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Brandon Ray Kirk

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Brandon Ray Kirk

Tag Archives: John Hartford

In Search of Ed Haley 317

10 Tuesday Jun 2014

Posted by Brandon Ray Kirk in Big Harts Creek, Ed Haley, Music

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Big Branch, Brandon Kirk, Cacklin Hen, Calhoun County Blues, Dood Dalton, Ed Haley, fiddler, fiddling, Garfield's Blackberry Blossom, Harts Creek, history, John Hartford, Lincoln County, music, Tootsie Tomblin, West Virginia, Wild Horse, writing

In that same time frame, Brandon re-visited Tootsie Tomblin, a daughter of Ed Haley’s friend Dood Dalton. She presented him with a reel-to-reel recording of Dood playing the fiddle around 1971. He knew this was an amazing find, somewhat comparable to finding a recording of Laury Hicks, Ed’s fiddling friend in Calhoun County.

Tootsie warned Brandon that the recording wasn’t great because her father had been very old and somewhat crippled in his left hand.

“He was playing with three fingers on his left hand ’cause his fourth finger wouldn’t bend where he’d got it mashed in the mines,” she said.

Brandon sent me a copy of the Dalton recording and when I played it I found that Dood was just what Tootsie said — a man of advanced years whose fingers were tough, stiff and scarred from years of working in the mines — using what sounded like a bow with three hairs and no rosin and a fiddle that had been refinished with floor varnish and strung up with barbed wire and with an action so high you could probably put your shoe under the strings. Still, there he was playing “Wild Horse”, “Cacklin’ Hen”, “Calhoun County Blues”, and “Garfield’s Blackberry Blossom”…and doing it so slowly, as if he were trying to communicate to me through the years that he’d been one hell of a fiddler earlier in his life. His final number was an unaccompanied vocal rendition of an old gospel tune. I came away from the recording thinking that yes, by god, Dood Dalton had been a good fiddler in his day.

In Search of Ed Haley 316

07 Saturday Jun 2014

Posted by Brandon Ray Kirk in Big Creek, Chapmanville, Culture of Honor, Ed Haley, Ferrellsburg, Green Shoal, Lincoln County Feud

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Addison Vance, Admiral S. Fry, Basil Frye, Big Creek, Billy Adkins, Brandon Kirk, Burbus Dial, Cain Adkins, Chapmanville, crime, Essie McCann, Ferrellsburg, feud, Fry, George Fry, Green McCoy, Green Shoal, Harts Creek, history, John Hartford, Lincoln County Feud, Martha Dial, Milt Haley, West Fork, writing

I told Brandon that I would be coming to Harts at the end of July. In the meantime, he contacted Basil Frye, a grandson to George Fry. Basil, a resident of North Carolina, was old enough to know about the Haley-McCoy killings (he was born in 1925) but admittedly knew very little. He had heard through the family that his grandfather George agreed to let three “guards” stay overnight at his house with two prisoners (Milt and Green). That night, a mob of drunken vigilantes arrived with guns and demanded possession of the prisoners. The three guards allowed the gang to take Milt and Green outside where they were tied to a bush and eventually shot several times. The next morning, after daylight, the Frys and guards went outside and found the dead bodies.

Brandon asked Basil about the location of the old A.S. Fry-George Fry family home. He said he wasn’t sure of its location but always figured it to have been a short distance up Green Shoal, not at its mouth. He based that on the fact that his father, a son of George Fry, had been born in that vicinity in 1888 (a year before the killing). Billy Adkins had always heard that the old Fry home was up in that area, too, which caused a little doubt on our assuredness that the Milt and Green murders had taken place in the Lambert home at the mouth of Green Shoal. Brandon became even more confused when he went back to the Fry history and read how A.S. Fry (father of George) had two homes in the area: “a log cabin at Fry” (a.k.a. the mouth of Green Shoal) and “a stately house near Harts Creek, across the river from the log house.”

A little later, Brandon visited Essie McCann, an elderly neighbor in Ferrellsburg. Essie had been born on West Fork in 1910. She said her mother Martha Dial almost bumped into the 1889 mob as she rode toward her home on Big Creek with her husband. Upon hearing a troop of horses approaching their direction from Chapmanville, she and Mr. Dial knew it was the mob that had been recently sent out to capture Milt and Green. They hid in a patch of weeds near the riverbank and watched the mob ride by doubled up on horses. Essie said her mother recognized Addison Vance (a brother-in-law to Cain Adkins) riding in the group. Afterwards, Haley and McCoy were held in a house at Green Shoal where a group of men came and shot out the lights before killing them.

In Search of Ed Haley 315

06 Friday Jun 2014

Posted by Brandon Ray Kirk in Big Harts Creek, Culture of Honor, Ed Haley, Lincoln County Feud

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Billy Adkins, Brandon Kirk, Doug Owsley, feud, Green McCoy, John Hartford, Lincoln County, Lincoln County Feud, Milt Haley, Smithsonian, timbering, West Fork, West Virginia, writing

On July 4th, Brandon and Billy learned that a timber crew had been working at the Haley-McCoy grave for several days. Horrified, they raced to the site and found the ground ripped up, trees felled, and huge machinery roaring and chewing all over the mountainside. The Haley-McCoy grave was lost amidst toppled trees and fresh timber roads. Workers said the grave was okay, although property owners had not told them it was there.

When Brandon called me with this news, I told him there might be a positive outcome to the whole mess. Maybe we could now approach some people about exhuming the grave. He was all for it now.

“You know, we could try Doug Owsley at the Smithsonian,” I said. “He could tell us all kinds of things about them just by looking at their bones.”

Brandon had more of a “rescue mentality.”

“I hate to mess with their bodies,” he said. “I mean, they were real people. There’s something historical about them being there. I hate to spoil that.”

He agreed to an exhumation, though, so long as it had the support of Milt and Green’s family and so long as they would be re-buried at the site with a historical marker placed nearby to note the significance of the site and add protection from future bulldozers.

We talked more over the next few days — particularly about getting Doug Owsley, the expert forensic scientist, to conduct such a dig.

The next thing I knew, I was on the telephone with Owsley explaining my interest in Milt’s and Green’s grave. He was enthusiastic about the project but wanted more information, so Brandon gathered up some of our research and fired it off to him.

In Search of Ed Haley 313

02 Monday Jun 2014

Posted by Brandon Ray Kirk in Ed Haley

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Catlettsburg, Dinky Coffman, Ella Haley, history, John Hartford, John Simon, Kentucky, music, Ohio, Portsmouth, Portsmouth YMCA, writing

Early in June 1996, I received a letter from John Simon, which conveyed more information about John Lozier’s memories of Ed Haley. Basically, Lozier said he played music with Ed and Ella around 1932 at the YMCA in Portsmouth, Ohio. Dinky Coffman, who was in charge of the entertainment, hired the three musicians often. “Sometimes Dinky would also take them into the railroad yards to play for groups of men,” Simon wrote. “They got a couple dollars for each day’s entertainment.” At that time, Ed lived at Catlettsburg, Kentucky. “The Haleys later divorced but continued to live in the same house on separate ends and continued to perform together,” Simon wrote.

