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Brandon Ray Kirk

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Tag Archives: Harts Creek

In Search of Ed Haley 73

26 Tuesday Feb 2013

Posted by Brandon Ray Kirk in African American History, Big Harts Creek, Ed Haley, Hatfield-McCoy Feud, Logan, Music, Sports

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Appalachia, Aracoma, Big Foot, blind, Blues, Clyde Haley, Come Take A Trip in My Airship, Coney Island, Devil Anse Hatfield, Done Got the 'Chines in My Mind, Ed Haley, Ella Haley, fiddler, Fox Cod Knob, Franklin Roosevelt, Harts Creek, Hester Mullins, Hiram Dempsey, history, Island Queen, Jack Dempsey, John Hartford, Lawrence Haley, Logan, Logan County, Mona Haley, music, mystery, Noah Haley, Nora Martin, Pink Mullins, steamboats, Trace Fork, Turkey in the Straw, West Virginia

Mona’s memories were really pouring out, about a variety of things. I asked her what Ed was like and she said, “Noah is a lot like Pop in a way. He always liked the outdoors, Pop did. He’d get out and sleep on the porch at night. He could peel an apple without breaking the skin. There was an old man up on Harts Creek and I’m almost sure that his name was Devil Anse Hatfield and Pop trimmed his fingernails out on his porch with his pocketknife. Aw, he could trim my nails or yours or anybody’s.”

Ed was good at predicting the future.

“Pop said machines was gonna take over man’s work and we was gonna go to the moon one day,” Mona said. She figured he wrote the song “Come Take A Trip in My Airship” because it sounded like his kind of foresight.

Mona said she remembered some of Ed’s stories but warned me that I wouldn’t want to hear them.

Of course, I did.

I asked her if they were off-color and she said, “Well, not really, but he was kind of an off-color guy. I can’t really remember any of the tales about him. What was that one about him dreaming he was on Fox Cod Knob and dragging a big log chain and he fell over a big cliff and when he come to hisself he was standing on his head on a chicken coop with his legs locked around a clothes line?”

What?

“He told some weird stories sometimes — ghost stories and things that I can’t remember,” she continued. “He told that story about Big Foot up in the hills of Harts Creek. A wild banshee. Pop talked about it. Clyde said he saw a Big Foot.”

Lawrence said, “It was up in the head of the Trace Fork of Harts Creek somewhere. Pop was on the back of this horse behind somebody. They was coming down through there and all at once something jumped up on back of the horse behind him and it was just rattling chains all the way down through there and the more that chain rattled the faster that horse would go. They absolutely run that horse almost to death getting away from it.”

I asked about Ed’s travels. Mona said her parents walked and hitchhiked a lot. Along the way, Ella sang to occupy the kids. Lawrence remembered buses and trains, where Ed sometimes played the fiddle for a little extra money from passengers. I asked if he ever talked about playing on any boats and Mona said, “No, but I know they did because I was with them on the ISLAND QUEEN that was going back and forth to Coney Island. Up by the calliope on the top deck.”

Mona said Ed always set up in towns near a movie theatre so the kids could watch movies.

“Every time he played he drawed a crowd,” she said. “He was loud and he was good. I never seen him play any that he didn’t have a crowd around him — anywhere.”

Ed was “all business” but would talk to people if they came up to him.

“One time we went in a beer joint up in Logan, West Virginia, that sat by the railroad tracks,” she said. “They played over at the courthouse and we walked over there. Pop wanted to get a beer while I ate supper. It was back when Roosevelt was president I reckon and he got in an argument with some guy about President Roosevelt. That was his favorite fella, you know. This guy started a fight with him and he backed off and walked away. Pop just let the man walk the length of his cane, hooked it around his neck, brought him back and beat him nearly to death. He was strong. He was dangerous if he ever got a hold of you, if he was mad at you. He always carried a pocketknife and it was sharp as a razor. He whittled on that knife — I mean, sharpened it every day.”

“Everybody liked Pop — everybody that I ever knew,” Mona said. “He had some pretty high people as friends.”

In Logan County, Ed visited Pink and Hester Mullins on Mud Fork and Rosie Day’s daughter Nora Martin in Aracoma. Mona said Ed was also friends with a famous boxer in town whose father played the fiddle, but she couldn’t remember his name. I later learned from Lawrence that it was Jack Dempsey, the heavyweight champion of the world from 1919-1926. Dempsey wrote in his biography that his father had fiddled “Turkey in the Straw” so much that all the children thought it was the National Anthem.

Ed mixed freely with some of the colored folks in Logan, and sometimes even left Mona at a “bootleg joint” operated by a black lady named Tootsie. She and Lawrence both felt Ed absorbed a lot of the Blues from the blacks in the coalfields. Mona sang one of her father’s songs — which I had never heard — to make the point:

Done got the [ma]chines in my mind, Lord, Lord.

Done got the ‘chines in my mind.

‘Chines in my mind and I can’t make a dime.

Done got the ‘chines in my mind.

 

My old gal got mad at me.

I never did her any harm.

‘Chines in my mind and I can’t make a dime.

Done got the ‘chines in my mind.

In Search of Ed Haley 72

24 Sunday Feb 2013

Posted by Brandon Ray Kirk in Ed Haley

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blind, Clyde Haley, Ed Haley, Ella Haley, fiddle, fiddler, Great Depression, Green McCoy, Harts Creek, history, Imogene Haley, Lawrence Haley, Milt Haley, Mona Haley, music, Noah Haley, Peter Mullins, writing

We all met up with Mona later in the day. She acted surprised that I was even interested in seeing her again, joking, “I’m good for something, aren’t I?” She was extremely talkative and almost immediately took over the conversation in a way that gave me the impression she really knew a great deal about Ed and Ella’s music. It was quite a different presentation than my first meeting with her.

“See my brothers don’t know about music like I know about music,” she said right away. “They know the tunes and they know the keys and stuff, but I don’t think they listened like I did. I paid attention to Pop’s music because I love music. I always loved music.”

She told Lawrence, “You don’t have the ear for it like I do.”

It was the first time I had heard someone be so candid with Lawrence. He seemed a little put off by it, muttering, “Probably not.”

We told Mona about talking with Bob Adkins and she said, “Pop’s mother was supposed to had the whole side of her face blown away. Now whether she was killed or not, I don’t know. That happened on Harts Creek and that’s what made Milt Haley get in with Green McCoy ’cause one of the Hatfields shot my dad’s mother’s face away. Side of her face. Well now, that’s how I understood it. But I’ve heard it said about that sinkhole that fills up with blood where that Milt Haley and Green McCoy was beat to death — buried in the same grave — and every time it rains, the grave fills up with blood.”

Noah said of Milt, “Well, ain’t he the guy that shot the person that shot Pop’s mom in the face? I thought Pop’s dad shot and killed the guy that shot his mother in the face.”

Mona wasn’t sure about that but said, “I know that Pop said that if he could see, he would get the guy that hurt his mother. Shot her. Her name was Emma Jean.”

Mona was sure the measles had caused her father to go blind, not Milt or ice water.

“No,” she said emphatically, “Ice water wouldn’t make you go blind. He had the measles.”

She said Ed started playing the fiddle when he was small and never talked about learning from anyone.

“Did you know that he started out on a cornstalk homemade fiddle?” she asked me. “I heard that his uncle or somebody up in the hills made him a cornstalk fiddle. Musta been Uncle Peter, I don’t know. Uncle Peter was a crippled man. His foot was turned backwards.”

Noah said, “He was a mean one, too.”

Mona knew little else about Ed’s life on Harts Creek.

“I don’t know if I told you about him talking about… As a young boy he was sitting on one of those log fences that goes this way — zig-zag, I call it — and it was a bull pasture inside. And he always carried a pistol with him. For what, I don’t know. It was a bull pasture fence he was sitting on and he was playing his little cornstalk fiddle and somebody come back behind him and was playing a joke on him by acting like a bull — you know, making noises like a bull. So Pop pulled that pistol out and shot and missed him by about an inch.”

