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Tag Archives: Clifford Belcher

Justices of the Peace and Constables of Harts Creek and Guyan Districts (1967-1970)

22 Sunday May 2016

Posted by Brandon Ray Kirk in Chapmanville, Harts

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Carmel Mitchell, Charles Brumfield, Clifford Belcher, Collie Lambert, constable, Ezra Butcher, Frank Blevins, George Dalton, Guyan District, Harts, Harts Creek District, history, Jesse Tomblin, justice of the peace, Lincoln County, Logan County, Luther Dempsey, Ray McFarlin, Sidney Dingess, Tyler Fender, W.E. Wheatley Jr., Walden Frye, West Virginia

Between 1967 and 1970, the following men served as justices of the peace and constables in the Harts Creek District of Lincoln County and the Guyan District of Logan County, West Virginia.

1967

Harts Creek District

Justices of the Peace

Walden Frye (D), Harts

Jesse Tomblin, Harts

Constables

Collie Lambert, Harts

Carman Mitchell (D), Harts

Guyan District

Justices of the Peace

Clifford Belcher (D)

Ezra Butcher (D)

Constables

Sidney Dingess (D)

Ray McFarlin (D)

1968

Harts Creek District

Justices of the Peace

Walden Frye (D), Harts

Jesse Tomblin, Harts

Constables

Collie Lambert, Harts

Carman Mitchell, Harts

Guyan District

Justices of the Peace

Frank Blevins (D)

Ezra Butcher (D)

Constables

Sidney Dingess (D)

Ray McFarlin (D)

1969

Harts Creek District

Justices of the Peace

Charles Wilson Brumfield, Harts

Luther Dempsey, Harts

Jesse Tomblin, Harts

Constables

George D. Dalton, Harts

Carman Mitchell (D) Harts

Guyan District

Justices of the Peace

Frank Blevins (D)

Ezra Butcher (D)

Constables

W.E. Wheatly, Jr. (D)

Ray McFarlin (D)

1970

Harts Creek District

Justices of the Peace

Charles Wilson Brumfield (D), Harts

Luther Dempsey (D), Harts

Constables

George D. Dalton (D), Harts

Carman Mitchell (D), Harts

Guyan District

Justices of the Peace

Frank Blevins (D)

Tyler Fender (D)

Constables

W.E. Wheatley, Jr. (D)

Ray McFarlin (D)

In Search of Ed Haley 346

31 Thursday Jul 2014

Posted by Brandon Ray Kirk in Big Harts Creek, Ed Haley, Lincoln County Feud, Shively

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Alton Conley, Big Creek, blind, Blood in West Virginia, Brown's Run, Burl Farley, Charles Conley Jr., Charlie Conley, Clifford Belcher, Conley Branch, crime, Ed Belcher, Ed Haley, Ella Haley, fiddler, fiddling, Green McCoy, Green Shoal, Guyandotte River, Harts Creek, history, John Brumfield, Lincoln County Feud, Logan, Logan County, Milt Haley, Mona Haley, music, Robert Martin, Smokehouse Fork, Warfield, West Virginia, Wirt Adams, writing

From Clifton’s, we went to see Charlie Conley, Jr., a fiddler who lived on the Conley Branch of Smokehouse Fork of Harts Creek. Wirt Adams had mentioned his name to us the previous summer. We found Charlie sitting on his porch and quickly surrounded him with a fiddle, tape recorder, and camera.

When I told him about my interest in Ed Haley’s life, he said Ed played so easy it was “like a fox trotting through dry leaves.”

Charlie said Ed was a regular at Clifford Belcher’s tavern.

“Right there, that’s where we played at on the weekends,” he said. “He used to play there a lot, the old man Ed Haley did. Me and another boy, Alton Conley — he’s my brother-in-law, just a kid… I bought him a guitar and he learned how to play pretty good. He could second pretty good to me, but he couldn’t keep up with that old man. He knowed too many notes and everything for him. The old man realized he was just a kid.”

Charlie told us an interesting story about how Ed came to be blind.

