• About

Brandon Ray Kirk

~ This site is dedicated to the collection, preservation, and promotion of history and culture in my section of Appalachia.

Brandon Ray Kirk

Tag Archives: Ashland

Parkersburg Landing 56

22 Tuesday Jan 2013

Posted by Brandon Ray Kirk in Ed Haley

≈ Leave a comment

Tags

Ashland, culture, Ed Haley, history, Ironton, John Hartford, Kentucky, life, Mona Haley, music, Ohio, Ralph Haley, U.S. South, writing

     Mona was about fourteen years old when Ed made the dining room recordings at 17th Street. I had some detailed questions for her, since — unlike Lawrence, who was away in the service — she had first-hand memories of the whole experience.

Mona: My brother played a guitar…

Me: And you played the mandolin on some of them?

Mona: I don’t remember which one. I don’t remember but you can hear it in the background.

Me: What kind of room were those records made in?

Mona: Dining room.

Me: How big a room was it?

Lawrence: Not very big. Twelve feet by twelve feet, I guess.

Me: You put the recorder on the table and he’d sit up next to the table and play?

Mona: Yeah, it was on the table. It was an old one where they had to brush the curls off the record. He wasn’t holding the fiddle over the table.

Me: What time of the day were they made in?

Mona: Different times. He didn’t make them all in one day.

Lawrence: It mostly depended on when Ralph had the time, I guess.

Mona: Yeah and — again — it depended on whether Pop felt like it.

Me: Was he drinking during any of those records?

Mona: No.

Me: Do you think those records were a pretty good representation of how he played or do you think he played a lot better than what’s on those records?

Mona: He played a lot better than what was on the records because some of them was a little too fast. You know, the speed on them. When he was in a good mood you could just hear the happiness in it.

Me: So a lot of that’s not on the records?

Mona: No, a lot of it’s lost forever.

     In the car on the way home, Lawrence told me more about why he thought Ed never recorded commercially. “He was a kind of a proud man. But I’m like Curly Wellman: if he’d been alive back when these people first started coming to me back thirty years ago he could’ve made a bundle of money if he’d a wanted to. If he hadn’t been afraid of being taken by recording companies and things.”

     As we made our way through town, Lawrence pointed out a spot on Greenup Avenue where Pop used to play: “Right here on this empty corner there used to be a two or three story building. It was a big restaurant called Russ’ place. Pop used to play on the sidewalk out here on his own when he felt like it, if the weather was good. He’d go in there and stay all day and play a while and drink a while and talk a while and go back and play a while.”

In Search of Ed Haley 54

20 Sunday Jan 2013

Posted by Brandon Ray Kirk in Ed Haley

≈ Leave a comment

Tags

Appalachia, Ashland, Big Sandy River, Bill Bowler, blind, Cabell County, Ed Haley, Ella Haley, Field Furniture Store, Gibson's Furniture Store, Green McCoy, guitar, Harts Creek, history, Ironton, John Hartford, Kentucky, Lawrence County, Lawrence Haley, life, Logan, Milt Haley, Mona Haley, music, Noah Haley, Ohio, Paintsville, Peter Mullins, Portsmouth, Ralph Haley, Route 23, Route 60, Russell, South Point, West Virginia, writing

Lawrence said we could go see Mona if Noah would show us the way. Apparently, Lawrence didn’t know where his own sister lived. Noah agreed to guide us there, but drove a separate car so he could leave right away. He and Mona weren’t getting along. On the way, I said to Lawrence, “Now this sister is the youngest one?” and he said, “Yeah, she’s the baby.” I said, “She’s the only sister you have, and her name is?” “Mona,” he finished. “M-O-N-A. That wasn’t what she was intended to be named. Mother intended her to be named after old Doc Holbrook’s wife — her name was Monnie.”

Mona was staying with her daughter in nearby Ironton, Ohio. At the door, before Lawrence could tell her who I was or the reason for our visit, she looked right at me and said, “Well I know you. I’ve seen you on television.” It was an instant connection. I noticed that she had a high forehead just like her father.

We went on out in the yard where she showed a little surprise that Noah had led us to her house.

“He’s mad at me,” she said before sighing, “I feel sorry for poor old Noah. So lonely. Has to buy his friendship.” Right away, she dispelled our hopes that she had any of Ed’s records.

“No, I don’t have any,” she said. “I let my part of the records get away from me. I lost mine in my travels. I left them somewhere and never did get them back. It was around ’56. I went back to get them and the lady — Dorothy Bates — had moved. And I think she’s dead. I was living here in Ironton.”

Mona seemed a little emotionless — her voice was hollow, distant, as if her mind was a million miles away. She didn’t seem to show much remorse about losing her father’s records — “I’m sorry that I did, but you know hindsight’s 20/20.”

I asked her if Ed ever talked about his father or mother and she said, “He talked about his dad getting killed. He said that he was in the Hatfield-McCoy feud and he got killed with Green McCoy. He was a friend to the McCoys, I guess. And that’s all I can tell you about that. And he never talked about his mother at all.” Mona had no idea who Ed’s mother was and knew nothing about her connection with Uncle Peter Mullins on Harts Creek. She didn’t even remember what year her father died, saying, “My memory is failing me. I was married and living at South Point.”

I noticed again how much Mona looked like her dad.

I asked her if she ever had any long talks with him and she said, “My mother and I were very close but we didn’t talk much about my dad. I’ll tell you, I loved my dad but I didn’t like him very much because he was mean.”

She laughed and said to Lawrence, “Wasn’t he?”

“Yeah, if you struck him the wrong way,” Lawrence admitted. “He never was mean to me. I can’t even remember Pop whipping me.”

Mona insisted, “He wasn’t ever mean to me either but he was mean to Mom.”

I asked her what Ed did to her mother and Lawrence said (somewhat agitated), “He was a little bit mean to Mom. He’d fight with her sometimes and we’d have to stop things like that.”

It got a little quiet — a whole new facet of Ed’s life had just opened up to me.

“Maybe I shouldn’t have said that,” Mona said, “but that’s how I feel. I sympathize with him now but he was a mean man.”