In Search of Ed Haley 311

28 Wednesday May 2014

Posted by Brandon Ray Kirk in Ed Haley, Harts, Lincoln County Feud

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Al Brumfield, Ann Brumfield, Appalachia, Ben Adams, Bob Adkins, Brandon Kirk, Burl Adams, Cain Adkins, crime, Daisy Ross, Ed Haley, Green McCoy, Guyandotte River, Harts, Harts Creek, Henderson Dingess, history, Howard Dalton, Imogene Haley, Joe Adams, John Frock Adams, John Hartford, John W Runyon, Lawrence Haley, Lawrence Kirk, Lincoln County, Logan County, Major Adkins, Milt Haley, Paris Brumfield, Peter McCoy, Sallie Dingess, Trace Fork, West Virginia, writing

Two months later, Brandon was still digging, but in a different way. He was knee-deep in land records at the Lincoln and Logan County court houses. He was curious — based on the economic aspect of the 1889 feud — to know about property ownership for feudists, particularly those with land around the mouth of Harts Creek.

He started with the Brumfields.

In 1889, Paris Brumfield owned 771 acres of land worth $1020, while his wife owned 367 acres worth $483. Al Brumfield had 295 acres (195 acres on Brown’s Branch and 100 acres on the Guyan River) worth $642. By combining Al’s totals to that of his parents, the Brumfields owned a total of 1433 acres of land worth $2143. A little further up Harts Creek, Henderson and Sarah Dingess owned 546 acres (five tracts) worth $1234.50 with a building valued at 100 dollars.

How did these totals compare to the land holdings of their enemies?

Well, Cain Adkins owned 205 acres worth $420 (with no buildings listed for 1889), while John Runyon owned 100 acres worth $187.50. Ben Adams owned at least 340 acres in Lincoln and Logan Counties (2 tracts) worth $380. By combining Ben’s property with that of Adkins and Runyon they owned 645 acres worth $987.50 — not even half of the Brumfield family holdings.

Based on these records, we realized that it might have been the financial superiority of the Brumfields and Dingesses which caused Adams, Runyon, and/or Adkins to act out against them (through Milt and Green).

But there was also a reason for the Brumfields to feel a little threatened themselves: John Runyon, whose 100 acres of property was situated geographically closest to them near the mouth of Harts Creek, had accumulated his estate in only three years of residence in Harts. His first tract, totaling 75 acres, was worth $1.50 and was deeded by A.S. “Major” Adkins in 1887. The other tract, totaling 25 acres and worth three dollars per acre, was deeded in 1888. Neither tract contained a building, according to land records.

Al’s 100 acres near the mouth of Harts Creek, in contrast, reflected eight years of effort.

Brumfield was likely concerned that Runyon had acquired so much land at the mouth of Harts in such a short time, especially since it was property that he wanted for himself.

It was immediately clear in looking at the feud in mild economic terms that Milt Haley and Green McCoy were pawns in a larger game between local elites. While Paris Brumfield, Al Brumfield, Cain Adkins, John Runyon, and Ben Adams were leading citizens, property owners and businessmen, Milt and Green were timber laborers and musicians who owned no property whatsoever. Based on what we’d heard from Daisy Ross, it was easy to see why Green might have took a shot at Paris, but why did he attack Al? And what was Milt’s motivation for even getting involved in the whole mess? Was he pulled into the fray because of his friendship to Green, as Daisy Ross had said? Or did he have connections to Ben Adams (a possible economic dependence on the timber-boss, his residence nearby Adams on Trace, or the fact his wife was related to Ben)?

And what did either man hope to gain from the assassination of Al Brumfield? I mean, that’s a hell of a lot to risk for a side of bacon and a few dollars. I had this nagging suspicion that they were maybe innocent of the crime, but Brandon was pretty well convinced of their guilt (as had been Lawrence Haley). He did, however, leave an opening by pointing out how Bob Adkins, Howard Dalton, Joe Adams and Lawrence Kirk had all heard that they were innocent. Bob and Joe had actually mentioned other suspects: Burl Adams, a nephew to Ben Adams, and John “Frock” Adams, a half-brother to Ed’s mother (who later shot his wife’s head off with a shotgun in his front yard). There was also the testimony of Preacher McCoy, who said Milt and Green were “as innocent as Jesus Christ on the cross.”

In Search of Ed Haley 308

21 Wednesday May 2014

Posted by Brandon Ray Kirk in Ed Haley

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Ashland, Billy in the Lowground, Bonaparte's Retreat, Charles Gardner, Charleston, Dallas, Done Gone, fiddling, Flatfoot Nash, French Carpenter, Georgia Slim Rutland, Gunboats Through Georgia, history, John Hartford, Kentucky, music, West Virginia, Wilson Douglas, writing

Back in Nashville, I called Wilson Douglas to thank him for being such a good host on my recent trip to West Virginia. I also had a few questions, starting with whether or not Ed played a tune called “Gunboats Through Georgia”.

“Oh, yeah,” Wilson said. “Well, they wasn’t very many, John, that he didn’t play. And he played a danged tune, him and French Carpenter, called the ‘Flatfoot Nash’.”

Wilson paused, then said, “I told you about Ed Haley commending Georgia Slim, didn’t I? He said he believed that Georgia Slim was the best fiddler on some of them there Southern tunes he ever heard. He said nobody could touch him on the ‘Billy in the Lowground’. Now, Georgia Slim — way back there in ’37, ’38 — he went and stayed with Ed Haley a lot in the wintertime.”

Wilson’s memories of Georgia Slim caused me to recall my theory that Ed was a grandfather of the Texas contest fiddling style. I hadn’t thought much about that lately so I called up Charles Gardner, an authority on Texas fiddling. Charles said Georgia Slim had influenced a lot of Texas fiddlers when he played over Dallas radio in the early 1940s. At that time, he was fresh from the Ashland-Charleston area, his playing no doubt filled with Haley and Kessinger licks. It seemed very possible to me that the unfamiliar parts he played on tunes like “Done Gone” and “Bonaparte’s Retreat” were learned from Ed or at least based on his approach.

Harts c.2000

20 Tuesday May 2014

Posted by Brandon Ray Kirk in Big Harts Creek, Ed Haley, Harts, Spottswood, Whirlwind

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Adams Branch, basketball, Beecher Avenue, Ben Walker, Billy Adkins, Bob Adkins, Bob Mullins Cemetery, Brumfield Avenue, Buck Fork, Bulwark Branch, Charles Brumfield, Crawley Creek Mountain, CSX Railroad, Ed Haley, Eden Park, genealogy, Guyandotte Valley, Hannah Baptist Church, Harts, Harts Creek, Harts High School, Heartland, Henderson Branch, history, Hoover Church of the General Assembly, Hoover Fork, Huntington, Ivy Branch, John Hartford, Kiahs Creek, Lambert Branch, Lincoln County, Logan County, McCloud Branch, Mingo County, Mount Era Baptist Church, Mountaineer Missionary Baptist Church, Pilgrims Rest Church, politics, Railroad Avenue, Republican, Rockhouse Fork, Route 10, Sand Creek, Smokehouse Fork, Trace Fork, Trace Old Reguarl Baptist Church, Twelve Pole Creek, Upper Trace Fork School, Ward Avenue, Wayne County, West Fork, Whirlwind, Workman Branch, writing

The community of Harts sits indiscreetly in the narrow section of the Guyandotte Valley on land that makes up the northernmost region of the Logan County coalfield and what was once “feud country.” Located some ten miles from a four-lane federal corridor linking the state capital to eastern Kentucky and fifty miles up a two-lane rural highway from Huntington, the second largest city in West Virginia, it is a settlement just on the cusp of modernization. It is a treasure trove of hidden history, quickly disappearing even in the minds of its locals, who have little if any recollection of its booming timber era or the exciting times of the railroad hey-day. It’s really the kind of place you might drive through without noticing much — or never have a reason to drive through at all.