“Milt and Burl Farley, they was drinking where Burl lived down at the mouth of Browns Run. And Ed was just a little baby — been born about a week. Old man Burl said to Milt, ‘Take him out here and baptize him in this creek. It’ll make him tough.’ And it was ice water. He just went out and put him in that creek and baptized the kid and the kid took the measles and he lost his eyes. That’s how come him to be blind.”

That was an interesting picture: Milt and Burl hanging out on Browns Run. We had never really thought about it, but there was a great chance that all the men connected up in the 1889 troubles knew each other pretty well and maybe even drank and played cards together on occasion. For all we knew, Milt may have worked timber for Farley.

Brandon asked Charlie if he knew what happened to Milt Haley.

“They said the Brumfields killed him,” Charlie said. “Him and his uncle was killed over at a place called Green Shoal over on the river somewhere around Big Creek. They were together when they got killed. That was way back. I never knew much about it.”

Obviously Green McCoy wasn’t Ed’s uncle, but I had to ask Charlie more about him.

“All I can tell you is he was old man Ed’s uncle,” he said. “They lived over there on the river, around Green Shoal.”

So Ed was raised on the river?

“No, he lived down here on the creek, right where that old man baptized him in that cold water at the mouth of Browns Run,” Charlie said. “That’s where he was born and raised at, the old man was.”

I guess Charlie meant that Green lived “over there on the river,” which was sorta true.

He didn’t know why Milt Haley was killed, but said, “Back then, you didn’t have much of a reason to kill a man. People’d get mad at you and they wouldn’t argue — they’d start shooting. Somebody’d die. I know the Conleys and the Brumfields had a run in over there on the river way back. Oh, it’s been, I guess, ninety year ago. Man, they had a shoot-out over there and right to this day they got grudges against the Conley people. I’ve had run-ins with them several times. I say, ‘Look man, this happened before my time. Why you wanna fool with me for?’ But they just had a grudge and they wouldn’t let go of it.”

When we asked Charlie about local fiddlers, he spoke firstly about Robert Martin.

“They said Robert was a wonderful fiddler,” he said. “I had a half-brother that used to play a guitar with him when he played the fiddle named Mason Conley. I used to play with his brothers over there on Trace and with Wirt and Joe Adams. Bernie Adams — he was my first cousin. They said Robert was a wonderful fiddler.”

What about Ed Belcher?

“Yeah, Ed was pretty good, but he couldn’t hold old man Ed Haley a light to fiddle by. Belcher was more of a classical fiddler. Now, he could make a piano talk, that old guy could. I knowed him a long time ago. I noticed he’d go up around old man Ed and every oncest in a while he’d call out a tune for him to play. Ed’d look around and say, ‘Is that you, Belcher?’ Said, ‘Yeah,’ and he’d set in a fiddling for him. Maybe he’d throw a half a dollar in his cup and walk on down the street.”

Brandon said to Charlie, “Ed Belcher lived up at Logan, didn’t he?” and Charlie blew us away with answer: “Well now, old man Ed Haley lived up there then at that time. They lived out there in an apartment somewhere. The little girl was about that high the last time I seen her.”

Well, that was the first I heard of Ed living in Logan — maybe it was during his separation from Ella, or maybe there was an earlier separation, when Mona was a little girl.

I asked about a tune called “Warfield” and Charlie said, “That ‘Warfield’ is out of my vocabulary, buddy. I’ve done forgot them old tunes, now.”