Lawrence tried to smooth it over by saying, “I put that down, part of it, to frustration with his condition. Really, I do.”

Sensing Lawrence’s dislike of the topic, I got the conversation directed back toward Ed’s music. He and Mona remembered Pop playing frequently on the streets of Ashland at Gibson’s Furniture Store, Field Furniture Store (later Sears) on 17th and Winchester and at the Ashland (later Second) National Bank on 16th and Winchester. It made sense that Ed often played on Winchester Avenue, the main east-west thoroughfare through town, currently merged with Route 60 and Route 23. I asked if Ralph ever played with Ed and Ella on the street and Mona said no — that he only played with them at home. Bill Bowler, a blind guitarist, was the person she remembered playing with her father on the street.

“He wasn’t very good,” Mona said. “When they’d get ready to set down and make music Pop would have to tune up his guitar for him.”

Ed hung around Ashland through the winter, Lawrence said, then took off around February. There was not a particular place he went first; it just depended on his mood. Mona said he was in Greenup County, Kentucky, often.

“He played in front of the courthouse there,” she said. “I’ve seen them have that whole front of the courthouse with people standing around dancing.”

She and Lawrence also remembered Pop playing in Portsmouth, Ohio; Cabell County, West Virginia; Logan, West Virginia; Lawrence County, Kentucky; Paintsville, Kentucky; and “all up and down the Big Sandy River.”

“They’d play around railroad YMCAs, too,” Lawrence said. “They had one in Ashland, one in Russell. And down on the N&W they had a big railroad YMCA in Portsmouth — New Boston, I guess. And there was a big steel mill at New Boston. Mom used to play there more than Pop, I guess. Mom used to play at the main gate.”

Mona and Lawrence gave me a great idea of how Ed dressed when on the road. She said he wore “moleskin pants and a long-sleeve shirt — sometimes a top coat when it was cold.” Lawrence said his dad always buttoned his shirt “all the way to the top button” but never wore a tie and mostly wore blue pants. For shoes, he preferred some type of slipper, although he sometimes wore “high top patent leather shoes” — what I call “old man comfort shoes.” Mona said he always donned a hat, whether it was a Panama hat, straw hat or felt hat. He also packed his fiddle in a “black, leather-covered case” — never in a paper sack as Lawrence remembered. “No,” she stressed, seeming amused at the idea of Ed having anything other than a case. Lawrence disagreed, clearly recalling to the contrary — “Buddy, I have.” He said Ed seldom had his fiddle in a case when he went through the country, usually just tucking it under his arm. “Same way with Mom. She didn’t have a case for her mandolin a lot of times. I guess that’s the reason he wore out so many, reckon?”

Parkersburg Landing 53

18 Friday Jan 2013

Posted by Brandon Ray Kirk in Ed Haley

≈ 2 Comments

Tags

Appalachia, Ashland, Ed Haley, Ella Haley, history, John Hartford, Kentucky, Lawrence Haley, life, Mona Haley, music, Noah Haley, West Virginia, World War II, writing

     We drove over to Noah’s rented apartment and parked near a Chrysler with “NOAH HALEY” emblazoned on its bumper in big stick-on letters. At the door, Lawrence told Noah, “I got a fella here that wants to talk to you.” Noah was surprised but seemed happy to see Lawrence. “Come on in,” he said. “I’ll just straighten up in here a little bit, but come on in.” He led us into a living room where the TV was blaring. It was a real bachelor pad. We all sat down and Lawrence introduced me. It was the first time I had met any of Ed’s children other than Lawrence and I was very curious to watch Noah for clues about his father and to shore up his memories of his dad with what Lawrence had told me.

     “I’ll tell you anything I can,” Noah said. “It’s been so long ago, I’ve just about forgot everything.”

     “I told him you probably couldn’t tell him much because you went into the service in 1939,” Lawrence said.

     Noah said, “Right. I stayed in the service nine and a half years — from 1940 until 1949. And then in ’51 I went to work on the railroad in Cleveland and I worked there until I retired. The only thing I know is they made their living by playing music on the streets and at fairs and churches and everywhere else. We’d go with them — one of us kids — to lead them around. And they would go to Logan, West Virginia. They used to set out on the street and play music at the courthouse, and we’d just wait till they got done. They would play sometimes all day long on Saturdays in the courtyard. People’d come along and give them money. That’s about all I can remember about them.”

     I asked if Ed ever talked about any older fiddlers he learned from and Noah said, “The only thing I ever heard him say was he taught himself. He couldn’t read music or nothing but my mother could read music by Braille. She was pretty well-educated. Pop played by ear.”

     The room got a little quiet for a few seconds — we were waiting on Noah to tell us something (anything) about Ed. Instead, he kind of laughed and said, “I’m not gonna be much help to you on this.” Lawrence asked Noah if Pop ever talked about his parents and Noah said, “The way I understood it, this guy shot his mother and… I don’t remember now how it went. Whether his dad got a gun and killed him or how.”

     Basically, Noah was saying just enough to confirm that he’d “been there,” but his memories were so vague that I wasn’t getting any great insight out of them. I wasn’t ready to give up though, next asking him about his share of Ed’s records. He assured us that he didn’t have any, which caused Lawrence to say, “You know, when Mom divided those records out, she gave you so many, she gave Mona so many, she gave Jack so many, and she gave me so many of them. And the only ones that was left, Jack had eight or nine left, I think.”

     “I don’t have a one of them,” Noah said. “The only ones I had I give them to Pat. She made tapes of them.”

     Pat, Lawrence explained, was Patsy Haley — his sister-in-law.

     “My sister, she could tell you more than I could,” Noah said to me. “Mona knows all them things. And she’s even got records of Mom and Pop’s music.” He looked at Lawrence and said, “I think she’s got some like you have — round and aluminum.”

     That was all I needed to hear.

     Looking back, I realize I lost almost all interest in talking with Noah — sacrificing his memories — at the prospect of getting to hear more of Ed’s records. That’s a strange thing to consider from a biographical standpoint but I was just so into Ed’s music.