Basically, Harts is an old timber town divided in the center by a lazy muddy river and intersected by a two-lane highway, Route 10. On the west side of the river — site of the old Brumfield business headquarters — is an empty store, a tavern-turned-church-turned-beauty shop, a garage, and a brick tabernacle. On the east side is an old brick general store, a nice video rental establishment, a state highways headquarters, an old wooden general store, a small brick post office, a fire department, a grocery store, a hardware store, a general merchandise store, a Victorian general store-turned-restaurant, and a new brick Head Start center. Running between those buildings on the east side is a track owned by CSX (formerly C&O) Railroad. Just behind the businesses are a few dozen houses of all vintages: brick, wooden, single-story, two-story… There are no street signs or traffic lights or even stop signs.

Route 10 connects Harts with the city of Huntington to the north and with the Logan coalfields to the south. From town, Big Harts Creek Road heads west up the creek to West Fork or Smokehouse Fork, while a little unnamed road diverges north past the tracks toward extinct post offices named Eden Park and Sand Creek. The four streets in town are paved but very few locals even know their proper names, which are Railroad, Beecher, Ward, and Brumfield Avenues. Just down the river is a brick house-turned-bank, a rural health clinic, a brick construction company headquarters, a new coalmine development area called Heartland, and a mechanic shop/gas station (owned incidentally by one Charles Brumfield).

Culturally, Harts might be thought of as an inconspicuous Harlequin romance and Wild West show gone wild, at least in its not-so-distant past. Many of the rabble rousers and roustabouts are long since dead. Actually, somewhat to my disappointment, a lot of the old families are gone completely from the area and no one really feuds any more. Many residents seem to work as schoolteachers or run small stores or work in the coalmines or draw government relief. People are nice and treat each other well. Most are related or at least seem to be. They watch TV or go to church or tend their yards or hunt or fish or ride four-wheelers or hop on the four-lane at Chapmanville and drive to Wal-Mart some 45 miles away. Old-timers are quick to say that Harts has a bad reputation for no reason — the only two murders within town limits occurred almost a century ago. There are no parks, museums or movie theatres — and only a few registered Republicans. It’s the kind of place where you can leave your doors unlocked at night or if you’re gone all day…and feel safe about it.

I have to admit, after several visits to Harts, I loved it. On one visit, I learned from Billy Adkins that the old Ben Walker farm was for sale…and seriously considered buying it. (I passed on the idea when I realized that my wife would never forgive me for it.) Harts, then, would remain a place to “see.” I began telling folks out on the road that it was “my Ireland.” It represented a desire on my part to get back to the kind of places where (at least in my romantic imagination) a lot of fiddle playing originated. A lot of my friends were from these kind of places. For them, when they wanted to tap into that ancestral ancient tone, they thought of Ireland, whether they were Irish or not. For me, coming from St. Louis, Harts was the closest I could ever hope to get to that. Such places are at the heart of the music I love.

Venturing up Harts Creek, the first thing you really notice is Harts High School, a forty-some-year-old two-and-a-half-story yellow brick structure near the mouth of West Fork with a gymnasium, annex building, and a baseball field, all situated on what was a prison camp during the early fifties and, a little further back in time, the upper reaches of the Al Brumfield property (and, a little further still, an Indian camp). In many ways, this school is the lifeblood of the community — at least in the lower section of the creek. In the mid-sixties, just as Harts began to turn away from its violent past, the high school basketball team won a state championship and began building a program known regionally for its successes. Today, basketball is what this community is best known for — not the murders or moonshining traditions of years past — with crooked politics maybe finishing a close second.

A little further up the creek, just below the Logan County line, a few miles past an old country store, a little restaurant, another baseball field, and a place of worship named the Cole Branch Church of Jesus Christ of the First Born. From there, the road forks left onto the Smoke House Fork of Big Harts Creek, location of the Hugh Dingess Elementary School and Dingess, Butcher, Farley and Conley country; or the road forks right into the head of Harts Creek to “Ed Haley country.” Of course, no one calls it that. People think of it as “Adams country” or “Mullins country” and really, that’s about all there ever was in that section. Ed himself is often identified with the Mullins family — his mother’s people. The adults in this part of Harts Creek vote in Logan County — not Lincoln — and send their kids on buses over Crawley Creek Mountain to Chapmanville High School. This section of the creek — where gunshots once rang out regularly and where moonshine was so readily found — is now remarkably quiet and low-key outside of the occasional marijuana bust. Unfortunately, it seems to have lost its musical tradition as well.

Trace Fork, the site of Ed Haley’s birth, is attributed by Ivy Branch in its head, Adams Branch, and Boardtree Branch toward its middle and Jonas and Dry House Branch toward its mouth. There are several small family cemeteries on Trace, with the maroon-bricked Mountaineer Missionary Baptist Church at its mouth. In previous days, the Upper Trace Fork School (now Trace Old Regular Baptist Church) sat in its headwaters, where the Logan-Lincoln-Mingo county line meets. As a matter of fact, Ivy Branch heads near Kiah’s Creek at the Wayne-Mingo County line, while Boardtree Branch heads at McCloud Branch of Twelve Pole Creek in Mingo County. Adams Branch heads at Rockhouse Fork in Lincoln County.

A little further up the main creek is Buck Fork, an extensive tributary comparable to West Fork or Smokehouse in size. It is the ancestral home of the Mullins, Bryant, and Hensley families whose names still dominate the mailbox landscape. In previous decades, it was the location of the Hensley School and Mt. Era Church. Just below Buck Fork on main Harts Creek is a large Adams family cemetery, while just above it is the equally large Bob Mullins family cemetery.

Continuing up Harts Creek is Hoover Fork, home of the Mullins, Adams, and Carter families as well as the Hoover Church of the General Assembly. Henderson Branch, home seat for Tomblins and Mullinses is the next tributary, followed by Lambert Branch (at Whirlwind) and Workman Branch. Bulwark Branch follows (populated by Carters and Workmans), trailed by Brier Branch (Smiths) and Tomblin Branch. In the headwaters of Harts Creek are Tomblins, Daltons, and Blairs, as well as the Pilgrims Rest Church and Hannah Baptist Church.

In all sections of Harts, gossip reigns supreme as a source of local entertainment. (This in spite of Bob Adkins’ warning that people should “tend to their own business.”) Maybe that’s why we hear so much about a 100-year-old murder when we ask about it and a bunch of other things we don’t ask about. Genealogy is super important. When you sit down to talk with someone, the first thing they want to know is how you fit into the community pedigree. It’s a way of squaring you up.

In Search of Ed Haley 307

18 Sunday May 2014

Posted by Brandon Ray Kirk in Calhoun County, Civil War, Ed Haley, Music

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Ashland, Atlanta, Big Ugly Creek, Birdie, blind, Boatin' Up Sandy, Catlettsburg, Chapmanville, Charleston, Cincinnati, civil war, Clark Kessinger, Coalton, Crawley Creek, Ed Haley, Ella Haley, fiddlers, fiddling, Girl With the Blue Dress On, Godby Branch School, Grantsville, Grayson, Great Depression, Green Shoal, Harts School, history, Hugh Dingess School, John Hartford, Kentucky, Lawrence Haley, Logan, Margaret Arms, Mona Haley, music, Orange Blossom Special, Pat Haley, Ralph Haley, Slim Clere, Sweet Georgia Brown, Tennessee Waggoner, The Old Lady Carried the Jug Around the Hill, Wewanta, writing

We hadn’t played long until Slim was telling me more about his background.