In Search of Ed Haley 329

28 Saturday Jun 2014

Posted by Brandon Ray Kirk in Big Harts Creek, Culture of Honor, Ed Haley, Lincoln County Feud, Spottswood, Timber

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accordion, Al Brumfield, Andy Mullins, banjo, Bernie Adams, Billy Adkins, Birdie, Blackberry Blossom, Brandon Kirk, Charles Conley Jr., Chinese Breakdown, Clifford Belcher, Crawley Creek Mountain, Down Yonder, Ed Belcher, Ed Haley, fiddle, fiddler, guitar, Harts, Harts Creek, history, Hollene Brumfield, Joe Adams, John Hartford, Johnny Hager, Logan, Logan County, Milt Haley, music, piano, Pop Goes the Weasel, Raggedy Ann, Soldiers Joy, Spanish Fandango, timbering, Trace Fork, West Virginia, Wirt Adams, writing

Satisfied that we’d taken up enough of Andy’s day, we drove up Trace Fork to see Wirt Adams, an older brother to Joe Adams. Wirt was busy installing a waterbed but took a break to talk with us. “Well, come on in boys, but I’ve only got a few minutes,” he seemed to say. Inside, however, after I had pulled out my fiddle and he had grabbed a mandolin, he seemed ready to hang out with us all day.

I told Wirt that I was trying to find out about Haley’s life. He said old-timers in the neighborhood used to tell stories about Ed playing for dances on Saturday nights with Johnny Hager, a banjo-picker and fiddler. Ed eventually left Harts Creek and got married but came back to stay with his cousins every summer.

Wirt said he sometimes bumped into him in local taverns:

“It was in the forties,” he said. “About ’47, ’48, ’49, ’50 — along there somewhere. We called it Belcher’s beer garden. It was a roadhouse over on Crawley Hill. Well, I just come in there from the mines and Ed was there and he heard somebody say that I was there and he said, ‘Come on over here Wirt and play one.’ I think the fella that’d been playing with him had got drunk and passed out. Well I played one or two with him and then Charley Conley and them boys come in and Charley says, ‘C’mon over here Wirt and get in with us.’ Ed said, ‘Don’t do that, you’re playing with me.’ I really wasn’t playing with him. I had my mine clothes on. I just come in there and picked up Bernie Adams’ old guitar. If you was playing they’d sit you a beer up there — no money in it. Mostly for fun, we thought. We’d gang up on Saturday night somewhere and play a little. Sometimes they’d dance.”

Wirt felt that Ed was “a good fiddler, one of the best in that time.”

I asked him about Ed’s bowing and he said, “It didn’t look like he moved it that far over the whole thing [meaning very little bow usage] but he played tunes where he did use the long stroke. But most of it was just a lot of movement but not no distance. Just hacking, I call it. Him and Johnny Hager were the only two fellas I know who done that.”

Brandon wondered about Ed’s tunes.

“Well, he played that ‘Blackberry Blossom’ — that was one of his favorites — and then he played ‘The Old Red Rooster’ and he played ‘Raggedy Ann’ and ‘Soldiers Joy’. He had one he called ‘somethin’ in the shucks’. I forget the name of it. Anyhow, it was one of the old tunes. And ‘Pop Goes the Weasel’, I’ve heard him play that.”

I asked if Ed played “Birdie” and he said, “Yeah. Now, that’s one of Charley’s favorites. ‘Chinese Breakdown’, that was one of Ed’s. ‘Down Yonder’.”

Wirt told us more about Johnny Hager and Ed Belcher.

“Johnny Hager was a banjo player but he could play the fiddle, too. He played the old ‘overhand’ [on the banjo]. He was a good second for somebody. Now Ed Belcher was a different thing altogether. He played all kinds of stuff. He played classical, he could play hillbilly. He played a piano, he played accordion, he played a banjo, he played a guitar. He was a good violin player. He tuned pianos for a living. Well, I’d call him a professional musician. They had talent shows in Logan. He’d sponsor that. He’d be like the MC and these kids would go in and play. He was a head musician. He was good. He could do ‘Spanish Fandango’ on the guitar and make it sound good. He could play all kinds of tunes. I never could play with him but then he could take the piano and make it talk, too. He was just an all-around musician.”

Brandon asked Wirt if he knew the story about how Ed came to be blind.

“Milt Haley was Ed’s dad,” Wirt said matter-of-factly. “They said his dad was kind of a mean fella and he took Ed out when he was a little kid — held him by the heels — and ducked him in the creek. He had some kind of a fever in wintertime. I’ve heard that, now. Ed never would talk about it. I never heard him mention his dad.”