Mona was quick to mention Ella, pointing out that “she figures in a lot of this, too.” I agreed, of course, but hadn’t been able to find out much about her from Lawrence, who seemed to keep his memories of her to himself. Every time Pat brought her name up, he said things like, “John doesn’t want to hear about Mom — he wants to know about Pop.” He always said it in a straightforward way that I knew to basically avoid the subject, as did Pat.

Mona said her parents met when Ella came to one of Ed’s “concerts”.

“I remember a lot of things about Mom,” she said. “Me and Mom was close. She walked around to feel if there was dirt on the floor — to see if it was clean — and if it wasn’t heads would roll. And she could cook. I remember back, I guess, during the Depression, her making lard cans full of soup so she could feed the neighbors and she had big bread pans full of cornbread for the dogs. And she could type as good as any typist.”

Mona looked at Lawrence and said, “Remember that whistle she had for us? It was like a calliope whistle. It was plastic or tin or something. And every one of us had a different tune. Each one of us knew our tunes. Different note.”

Mona’s pride in Ed and Ella seemed a little more on-the-surface than what I had detected with Lawrence.

“If there was a movie made, then there should’ve been one made about that — two blind people raising kids,” she said. “I’m just in awe of them and how they took care of all of us kids. They kept food and they kept shelter for us and we never went hungry. And they kept clothes on us. And I just don’t know how they done it. We always had a stable home. They always kept us occupied. We’d sit around in the wintertime and they’d give us soda crackers and apples and tell us to take a bite of one of them and then try to say a tongue twister.”

Mona said, “And we’re all reasonably intelligent,” although she jokingly pointed out that there were “some rogues in the family.”

Noah smiled and said, “I don’t know but one rogue.”

Mona knew exactly who he meant, so she told me, “That’s my other brother Clyde he’s talking about. He’s a rogue, but he’s all right.”

She said she was probably the real rogue of the family.

“Mom was real strict with me, but I was pretty head-strong,” she said. “I was rougher than all the boys put together, I reckon. At least that’s what they told me.”

In Search of Ed Haley 71

23 Saturday Feb 2013

Posted by Brandon Ray Kirk in Ed Haley

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Ashland, Ella Haley, fiddler, Harts Creek, history, Joe Mullins, John Hartford, Kentucky, Lawrence Haley, Milt Haley, music, Noah Haley, Ralph Haley, West Virginia, writing

     The next day, Lawrence and I dropped in on Noah and told him about our intentions to find Milt Haley’s grave on Harts Creek. He said he had gone to Harts some time ago only to find that everyone who ever knew his father had passed away. Lawrence said Joe Mullins was still around so far as he knew. Joe was a first cousin to Ed and the son of Uncle Peter Mullins…as well as Lawrence’s major source of information about his father’s early life.

     “Well, he should know quite a bit about Pop,” Noah said. “He sure defended him.”

     He looked at me and said, “Pop would get drunk — drunker’n dickens. He’d start on Mom and us kids would take up for Mom. Then Joe would jump all over us. Joe and Noah both would.”

     Noah, Lawrence explained, was referring here to Noah Mullins, a first cousin to his dad and a brother to Joe. Noah Haley was named after him, although it seemed apparent to me he thought more of his mother’s people than his father’s on Harts Creek.

     “Joe should know a lot about those things,” Noah continued. “He knows when we used to get moonshine out of them hills.”

     Well, that was an interesting subject to open with — very different from my talks with Lawrence. I could sense that Noah had brought up a touchy subject with Lawrence — domestic problems and alcohol — but I wanted to know a little more. I asked Noah if Ed drank a lot in his early days and he said, “Well, if somebody’d give it to him, he’d drink, yeah. He’d get stone drunk. But he didn’t drink unless somebody’d give it to him. He was meaner than hell when he was drinking.”

     Unlike Lawrence and Mona, Noah seemed to have no musical inclination whatsoever.

     “Well, the only thing I can show you, he never held the fiddle under his neck. He held it right here,” he said, motioning toward his arm. “That’s about all I can tell you about him holding the fiddle. Of course, when he’d come across this way with the bow, he’d make two chords instead of one with one streak across the bow.”

     Make two notes in other words?

     “Yeah, two chords or notes or whatever you call them.”

     Lawrence said, “I was telling John that Pop could play the banjo real good, too.”

     Noah quickly agreed, “Yeah, he could play the banjo, he could play guitar, he could play a mandolin — any kind of a stringed instrument, just about.”

     Noah remembered Ed living at several different places around Ashland.

     “I was born on Horse Branch,” he said. “We lived in three different places on Keyes Creek — maybe four. Then we lived at Ward Hollow. Then we lived on 17thStreet. We lived in two places on Greenup.”

     Noah told me about Ed and Ella going downtown to play on the streets.

     “Soon as they could get a ride downtown, that’s when they’d go. It would be kinda early, before two o’clock. Sometimes the’d have quite a few people standing around listening to them. And of course, they played for just change that people’d give them. Sometimes they’d have ten, fifteen people standing around wanting them to play a piece of music. He’d never play the same song unless somebody would, you know, give him a quarter or a dime or a nickel or something to suggest a song for him to play, then he might play the same one he just played. Sometimes they would play a couple three hours and then they’d go eat or go to the restroom or whatever. And then they’d come back and play another two or three hours.”

     Lawrence said his oldest brother Ralph was a part of the act during the First World War.

     “There’s a picture of Ralph in a little jumpsuit type of thing and they said he’d be up on a stage,” he said. “Pop and Mom might be playing and he would dance around up here on that stage with them and then when he’d get ready to come off of it he’d stand on the edge and do a flip and come off on his feet.”

     Noah said, “Yeah, Ralph always was acrobatic.”

     I said, “Well that’s what got him, wasn’t it?” and Noah said, “Yeah, hanging by his toes from a tree about two feet from the ground. He slipped and broke his neck. But he always was acrobatic. He could run and make a complete turnover. His whole body.”

     Noah said Ed never played on the street at night, allotting that time for square dances. I asked him how much he made per dance and he said, “I don’t know, maybe he’d go play at a dance, he’d get, sometimes, maybe five dollars. He wouldn’t get a whole lot. Hell, a dollar a day then did what ten does today. I remember Ralph, our brother, going out and working for a dollar a day. If they made a dollar a day — or two dollars a day — they was doing good enough to keep us surviving.”

     I said, “So, by today’s standards, it would’ve been like making twenty dollars a day?” and Noah agreed, “I would guess so, yeah.”

     Lawrence added, “It was according to economic times.”

     Noah didn’t hesitate to brag on his father.

     “I think they come there one time from the Grand Ole Opry and wanted him to come play on it and he wouldn’t go,” he said. “I went with them a lot of times when they was playing at the courthouses. They worked all over West Virginia — Beckley. Well, they went downtown here in Ironton. You know we’d take a bus everywhere we’d go. We didn’t have no car. We’d generally stay with friends there up around Logan or Harts Creek.”

     Speaking of Harts Creek, I wondered if Ed had ever talked about learning to play the fiddle from anyone around there. Noah said no — “he just took it up hisself when he was a kid.” He and Lawrence both agreed that Ed never talked about his early life and only seldom mentioned his parents.

     “The only thing I know about my grandfather on my father’s side is about him shooting this guy and they killed him,” Noah said. “Shot his wife through the mouth, I think it was. I think Pop said it was. And then his dad went after this guy with a pistol, killed him, and somebody killed his dad, is the way I heard it. But he never did confide much in anything like that with us.”

     Well, that sure was a different version of things from what Lawrence had initially heard from his dad — and it was much closer to the truth.

In Search of Ed Haley 68

19 Tuesday Feb 2013

Posted by Brandon Ray Kirk in Ed Haley

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Al Brumfield, Bob Adkins, Brooke Dingess, Cat Fry, feud, Green McCoy, Harts Creek, history, Hugh Dingess, Jake Adkins, John Hartford, Lawrence Haley, Lincoln County, Milt Haley, West Virginia

The next day, Al and his posse headed for Hugh Dingess’ “great old big house” on Harts Creek. Bob’s mother Brooke Dingess was a witness to events that followed.