“I came from a line of Irish fiddlers,” he said. “My dad, his brothers, and his dad…  The old man was so good on the fiddle — he was in the Civil War — my grandfather — that the soldiers all chipped in and bought him a fiddle and he didn’t have to fight. He was from Coalton on the road to Grayson out back of Ashland.”

Slim said his dad played “The Old Lady Carried the Jug Around the Hill” and “Girl With the Blue Dress On”.

Here comes the girl with the blue dress on, the blue dress on, with the blue dress on.

Everybody’s crazy about the girl with the blue dress on…

I asked him if his father played “Catlettsburg” and he said yes, although it was not the same version as what Ed played.

“My dad played it,” Slim said. “He played ‘Birdie’, ‘Tennessee Waggoner’. He got these two fingers cut when he was working at a steel mill and his fingers stayed stiff so he had to play the rest of his life with these two fingers. I don’t remember when he played with all five ’cause I was too small. He played ‘Boatin’ Up Sandy’.”

Every now and then, Slim would tell me something about Ed.

“Every Saturday Ed would go to a county courthouse someplace,” he said. “Believe it or not, he was in Grantsville one time when I was up there, sitting on the steps up there at the courthouse. I walked over, I said, ‘Ed, aren’t you out of place?’ He said, ‘You’re liable to find me anywhere.'”

I asked Slim if he ever saw Ed drunk and he said, “I don’t think I ever saw him sober. He didn’t get too high. Seemed like it give him more pep.”

I asked Slim if he remembered Sweet Georgia Brown coming to see Ed in Ashland and he said, “He was up in Ashland at one time. We called him Brownie. Well, he wasn’t around Ed too much. Ed was a close guy. He didn’t associate with a lot of people. Now, he liked me pretty well…but most fiddle players don’t like fiddle players.”

Speaking of fiddlers, Slim said he had met a lot of them during his lifetime. I wondered if he ever met any as good as Ed and he said, “Clark Kessinger was the closest. I think Clark learned from him. See when Clark made records for Brunswick — they had a studio down in Ashland — Ed wouldn’t play on it. He wouldn’t make records. Didn’t want to. He wouldn’t play over the radio. He said they wasn’t any money in that. He wanted to be somewhere somebody could throw a nickel or dime in that cup. He was very poor. He wasn’t starving to death, but — his wife was blind, too — there was no way that they could make any money. And he had a 17- or 18-year-old boy — he was a good guitar player, but he wouldn’t play with him. I don’t remember what his name was. He was ashamed of his father and mother — to get out in public. Not for any personal reasons…just the fact he could see and they couldn’t.”

Slim began talking about his own career in music, mostly his Depression-era radio work. He mentioned working with or meeting people like Bill and Charlie Monroe and Earl Scruggs and even credited himself with bringing “Orange Blossom Special” to Charleston from Atlanta in October of 1938. He kind of caught us by surprise when he spoke of having played all through the Guyandotte Valley.

“We played personal appearances up and down through there,” Slim said. “Played schools and theaters: Godby Branch School, up on Crawley Creek — one room school — and Hugh Dingess School — it was about an eight-room red brick building — Green Shoal, Wewanta. Harts School, I guess I must have played that school fifteen times. From about ’39 on up to 50-something. Everybody turned out when we played Harts. It was supposed to be the meanest place they was on the Guyan at that time. Came across Big Ugly Creek there. See, it goes from Lincoln County over into Boone. I used to broadcast down in there. I’d say, ‘All you Big Ugly girls be sure to come out and see us now.'”

I asked Slim if he played with any local musicians and he said, “No, we went in and played the show. Once in a while, we’d have amateur contests and they’d come in. Well, we’d have fiddling conventions at big high schools.”

I asked Slim if he ever saw Ed around Harts and he said, “No, not down there. Only time I ever seen Ed was around Ashland and Logan and Chapmanville. He played at the bank in Chapmanville. Chapmanville was 12 miles from Logan.”

Later that night, Brandon and I found some more family photographs in a box at Pat Haley’s. One was of Ella, while others were of Margaret Arms. Margaret was a real “mystery lady”: nobody seemed clear on her relationship to the Haley family. Lawrence Haley had remembered her as a cousin to either Ed or Ella, while Mona called her “Margaret Thomas” and said she lived in Cincinnati.

Slim Clere and John Hartford

16 Friday May 2014

Posted by Brandon Ray Kirk in Ed Haley, Music

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Appalachia, Brandon Kirk, fiddlers, John Hartford, music, photos, Slim Clere, South Charleston, U.S. South, West Virginia

Slim Clere, John Hartford, and myself at Slim's home in South Charleston, WV, 1996

Here I am with Slim Clere and John Hartford at Slim’s home in South Charleston, WV, 1996

John Hartford at the Hicks grave (1996)

14 Wednesday May 2014

Posted by Brandon Ray Kirk in Calhoun County, Ed Haley, John Hartford, Music

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Appalachia, Brandon Kirk, Calhoun County, cemeteries, Hicks Family Cemetery, history, John Hartford, Kim Johnson, Laury Hicks, music, photos, U.S. South, West Virginia, Wilson Douglas

Wilson Douglas and John Hartford, Calhoun County, WV, 1996

Wilson Douglas and John Hartford, Calhoun County, WV, 1996

Brandon Kirk and John Hartford at the Laury Hicks grave, Calhoun County, WV, 1996

John Hartford and I at the Laury Hicks grave, Calhoun County, WV, 1996

John and I at the Laury Hicks grave, Calhoun County, WV, 1996

John and I at the Laury Hicks grave, Calhoun County, WV, 1996

In Search of Ed Haley 305

14 Wednesday May 2014

Posted by Brandon Ray Kirk in Calhoun County, Clay County, Ed Haley, Music

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Appalachia, Arnoldsburg, Ashland, banjo, Ben Friend, Bernard Postalwait, Bill Stutler, Bob Carr, Brandon Kirk, Calhoun County, Camp Chase, Charleston, civil war, Clay, Clay County, Clendenin, Ed Haley, Ed Williams, Edden Hammons, fiddlers, fiddling, history, Hog Run Hollow, Jack McElwain, John Hartford, Kentucky, Kim Johnson, Laury Hicks, Lawrence Haley, Lincoln Republican, Luther Carder, music, Pat Haley, Pisgah Bridge, Richwood, Sol Carpenter, St. Albans, Ugee Postalwait, West Virginia, William E. Chilton, Williams River, Wilson Douglas, writing

Brandon and I got a good night’s sleep at Pat Haley’s home in Ashland, then took off the next morning to see Wilson Douglas in Clendenin, West Virginia. I wanted to hear more about his memories of Ed, play some music, and go see the old Laury Hicks homeplace. Wilson met us on his porch with Kim Johnson, a banjo player. We all went inside and got settled, where Kim mentioned that Laury first invited Ed to his house after meeting him in St. Albans, near Charleston. Wilson was quick to offer new details about Ed — of a more seedy variety. He said Ed “ran around” a lot with Bernard Postalwait when he was in the area. They usually got drunk and went “women crazy” and stayed gone all night. Hicks apparently had a “wild side,” too. Wilson hinted that he was a moonshiner who sometimes left home on timber jobs…and never showed up.