Wirt had only heard “snippets” about Milt’s death.

“It was pretty wild times,” he said. “I understand the whole thing was over timberworks. These people, they’d have a splash dam on this creek and they’d get their logs and haul them in this bottom at the mouth of Trace — this was one of them. They had a splash dam and when the water got up they’d knock that dam out and that’d carry the logs down to Hart and they had a boom and them Brumfields owned the boom. They charged so much a log. Some way over that, there was some confusion. But I’ve seen Aunt Hollene. She was supposed to been riding behind old man Al Brumfield, her husband, and they shot at him and hit her.”

After Milt was caught, he made a last request.

“They said they asked him if he wanted anything and he wanted them to bring him a fiddle,” Wirt said. “He wanted to play a tune. Now this is hearsay but I’ve heard it several times. They said he played the fiddle and they hung him.”

In Search of Ed Haley 223

13 Monday Jan 2014

Posted by Brandon Ray Kirk in Ed Haley

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Alice Dingess, Clifford Belcher, Ed Haley, Ewell Mullins, Frank Farley, Geronie Adams, Great Depression, history, Jeff Mullins, Joe Adams, Logan, moonshine, Peter Mullins, Sewell Adams, Tennis Mullins, Ticky George Adams, Virgil Farley, Will Farley, writing

After talking for some time about Ed’s music, our conversation drifted toward his family on Harts Creek.

“Old man Peter Mullins, everybody called him ‘Reel-foot Peter’ cause he had his foot cut off here and had a special shoe made,” Joe said, referencing Ed’s uncle. “He walked kindly on his heel. He worked on log jobs but he couldn’t do much. He gathered ginseng. He made most of his money on moonshine. He hauled it up to Black Bottom in Logan and sold it. He liked to drink. They drunk moonshine most of the time. They were good old people.”

Now would Ed drink a lot with Uncle Peter when he was around Harts?

“Old man Ed every now and then he’d take a few drinks of it,” Joe said. “I’ve seen him pretty high. It didn’t take much of that moonshine to get in your hair. I’ve seen it just as clear as a crystal. You could look through the bottle just like looking right on in a looking glass and you could shake it and about seven beads’d pop up there on top of it and they’d just roll around and around. And you couldn’t smell it. I’ve seen some that you’d look at and it’d look like muddy water and you could smell it through the bottles. But they made good whiskey. They generally made it out of chop or corn and if they’d double it back and use good clear water it was good. You could just turn it up and it wouldn’t take your breath.”

Brandon asked what Ed was like when he was “feeling high” and Joe said, “He seemed like he was in a good mood about all the time. When I was around him I never did hear him say nothing out of the way to nobody. Old man Ed, he was a fine old man but he got over here at a beer garden. Clifford Belcher had a beer garden on this mountain — it was the meanest place that ever was — and he was over there playing one night and they was a big bunch of them a playing cards and the law come in to arrest them all. Some of them boys jumped out the window. And Ed got into it with somebody in there and they said that fellow said something and Ed just come over and took that fiddle by the neck and busted it all to pieces over that fellow’s head. I don’t know what he said to him but I come along there after it happened. They arrested a whole bunch of them fellows and put them in a cattle truck, the state police did, and took them to jail. They was about fifteen or twenty of them. They was Geronie Adams and Virgil Farley and Frank Farley. They loaded them up and hauled them to Logan and them fellows a cussing. They said, ‘You just might as well keep quiet. You’re going to jail.’ I think they took Ed to jail, too.”

Brandon said he’d heard several old-timers talk about how people used to play jokes on Ed when he was at Trace and Joe agreed.

“They played all kinds of tricks on him,” he said. “They was an old man stayed up here, old man Jeff Mullins. He was Peter’s wife’s brother. They called him dumb, but now he wasn’t as dumb as they thought he was. He stayed up there when Ed and them was up there and they was all the time playing pranks on Ed and him. Tennis Mullins, Ewell’s boy, he was big and fat and he run the store all the time. He was all the time fooling with Ed and old man Jeff.”