“They stayed all night there and they wanted to be awful sure that they were right, you know,” Bob said. “See, they didn’t want to kill somebody that was innocent. Well they took Haley outside and put handcuffs behind him and gagged him so he couldn’t make a noise and stuck a gun in his back and told him if he made any noise they’d shoot him, see? And a funny thing happened out there, though. He broke loose from them and pretty near got away.

“And then they told McCoy that they had taken Milton down there to hang in the orchard, and if he had anything to say he had better be saying it, see? He broke down and cried and he told them the truth about it. And he told them that they pulled straws on which one would do the shooting and it fell on Green and he got sick — vomited — and he just couldn’t do it. So Haley said, ‘You ain’t got no nerve. Give me the gun and I’ll do it.’ And he claimed Haley was the one that shot. He didn’t do it.”

As if to prove his story, Green then said something to the effect of, “You go down there and check at that sinkhole and you’ll see a pile of shavings that I whittled with my long razor.”

Bob said, “Well, Haley came out and cursed McCoy and told him he didn’t have any nerve and said everything to him. Said that fellow just cried and said, ‘Now, you know I’m telling every bit the truth.'”

Bob said the mob was convinced by McCoy’s confession, but I felt it had a few holes in it. First of all, what if Green skewed the truth by blaming everything on Milt — who he thought was dead — in the hopes of saving his own life? Second of all, why would he and Milt have only had one gun between them for their ambush? Of course, maybe these details were worked out by subsequent confessions not remembered by any living person today. In any case, the mob was apparently satisfied.

Bob said, “They didn’t do anything to them there. They weren’t nobody’s fool, now. They didn’t want any murder going on around their home; then it would be too easy to pin it on them. They’d go to somebody else’s home.”

Bob said his aunt Catherine Fry — an eyewitness to subsequent events — told him the rest of the story about Milt’s murder. He said she was nineteen years old at the time and lived at the mouth of Green Shoal on the Guyandotte River. She said a mob arrived at her home during the night and woke her from her sleep.

“Well, Cat said the first thing she knew she was sitting in the living room — the front room, you know,” Bob said. “They had whiskey there. A lot of drinking going on and a whole bunch of them… Must have been ten to fifteen maybe. The Brumfields and Dingesses all mixed up, you know. Haley and McCoy were back in the bedroom under guard. They had them both in bed.”

Milt continued to verbally abuse Green for admitting their guilt.

“Around ten o’clock, somebody shot the lamp out and Cat run and jumped behind a flour barrel over in the kitchen corner until the fracas was over.”

Milt and Green were shot in bed then pulled out in the yard where the mob “took an axe and cut their heads open and shot them all up — shot them all to pieces.”

I asked Bob what happened next and he said, “They got on their horses and left — walked off and left them. Al Brumfield was one of the head fellows who was there and he was a first cousin of Dad’s. Evidently somebody else took his horse. He came down to Grandfather’s house, which was his uncle by marriage and he told Grandpaw what they had done. Grandpaw told him to go on upstairs and go to bed. No, he did not want to do that because he was afraid those McCoy and Haley people might come in on him, friends or something, [and trap him in the house]. He slept up in the hollow under a beech tree up there. It was summertime, you know. I bet he didn’t sleep good and if he did he shouldn’t have. And the next morning he got out and he ate his breakfast with Grandpaw and then he went on to Harts — home, you know?”

In the next few days, someone hauled Milt and Green’s bodies to the West Fork of Harts Creek and buried them in a single, unmarked grave.

Bob gave us directions to the grave, which he’d last seen as a boy.

“You go up main Harts Creek. It’s not over a mile, I don’t think. It’s the first big creek that turns off to your left. You turn to the left there across the creek and go up that road about a mile or a mile and a quarter and they’s a little hollow there and they’s a house right in there. It’s been a good while since I been up there. If you’ll ask some of them people there, they’ll tell you right where it is.”

Lawrence and I planned to go to Harts in a few days and find it.

Bob said, “We lived there in a house right down below there for one year before we came down here. We sold our old farm up there and we had no where to go and we moved over there on an uncle of mine’s farm. And I farmed one summer right down below there. I went up there and saw that. Had just a little stone. Two of them there. They was buried in the same grave. Them stones may be torn down and gone now. We left there in 1919 or ’20.”

What Happened to John Fleming?

18 Monday Feb 2013

Posted by Brandon Ray Kirk in Big Harts Creek, Culture of Honor

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Appalachia, Charlie McCoy, crime, Frank Fleming, genealogy, Harts Creek, history, John Fleming, John Henan Fry, life, Lincoln County, U.S. South, West Virginia, writing

Newspaper article, 1908

Newspaper article, 1909

Bob Adkins Interview, Part 2 (1993)

18 Monday Feb 2013

Posted by Brandon Ray Kirk in Breeden, Ed Haley, Guyandotte River, Hamlin, Harts, John Hartford, Lincoln County Feud

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Al Brumfield, Appalachia, Bob Adkins, Breeden, Cincinnati, crime, feud, feuds, Green McCoy, Guyandotte River, Harts Creek, Henderson Dingess, history, Hollene Brumfield, John Dingess, John Hartford, John W Runyon, Kentucky, Lincoln County Feud, Milt Haley, Norfolk and Western Railroad, Thompson Branch, Tug River, Twelve Pole Creek, West Virginia

Wow. So what about Al Brumfield, the guy who got into the feud with Milt?

“Well, he was a little more tamer fellow than old Paris but he was kind of a rough character — mean as a snake,” Bob said. “All those Brumfields were, you know. They was a tough outfit, all of them was.”

Al and his wife Hollena lived in a large white house at the mouth of Harts Creek, which Bob said had recently burned. They had a store and log boom nearby and kept a boat tied up at the riverbank for easy access across the Guyandotte. Things were going great for them until John Runyon (who Bob called “the root of all evil”) moved in from Kentucky.

“That fellow Runyon, he had a saloon and a store right across the creek there at the mouth of Harts, you know — a shebang,” Bob said. “And Aunt Hollene and Al Brumfield, they had a big store over there on the other side of the creek, over on the lower side of the creek. They was competitors in a way, you know. This fellow Runyon hired these two thugs to kill them, so as to get rid of their competition. And he hired Milt Haley and Green McCoy to kill them. They got a side of bacon and a can of lard and five dollars to do that…each. And these fellows, Milt Haley and Green McCoy, were two characters. I don’t know why they ever took a chance on that. Them boys got into that before they knew what they was into. Them Brumfields was mean as the devil up there.”

Bob spun out the details of Milt and Green’s ambush of Al Brumfield.

“Every Sunday, Al and Hollene would get on their horse and they’d ride up to the Forks of Big Hart about ten miles to visit her father. He was old Henderson Dingess, my great-grandfather. Al had a fine riding horse and he’d get on the horse and she’d ride behind him, see? And they’d been up there on a pretty summer day, and they’d done had dinner with her father.”

Haley and McCoy, meanwhile, laid in wait for them in a sinkhole at Thompson Branch with a .30/.30 Winchester.

“And Al and Hollene came along about three or four o’clock in the evening and those thugs laywaid them on the side of the hill up there as they came back down Harts Creek. They shot at Al’s head. That horse jumped and that bullet missed his head and hit Hollene right in the face right there and the bullet knocked her teeth out and came out this side here. It knocked her off of the horse.”

Al was carried on down the creek by his horse, which “sprang and run” so Milt and Green came off the hill toward his wife.

“They aimed to shoot Aunt Hollene again — and she a laying there in the road, her eyes full of blood. She couldn’t see hardly who it was. But she begged them not to shoot her anymore, because she figured they’d already killed her. She told them she was dying and begged them out of it.”

At that point, Al came back up along the creek bed shooting toward them “and they got scared and they run.”

Bob said, “Well, the Brumfields didn’t know who it was so they watched all around to see who it was. They watched Runyon like a hawk but he changed his name and walked right off. He left his store, his saloon and his family and went back to Kentucky. They hunted for years for him but they never did find him. He never poked his head around there anymore, not even to contact his family.”