We wasted little time in taking off to see some of Ed’s old stomping grounds in Clay and Calhoun Counties. There was a slight drizzle, just enough to wet everything.

Our first stop was the Hicks homeplace, which had been overtaken by weeds on my previous visit in 1994. The weeds were gone this time, so we got out of the car and maneuvered through the rotting remains of an outhouse, chicken coop, cellar base, parts of an old fence, and scattered boards — all damp and colored dark brown due to the light rain dropping down around us.

It was a far cry from the “old days” when (according to Ugee Postalwait) the family had farmed corn, wheat and cane all the way back up the mountain to the head of Hog Run Hollow. Gone were the apple and peach orchards. Gone were the gardens down by the creek (now taken in by the paved road). And, most obviously, gone was the old Hicks home, the last of four houses built on the site (the final one having been constructed in 1936).

We soon made our way up the hill to the cemetery, where Brandon took pictures. I just kind of stared at Laury’s grave — picturing Ed playing there after Laury’s death in 1937.

As we came off the hill, Wilson said Hicks was rumored to have died from “some bad cases of VD.”

Later that day, Wilson showed us Clay, the seat of government for Clay County. This was the place where Ed Haley arrived by train from Charleston enroute to the home of Laury Hicks. Lawrence Haley once told me about his father walking from Clay to Arnoldsburg, a town some thirty miles away. Brandon had found this great article titled “Old-Time Fiddlers Will Gather At Clay Saturday” from a 1921 edition of the Lincoln Republican.

Clay, W.Va., Jan. 10 — Elaborate preparations are being made in the little city of Clay for the old-time fiddlers’ contest which will be held on Saturday night, January 22. An attendance surpassing anything ever held in Clay is expected, and the hospitable citizens of this town have appointed a committee to look after the welfare of its guests. Similar contests have been held in various other sections of West Virginia this winter, but they cannot even compare to the one which will be held in Clay, it is predicted. Old-time fiddlers from far and near are coming to compete, and, if possible, carry off the honors of the evening.

Among some of the celebrated old-time fiddlers who will be here is “Jack” McElwaine of Erbacon, in Webster county. “Jack” has played the fiddle for more than fifty years, and between times has been justice of the peace, preached the gospel and practiced law. He learned to play under Saul Carpenter, the most famous old-time fiddler of them all, and who played himself out of Camp Chase during the Civil war. Another fiddler equally famous is “Edin” Hammons, who hails from the head of Wiliams river, and whose sole occupation all through life has been hunt, trap and play the fiddle. “Edin” has killed more bears, deer and played the fiddle more than any other man on Williams River.

It is said that Senator William E. Chilton and Colonel Bob Carr of Charleston have been given invitations to attend the contest and compete with these old-time fiddlers.

Several local celebrities are expected to enter the contest, and the old mountaineer fiddlers are looking forward to this part of the contest with great pleasure and saying “the city fellers will have to fiddle some to beat them.” No complete list of the fiddlers who enter the contest has been made public, but some fifteen or twenty are expected. Ben Friend, Ed Williams, Luther Carder and “Bill” Stutler, men who have been winning prizes in other contests, will be there.

People of Clay and surrounding country are looking forward to this event with great anticipation and pleasure. The last contest of the kind was held at Richwood, Thursday night of last week, and fully 200 persons were unable to get into the theater where it was held.

There are very few of the real old time fiddlers who play the old mountain tunes living today, and within a very short time there will be none left and no one to take their place. The younger generation has neither talent nor desire for this kind of music. At any rate, one can not find a young man of today who can play the fiddle in the “good old-fashioned way.”

Clay, I found, was a small shell of a town with a nice old courthouse sitting high on the hill. There was the typical arrangement of buildings: sagging old businesses hinting at lost prosperity, a small bank, dollar stores, a car dealership, a post office, and a Gino’s restaurant. No red lights and basically one two-lane thoroughfare through town. There was a hotel with the weekly newspaper office headquartered beneath where, I was told, you could go in late and help yourself to a key and then pay for your room the next morning on your way out. After passing through town and crossing the Pisgah Bridge, we spotted an old section of residences and a community church. The track bed was still visible but the railroad was long gone.

In Search of Ed Haley 304

13 Tuesday May 2014

Posted by Brandon Ray Kirk in Ed Haley, Stiltner

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Angeline Lucas, Brandon Kirk, Cain Adkins, Daisy Ross, East Lynn, Faye Smith, genealogy, Green McCoy, Harts Creek, history, John Hartford, Kenova, Lee Adams, Lincoln County, Lynza John McCoy, Mary McCoy, Spicie McCoy, Stiltner, Twelve Pole Creek, Wayne County, West Fork, West Virginia, writing

Things got kind of quiet after that. I asked Faye if we were wearing her mother out and she said, “No, I don’t think so. She sits there and… Of course, she makes quilts. She’s made twenty since the first of the year. We’ve got them stacked upstairs. She made sixty-four the year before last. Last year she only made fifty-four. I don’t know how many she’ll make this year. She makes them upstairs. She pulls herself up there — you know, a handrail.”

Brandon asked if Daisy sold her quilts and Faye said, “Yeah, she sells them. Well, she gives us kids all one every year for our birthday. I’ve probably got forty or fifty.”

I asked how much they sold for and Faye said, “Thirty dollars.”

I said, “Have you got one you’d sell me?” and Faye laughed and said, “I’ve got a dozen if you want them. As a matter of fact, she’s even got her name and the date she completed it on each quilt.”

Faye looked over at her mother and said loudly, “He wants to buy one of your quilts.”

Daisy said, “Well, they’re upstairs.”

Brandon, Faye, and I went upstairs and fished through a bunch of quilts in a bedroom. We bought several; they were great souvenirs.

Back downstairs, Daisy told us more about Green McCoy’s “other family” in Eden, Kentucky.

“He had two children by his first wife,” she said. “Mary come and seen us and we was all tickled about it. I don’t know how she found us. She’d come to Kenova and stayed with some woman and found out where we lived up there above East Lynn in Stiltner way up in the country in a hollow. And she stayed a week or two. I don’t know how long she was aiming to stay, but she’d stayed with some lady and cleaned house and she cleaned out her wardrobe and took it with her and the law came and got ‘er. We don’t know what ever happened to Mary — we never heard from her no more. She was from down in Kentucky somewhere. I was just a little girl when she come up there.”

As for Green’s other child: “They had another’n, but I don’t know whether it was a girl or a boy.”

Not long before we left, Daisy revealed a final interesting connection between Green McCoy’s family and Cain Adkins’ family. She said Green McCoy had a brother named John who came around Cain’s place on Harts Creek.

“He’d go up there when Mom and Green lived out there in one of Grandpaw’s shacks. I think he was younger than Green.”

He might have been the same John McCoy, Brandon said, who land records showed owning 526 acres on Twelve Pole in Lincoln County in 1883.

About two years after Green’s death, John had a fling with Spicie’s sister, Angeline Lucas (Boney’s widow).

“Aunt Angeline went and had a young’n by him,” Daisy said.

A little later, she married Lee Adams and had seven more children, bringing her total to fourteen.

In Search of Ed Haley 302

04 Sunday May 2014

Posted by Brandon Ray Kirk in Culture of Honor, Ed Haley, Lincoln County Feud, Stiltner

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Angeline Lucas, Bill Frazier, Brandon Kirk, Cain Adkins, Cain Adkins Jr., Daisy Ross, Faye Smith, feud, Harts Creek, history, John Hartford, Laurel Creek, Lee Adams, Lena Adkins, Lincoln County, Liza Adkins, Mariah Adkins, Mittie Adkins, Napier Ridge, Ranger, Sherman McCoy, Spicie McCoy, Stiltner, Wayne County, West Virginia, Winchester Adkins, writing

I asked Daisy again about her mother’s escape from Harts Creek.