Parkersburg Landing

18 Friday Jan 2013

Posted by Brandon Ray Kirk in Ed Haley

≈ Leave a comment

Tags

Ashland, culture, history, Kentucky, Lawrence Haley, life, photos, U.S. South

Lawrence Haley, 1945-1955

Lawrence Haley, 1945-1955

In Search of Ed Haley 52

18 Friday Jan 2013

Posted by Brandon Ray Kirk in Ed Haley

≈ Leave a comment

Tags

Appalachia, Ashland, Ed Haley, Ella Haley, genealogy, history, John Hartford, Kentucky, Lawrence Haley, life, Milt Haley, Noah Haley, U.S. South, writing

     Lawrence Haley and I spent an hour or so driving around Ashland looking at many of the sites where Ed had lived in town. Not one single residence was still standing. As we visited each site, I noticed that the Haley residences seemed to have been in poor areas of town…although I didn’t suggest this to Lawrence.

     “They never did own a home,” Lawrence said of his parents. “They always rented. About eight different places in Ashland and one in Catlettsburg that I can remember.”

     In 1933, according to city directories, Ed and Ella lived at 805 45th Street. The next year, Ella received a postcard at 1030 45t Street. The 45th Street area of Ashland — renamed Blackburn Avenue in recent years — was a long street situated to the back of town, with schools and churches intermixed occasionally with small residences. It was the longest street in town.

     Lawrence guided me to 37th Street, also known as Ward Hollow, where the Haleys settled around 1937-38. Ward Hollow, I discovered, was recently cleared entirely of homes and filled with dirt as part of some planned business development. It was nothing like Lawrence or Curly Wellman remembered it.

     “This was a two-lane road at that time,” Lawrence said, looking up the hollow where he once lived. “And they was a bunch of houses sat up on the bank. There wasn’t too many trees up through there. About twelve to fifteen houses — small homes, twenty-five or thirty foot long. We lived in a three-bedroom house. I was just a kid then.”

     In 1944, the Haleys moved downtown to 105 17th Street, the spot where Haley made his home recordings. From this location, presently occupied by a dull gas building and a partially empty lot near the floodwall, Haley could easily walk up 17th Street past City Hall to the post office or Central Park.

     In 1947, the Haleys were briefly at 5210 45th Street, before settling at 1040 Greenup Avenue. Two years later, Ella was listed in city directories at 932 45th Street. Today, this spot is almost wiped out, although a Little Caesar’s pizza is on the corner of a modern building at 933 45th Street.

     Around 1950, the Haleys lived at 2144 Greenup Avenue. This spot, where Ed Haley died in 1951, is the current site of a Boyd County Ford parking lot and Pathways, Inc. “They’ve got a mental health center there where Pop died,” Lawrence said.

     In 1952, Ella lived at 932 45th Street.

     As Lawrence and I made our way around town, I suggested going to see his older brother Noah who had recently moved back to town.

     “Well that’ll be fine John, but if he’s playing cards I ain’t even gonna go around him because that’s one of his vices,” he said. “He used to go down there to Covington, Kentucky, some and lose his shirt. Two or three shady people have been after him to collect his debts.”

     It seemed as if each of the Haley children had some kind of a major hang-up, which kept me thinking about Milt Haley’s genetics — as well as Ed’s. I asked Lawrence if Noah was a drinker and he said, “He doesn’t drink any more. I think he’s got to the point where drinking aggravates his system too much.” There was also the restlessness. Milt Haley came to Harts Creek from “over the mountain” — probably the Tug Valley — and married a local girl. After the trouble with Al Brumfield, he hid out in Kentucky. Ed Haley, perhaps taking a genetic cue from his father, left Harts Creek at a young age and roamed throughout West Virginia and eastern Kentucky. Even after marrying and settling down in Ashland, it was a Haley ritual to always be on the go — moving through town or taking off on a season-long jaunt. Lawrence Haley did not seem to “inherit” that desire, preferring to live the quiet life of a laborer and postman in Ashland. But his half-brother Ralph had went overseas during World War II and then on to live in Cincinnati. His brother Clyde had been all over the United States — everywhere from Alaska to New Orleans. Likewise, Jack had moved away to Cleveland and Mona had been in different cities in Ohio.

     Noah, a veteran of the Pacific Theater and longtime resident of Cleveland, was apparently a roamer, too. “He moves around,” Lawrence said. “The last place he lived was up on Winchester Avenue in an apartment out over a garage. He’s getting ready to go out to California, I guess. He’s about 71.”

Henry “Curly” Wellman

13 Sunday Jan 2013

Posted by Brandon Ray Kirk in Ed Haley

≈ Leave a comment

Tags

Appalachia, Ashland, culture, Curly Wellman, Ed Haley, guitar, history, John Hartford, Kentucky, life, music, photos

Curly Wellman, Kentucky Musician

Curly Wellman, Kentucky Musician

In Search of Ed Haley 50

13 Sunday Jan 2013

Posted by Brandon Ray Kirk in Ed Haley

≈ Leave a comment

Tags

Appalachia, Ashland, banjo, Billy in the Lowground, Blackberry Blossom, blind, Cacklin Hen, Catlettsburg, Clark Kessinger, Clayton McMichen, culture, Curly Wellman, Curt Polton, Ed Haley, Elvis Presley, fiddler, Floyd Collins, Forked Deer, Grand Ole Opry, guitar, Hatfield-McCoy Feud, history, Horse Branch, Huntington, Ivan Tribe, John Hartford, Kentucky, Lawrence Haley, Logan County, Mid-Day Merry-Go-Round, Morehead, Mountain Melody Boys, Mountaineer Jamboree, music, National Fiddling Association, Old Sledge, Poplar Bluff, Rowan County Crew, Ugee Postalwait, Ward Hollow, WCHS, WCMT, Westphalia Waltz, writing, WSAZ

I asked Curly if he remembered any of Ed’s tunes and he said, “Ah, I remember ‘Forked Deer’ and I remember ‘Billy in the Lowground’ and I remember the ‘Old Sledge’ and I remember ‘Poplar Bluff.’ ‘Blackberry Blossom.’ The longer he played a tune, the meaner he got on it. If he got the feel, it hit him. And the more he played the better he got and the more tunes come to him. He played one waltz — ‘Westphalia Waltz’ — and that’s really the only waltz that I can recall that he played. And it was all double stop fiddle.”