Milt and Green also disappeared from the neighborhood — which caused locals to assume that they were guilty of some role in the trouble.

“And these two guys just left their family and went into Kentucky and just deserted their families,” Bob said. “Then they knew who it was. And they started looking for them.”

Al Brumfield put out a $3,000 reward for their capture. Detectives were told to search in river towns, as both men had run rafts out of the Guyan River.

A detective caught Green McCoy first in a Cincinnati restaurant. He identified him by noticing a nick in one of his ears. Just before apprehending him, the detective walked up and said, “I think you’re the man I’m looking for.” Once caught, Green gave the whereabouts of Milt, who was found working a butter churn on a steamboat at the river. Both men were jailed. Al Brumfield was informed of their capture by letter.

Brumfield organized two of his brothers-in-law and perhaps one of his brothers into a posse and rode to the rendezvous point (presumably in the vicinity of Cincinnati). He posed as a sheriff, paid the reward, took possession of the two men, then headed across eastern Kentucky and up the Tug River to Williamson. He and his gang rode a train on the N&W across Twelve Pole to Breeden, where they crossed the mountain and spent a night at the home of John Dingess, Hollena’s brother. Dingess ran a large country store and saloon, Bob said, but “nothing exciting happened around there.”

Bob Adkins Interview, Part 1 (1993)

15 Friday Feb 2013

Posted by Brandon Ray Kirk in Big Harts Creek, Ed Haley, Hamlin, Harts, Huntington, Lincoln County Feud

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Al Brumfield, Appalachia, Bob Adkins, Charleston, Charley Brumfield, crime, Emma Jane Hager, genealogy, Goldenseal, Griffithsville, Hamlin, Harts, Harts Creek, history, Hollena Brumfield, Huntington, Imogene Haley, John Hartford, Lawrence Haley, Lincoln County, Lincoln County Feud, Milt Haley, Paris Brumfield, Philip Hager, West Hamlin, West Virginia

The next day, Lawrence and I decided to go see 89-year-old Bob Adkins in Hamlin, West Virginia. In a recent Goldenseal article, Bob had given his biography, including his family’s connection to the story of Milt’s murder. Since reading his narrative, I’d been anxious to ask him about Milt, as well as to confirm or disprove my suspicion that his father’s first wife Emma Jane Hager was the same person as Ed’s mother.

To get to Bob’s house, we took Route 10 out of Huntington to Lincoln County. We turned off onto Route 3 just inside the county line at West Hamlin, then drove on for about ten minutes, crossed a hill and cruised into Hamlin — Lincoln County’s seat of government. Bob Adkins’ nice two-story house sat just past a block of small struggling businesses and through the only red light in town. We found Bob out back relaxing on a patio near a flower garden in full bloom.

After all the introductions, I mentioned my theory about Ed’s mother, which Bob shot out of the water right away. He was positive that Emma Jane Hager was not the same person as Emma Haley.

“No, Emma Jane Hager was old man Philip Hager’s daughter,” Bob said. “Dad got her from Griffithsville, 10 miles toward Charleston. Dad come down there and stole her.”

Bob knew all about Milt’s death but stressed that what he knew about it was hear-say, that he didn’t want to get sued and that we couldn’t take his word as gospel because there was “so dern many of ’em a shootin’ and a bangin’ around amongst each other” in Harts that he sometimes got his stories confused. Maybe Bob did have a foggy memory, as he claimed, but I found him to be a walking — or rather, sitting — encyclopedia of Harts Creek murders.

“I was born and raised up there until I was nineteen years old, but I was never afraid,” Bob said. “I walked all hours of the night and everything and do as I please, but I always tended to my business, you know. Kin to most of them. I never bothered nobody. Nobody never bothered me, but that doesn’t say they wouldn’t shoot you. Well, all you had to do was tend to your own business.”

Bob eased into the story of Milt’s death by giving Lawrence and I some background on the Brumfields. He knew a lot about them because Hollena Brumfield, the woman Milt supposedly shot, was his mother’s aunt and “about half way raised her.” She was a Dingess prior to marrying Al Brumfield.

“Now those Dingesses up there, I never knew of them to bother anybody much,” Bob said of his kinfolk. “Some of the older ones shot and banged around a little bit. But look out for them Brumfields. They was into it all the time. If they couldn’t get anybody else to shoot, they’d shoot theirselves — their own people.”

Al Brumfield’s father Paris was the most notorious of the old Brumfields.

“Well, one thing, he killed an old pack peddler up there at Hart, took his stuff and threw him in the river,” Bob said of the Brumfield patriarch. “And he killed another man, too. I forget the other fellow’s name. Son, he was a mean old man, I’ll tell you that. Why, he’d kill anybody. He lived about three quarters of a mile from the mouth of the creek down the river there in at the end of a bottom, see?”

Bob kind of chuckled.

“Yeah, killed that old pack peddler,” he said. “That’s what they said he did. I don’t know. He was a mean old devil. And boy, he’d killed two men.”

I wanted to know more about the Brumfields since they seemed to have been so wrapped up in the story of Milt Haley.

“What happened to Paris Brumfield?” I found myself asking.

“I tell you, old Paris, he got what was coming to him,” Bob said. “He was as mean as a snake and he would beat up on his wife every time he got drunk. And Paris’ wife got loose from him and she came down to her son Charley’s for protection. Charley was a grown man and was married and had a family and he lived down the road a quarter of a mile. Charley told her to come on in the house and there’d be nobody to bother her there and he told her to stay back in the room and he would take care of it. Old Paris, he was drunk and he didn’t get exactly where she was and he finally figured out where she was and old Paris come down there to get his wife. When he come down, Charley, his son, was setting on the porch with a Winchester across his lap. A Winchester is a high-powered gun, you know? And that day and time, they had steps that came up on this side of the fence and a platform at the top of the fence and you walked across the platform and down the steps again. That kept the gates shut so that the cattle and stuff couldn’t come into the yard. Well, he got up on that fence and Charley was setting on the porch with that Winchester. He said, ‘Now, Paw don’t you step across that fence. If you step across that fence, I’m going to kill you.’ And Paris quarreled and he fussed and he cussed and he carried on. That was his wife and if he wanted to whip her, he could whip her. He could do as he pleased. He was going to take his wife home. Charley said, ‘Now, Paw. You have beat up on my mother your last time. You’re not going to bother Mother anymore. If you cross that step, I am going to kill you.’ And he kept that up for a good little while there. ‘Ah, you wouldn’t shoot your own father.’ Drunk, you know? And Charley said, ‘You step your foot over that fence, I will.’ Paris was a little shaky of it even if he was drunk. Well, after a while he said, ‘I am coming to get her,’ and when he stepped over that fence, old Charley shot him dead as a doornail.”

You mean he killed his own father?

“His own father,” Bob said. “He killed him. That got rid of that old rascal. And that ended that story. They never did even get indicted for that or nothing. Everybody kept their mouth shut and nobody didn’t blame Charley for it because old Paris had beat up on his mother, you know? Everyone was glad to get rid of him.”

In Search of Ed Haley 54

20 Sunday Jan 2013

Posted by Brandon Ray Kirk in Ed Haley

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Appalachia, Ashland, Big Sandy River, Bill Bowler, blind, Cabell County, Ed Haley, Ella Haley, Field Furniture Store, Gibson's Furniture Store, Green McCoy, guitar, Harts Creek, history, Ironton, John Hartford, Kentucky, Lawrence County, Lawrence Haley, life, Logan, Milt Haley, Mona Haley, music, Noah Haley, Ohio, Paintsville, Peter Mullins, Portsmouth, Ralph Haley, Route 23, Route 60, Russell, South Point, West Virginia, writing

Lawrence said we could go see Mona if Noah would show us the way. Apparently, Lawrence didn’t know where his own sister lived. Noah agreed to guide us there, but drove a separate car so he could leave right away. He and Mona weren’t getting along. On the way, I said to Lawrence, “Now this sister is the youngest one?” and he said, “Yeah, she’s the baby.” I said, “She’s the only sister you have, and her name is?” “Mona,” he finished. “M-O-N-A. That wasn’t what she was intended to be named. Mother intended her to be named after old Doc Holbrook’s wife — her name was Monnie.”