I asked how Ed took it when people joked with him and Joe said, “He was good about it. He never got mad. I know up there one time they was out there at old man Peter’s where they was a bridge there and they was a bunch of trees there. And old man Ewell Mullins, he was all the time fooling with Ed. He told Ed, he said, ‘We’ll climb a tree here to the top and let them cut it down.’ Well, Ed couldn’t see. Ewell, he climbed up the first limb about ten feet high and said, ‘Cut ‘er down boys!’ He jumped off about the time it started to fall. And Ed climbed right in the top of it. I bet he was forty feet up there. And they cut it and it fell and skinned him all over and liked to killed him. Ewell never would tell him though that he was just up a little bit on the tree.”

Joe said he also remembered Ed’s uncle Ticky George Adams.

“The old man as far as I know he never did work on no public works of no kind or draw no release or nothing,” he said. “He kept his family… He went from house to house — and everybody raised all kind of stuff and had cattle and plenty of milk and butter and eggs and everything — and every place he stopped they give him something. He had a little pole on his back with a sack on it. You’d see him a going bent over just kindly in a long run. He’d go up Trace and go through the head of Trace. And old man George would go around that a way and come down Rockhouse by Will Farley’s and back up through my Uncle Sewell’s and Aunt Alice’s down here. Everybody’d give him something. They’d give him a stick of butter or give him some milk or give him some meat or give him some eggs or something another. That’s the way he raised his family. Those Hoover times was hard.”

In Search of Ed Haley 81

20 Wednesday Mar 2013

Posted by Brandon Ray Kirk in Big Harts Creek, Cemeteries, Ed Haley, John Hartford, Music, Spottswood

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accordion, Bernie Adams, blind, Clifford Belcher, Ed Belcher, Ed Haley, Ewell Mullins, fiddle, guitar, harmonica, history, Hoover Fork, Inez, John Adams, John Hartford, Johnny Adams, Johnny Hager, Kentucky, Liza Mullins, Milt Haley, music, Peter Mullins, Robert Martin, Turley Adams, Violet Adams, West Fork

Satisfied with our stop on West Fork, Lawrence and I said our farewells to the Kirks and went to see Turley and Violet Adams on Trace Fork. After some small talk about new developments, Turley told us about his uncle Johnny Hager and father Johnny C. Adams traveling with Ed in the early days. He said Uncle Johnny was the one who got Haley to take his music on the road, while his father just traveled around with them.

“They left here playing music together,” Turley said. “My father just helped them take care of their musical instruments — carried it around and stuff — but they done the music. He would sing with somebody but he never did sing by hisself. And Ed Belcher, I think, played with them then. He could play anything but played a guitar mostly.”

So where all did they travel to?

“They played up at Logan on the radio at one time,” Turley said. “They had a program on up there, Ed Belcher did. Oh man, that’s been back in the thirties. Maybe ’36, ’35. I was just a little bitty boy. I just heard these tales — I don’t know them for sure.”

I asked about Johnny Hager.

“I was just a great old big boy the last time I seen Johnny Hager,” Turley said. “He came to our house, stayed around a little while and left. He was kindly a small fella. My dad was, too. Ed would make two of ary one of them. He was a great big feller, Ed was. Now Ewell Mullins, they was all buddies. Now Johnny Hager and Ed could play music. I heard an old guy on television one day talking about how him and Ed used to play in front of a church somewhere together. Yeah, he called him ‘Blind Fiddling Ed Haley.’ Said he’s just a real good friend to him. But he lives in Inez, Kentucky, that feller does.”

I said, “Well, isn’t Inez where Milt is supposed to be from?”

Turley said, “Milt, now my dad just could remember him. He said he was a hard-working fellow and when he’d come in home he’d just tell them boys, ‘Right now, we got to have a fight and get everything settled and we’ll be all right.’ They liked to fight. I guess that was Ed and he had how many more — two more?”