Curly never heard Ed sing a note — a very surprising recollection considering the way that Ugee Postalwait had hyped Haley’s singing abilities.

“I got a copy of a song from him,” Curly said. “He had somebody to write it down. Because at this time, out at Morehead, Kentucky, they had a feud out there. And they had a shoot-out there on the steps and then somebody wrote this song called ‘Rowan County Crew.’ And Ed, they tell me, would sing that at different places throughout Kentucky. At that time, it was like Floyd Collins that was in the cave and like the Hatfields and the McCoys — only this was called the ‘Rowan County Crew.’ Well, at that time it was hot as a pistol through the state. Now evidently he sang that song, but he never sang it for me.”

Curly said, “Ed could have been as great as the Blue Yodeler or any of those people. He could have been right on those records with them but under no reason did he want to record commercially. Had he been living today and with the equipment they’ve got today, he would’ve been in more demand than Elvis Presley ever was. Nobody played ‘Cacklin’ Hen’ like him. And a very humble man. I never heard Ed down anybody else, I never heard him put anybody below him and I never had him to tell me how good he was. In fact, I wonder sometimes if he knew how good he was. But I knew it. He was a brilliant man. He’d just about keep a check up on everything during his lifetime. He knew the news, he knew the political field, he knew what was going on in the state.”

I asked Curly about the first time he ever saw Haley play.

“I played with Ed when I was a kid — twelve, thirteen years old — and we lived at a place called Horse Branch. That’s as you enter Catlettsburg, Kentucky. And I was a kid carrying an old flat-top guitar — no case — trying to learn how to play. In the evening, he’d come out on the front porch after dinner and Ralph would get the guitar and the mother would get the mandolin and the neighborhood would gather because at that time radio was just coming into being. And I’d go down there and sit and bang while they were playing. And that’s where I first heard Ed Haley.”

Curly lost track of Ed when he started playing music out on his own at the age of fifteen. Throughout the mid-thirties, he played over the radio on Huntington’s WSAZ and Ashland’s WCMT with the “Mountain Melody Boys,” then made several appearances on the Grand Ole Opry and Knoxville’s Mid-Day Merry-Go-Round with Curt Polton’s band. It was during that time, he said, around 1936, that Ed got into a contest with Clark Kessinger and Clayton McMichen at the WCHS radio station in Charleston. Clayton was the National Fiddling Champion, while Clark was the National Fiddling Association’s champion of the East. The whole thing was “built up for months — it was a showdown.” In the contest, each fiddler got to play two tunes and someone named Banjo Murphy seconded every one using a three-finger picking style on a four-string banjo. First prize was a “live baby” (a little pig) and the winner was determined by a clapping meter. Curly wasn’t sure what tunes Ed played (probably “Cacklin’ Hen,” his contest specialty) but remembered the results clearly.

“Ed Haley beat the two men on stage,” he said. “McMichen was out of it in a little bit but it took several rounds to eliminate Clark Kessinger.”

Curly returned to Ashland in the early forties and found Ed living in the bottom of a weather-boarded, two-story apartment building on 37th Street (Ward Hollow). He started visiting Haley again, usually on cold days when he knew that he’d be close to home. He’d put his D-18 flat-top Martin guitar in the trunk of his car and “go pick up a pint or a half a pint of moonshine,” then head on over to Ed’s house.

I’d go in. I wouldn’t take the guitar in at all. I’d just knock on the door and go in and I’d say, “Hi, Uncle Ed.” “Hi, Curly.” He knew me by my voice. And I’d go in and sit down, you know, and say, “How’s the weather?” and “How’s things?” and “How’s the family?” and so forth and so on. We’d sit around there and talk a little bit. I’d say, “Ed, been playing any lately?” “No, I haven’t felt like it. I just haven’t felt like it.” I’d say, “Well, how about a little nip? You think that would help?” “Well now you know you might have something there.” So I’d go on to the car and I’d get the bottle and come in and we’d sit back down and I’d pass it to him. He’d hit it. He’d sit right there a little bit you know and I’d say, “Take another little nip, Ed.” “Well, I believe I will,” he’d say. “It’s too wet to plow.” And he’d sit there and he’d rock a little bit in that chair and… Being blind, he talked a little loud. “Hey, did I ever play that ‘Old Sledge’ for you?” I’d say, “Well, I can’t remember Ed. Just can’t remember.” Well, he’d get up and he’d go over and he’d lay his hand right on that fiddle laying on the mantle of the fireplace. By that time I’d be out the door and getting the Martin. I’d come back in and he’d tune ‘er up there and feel her across you know and touch her a little bit here and there. He’d take off on it.

Curly and I got our instruments out and played a few of Haley’s tunes. He showed me the type of runs he used to play behind Ed and gave me a few more tips about his fiddling. He said Ed was “all fingers…so smooth” and could play all over the fingerboard — even in second and third positions. He “put a lot of his upper body into the fiddling” and patted one foot to keep time. If he fiddled for a long time, he put a handkerchief under his chin for comfort (never a chinrest) and dropped the fiddle down to his arm and played with a collapsed wrist.

Just before Lawrence and I left, Curly said, “I’ll tell you somebody that’s still living in Charleston and he’s a hell of a fiddle player — or was. They called him Slim Clere. He’s about 82. He knew Ed. In fact, he was the man that Clere looked up to as he was learning. And he could probably give you more information than I could because he’s followed the fiddle all of his life.”

Curly also recommended Mountaineer Jamboree (1984), a book written by Ivan Tribe that attemped to detail West Virginia’s contributions to country music. It briefly mentioned Ed: “Blind Ed Haley (1883-1954), a legendary Logan County fiddler who eventually settled in Ashland, Kentucky, repeatedly refused to record, but did belatedly cut some home discs for his children in 1946.”