Mona was staying with her daughter in nearby Ironton, Ohio. At the door, before Lawrence could tell her who I was or the reason for our visit, she looked right at me and said, “Well I know you. I’ve seen you on television.” It was an instant connection. I noticed that she had a high forehead just like her father.

We went on out in the yard where she showed a little surprise that Noah had led us to her house.

“He’s mad at me,” she said before sighing, “I feel sorry for poor old Noah. So lonely. Has to buy his friendship.” Right away, she dispelled our hopes that she had any of Ed’s records.

“No, I don’t have any,” she said. “I let my part of the records get away from me. I lost mine in my travels. I left them somewhere and never did get them back. It was around ’56. I went back to get them and the lady — Dorothy Bates — had moved. And I think she’s dead. I was living here in Ironton.”

Mona seemed a little emotionless — her voice was hollow, distant, as if her mind was a million miles away. She didn’t seem to show much remorse about losing her father’s records — “I’m sorry that I did, but you know hindsight’s 20/20.”

I asked her if Ed ever talked about his father or mother and she said, “He talked about his dad getting killed. He said that he was in the Hatfield-McCoy feud and he got killed with Green McCoy. He was a friend to the McCoys, I guess. And that’s all I can tell you about that. And he never talked about his mother at all.” Mona had no idea who Ed’s mother was and knew nothing about her connection with Uncle Peter Mullins on Harts Creek. She didn’t even remember what year her father died, saying, “My memory is failing me. I was married and living at South Point.”

I noticed again how much Mona looked like her dad.

I asked her if she ever had any long talks with him and she said, “My mother and I were very close but we didn’t talk much about my dad. I’ll tell you, I loved my dad but I didn’t like him very much because he was mean.”

She laughed and said to Lawrence, “Wasn’t he?”

“Yeah, if you struck him the wrong way,” Lawrence admitted. “He never was mean to me. I can’t even remember Pop whipping me.”

Mona insisted, “He wasn’t ever mean to me either but he was mean to Mom.”

I asked her what Ed did to her mother and Lawrence said (somewhat agitated), “He was a little bit mean to Mom. He’d fight with her sometimes and we’d have to stop things like that.”

It got a little quiet — a whole new facet of Ed’s life had just opened up to me.

“Maybe I shouldn’t have said that,” Mona said, “but that’s how I feel. I sympathize with him now but he was a mean man.”

Lawrence tried to smooth it over by saying, “I put that down, part of it, to frustration with his condition. Really, I do.”

Sensing Lawrence’s dislike of the topic, I got the conversation directed back toward Ed’s music. He and Mona remembered Pop playing frequently on the streets of Ashland at Gibson’s Furniture Store, Field Furniture Store (later Sears) on 17th and Winchester and at the Ashland (later Second) National Bank on 16th and Winchester. It made sense that Ed often played on Winchester Avenue, the main east-west thoroughfare through town, currently merged with Route 60 and Route 23. I asked if Ralph ever played with Ed and Ella on the street and Mona said no — that he only played with them at home. Bill Bowler, a blind guitarist, was the person she remembered playing with her father on the street.

“He wasn’t very good,” Mona said. “When they’d get ready to set down and make music Pop would have to tune up his guitar for him.”

Ed hung around Ashland through the winter, Lawrence said, then took off around February. There was not a particular place he went first; it just depended on his mood. Mona said he was in Greenup County, Kentucky, often.

“He played in front of the courthouse there,” she said. “I’ve seen them have that whole front of the courthouse with people standing around dancing.”

She and Lawrence also remembered Pop playing in Portsmouth, Ohio; Cabell County, West Virginia; Logan, West Virginia; Lawrence County, Kentucky; Paintsville, Kentucky; and “all up and down the Big Sandy River.”

“They’d play around railroad YMCAs, too,” Lawrence said. “They had one in Ashland, one in Russell. And down on the N&W they had a big railroad YMCA in Portsmouth — New Boston, I guess. And there was a big steel mill at New Boston. Mom used to play there more than Pop, I guess. Mom used to play at the main gate.”

Mona and Lawrence gave me a great idea of how Ed dressed when on the road. She said he wore “moleskin pants and a long-sleeve shirt — sometimes a top coat when it was cold.” Lawrence said his dad always buttoned his shirt “all the way to the top button” but never wore a tie and mostly wore blue pants. For shoes, he preferred some type of slipper, although he sometimes wore “high top patent leather shoes” — what I call “old man comfort shoes.” Mona said he always donned a hat, whether it was a Panama hat, straw hat or felt hat. He also packed his fiddle in a “black, leather-covered case” — never in a paper sack as Lawrence remembered. “No,” she stressed, seeming amused at the idea of Ed having anything other than a case. Lawrence disagreed, clearly recalling to the contrary — “Buddy, I have.” He said Ed seldom had his fiddle in a case when he went through the country, usually just tucking it under his arm. “Same way with Mom. She didn’t have a case for her mandolin a lot of times. I guess that’s the reason he wore out so many, reckon?”

Parkersburg Landing

18 Friday Jan 2013

Posted by Brandon Ray Kirk in Ed Haley

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Appalachia, culture, Ed Haley, genealogy, Harts Creek, history, John Hartford, life, Logan County, photos, Roxie Mullins, West Virginia

Roxie Mullins, 1991

Roxie Mullins, 1991

Doc Workman Home

16 Wednesday Jan 2013

Posted by Brandon Ray Kirk in Big Harts Creek, Culture of Honor, Halcyon

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Appalachia, crime, culture, Doc Workman, genealogy, Harts Creek, history, Logan County, murder, mystery, photos, true crime, U.S. South, West Fork, West Virginia, Workman Fork

West Virginia Murder

Wilson “Doc” Workman Home, about 2002

Wilson “Doc” Workman

14 Monday Jan 2013

Posted by Brandon Ray Kirk in Big Harts Creek, Halcyon

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Appalachia, Doc Workman, Harts Creek, history, Logan County, photos, U.S. South, West Fork, West Virginia, Workman Fork, World War I

Dock Workman

Wilson “Doc” Workman, veteran of the First World War, resident of Workman Fork of West Fork of Harts Creek, Logan County, WV

In Search of Ed Haley 48

09 Wednesday Jan 2013

Posted by Brandon Ray Kirk in Ed Haley

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Alaska, blind, California, Cleveland, Clyde Haley, Ed Haley, genealogy, Harts Creek, Hawaii, history, Japan, John Hartford, Kentucky, Lawrence Haley, Liza Mullins, Louisiana, Milt Haley, Montana, New York, Noah Haley, Ohio, Pacific Theatre, Pike County, Scoffield Barracks, Virginia, World War II

I asked Lawrence if he’d heard from any of his brothers or sister and he said, “I’ve got one that lives in town now. He moved back from Cleveland, Ohio. He lives in town. Noah was a little bit… You might want to talk to him, I don’t know. But Noah, he went away, I guess, in 1939. He went in the service. He was at Scoffield Barracks in Hawaii when the Japanese… He was in all that Pacific Theater. I think he was wounded a couple of times. The Japanese bayoneted him one time in a bonsai attack or something. It left Noah a little bit shell-shocked or something. He gets a pension from it. He’s not together all there, I guess. You know, in a way, if you talked to him you’d never notice it. He was married to a woman of Hungarian descent and raised a family — a boy and a girl. He had a problem with the girl, too. She was having a problem with a boyfriend or something and her boyfriend was there at the house. Well, the boy had a pistol or some sort of a gun and she went and got that pistol and said, ‘If you don’t love me,’ or something and she shot herself. She committed suicide. I think it was non-intentional. It was just a bluff.”

I said to Lawrence, “Well now, aren’t your other brothers, they’re all kind of hard to get along with, aren’t they?”