“Grandpaw and the oldest boy had to come on out and come down into Wayne County to save their lives,” she said.

This seeming abandonment of his family in such a dark time appeared to be a blemish on Cain’s otherwise “spotless record.” I thought about that and said, “Seems to me like the safest way to get everybody out was to get the menfolk out first. And also, too, the menfolk could have got out of there quicker without the womenfolk.”

Faye said, “Well, I remember Grandmaw saying the Brumfields said they’d kill everything from the housecat up. I guess that’s why Grandpaw left, but I still wonder why he left the womenfolk. I can’t help it if it is my great-grandpaw.”

Not long after Cain left Harts, Daisy’s grandmother, Mariah Adkins, killed twelve sheep and some hogs and stored the meat in barrels, then loaded the barrels and all of the other family possessions onto a rented push-boat.

“They couldn’t get nobody to row the boat,” Daisy said. “Grandmaw tried to hire a colored man and he said he would, but he said, ‘I know they’d kill me.’ So they had to do it all theirselves. And Mom and Sissy done the rowing.”

“It was a pretty big size boat cause they had all the stuff they had in their house and their barrels of meat all in there,” Daisy said. “But they couldn’t get nobody to row the boat. Grandmaw tried to hire a colored man and he said he would but he said, ‘I know they’d kill me.’ So they had to do it all theirselves. And Mom and Sissy done the rowing.”

Those on the boat were 46-year-old Mariah Adkins, 23-year-old Spicie McCoy, 18-year-old Mittie Adkins, 13-year-old Lena Adkins, 13-year-old Liza Adkins, nine-year-old Cain Adkins, Jr., and one-year-old Sherman McCoy. Daisy wasn’t sure if Aunt Angeline (aged 28) was on the boat with her six kids, including a newborn.

“I don’t know whether she was already down here or not,” she said. “She didn’t come on the boat with them, I don’t think. She come down and married Lee Adams and lived out on the Napier Ridge.”

Daisy gave a chilling account of the ride down-river.

“Mom was about four months along with my brother Green and she had that little baby. Sherman was about a year and a half old — and it was raining and cold. 8th day of January. They come down through there and the peach trees was in full bloom, she said. Had been kind of a warm spell and the peach trees bloomed out that year. Mom said she was cold; she was numb.”

As they crept out of Harts, little Sherman McCoy pulled a long hair pin from his mother’s hair and stuck it repeatedly in her breast. She was afraid to take it from him because he might cry and alert the Brumfields of their exodus.

“He’d take that straight pin and poke it in her breast and pull it out,” Daisy said. “She knowed she was gonna be drowned every minute, so she wouldn’t scold him for it. She said, ‘It didn’t hurt and he had fun at it.’ He was just a little fella.”

It was the beginning of a rough ride: Mariah almost tipped the boat twice before allowing her daughter Mittie to pilot it.

The Adkinses spent the night at Ranger where they stored their goods at a local home. The next day, they got off the boat at Branchland and crossed over a mountain to Laurel Creek in Wayne County.

“Then they got Bill Frazier from Stiltner to go back up there to Ranger in a wagon — he was a young man then — and haul whatever they had stored down there,” Daisy said. “By the time he got there, the hams and meat didn’t have much meat on them.”

This story about the Adkins family’s exodus constituted one of those unforgettable tales in our search. Hearing about the Brumfield threat to kill “everything from the housecat up” caused Brandon to feel horrible that his ancestors would’ve perhaps harmed innocent women and children. Things had apparently come to that in Harts. Women shot from ambush. Young widows. Orphans. The entire community seemed to be coming undone. Of course, the determination of the women and children to survive their horrible ordeal was both inspiring and awesome, especially considering they weren’t the strong, raw-boned mountaineer women which one imagines them to have been. (Spicie McCoy only weighed about 91 pounds.)

John Hartford’s Sketch of Milt Haley

01 Thursday May 2014

Posted by Brandon Ray Kirk in Ed Haley, Lincoln County Feud

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Appalachia, art, crime, Daisy Ross, feud, John Hartford, Milt Haley, photo, U.S. South

John Hartford's sketch of Milt Haley, drawn in Kenova, WV, 1996

John Hartford’s sketch of Milt Haley, drawn in Kenova, WV, 1996

In Search of Ed Haley 300

01 Thursday May 2014

Posted by Brandon Ray Kirk in Lincoln County Feud

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Angeline Lucas, banjo, Brandon Kirk, Daisy Ross, dulcimer, Faye Smith, fiddlers, fiddling, Fire on the Mountain, Green McCoy, history, John Hartford, Kenova, Kentucky, Lincoln County, Mariah Adkins, Milt Haley, music, Spicie McCoy, West Fork, West Virginia, writing

We next inquired about Green McCoy. We were particularly curious about why he left Kentucky and settled in Harts.

“I don’t know why he went up there,” Daisy said. “He was just playing music and started running around, I guess.”

Green and Spicie had a love for music in common.

Daisy said her mother “always liked music” and sung “from the time she was a little girl.” She “could sing any part of music — all four parts” — and “could play a banjo and she was left-handed. Played pretty good. She said she could play a dulcimer.”

Green was Spicie’s “first boyfriend” and she was crazy for him, even though she knew very little about his past.

“Grandma Spicie, she called him Will,” Faye said. “His name was William Greenville.”

“She didn’t even know Green McCoy was married till after she was engaged to him,” Daisy said of her mother. “He come up there with his brother and pretended to be single. Aunt Angeline, I think, was the one who found it out. And after Grandmaw found it out, she tried to keep Mom from marrying him, but Mom loved him so good she couldn’t believe it. They tried to keep Grandmaw from marrying him, but that just made her love him that much more.”

She “loved him so good she went ahead and married him anyhow.”

Green and Spicie settled in one of the small shacks on the Adkins farm. Faye said she’d heard that Green “would go off for a couple of weeks for a time,” then return home to his young wife, who always ran out to hug him. He’d tease her by running through the yard or “maybe around the house a couple of times — make her chase him. She was thrilled to death to see him come back.”

We wondered if perhaps Green was traveling between wives or playing music abroad, since Daisy said he never had any occupation aside from music.

I asked if he was a drinking man and Faye said, “If he had a been, Grandma wouldn’t a told it ’cause that woulda looked bad on him. Grandma Spicie told Green that she would swim the briny ocean for him.”

Okay…so what about Milt Haley?

Daisy said he was a good friend to Green and her mother. I asked if she thought we would ever find that picture of them together and she said, “No, I don’t. Mom kept it in her trunk. My niece has got it but she’s sick and got a house full of junk like I have and will never find it. She got Mom’s pictures. It was a little tintype snapshot of him and Green McCoy standing together. I think he had a hat on — seemed like both of them had a hat on in that picture. That was when they was playing music, but they didn’t have no instruments with them.”

I got a sheet of paper and tried to do a sketch, asking questions like, “Do you remember if he had bushy eyebrows?” or “Thin face, you reckon?”

I was pretty desperate.

Daisy kept insisting, “I can’t remember. I can’t tell you how somebody looks.”

Brandon asked if Milt and Green knew each other in Kentucky, before their move to Harts.