Parkersburg Landing 49

11 Friday Jan 2013

Posted by Brandon Ray Kirk in Ed Haley

≈ Leave a comment

Tags

Appalachia, Ashland, Clark Kessinger, culture, Curly Wellman, Ed Haley, fiddler, history, John Hartford, Kentucky, Lawrence Haley, life, music, U.S. South, writing

     Not long after meeting with Lawrence Haley in Tennessee, I found myself heading toward his home in Ashland. As soon as I arrived in town, he suggested that we speak with Curly Wellman, a local musician who had often visited his parents’ home during the Depression. Lawrence had no memories of Curly’s visits but listened as he told all about them at a recent chance-type meeting at a local grocery store. “I was too young to remember him coming,” Lawrence said to me. Curly had told Lawrence to be sure and visit anytime, so we made a quick call to make sure it was okay for us to drop in, then headed out the door.

     “I used to see him on the Ralph Shannon Show years ago,” Lawrence said, as we piled into the car. Curly was still quite the entertainer. We found him more than ready for us — wearing a big grin and dressed in a fruity-striped button-up shirt with a large medallion around his neck. There was no real need for questions or prompting on our part. His memory was very clear.

     “I don’t think there was anybody that ever drawed a bow that played country like he did,” Curly said of Ed. “The biggest finger on his hand wasn’t as big as my little one. Smallest hands you ever looked at in your life. Just a natural touch. I mean everything — tone, ear, perfect pitch… The whole thing. I would carry my flat top and I’d go up to Uncle Ed’s and go in and he’d grab the fiddle. Well, all he would do was throw the fiddle under his neck and run his fingers across the strings — before he ever heard my guitar — then all I had to do was rake across it and we were together. That was Ed Haley. I’ve followed him since I was about twelve or thirteen and I’m 74 now and I’ve worked with a lot of them and, well, I think he was the greatest.”

     Curly didn’t even catch his breath in bragging on Ed.

     “The bow work is the secret to Ed Haley’s music,” he said. “All of the bow work was strictly in the wrist. More like watching an artist that plays classical stuff — the bow arm. He could get more notes out of the length of the bow than any other man I ever watched or heard in my life. It was all fingers. Just so easy. And double stops were nothing for him. I’ve heard him catch three notes on a fiddle. Terrific! Terrific! I started playing when I was about fourteen and I played for him just for pleasure and lived close to the family and knew them all personally — marvelous people. He had a boy that played the guitar pretty fair. Now there was one other fiddle player in this country that thought he was that good, but he wasn’t. His name was Clark Kessinger. Now Clark played a lot of fiddle. I have to give him credit for what he did play. But I don’t believe he could tune Ed’s fiddle. Clark’s a good imitation of Ed.”

     Curly said he’d give anything to hear Ed’s music again.

     Just then, Lawrence, who’d been sitting quiet as a mouse, pulled out some of his father’s tapes and said warmly, “Hey, put these on.”

     Curly got everything set up and stood mesmerized listening to Ed’s music. He kept saying things like, “Listen how true his notes are. The tone quality. And when this was taped, they didn’t have this stuff to work with that they’ve got today. They make you sound like what they want you to sound like. Ah, he was a fine man. Is that his wife playing the mandolin? She could do it. I used to watch that poor old soul down here in town and she’d bring one of the little girls with her to take her to and from places. She’d sit down there on a little folding stool with her mandolin and play for change and this and that. They were hard-working people.”

     Ed’s music gave Curly’s memories a boost.

     “At the time that I knew him, I was a kid. The thing between me and Ed was just love for one another, I suppose, and love for music. And he loved a guitar that could back him up. And he didn’t want no sixth-string chord — you better not strike one in his presence because he’d tell you to crawl back down on the neck. He said if he wanted a snare drum, he’d get one. He was the type of guy that said what he thought. That was his nature. And if you didn’t like it, you’d just well to get up and go out. He was a man that had the flattest delivery with speech when he said something to you. I mean it was just flat out straight. It didn’t make any difference to him.”

     Ed hated to be pitied or touched and liked to get around by himself. Because Curly had seen his “vicious temper,” he never asked him about his background.

     “I was a kid and as blunt as he was there was a lot of things I would like to’ve known that I wouldn’t even ask,” he said. “In other words, I might just say something that he would completely turn me off, me being that young. But, well, he had a big heart.”

In Search of Ed Haley

03 Thursday Jan 2013

Posted by Brandon Ray Kirk in Ed Haley

≈ Leave a comment

Tags

Appalachia, Ashland, culture, Ed Haley, history, John Hartford, Kentucky, Lawrence Haley, Lee Trick Gore, life, music, photos, writing

Lee "Trick" Gore (center, wearing tie) with Lawrence Haley and John Hartford (extreme right), Ashland, Kentucky, 1991.

Lee “Trick” Gore (center, wearing tie) with Lawrence Haley and John Hartford, Ashland, Kentucky, 1991.

Ed Haley Memorial Fiddle Contest

26 Wednesday Dec 2012

Posted by Brandon Ray Kirk in Ed Haley

≈ Leave a comment

Tags

Appalachia, Ashland, culture, Ed Haley, fiddle, history, Kentucky, music

Ed Haley Fiddle Scroll, 2006-2010

Ed Haley Fiddle Scroll, 2006-2010

In Search of Ed Haley 33

18 Tuesday Dec 2012

Posted by Brandon Ray Kirk in Ed Haley

≈ Leave a comment

Tags

American Rolling Mill Corporation, Appalachia, Armco Steel Corporation, Ashland, Ashland Culvert Works, Ashland Oil and Refining Company, Ashland Steel Company, Ashland Tomcats, Ashland YMCA, C&O Railroad, Ed Haley, Ella Haley, Frogtown, Henry Clay, history, Kentucky, Midland Trail, National Dixie Highway, Norton Iron Works, Open Hearth Furnace Company, Paramount Arts Center, Poage Settlement, Sanitary Milk Company, Sherman Luther Haley, West Ashland

Ashland, Kentucky — originally named Poage Settlement but renamed “Ashland” in 1854 in honor of Henry Clay’s home — was a thriving spot of business activity when Ed Haley settled there after the Great War. It was an “iron and steel town” free of labor troubles with untapped natural resources situated at the intersection of the National Dixie Highway and the Midland Trail and accessed by at least five railroads. Its primary business was the Open Hearth Furnace Company, which according to a 1917 business directory, was the “largest in the world.” It also had the largest fire brick plant and the largest tannery and leather company in the world. By 1920, its population was 15,000 — almost twice what it had been in 1910.