“Yeah, a little bit odd,” he answered. “Clyde just moved out and took off and went his way, I guess. Followed the sun, I call it. We’d hear from him in Louisiana one year and the next year he might be in Montana or Upper State New York. He did hobo. Noah went to see him about ten years ago out in California and they started back and Noah was going to stop and get some gasoline. Clyde said, ‘No, don’t stop here and get gas. I’ll get your gasoline.’ He went over to this big church and told them he was on the road back to Ohio and didn’t have money to get there. I guess they give them a tank of gas and they come all the way back from California like that. Clyde was good at that. He did work and we’d get his W-2 forms. He never did turn in his income tax, I don’t think. He’d send his W-2 forms home. Some years he was out on an oil rig in Louisiana. Apparently during the time he was working for them they had rigs off the coast of Alaska.”

Hearing Lawrence speak of his brothers caused me to ask if maybe any of Milt Haley’s “stuff” — which I now presumed to be sort of bad — might’ve come down in their genetics.

“I don’t know, John,” he said. “I couldn’t say. They never met their granddad. I don’t think… My dad, if he’d been a sighted man, he’d probably been as gentle as a lamb. But he had frustrations in his own life.”

“Sometimes in a situation like that, sometimes a gene will come and it won’t get everybody,” I said, pressing Lawrence a little further. “Like it’ll skip your dad, and like skip you, but pick out a brother there and one over there.”

Lawrence totally disagreed.

“Well, I don’t think any of them… And I really don’t think my grandfather, from what I’ve heard of that tale… It was caused by hard times. I’m not trying to defend my grandpa because, hell, it don’t make any difference to me now.”

Milt in so many ways seemed like a critical character in the story: an ambiguous rogue — a key player in causing Ed’s blindness and inspiring his music, whose very genetic attributes or deficiencies might still live on strongly in his grandchildren.

I wondered if Lawrence knew where Milt came from before his settlement on Harts Creek.

“I think maybe over in Old Virginia or over in Pike County,” he said. “I understand there’s some Haleys in Pike County. I’d ask Aunt Liza, ‘Where’d Milt Haley come from?’ ‘Well, he come from over the mountain.’ Now, that’s as far as I could get from her.”

Lawrence thought his father had resolved his hard feelings toward the Brumfields in later years.

“Pop was supposed to have made the remark that if he’d had his eyesight he’d hunted down the people that killed his dad,” Lawrence said. “But afterwards, him and one of the Brumfield sons, they settled their trouble.”

I said, “Well obviously if your grandmother was at the Brumfields’ house the night she got shot, there was no animosity between her and the Brumfields.”

I was starting to understand how the tragedies of Ed’s early life, as well as the legacy of his father, had manifested itself into the pain, rage, and lonesomeness I’d been so drawn to in his music. I kept telling Lawrence, “We’re gonna have to go back up Harts Creek,” but it would be a year before we actually did so.

Parkersburg Landing

06 Sunday Jan 2013

Posted by Brandon Ray Kirk in Ed Haley

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Appalachia, culture, Ed Haley, genealogy, Harts Creek, John Hartford, Lawrence Haley, life, photos, U.S. South, West Virginia

Connie Mullins and Lawrence Haley, 1991

Connie Mullins and Lawrence Haley, Harts Creek, WV, 1991

Three Kinsmen

05 Saturday Jan 2013

Posted by Brandon Ray Kirk in Ferrellsburg

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Appalachia, culture, Frank Davis, genealogy, Harts Creek, history, life, Lincoln County, photos, U.S. South, West Virginia, writers

Harts Creek Resident, 1910-1920

Harts Creek Residents, 1910-1920

In Search of Ed Haley 46

05 Saturday Jan 2013

Posted by Brandon Ray Kirk in Ed Haley

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Al Brumfield, Appalachia, Bob Adkins, feud, Green McCoy, Harts Creek, Henderson Dingess, history, Hollene Brumfield, John Hartford, John W Runyon, Lincoln County, Milt Haley, West Virginia, writing

     Several months later, I spotted a follow-up article about Milt Haley’s murder in the Spring 1992 edition of Goldenseal titled “Settling Family Differences.” It was based on an interview with Bob Adkins, a Lincoln County gas driller born just after the turn of the century at Ferrellsburg, West Virginia. It was rough country in there during his childhood.

     “I know of 18 murders within ten miles of where I grew up,” Bob said. “Never knew of anyone to kill a stranger. They were settling their own family differences. People lived by the gun. Never saw but one fistfight. I made it a point to tend to my own business.”

     Bob’s great-grandfather Henderson Dingess was the father of the Hollena Brumfield (spelled “Haline” in the article) shot in the face by Milt Haley and Green McCoy. Henderson and his wife Sally (Adams) Dingess lived on the Smoke House Fork of Harts Creek in what was then Lincoln County (but is today Logan County).

     “The Dingesses made part of their living floating logs downstream,” Bob said. “They also had an orchard and a federal licensed brandy making operation.”

     Al and Hollena Brumfield were wealthy businessmen at the mouth of Harts Creek on the Guyandotte River. Al’s father Paris Brumfield “lived half a mile below there on good bottom land,” Bob said. Al and Hollena “built a boom across [Harts] Creek to catch logs that were floated into the Guyan in the spring. Al charged by the log and prospered. They built an eight-room house and put in a store. Haline ran the store and offered food and lodging to travelers.”

     There was a picture of the Brumfield home in the article — it was the same place where Lawrence had said his grandmother was shot in a feud.

     Bob gave a great account of Milt’s murder, expounding on what I already knew while opening up a few new leads.

A fellow named Runyan [spelled “Runyon” in other sources] came in from Kentucky and put in a store and saloon and made competition for Haline and Al Brumfield. Well, when that fellow came and put in a store it was believed that he would like to get rid of Al.

Every Sunday Al and Haline rode up the hollow to Harts Creek to see her daddy, Henderson Dingess. They both rode on one horse. Runyan gave some men a side of bacon and a barrel of flour to kill them. They got in a sinkhole and shot at Al on the way back. Al jumped off, but they hit Haline in the cheek and the bullet went out the other cheek. Al ran and got away and then came back for Haline. She knew there were two men but she didn’t know who they were. Thought it was Burl Adams but became convinced it wasn’t him.

The men got away, but when it was found out that Milt Haley and Green McCoy had disappeared suddenly that night everyone agreed that they had been hired by Runyan to kill Al Brumfield. Runyan also left Harts that night. Runyan just left, and they looked for him the rest of their lives.  Then they missed Milt Haley and Green McCoy. They just left their families and disappeared. Figured it was by steamboat on the Ohio.

News got to Cincinnati that $1,500 was offered for Haley, Runyan, and McCoy. A detective there found [Haley and McCoy] and when Al heard they had his men he went down posing as sheriff, paid the reward, got them on the N&W train to Wayne County by Kenova, then up Twelve Pole Creek to Tug River. Breeden was a railroad stop and they walked from there to Harts by Left Fork of Twelve Pole.

Haline’s brother, John Dingess, had a saloon at Dingess on the way. They stayed there and stayed the next night at Grandpa’s [Hugh Dingess]. His daughter Brooke was 14 at the time. That night they took Milt Haley out, told McCoy they had hanged him, then McCoy told the whole story. Haley was held and made to listen to McCoy. Then they brought Haley in and he called McCoy yellow and still denied all of it.

Next day they went along West Fork of Harts to Fry. Stayed at Aunt Catherine Fry Adkins’s house at Fry. She was in the kitchen with the two men tied together, everyone drinking. Someone shot the lamp out over her head. Then they shot the men and took axes to their heads. This wasn’t much strange. They took the law into their own hands but made sure it was the right people.

Al Brumfield come to Grandpa [Adkins]’s that night but slept up the hollow. [They] took the bodies to West Fork of Harts and buried them in the same grave. Their relatives kept quiet.