I said, “You mean Ed had brothers?” and Turley said, “I think he did. I believe my dad said he had a brother and one of them got in a fight one time and he bit Milt’s ear off right in the yard right down there. Now, they was Milt’s boys. I guess Ed is Milt’s boy, ain’t he?”

Lawrence said he’d never heard of his father ever having any brothers or sisters, but it sure was a strange coincidence that we heard a story about “Milt’s ear” right after hearing Bob Adkins’ account of Green and “the nick.” Maybe Milt had the nick — which would’ve reversed their roles in Bob’s story of their final days.

So Ed had brothers?

“Far as I know, they was two or three more of them from the tales they told, you know,” Turley said. “Uncle Peter and Aunt Liza used to tell it. Said every time they come home — Milt and them boys — said he’d just fight with all of them at one time. Have a good time. Say, ‘Now we’re friends.’ Back then, that’s what they believed in.”

This was a major development.

“I just heard these tales,” Turley said. “I don’t know how true they are. About Milt coming home and say, ‘Now, we’ll straighten ‘er out right now and we won’t have no more problems while I’m here.’ That’s the way he run his family, you know. That old woman said, ‘I’ll agree to that. That’s the way it ought to be done.’ I don’t guess she could do anything with them boys.”

Hoping for clues about Ed’s “brothers,” I asked if any of the old gravestones in the cemetery behind Turley’s had any writing on them. Unfortunately, Violet said all the markers had rolled down the hill in recent years and the land had leveled out to where it didn’t even resemble a cemetery. All she knew about the cemetery was that there was a “big grave” in it at one time that belonged to a woman with the last name of Priest (she was the only person buried there who her mother-in-law had actually known).

Turley said he last heard Ed play the fiddle at Clifford Belcher’s tavern on Harts Creek where he played for money and drinks. Violet remembered him playing music all night at her father’s home on Hoover Fork with Robert Martin (her great-uncle) and Bernie Adams. She described Bernie as a “real skinny” bachelor who sang “a little bit but not much” and who “was a real good guitar player, but he never would hardly play.”

“He’d get to drinking and he’d play but if he wasn’t drinking he wouldn’t play,” she said.

Turley said Bernie could also play the banjo, harmonica, fiddle and accordion.

In Search of Ed Haley 24

09 Sunday Dec 2012

Posted by Brandon Ray Kirk in Big Harts Creek, Ed Haley, Spottswood

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Appalachia, Ashland, Ashland Cemetery, Buck Fork, Clifford Belcher, Connie Woods, Dingess, Ed Belcher, Ed Haley, Ella Haley, fiddle, fiddler, fiddling, genealogy, George Greasy Adams, guitar, Harts Creek, history, Hoover Fork, Jackson Mullins, Jeff Baisden, John Frock Adams, John Hartford, Johnny Hager, Kentucky, Lawrence Haley, Liza Mullins, Logan, Logan County, Maynard's Store, music, Nashville, Peach Creek, Peter Mullins, Ralph Haley, Sol Bumgarner, square dances, Trace Fork, Turley Adams, Violet Mullins, Weddie Mullins, West Virginia

At some point, Connie showed up with a small entourage of women toting some of Joe Mullins’ old pictures. My eyes immediately went to a large, framed photograph of two serious mustachioed men. Turley said one was Weddie Mullins — his grandfather on “both sides” of the family tree — while the other was Ed Haley’s Uncle Peter Mullins. Both men were brothers. Turley said his grandfather Weddie — Ed’s uncle — was murdered at the little town of Dingess just after the turn of the century.

Lawrence said, “Mom and Pop used to play at Dingess — just a little community over in MingoCounty.”

That got us back on the subject of Ed, although most of the commentary was choppy and mixed between looking at photographs. One of the girls said, “We’ve heard talk of Ed all our lives.” Another made the unusual remark, “He could see lightning. Some way he could feel it or something and tell it was hitting.” Someone said Ella could tell the difference between the Haley children by their smell.