In 1923, the American Rolling Mill Company (later Armco Steel Corporation) located in the western section of Ashland and constructed the world’s first continuous sheet mill. This new technology was revolutionary: it created thousands of jobs and improved the quality of sheet metal while also reducing its cost so that average Americans could afford refrigerators and other modern conveniences. Shortly thereafter, in what one local history referred to as “the greatest single event in Ashland’s history,” American Rolling Mill Company acquired Ashland Steel Company and the Norton Iron Works. In 1924, Ashland Oil & Refining Company was formed, helping to fuel an economic and population explosion, and the Sanitary Milk Company built a new plant at 34th and Winchester. The following year, Ashland Culvert Works located in town and the Chesapeake & Ohio Railway built a new passenger station. At that time, the population was estimated at 29,000.

During the early twenties, Ed and Ella Haley lived at “Frogtown” in West Ashland, a somewhat low-income area near the Armco plant. In 1920, Ed’s oldest son, Sherman Luther Haley, was born on March 17. He died, according to Kentucky death records, on April 5, not quite one month old. In the census for that year, Ed was listed as a thirty-five-year-old married musician. Ella was listed as thirty years old. Her son Ralph was not listed in census records with them, indicating that he was perhaps with the Trumbos in Morehead. In a 1924 business directory, Ed’s address was given as 618 ½ West Greenup Avenue. Today, this spot is at a floodwall near the city mall and a music store-turned-Chinese restaurant.

In those days, Ashland was not just an industrial site — it also favored the arts and recreation. The eastern edge of town offered a fifty-acre amusement park with a concert hall and dancing pavilion, as well as boating and swimming facilities. There was a YMCA and five theatres and “moving picture houses”, as well as a racetrack and a yearly agricultural fair. Its local high school, the Ashland Tomcats, was the national basketball champion in 1928, having edged Canton, Illinois, 15-10. Ashland seems to have retained its zest for the arts. Today it offers a beautiful park in the center of town, a community college, the Paramount Arts Center, a library, and a museum.

In Search of Ed Haley 31

16 Sunday Dec 2012

Posted by Brandon Ray Kirk in Ed Haley

≈ Leave a comment

Tags

Appalachia, Arthur Smith, Ashland, Cincinnati, Clyde Haley, Ed Haley, Ella Haley, Hamilton, history, John Hartford, Kentucky, Lawrence Haley, life, love, Milt Haley, music, Ohio, Pat Haley, ragtime, Ralph Haley, Roxie Mullins, Scott Joplin, Sugar Foot Rag, writing

Back in Ashland, Lawrence and I told Pat all about our trip to Harts Creek. We had some great photographs — including the one of Ed’s mother — and all kinds of new information. One of the first things Lawrence did was joke Pat about seeing “that funny boy” who nearly scared her to death forty years ago. I told her about Milt Haley’s murder, the possibility of Milt having been a fiddler and about our interview with Roxie Mullins. Lawrence liked the story about his father breaking a fiddle over someone’s head, although it kind of bothered me to think he would do such a thing.

At some point during the evening, Pat suggested showing me Ella’s postcards, but Lawrence quickly dismissed the idea. I could tell there was something in those postcards he didn’t want me to see, which of course only peaked my curiosity. It was clear by his negative response, though, that the issue was closed so I didn’t mention it again.

Instead, I pelted him with very specific questions about his father. I wanted to know how Ed Haley felt about different types of music.

Did your dad like the Blues? I asked.

“I guess he liked, uh, Joplin,” Lawrence said. “He liked a lot of that ragtime. ‘Sugar Foot Rag’, he liked that.”

What about something like Hank Williams?

“No, I don’t think he cared too much for that.”

Otis Redding?

“Well, he might have liked some of it.”

How about Dixieland Jazz, somebody like Louis Armstrong?

“No, not too much of that.”

How about bluegrass?

“No, he didn’t like that.”

How about Arthur Smith?

“That was a fiddler, and he had nothing for him, I reckon.”

Clayton McMichen?

“Well, I never have heard him mention him.”

How about Georgia Slim Rutland?

“I really can’t remember him ever mentioning that guy, either.”

Did he ever know about Benny Thomasson or Major Franklin or any of those Texas fiddle players?

“John, I wouldn’t say one way or the other,” Lawrence finally said. “It’s just like you keep asking me, did he play this tune, did he play that tune? I guess my best answer whenever you started that shoulda been what didn’t he play in the way of this old-time music. And that’s the same way, who didn’t he know if they was into that and they was around this area he probably found out about them.”

Early the next morning, Lawrence and I went to see Ed and Ella’s graves in Ashland. Along the way, I asked him if he remembered all the places where his father had lived in town.

“Aw, we lived in half a dozen different places,” he said. “All we did was rent. We lived in a couple down on Greenup Avenue, 10th Street, 22nd Street. Then we lived in one on Halbert and about three different ones on 45th Street and one up on 37th Street. That’s about it.”

None of Ed’s former dwellings were still standing.

Lawrence told me about the time his brother Clyde almost got married: “That’s one of those deals where I told you he was afraid of women. He was courting a lady up in Detroit or somewhere and she told my sister-in-law, Patsy — Jack’s wife — said, ‘He run off and left me practically at the alter. We had made all the plans and everything.’ Next thing we knew, he was working on a platform out in the Gulf of Mexico out of Louisiana. I don’t know where he was when Mom passed away.”

After we got back to the house, Lawrence explained why he’d ruled out showing me his mother’s postcards the night before.