“No,” Daisy said. “Not until he come up there. I don’t know, now, where Milt Haley come from. They played music together.”

I wondered if Milt was the best fiddler between the two and Daisy said, “I don’t know which one was the best.”

“But Grandma thought Green was the best, didn’t she?” Faye said to her mother.

“Oh yeah,” Daisy said. “That was her husband. I never heard her say nothing against Haley.”

I asked if Spicie ever mentioned the names of any tunes that Green played and she said, “She might’ve said some of them. One of them I think was ‘Fire on the Mountain’.”

I got real excited hearing that and asked if she would remember more tunes if I played for her.

“No, I wouldn’t recognize…,” she said. “I never heard fiddles very much. My brothers had them there some, but they never played fiddles too much. They had guitars and banjos and pianos and organs and other stuff.”

I gave it a try but all I got when I played Ed’s version of “Fire on the Mountain” was, “That’s all right, but I don’t feel like dancing.”

We all cracked up and Faye warned us about her mother, who sat stone-faced in her chair.

“Sometimes she’s a smarty,” she said.

John Hartford visits Abe Keibler 1996

28 Monday Apr 2014

Posted by Brandon Ray Kirk in Ed Haley, Music

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Abe Keibler, Appalachia, fiddle, fiddlers, history, John Hartford, Kentucky, music, photos, Roger Cooper, South Shore, U.S. South

Roger Cooper, Abe Keibler, and John Hartford at South Shore, KY, 1996

Roger Cooper, Abe Keibler, and John Hartford at South Shore, KY, 1996

In Search of Ed Haley 298

28 Monday Apr 2014

Posted by Brandon Ray Kirk in Ed Haley, Music

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Abe Keibler, Asa Neal, Big Indian Hornpipe, Big Rock Candy Mountain, Birdie, Charley Keibler, Ed Haley, Ella Haley, fiddlers, fiddling, Greenup, Grey Eagle, Henry Keibler, history, Jim Keibler, John Hartford, John Lozier, Kentucky, Morris Allen John Keibler, music, Ohio, Portsmouth, Portsmouth Airs, Pretty Polly, Roger Cooper, Sam Keibler, Turkey in the Straw, writing

As Abe and I fiddled the afternoon away, Roger Cooper and John Lozier showed up. In ensuing conversation, John mentioned to Abe that he didn’t remember his father, Jim. Abe said it was because his dad had died young.

“My uncle raised me from seven year old and raised Morris Allen from three months old,” he said.

Which uncle?

“Uncle John and Uncle Henry raised me,” he said.

I said to Abe, “How many fiddling Keiblers were there all told?”

“Well, there weren’t many — just that one generation,” he said. “John — that was the oldest — Charley — that was the next one — and my dad and Sam. Them was the four fiddlers.”

His mind was starting to pull out great memories.

“Grandpa wouldn’t allow them to bring a fiddle into the house to saw around on and learn and they got a hold of an old fiddle and took it out in the cornfield. And the three brothers, he kept seeing them going out and he told Grandma, ‘Them boys are into something. I’m gonna follow them and see what they’re into.’ So he goes out there and Uncle John — that was the best fiddler — he was a playing and my dad was a dancing and he said, ‘Well now, John, you can bring your fiddle into the house.’ He had learnt to play it then pretty good.”

I asked Abe where he first heard Ed play and he said, “Greenup, Kentucky. Up here at the county seat. He played around the courthouse there and people donated him money. He had a cup on the neck of his fiddle and they’d drop five-dollar bills in it. When that old mill was a running and whiskey was in, he’d come around there to that mill on payday and maybe take a thousand dollars away from there. I was about eighteen years old when I heard him. He was a good fiddler. He could play ‘Birdie’ and all that. Played it in C or G either one. He played and sung a lot of songs — ‘Big Rock Candy Mountain’. He could play anything.”

Abe said he usually saw Ed at the courthouse on Labor Day or the Fourth of July. Ed always wore a hat and was dressed in a suit. He placed the fiddle under his chin, pulled a long bow and ran his fingers all up and down the neck of the fiddle. Abe said he “could play anything” but he only remembered “Grey Eagle”, “Big Indian Hornpipe”, “Portsmouth Airs”, and “Turkey in the Straw”. His wife normally sang while he played the fiddle, although he sang “Pretty Polly”. Abe never got to talk much to him because the crowds kept him so busy playing the fiddle.

I asked Abe if he ever played with Asa Neal and he said, “No, I never did play none with Asa but he was a pretty good fiddler. I remember when we first moved to Portsmouth in ’23, he couldn’t play nothing on the old Blues, but he got to be a pretty good fiddler. He used slip notes.”

In Search of Ed Haley 296

26 Saturday Apr 2014

Posted by Brandon Ray Kirk in Ed Haley, Music

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Asa Neal, banjo, Birdie, blind, C&O Railroad, Charlie Mershon, Chet Rogers, Clark Kessinger, Clayt Fry, Community Common, Devil's Dream, Dinky Coffman, Dominique Bennett, Ed Haley, Ella Haley, Elmer Lohorn, fiddle, fiddlers, fiddling, Girl I Left Behind Me, Great Depression, Harry Frye, history, Jason Lovins, John Hartford, John Lozier, John Simon, Kentucky, Kid Lewis, music, Norfolk and Western Railroad, Ohio, Portsmouth, Portsmouth Airs, Portsmouth YMCA, Ragtime Annie, Roger Cooper, Roy Rogers, Russell, West End Jubilee, writing

A little later, I met John Lozier at Portsmouth. He was a real ball of energy. It was hard to believe that he was in his late eighties. I just sat back and listened to him talk about Ed.

“The first time I ever saw Ed Haley he was sitting on the street in a little old stool of a thing — him and his wife — had a little boy with him. They always kept a little boy with them — one of the kids that would lead them here and there and yander. And I didn’t know this but a fella by the name of Charlie Mershon was there and the Mershons are all fiddlers. They live over here in Ohio somewhere. And Charlie went home and told his dad, ‘I heard a man that could out-fiddle you.’ He went over and he had to take his hat off to Ed. But Ed had long, slim fingers like a woman and he played so soft you just had to listen. He was a great fiddler.”

I asked John to tell me about playing with Ed at the Portsmouth YMCA.

“A fella by the name of Dinky Coffman was the head of the entertainment committee at the N&W over here in Portsmouth,” he said. “Well, whenever Dink Coffman would want us to have a little shindig or whatever you want to call it he would take us over in the shops at the N&W at noon. They was about seven hundred people worked over there at one time. And nickels and dimes — whatever they could get — that’s the way Ed Haley made his living. It had to be a rough life. Of course, back in the twenties you make a dollar, honey, you could wrap it ’round a corncob and be nigger rich. And the last time I played with Ed Haley was at the YMCA at the C&O Russell yards.”

I asked John how Ed looked back then and he said, “Ed was a little old short pot-bellied feller. He had an old brown hat on as well as I can remember and just an old brown coat and a pair of britches. He didn’t dress like he was going out on vaudeville stage or anything. His wife would take Braille with her and read Braille for a little extra entertainment. She played a banjo-uke — eight string, short neck — but she just played chords. Mostly me and her would play and she would second after me. One time, we went up to the Russell yards at the YMCA up there and she accompanied me on the piano. I never knew any of the kids.”

John asked to see my fiddle, so I lifted it out of the case and reached it to him. He said to his wife, “Oh, Lord. Look at this. Isn’t that done pretty? My granddad made fiddles and he used three things: a wood chisel, a pocketknife, and a piece of window glass. All he bought was the fingerboard and the apron. And he made little wood clamps and wedges. He wouldn’t let me pick up the fiddle — afraid I’d drop it and break the neck out of it. And I started playing old fiddle tunes on a harp.”

Not long after that, John pulled out his harmonica and played “Devil’s Dream”, “Portsmouth Airs”, “Birdie”, “Girl I Left Behind Me”, and “Ragtime Annie”.

I joined in every now and then, which prompted him to say things like, “You’re putting something extra in there,” or “You missed a note. See that?”

To call him feisty would be a huge understatement.

At one point, he said, “I’m trying to tell you something. You’re gonna be here all day. This is my day.”

A little later he said, “I don’t know if you know what you’re doing or not, but you’re putting a few little slip notes in there. You put more notes in that than what Ed would have put in it. You’ve been listening to Clark Kessinger records.”

Uh-oh.

John opened up a whole new facet of our conversation by mentioning Clark Kessinger, who he’d heard play one time at the West End Jubilee on Market Street in Portsmouth.

“Clark Kessinger was a hard loser in a contest,” John said. “If he lost, he’d just stomp and carry on something awful.”

Clark came to Portsmouth and played a lot because of the great number of musicians in the town during the Depression.

“I come into Portsmouth about the time that Roy Rogers left here,” John said. “Now he had a cousin that was a better guitar player than he was: Chet. He had a little neck like a turkey. And him and Dominique Bennett, Clayt Fry, Elmer Lohorn… Elmer Lohorn was the only man I ever seen that played ‘companion time’ on the guitar. It was a double time — everything he done was doubled. And Harry Frye was a fine tenor banjo player. We had one guitar player by the name of Kid Lewis — was a smart-alec — and he could play classical stuff. But they just sat around and played cards and drank moonshine and got good. Asa Neal was, I’d say, our champion fiddler around here. Asa Neal bought ever record that Clark Kessinger ever put out.”

At that moment, John Simon, a local folklorist, showed up with Roger Cooper, a Buddy Thomas protégé. I got Roger to play the fiddle while I seconded him on my banjo. John Lozier jumped in when we weren’t playing something “just right.” At some point, Jason Lovins, a local newspaper reporter, dropped in with a camera and asked a few questions. He promised to plug my interest in Ed’s life in the Community Common.

Gideon Marcum Home

26 Saturday Apr 2014

Posted by Brandon Ray Kirk in Dingess, John Hartford

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Appalachia, Dingess, Gideon Marcum, history, John Hartford, Mingo County, Moses Marcum, photos, U.S. South, West Virginia

John Hartford took this photograph of an old cabin at Dingess in Mingo County, WV, March 1995

John Hartford took this photograph of the Gideon Marcum home at Dingess in Mingo County, WV, March 4, 1995

In Search of Ed Haley 295

23 Wednesday Apr 2014

Posted by Brandon Ray Kirk in Ed Haley

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Ashland, Big Sandy River, Bill Day, Canton, Clay Hicks, Durbin Creek, Ed Haley, Ella Haley, Florida, history, Jean Thomas, Jilson Setters, John Hartford, Kentucky, Lawrence Haley, Manuel Martin, Margaret Payne, Mona Haley, music, Ohio, Pat Haley, Ralph Haley, Ralph Payne, Rosie Day, Tampa, Wee House in the Wood, writing

We next discussed Jean Thomas, who wanted to feature Ed in her “Wee House in the Wood” production.

“I remember Pop and Mom didn’t care too much for Jean Thomas,” Mona said.

Pat said she had a run-in with Thomas later, long after Ed had died.

“Larry and I went to see Jean Thomas so we could take our cub scouts out there and as soon as she found out he was Ed Haley’s son, she didn’t want a thing to do with him. We never did take our troop out there. She said Pop was blasphemous — which I suppose was true — and he was a drunkard because he would not go along with her plans to be Jilson Setters.”

Mona said, “Bill Day…there was some controversy there between Jean Thomas and Pop and Mom. And I think Bill Day had a lot to do with it. I remember that. He was almost blind. He wasn’t quite blind. He wasn’t blind like Mom and Pop. I wouldn’t say they were friends, but they were acquaintances.”

Mona said Bill Day wasn’t much of a fiddler and seemed to enjoy telling me how his son Clay was cross-eyed and a little “off”.

Talking about Bill Day got us on the subject of his wife, “Aunt Rosie Day.” Mona had great memories of her.

“She kept house for us a lot and lived with us. She was rough. She’s whipped me home a lot of time with switches. She chewed bubble gum all the time and dipped snuff and she would stick bubble gum up all along the door facings and stuff and go back and get it later.”

Pat said, “I knew she dipped snuff. I used to go down and try to clean Aunt Rosie’s house, bless her heart.”

Mona said, “We never called her ‘Aunt Rosie’. We just called her ‘Rosie’. She fell down the steps one time from the landing. She was drunk. Her and Mom had been drinking apricot brandy. I remember it well. They was a stove in the corner and Rosie got down to the landing and missed a step and hit that stove with her head and made a big dent in that stove and never even hurt her. Mom fell down the steps too once, but she fell from the top to the landing. This time Mom fell down, Pop was playing music down in the living room and Mom was dancing upstairs to his music and danced right off the edge of those steps. It didn’t seem to hurt her, either. They could make the house come alive with music. When I would dance, Pop would say, ‘I hear you. I hear you.'”

Pat said Ed used to get drunk and fight with Aunt Rosie Day. He liked to drink with her son-in-law, Manuel Martin. Martin was a bootlegger. He and his wife lived on Durbin Creek up the Big Sandy River. In the 1960s, Manuel got drunk and shot his son at the kitchen table in Canton, Ohio. Lawrence went to see him in the penitentiary, Pat said.

Just before Mona left, I told her, “I can’t tell you how much I appreciate you coming over here and talking to me.”

“It’s my pleasure,” she said. “Anything I can do. I’m available.”

At the door, I gave her a big hug and she said, “It’s good seeing you, John. You seem like family.”

A few minutes later, just before I turned in to bed, I mentioned Ralph Haley’s importance in this story. It was Ralph, after all, who had the foresight to record Ed and Ella Haley’s music in the late forties. (Never mind that he wasn’t really Ed’s son or that he recorded him on a machine stolen from the army.) Pat said Ralph helped take care of the family when he was young, like stealing chickens when the kids were hungry. When he was older, he kind of distanced himself from the family by changing his last name from Haley to Payne — perhaps to protest Ed’s treatment of his mother. (This was the surname used on his tombstone in Cincinnati.) The Haleys tried to keep in touch with Ralph’s widow, Margaret, who remarried a younger man named Mel and moved to Florida to work a chicken farm. At some point, she had a grocery store in Tampa called “M&M’s”. In the late forties, Lawrence was stationed nearby and visited. When he went back, her husband put a pistol in his face and ran him off. Pat had no idea why.

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Feud Poll 1

If you had lived in the Harts Creek community during the 1880s, to which faction of feudists might you have given your loyalty?

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Feud Poll 2

Do you think Milt Haley and Green McCoy committed the ambush on Al and Hollene Brumfield in 1889?

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Feud Poll 3

Who do you think organized the ambush of Al and Hollene Brumfield in 1889?

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Ed Haley Poll 1

What do you think caused Ed Haley to lose his sight when he was three years old?

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