Turley, who had been fairly quiet throughout our visit, said to Lawrence, “Bernie Adams used to play a lot of music with your dad.”

Violet said, “Bernie’s the one took him in the chicken house for the toilet. They stayed all night up at our house. Robert Martin and Bernie and Ed and them played music all night. I can remember it. I was just a little girl. Mother said Ed played many a time where she was raised up over in the head of Francis Creek.”

Lawrence said, “You know, these different places like Hoover and places like that don’t ring a bell to me. I can remember going down here to the end of Trace, and maybe down to Smoke House, and up to George Adams’ who lived on up this way, and up to that store — Maynard’s Store — and buying candy, but that’s about the limit of my travel, except coming up from the mouth of Harts.”

Basically, the next half-hour or so was a giant “get to know everybody session” — mostly between Lawrence and the locals. I sort of hung back a little, taking it all in, while Lawrence spoke of and listened to stories about his father. There was a glow about his face that had been absent in Ashland.

At one juncture, he told Connie how her grandparents, Peter and Liza Mullins, raised his father.

“Oh, really?” she said. “I didn’t know that. Now I remember Granny. They wanted me to stay all night with her and I was always afraid she’d die in her sleep or something. That’s terrible.”

She asked Lawrence if he remembered Uncle Jeff — “he was Granny’s brother and he was kinda slow.”

Violet said, “He liked to go to all these dinner meetings they’d have out in the country. He’d walk for miles and miles.”

Connie asked Lawrence if Ed ever played at Logan — the seat of government for Logan County — and he said, “Yeah, he used to play around Logan quite a bit and Peach Creek. He’d play up there during court days especially. Back in them days, the town would load up. I’ve been there with him during those times. The old courthouse, I think it faced toward the river. One side of it was on Stratton Street.”

Connie asked where Ed was buried and Lawrence said, “He’s buried in the Ashland Cemetery in Ashland. Mom’s buried in the same cemetery but not with him. By the time my mother died — she died three years after Pop — they’d filled that section up.”

I’d never really thought about that. Ed and his wife were not buried together, the kind of seemingly minor detail tossed out randomly that took on somewhat of a greater meaning at a later date. I made a note to myself right then that I would visit Ed’s grave in Ashland before heading back to Nashville.

Violet wondered about Lawrence’s older brother, Clyde.

“Clyde’s out in Stockton, California,” he said. “He’s what I call the black sheep of the family. Never married. He just followed the sun for work. When it was summertime, he’d go north; when it was wintertime, he’d go south.”

Just then, an old man called Bum showed up at Turley’s. Bum remembered Ed and his family well. He asked Lawrence about the Haleys. It was hard to focus on their conversation — everyone in the room seemed to be talking at once — but I heard Bum mention something about how Lawrence’s brother Ralph used to hang from tree limbs by his “sticky toes” and would “do anything.”

“That’s exactly how he got killed,” Lawrence said. “He was hanging by his toes and he was gonna let go with his toes and flip over and land on his feet but he didn’t make it. He was just active like that. See, Ralph danced around these carnivals and fairs and places.”

A few minutes later, things quieted down a little. I moved over near Bum to ask him about Haley. His answers seemed to come through his nose more than his mouth and were usually followed by a little chuckle. He was great. Bum said he was 67 years old and first saw “Uncle Ed” in the thirties.

“He lived down in Ashland and he’d come up pretty often,” Bum said. “People come from everywhere to listen at him play whenever they’d have them big dances and stuff. He’d play half the night. Yeah, I’ve been right there.”

I asked Bum about Ed’s tunes and he said, “Ah, he played so many… There was one religious tune he’d put the bow under the fiddle, and the hair, he’d turn it right over and slip his fiddle between it, and play that. I forgot what it was.”

Bum told me all about the old dances.

“They used to have a big working,” he said. “About every family on this creek and Harts Creek down here, they’d all gather up and hoe one man’s field out and then move to the next one. And they’d all go to each other’s farms that way and help each other, and when they got done one man would have a big dance. They’d have a dance on Saturday night. They’d have them at just about every home, mostly at Uncle Peter’s up here, in the house. Like one room in there, they’d gather everything up and take it outside and they’d have a dance in there, and when they got through they’d put the furniture all back in. Anybody that wanted to come was invited. They’d have food right in the house. There were usually three or four around to call the reel: ‘Dosy doe and here she comes and there she goes.'”

“It’d just be Uncle Ed and John Hager playing?” I asked.

“Well, Ed mostly,” Bum said. “Uncle Johnny, he played some with him. Uncle Ed, he played by himself most all of these dances. Mrs. Haley played with him a lot. She played the mandolin, guitar or accordion.”

“Did Johnny Hager play the banjo about like Grandpa Jones?” Turley asked Bum.

“Yeah, over-handed they call it,” Bum said. “Molly O’Day, she played that way. My grandpaw would whittle out two little sticks and he’d sit and beat on them strings and Ed a playing the fiddle.”

“Ed played with Ed Belcher,” Turley said.

“Yeah, I’ve heard Pop talk about Ed Belcher,” Lawrence said.

Now who was Ed Belcher?

“He played the guitar,” Bum said. “He could play the piano, too. They’d get together at times and play together. They’d go up Buck Fork.”

Bum said he last saw Ed Haley “over here on that mountain yonder” at Clifford Belcher’s beer joint.

“He’d go down there and play and people’d give him beer and stuff. That’s about all he wanted. I run into him over there one night. I said, ‘Uncle Ed, where you been?’ He said, ‘I ain’t been no where but right here. I come up here to sit around and play music a while.’ I bought him a beer and he sat there and played music. Well, a Conley boy run in and went to playing and thought he was better than Ed and everything. Ed finally told that boy, said, ‘Why don’t you quit playing that music? You can’t play. You’re cutting my music up too much.’ That boy come back at him, you know, and aimed to fight him. He said, ‘Shut up, old man. You don’t know what you’re a talking about.’ I was standing there and I told him, I said, ‘Now listen. If you jump on that man, you’ll have me to fight and him both.’ And Ed took his fiddle and hit that feller right down over the head with it and busted that fiddle all to pieces.”

Lawrence laughed.

Turley said Ed Haley was high-tempered, as well as strong, and hinted at his mean streak.

“Dad said Peter had a dog that Ed couldn’t get along with at all. Ed told Uncle Johnny, ‘You get me close to him and I’ll hit him in the mouth. I’ll knock him out.’ And he said Ed hit that dog and killed him with his fist. Hit him in the ear and killed him. That’s what my daddy told.”

Bum was very familiar with Ed Haley’s family on Trace. He said Uncle Peter Mullins was “pretty bad to get out and get drunk and get into it with people.” He knew all about Ed’s uncle Weddie Mullins’ murder at an election in Dingess. “There used to be a train come in there and they’d bring flour and stuff over there and people’d go over there to Dingess and get it,” he said. “They’d take wagons and go through these hills, like up Henderson and all them places and they got into it over there.” Bum wasn’t sure who shot Weddie but knew that his killer survived the fracas. Once the news reached Harts Creek, John Adams got a pistol from Jackson Mullins and rode to Dingess where he found Weddie’s killer laid up in a bed clinging to life. Someone told him the guy probably wouldn’t make it so (like something out of a Hollywood Western) he pulled out a .38 pistol and said, “I know he won’t,” and shot him in cold blood.

I wasn’t exactly sure who any of these people were — Jackson Mullins, John Adams — but I had the impression that they were some relation to Ed Haley. At that juncture, I just let the tape recorder roll and tried to take notes and absorb everything, figuring that what seemed like unimportant details would perhaps later develop into major items of interest.

Feud Poll 1

If you had lived in the Harts Creek community during the 1880s, to which faction of feudists might you have given your loyalty?

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Feud Poll 2

Do you think Milt Haley and Green McCoy committed the ambush on Al and Hollene Brumfield in 1889?

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Who do you think organized the ambush of Al and Hollene Brumfield in 1889?

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