“Some of the old postcards that Mom used to receive kinda had a flavor of real broken love,” he said.

They also revealed that Ralph Haley actually belonged to Ella by a previous marriage.

“I don’t know what his name was, her first husband,” Lawrence said. “Apparently it was somebody that she met either in school or after she come out of school and went back to Morehead. I think Ralph was born around 1914, ’15, somewhere along in there, ’16. He was approximately ten years older than me, twelve at the most.”

For the first time, I thought, Lawrence was opening up about his mother. He said she used to type letters to her friends.

“She had a friend, I guess she must have been pretty well Irish. Her first name was Bridget. I don’t remember her last name. She never married. She went into a home and kept people up at Hamilton, Ohio. Every time we went to Cincinnati, Mom wanted to go see her.”

I listened quietly before saying, “I wonder what happened to your mom’s letters? I bet they would tell a lot of history.”

Pat said, “They probably would but it would mostly be my mother-in-law’s. You know, her life.”

I said, “But women invariably talk about their husbands a lot,” and Lawrence agreed.

“Women can pass along more information between them in five minutes than two men can all day long,” he said.

Still, he never offered to show the cards so I just kind of left it at that.

Just before I headed back to Nashville, Lawrence reached me his father’s walking stick. “Here’s something I think you’d like to have,” he said. He also loaned me the four Library of Congress reel-to-reel tapes, containing over 100 recordings.

In Search of Ed Haley 25

10 Monday Dec 2012

Posted by Brandon Ray Kirk in Big Harts Creek, Ed Haley, Music, Spottswood

≈ Leave a comment

Tags

Appalachia, Ashland, blind, Cleveland, Ed Haley, Ella Haley, Enslow Baisden, fiddler, fiddlers, fiddling, Harts Creek, Hell Up Coal Hollow, history, Huntington, Jack Haley, Jeff Baisden, John Hartford, John Martin, Kentucky, Las Vegas, Lawrence Haley, Liza Mullins, Logan County, Milt Haley, music, Nevada, Noah Mullins, Ohio, Oklahoma, Peter Mullins, Robert Martin, Sherman Baisden, Sol Bumgarner, Trace Fork, Turley Adams, U.S. South, West Virginia, writing

After visiting with Turley and Joe’s girls, Bum guided Lawrence and I up a nearby hollow to see his uncle Enslow Baisden. Enslow lived in a newly built single story log cabin. He said he’d gone blind recently due to sugar and cataracts. At Enslow’s, we met “Shermie”, who Lawrence indicated was the “funny boy” that chased the Haley women off of Aunt Liza’s porch in 1951.

“A lot of times I wouldn’t have no company if it wasn’t for him,” Enslow said of Shermie, who was epileptic. Shermie wasted little time in pulling out a few cards from the pocket of his overalls and sputtering toward me, even reaching for my fiddle case. I knew right then I was surrounded by “good people”: they had kept Shermie under their care all of these years as a valued member of the family in lieu of institutionalization.

When I mentioned Ed Haley’s name, Enslow said, “I was young but I can remember him all the time a coming. They was some Martins lived on top of a mountain out here — Robert Martin and John — and they fiddled all the time, and he’d go out there and fiddle with them. I don’t know how he walked from up this creek and out on that mountain and him blind, for I can’t find my way through the house.”

Enslow said he didn’t know much about Ed because he left Harts during the early years of the Depression.

“See, I lost all time, about everything nearly. I left here in ’35 and went up to the northern part of the state here and then went out in Las Vegas, Nevada, a while. Then, when I come out, I went in the Army in April of ’41. I stayed in there four and a half years and got married out in Oklahoma and we never did come back but just on visits. And Ed, he died in ’51.”

Enslow’s recounting of his travels was sort of an interesting revelation since it reminded me that these folks on Harts Creek — like many mountain people — were not as isolated as some may think. Ed Haley himself left the creek and traveled widely with his music just after the turn of the century, while Lawrence and his siblings had lived in Ashland and Cleveland and served overseas in the armed forces. Several of the people I had met on Harts Creek had been to faraway places and lived in big cities but chose at some point to return to the grounds of their ancestors.

I asked Enslow how old he was the first time he saw Haley and he said, “Oh man I was about nine or ten years old. He all the time played that fiddle. He used to come down here to old man Peter Mullins’ and Liza Mullins’. I guess they was real close kin to him. And Ed’s daddy’s name was Milt Haley. I don’t know whether Lawrence knowed that or not.”

Lawrence said, “Yeah, I knew that. But I understood from the way Aunt Liza told me, he came from over the mountain and I think that she was talking about from up around Williamson or over in that area. My dad, he was born right down here below Uncle Peter’s, where Turley’s at now, in the old house.”

Lawrence’s mentioning of “the old house” really got Enslow going. He remembered it well.

“There used to be an old log house there he was born in and they had a chimney outside on that old house down there — just an old rock chimney. Dad all the time talked about it. He said Ed got him one of them little old homemade sleds, you know, and he got him a ladder and put it on top of that house. And he got right up by that chimney and then when he come off’n there on that sled he knocked the rocks off with him.”

What? Why would he have done such a thing?

“I’ve always heard my dad tell it,” Enslow said. “Said that rock just barely did miss him.”

I wasn’t sure what to make of such a story but before I could really ask anything about it Enslow was off on another tale.

“Dad said one time they sent Ed down there to get some milk or butter or something. When Ed got out there on his way back he got in a briar patch. Dad took a notion to have some fun out of Ed. They had an old horse they called Fred. Dad got to stomping and snickering like that old horse and Ed said, ‘Old Fred, don’t you come here, now. Don’t you come here, Fred.’ Dad said he kept stomping and Ed throwed that stuff at him and tore hisself all to pieces in them briars.”

I asked Enslow to describe Haley and he said, “Well, he just always dressed pretty nice. He was a big man, too. They used to buy him these plugs of tobacco and these guys would get this beech bark and whittle it out about the size of a plug of tobacco and let Ed have that bark and they’d take his tobacco. If he ever got a hold of you, though, he’d eat you up, see. They said you couldn’t get loose from him.”

Apparently, Ed and his wife were so self-sufficient that locals sometimes forgot they were blind. Enslow told a great story about Ella and Aunt Liza, who were sitting by a lamp together one night. “Well, Mrs. Haley, I’m going to bed,” Liza said. “Well, just blow out the light,” Ella answered. “I’m going to read a while.” Liza said, “How’re you going to read in the dark?” Ella said, “Well, I can’t see no way.”

Enslow’s mentioning of Aunt Liza conjured up a great memory from Lawrence.

“Uncle Peter liked to wore me to death one time. Me and my brother Jack went with him up there behind his house and he had a old team of oxen we was snaking logs out of a hollow with. These oxen got hot. One of them got in the creek trying to cool off. Well, Uncle Peter couldn’t get him to move, so he went over underneath a tree and sat down. Well, me and my brother Jack was a cutting up, you know. He was teasing me. I was younger than he was. And I picked up a big rock and throwed it at him and hit Uncle Peter right where it hurts. And he got up. I knowed I could outrun him. My brother — I looked at him — he took off. And I was afraid to move. Uncle Peter come up there. I thought, ‘Well, I’m dead meat.’ It looked like he pulled down a half a tree and got a hold of me and he didn’t let go until he wore that limb out.”

I asked Enslow about Ed Haley’s music.

“I used to hear him play all them old tunes,” he said. “He’d sit and play for hours and hours at a time, him and her.”

Enslow motioned toward Lawrence, saying, “His mother played a mandolin and had a thing on that sat on her shoulders there and had a harp and played them both at the same time.”

He leaned back a little, reflecting, “Yeah, he played all the old music. He’d make up songs. Be sitting around and just directly he’d write a song. Like ‘Hell Up Coal Hollow’ and two or three more he made up that way. You’d come up and say, ‘What was that Ed?’ He’d just tell them what it was.”

Enslow and Bum said Haley made “Hell Up Coal Holler” and named it for Cole Branch, a tributary of Harts Creek. I didn’t know if Ed was the source of that story but I later learned that “Hell Up Coal Hollow” (at least the title) actually predated Haley’s lifetime. As I was gradually learning, Ed wasn’t preoccupied with historical accuracy and was good at creating temporary titles and weaving stories based on coincidence.

Enslow said, “Ed had some kind of saying he always said when he played on the radio down there about ‘carbide acid and acifidity gum’ or something.”

Lawrence said he’d never heard anything about his father playing on the radio but Enslow seemed sure of it.

“He played on the radio down there at Ashland or Huntington or somewheres way back there. I’m pretty sure they said he did.”

I wondered what acifidity gum was and no one knew, although Lawrence had heard Ed talk about it. (We later learned it was an old folk remedy for treating asthma.) Enslow said Uncle Peter asked Ed about it one time and he said, “Well, you have to get a little comedy with the music.”

Wow — so Ed told jokes?

Enslow said, “I guess to draw their attention or something.”

I asked Enslow if he’d ever heard Ed play for a dance and he said, “Well, I used to go to lots of things he played for, but I can’t remember now. They’d go out there on that mountain and play all night at Robert and John Martin’s. They’d be maybe two hundred people out there. Robert Martin all the time played the fiddle and I don’t know whether John played or not.”

Enslow thought Ed and Robert played their fiddles “together,” but Bum added, “Bob played a little different than Ed did. He played newer stuff.”

Enslow thought for a moment, then said, “Yeah, my dad, he used to play the banjo all the time, him and his nephew. They used to play for dances way back years ago.”

What was his name?

“Jeff Baisden.”

Bum said, “I was telling him about Grandpaw taking them two little sticks and beating on the fiddle for Ed.”

Someone said, “He’s the one had the big old feet and he’d get up and dance and play the banjo.”

Enslow said, “They called him ‘Jig-Toe’ Baisden. He wore a twelve or thirteen shoe and he’d get up on his toes and dance. And Noah Mullins, Uncle Peter’s son, he could flat dance. He’d get on his heels and dance all over. He called their square dance about all the time.”

In Search of Ed Haley 24

09 Sunday Dec 2012

Posted by Brandon Ray Kirk in Big Harts Creek, Ed Haley, Spottswood

≈ Leave a comment

Tags

Appalachia, Ashland, Ashland Cemetery, Buck Fork, Clifford Belcher, Connie Woods, Dingess, Ed Belcher, Ed Haley, Ella Haley, fiddle, fiddler, fiddling, genealogy, George Greasy Adams, guitar, Harts Creek, history, Hoover Fork, Jackson Mullins, Jeff Baisden, John Frock Adams, John Hartford, Johnny Hager, Kentucky, Lawrence Haley, Liza Mullins, Logan, Logan County, Maynard's Store, music, Nashville, Peach Creek, Peter Mullins, Ralph Haley, Sol Bumgarner, square dances, Trace Fork, Turley Adams, Violet Mullins, Weddie Mullins, West Virginia

At some point, Connie showed up with a small entourage of women toting some of Joe Mullins’ old pictures. My eyes immediately went to a large, framed photograph of two serious mustachioed men. Turley said one was Weddie Mullins — his grandfather on “both sides” of the family tree — while the other was Ed Haley’s Uncle Peter Mullins. Both men were brothers. Turley said his grandfather Weddie — Ed’s uncle — was murdered at the little town of Dingess just after the turn of the century.

Lawrence said, “Mom and Pop used to play at Dingess — just a little community over in MingoCounty.”

That got us back on the subject of Ed, although most of the commentary was choppy and mixed between looking at photographs. One of the girls said, “We’ve heard talk of Ed all our lives.” Another made the unusual remark, “He could see lightning. Some way he could feel it or something and tell it was hitting.” Someone said Ella could tell the difference between the Haley children by their smell.

Turley, who had been fairly quiet throughout our visit, said to Lawrence, “Bernie Adams used to play a lot of music with your dad.”

Violet said, “Bernie’s the one took him in the chicken house for the toilet. They stayed all night up at our house. Robert Martin and Bernie and Ed and them played music all night. I can remember it. I was just a little girl. