. Even after marrying and settling down in Ashland, it was a Haley ritual to always be on the go — moving through town or taking off on a season-long jaunt. Lawrence Haley did not seem to “inherit” that desire, preferring to live the quiet life of a laborer and postman in Ashland. But his half-brother Ralph had went overseas during World War II and then on to live in Cincinnati. His brother Clyde had been all over the United States — everywhere from Alaska to New Orleans. Likewise, Jack had moved away to Cleveland and Mona had been in different cities in Ohio.

     Noah, a veteran of the Pacific Theater and longtime resident of Cleveland, was apparently a roamer, too. “He moves around,” Lawrence said. “The last place he lived was up on Winchester Avenue in an apartment out over a garage. He’s getting ready to go out to California, I guess. He’s about 71.”

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