     After repeatedly studying Bob Adkins’ story in Goldenseal, I concocted a theory about Ed’s mother that coincided somewhat with Lawrence’s story about her shooting at the Brumfield place. Bob told in the article how his father Albert Adkins met his mother Brooke Dingess while boarding at Hollena’s in the 1890s. They were married after Albert’s first wife Emma Jane Hager died of tuberculosis in 1901. Well…what if this Emma Jane Hager had been Emma Jean Haley? Had Emma Haley abandoned Ed and changed her last name so as to lose her identity as the widow of a man accused of attempted murder? Was the transportation slow enough and the memories of locals distorted enough by time to make such a transition of identity? It seemed a plausible enough theory, so I resolved to explore it by contacting Bob the next time I was in West Virginia.

Who Killed Doc Workman? 3

03 Thursday Jan 2013

Posted by Brandon Ray Kirk in Big Harts Creek, Culture of Honor

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Abbotts Branch, Appalachia, Ben Workman, Buster Stollings, crime, Doc Workman, Flora Workman, Gene Wilson Dingess, Harlen Mullins, Harts Creek, history, Logan County, murder, mystery, true crime, U.S. South, Weddie Mullins, West Virginia, Workman Fork, writers, writing

In the early morning hours of April 20, 1956, someone shot Doc Workman in the abdomen with a 20-gauge shotgun as he stood at the doorway to his little house on Workman Fork. “I heard the shot fired that killed him,” said Gene Wilson Dingess, a neighbor, in a 2004 interview. “It was way up in the morning. My sister Mildred and Mommy heard it, too. No one thought anything about it. People roamed all hours of the night with guns and shot rabbits and possoms.”

Upon learning the true nature of the incident, residents of Workman Fork reacted with shock and surprise. Nothing like this had ever happened on Workman Fork. Located somewhat remotely in the headwaters of Harts Creek, the fork constituted one of the most peaceful sections of the community. Moonshining was quite common, but murder? Doc’s killing — any killing — was unprecedented on Workman Fork. People were horrified.

Most everyone agreed that Doc knew the identity of his killer. “Doc knew the person at his door,” Dingess said. “He answered the door in his pajamas.” The killer’s choice of weaponry was a source of great interest. First of all, the 20-gauge shotgun used to commit the murder reportely belonged to Mr. Workman himself. Secondly, a 20-gauge shotgun was the type of low-powered firearm that a teenager or woman (or an old man) might use at close range, say, within 30-40 yards. And, oddly, it was left lying across Workman’s leg presumably without fingerprints. “It looked like someone had been standing by his door where they stood and plotted,” said the late late Roma Elkins in a 2004 interview.

One of the initial suspects in the murder was Doc’s former wife, Flora Lilly. Police also questioned Doc’s former brother-in-law, Weddie Mullins, a son of Harlen Mullins. Buster Stollings, who boarded with Flora, was another suspect. Other suspects were two men named Jake and Bill who were out that night riding mules and stealing corn. Apparently locals were so incensed by the tragedy that they investigated the matter themselves. Early the morning of the murder, one eyewitness saw two young men, dubbed as “Frank” and “Jesse” here to hide their true identities, run by as she milked cows on Abbott’s Branch. “Ben Workman said he saw tracks from a woman in high-heeled shoes leading from the mouth of Workman Fork up to the mouth of Long Branch,” Dingess said. “Now who would’ve wore high heels on this creek back then?”

Today, so many years later, it appears that two young men dubbed as “Frank” and “Jesse” were involved in the murder. Although suspects at the time of the killing, they were never questioned by authorities. Jesse’s own mother believed him to be the killer. “When Jesse come in at the house that morning he had a whole roll of money as big as your fist,” his mother later said. “Him and Wed Mullins was in on that killing together.” Reportedly, Frank was haunted by the murder years later when he was on his deathbed. “My uncle went up to Logan and Frank was in the hospital about to die,” Dingess said. “There was a preacher there and Frank said he couldn’t get forgiveness because he’d helped kill a man.”

Parkersburg Landing

01 Tuesday Jan 2013

Posted by Brandon Ray Kirk in Ed Haley

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Appalachia, culture, genealogy, Harts Creek, history, Jack Haley, Lawrence Haley, life, Liza Mullins, Logan County, photos, West Virginia

Jack Haley, Aunt Liza, Lawrence Haley, 1948-1953

Jack Haley, Aunt Liza, Lawrence Haley, 1948-1953

In Search of Ed Haley 44

01 Tuesday Jan 2013

Posted by Brandon Ray Kirk in Ed Haley

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Al Brumfield, crime, George Fry, Green McCoy, Harts Creek, history, Hollene Brumfield, John W Runyon, Kentucky, Lincoln County, Lincoln County Crew, Milt Haley, Paris Brumfield, West Virginia, writing

Meador’s article was my first real glimpse into the story of Milt Haley’s death since talking with Roxie Mullins. I read it carefully and often.

“In 1889, around the time the Hatfields and McCoys were killing each other along the Tug River, another less known family war was occurring, not too far away, in Lincoln County. The details of the feud are sketchy today, and would be all but forgotten had its events not been recorded in a ballad known as ‘The Lincoln County Crew.’ In 1923, the text of the ballad, attributed to George Ferrell, and a brief explanation were published in The Llorrac, a Lincoln County historical journal published by the students and faculty at Carroll High School in Hamlin.”

Meador began with a somewhat interesting description of Harts at the time of Milt’s death.

“The community of Harts, isolated in southern Lincoln County near the Logan County line, was one of the places where citizens occasionally had to take the law into their own hands. Harts, on the Guyandotte River about midway between Huntington and Logan, was a convenient stopping place for travelers journeying between the two towns. Also it played host to the teams of rough-and-tumble men who rafted logs down the river to ports on the Ohio. Because of its location and because whiskey was sold there, Harts attracted more than its share of troublemakers. Differences were often settled with a gun, and killings sometimes avenged by the family of the murdered person.”

The impetus for the feud that claimed Milt’s life, according to Meador, was trouble between Allen Brumfield and John Runyon, two merchants at the mouth of Harts Creek.

“In Harts, in the latter decades of the 19th Century, lived a man by the name of Allen Brumfield. According to Irma Butcher, Brumfield lived in a large white house near the Guyandotte River bridge. The Llorrac relates that Brumfield operated a store near Harts and sold whiskey from a houseboat in the river. Allen Brumfield, according to The Llorrac, was not the only whiskey merchant in Harts. At the mouth of Harts Creek, a man by the name of John Runyons operated a store and saloon. For some reason there were hard feelings between Runyons and Brumfield, and Runyons is reported to have hired Milt Haley and Green McCoy to kill Brumfield. Payment for the two men is supposed to have been a barrel of flour, a side of bacon and $25.”

Now that was a real interesting twist to the story — no mention of Milt’s wife getting shot at the Brumfield place. Milt was apparently a hired gunman. In a way, I wasn’t surprised. From the very beginning, I had the impression that Milt was a bad character. Roxie Mullins had said he was “awful bad to drink and kept a Winchester loaded and sitting right by the side of his door. A whole mob killed him. They was afraid of him because he had a pretty bad name.” Lawrence had said, “When my dad was very young he didn’t like the whiny way my dad was acting so to make him more of a man he took him out and dropped him in a rain barrel through the ice.” And then there was the poverty aspect: I mean, to kill someone for a barrel of flour, a side of bacon and twenty-five dollars?

According to Meador’s article, Milt and Green supposedly ambushed Brumfield, a very common thing to do in those days.

“The day chosen by McCoy and Haley for their grim deed was a Sunday afternoon in mid-August of 1889. Allen Brumfield and his wife, Hollena, were returning on horseback from a visit to Mrs. Brumfield’s father, Henderson Dingess, who lived on Harts Creek. Mrs. Brumfield was on the same horse, behind her husband. From ambush and without warning, McCoy and Haley fired at the couple as they rode down the river. Their aim was good but not fatal. Allen Brumfield received a bullet in his arm and his wife was shot in the face. Brumfield jumped from his horse and by running was able to make his escape. Mrs. Brumfield also survived but was disfigured for life. Irma Butcher, who knows little about the history behind the ballad, remembers as a young girl visiting in the home of Allen Brumfield’s widow, Hollena, at Harts. Mrs. Butcher relates that widow Brumfield had a hole ‘the size of a quarter’ in her nose, where she had been shot during the feud.”

After the shooting, Milt and Green fled across the Kentucky state line to escape from the law.

“Haley and McCoy fled to Martin County, Kentucky, but in mid-October of that same year were captured and lodged in the Martin County jail. Their captors were no doubt attracted by the reward offered by the state of West Virginia and supplemented by Allen Brumfield.”

A posse fetched Milt and Green and brought them to Lincoln County.

“The accused gunmen were returned to West Virginia by way of Logan County, which was then a border county including what is now Mingo County. There they were turned over to a party of Lincoln County men headed by the aggrieved Brumfield himself. The group journeyed as far as Chapmanville by mid-afteroon and tried to find lodging for the night among the families there. No one would take them in, evidently because of a fear of mob violence. Still looking for overnight shelter, the party continued down the Guyandotte River. For some reason, the guard split so that a portion crossed to the other side, leaving but an officer and three men in charge of the prisoners. A few miles below Chapmanville this small company entered into Lincoln County, soon finding lodging at the house of George Frye. The Frye house was located near the mouth of Green Shoals at Ferrellsburg.”

At Green Shoal, Milt and Green were brutally murdered by a mob.

“About eight o’clock that evening, according to the Logan County Banner of October 31, 1889, an armed mob estimated at 20 or more men surrounded Frye’s house and demanded that the prisoners be turned over to them. Frye and his family were ordered into the kitchen and the guards were allowed to leave the house. The mob then rushed in, firing their guns. McCoy and Haley were dragged out into the front yard and shot several times. The angry crowd then took rocks and smashed in the skulls of the two men. Their bloody work accomplished, the mob disappeared into the darkness, leaving the neighbors to take care of the bodies.”

No one was brought to justice for the killings.

“The Logan County Banner, in relating the story of the murders of Haley and McCoy, said that there had been no arrests in connection with the killings even though it was generally well known in the area who had been involved. The paper also gave the impression that most local people were in agreement in condoning the action of the lynch mob. The paper itself seemed to justify the unlawful treatment of Haley and McCoy on the grounds that they had shot an innocent woman.”

At the end of Meador’s article was an interesting note about Paris Brumfield, father to Al, hinting at past trouble between the Brumfields and McCoy.

“Another mystery concerns a man by the name of Paris Brumfield, who is mentioned in Professor Cox’s version [of the song] as being murdered by his own son. A story quoted in the November 7, 1889, edition of the Logan County Banner, says that Paris Brumfield was engaged in a shooting scrape with Green McCoy about a year before the attack on Allen Brumfield.”

Who Killed Doc Workman? 2

01 Tuesday Jan 2013

Posted by Brandon Ray Kirk in Big Harts Creek, Culture of Honor, Halcyon

≈ 4 Comments

Tags

Appalachia, Buck Mullins, crime, Dennie Workman, Doc Workman, Flora Workman, Gene Wilson Dingess, Harlen Mullins, Harts Creek, history, Lloyd Farley, Logan, Logan County, Martha Workman, murder, mystery, Thomas B. Workman, true crime, U.S. South, Weddie Mullins, West Fork, West Virginia, Workman Fork, World War I, writing

Doc Workman was born on January 20, 1893 at Halcyon in Logan County, West Virginia. His parents were Thomas B. and Martha (Hill) Workman. Doc served in the First World War. According to his draft registration record, he was blue-eyed, had dark brown hair and was of medium build. “I think he got gased over there and he just barely made it,” said Gene Wilson Dingess, a close relative and namesake, in a 2004 interview. “They were in foxholes most of the time.” A decorated veteran and prisoner of war, Mr. Workman spoke little of his war experience after returning home. “He never told big tales about his service,” Dingess said. “If you asked him about it, he’d answer you in about thirty seconds and then change the subject.”

In 1919, Doc married Flora Mullins, the pretty red-haired daughter of Harlen Mullins, a local farmer. For many years, the couple enjoyed a happy marriage. By the early 1930s however, according to neighborhood gossip, both began affairs. Doc, who some called “Slick” because of his charms with women, reportedly courted a sister-in-law, while Flora reportedly sparked a Dingess. The family remained intact until at least 1940. Some time thereafter, Doc and Flora separated and eventually divorced. Mr. Workman built himself a small dwelling house just below his wife where he lived with a stepson, Dennie. Around that time, perhaps in related events, a few homes were burned in the neighborhood.

A 1942 draft registration record described Dock as six-feet tall, 178 pounds, of ruddy complexion, with gray hair and blue eyes. In the opinion of most people on Workman Fork, he made for a good neighbor. Lloyd Farley, a son-in-law, in a 2005 interview, said, “Doc was a fine fellow. He was hard to get to know but he would give you the shirt off of his back.” Mr. Dingess also had fond memories of the old gentleman. “We stopped there at Doc’s every day after school to see him,” he said. “He had candy and marshmallows and he always offered us a dollar to let him bust an egg between our eyes.” Dingess recalled that Doc was an excellent marksman. “Doc kept a loaded gun just inside his door to shoot foxes when they got after his chickens,” Dingess said. “He could shoot a fox from 100 yards away.”

In his last days, Doc received a pension for his service in the Great War and began to carry a significant amount of cash on his person. “He drew a veteran’s pension,” said Mr. Farley. “He often packed one-thousand dollars on him.” Not long before his murder, he loaned fifty dollars to his brother-in-law, Buck Mullins, who then lived in Logan. (Mullins soon repaid the loan.) Neighbors spoke of Dock’s money, of his pension… Family members cautioned him against keeping so much cash on hand, afraid that someone might rob him. Adding fuel to the fire of neighborhood gossip, Doc occasionally disappeared from the creek. “Doc would go out of here and be gone for a month at a time when I was young,” Dingess said. “We never did know why he left.” Just a few weeks before the murder, his son Dennie moved away to find a job. “Dennie had just left to work away from here two or three weeks when Dock was killed,” Dingess said. About one week before the killing, according to Farley, Weddie Mullins, Doc’s former brother-in-law, caught him with his arm around his wife’s waist. He told him that he “better not do it again.”

Who Killed Doc Workman? 1

31 Monday Dec 2012

Posted by Brandon Ray Kirk in Big Harts Creek, Culture of Honor

≈ 1 Comment

Tags

Appalachia, crime, Doc Workman, Ferrellsburg, Flora Workman, genealogy, Harts Creek, history, life, Logan Banner, Logan County, murder, mystery, Ray Watts, Roma Elkins, Simpkins Cemetery, true crime, U.S. South, West Fork, West Virginia, Workman Fork, World War I, writing

Fifty-six years ago, someone shot Wilson “Doc” Workman in cold blood at the front door of his little frame house on Harts Creek. Today, his unsolved murder is  largely forgotten.

“Workman, 63, was found dead by his estranged wife, Mrs. Flora Workman, at 6 a.m. Friday at his home on Workman Fork of the West Fork of Harts Creek in Logan County,” the Logan Banner reported on Monday, April 23, 1956. “The victim died as a result of a stomach wound inflicted by a 20-gauge single barrel shotgun which was found lying across his left leg.”

Doc Workman was a man in the twilight of his life. By all accounts, he was a well-liked resident of the community. He was a quiet farmer, a former timberman, a veteran of the Great War and the father of nine children.

“Daddy and Mommy sure liked him,” said the late Roma Elkins, a native of nearby Ferrellsburg, in a 2004 interview. “He’d bring us a big water bucket full of eggs and wouldn’t let us pay him for them.”

Initially, Logan County sheriff Ray Watts and state law enforcement officers suspected robbery as the motive for Workman’s murder.

“Reports said Workman had been known to carry large sums of money around on his person and was believed to have between $400 and $500 at the time of his death,” the Banner reported. “Only a few dollars was found in the home after the shooting.”

On Sunday, April 22, Workman’s funeral was held at his home on Workman Fork. The service began at 2 p.m. and concluded with the burial at Simpkins Cemetery on West Fork.

On Monday, the Banner ran Workman’s obituary on its front page, listing his wife, nine children, four brothers and three sisters, most of whom lived in Logan County.

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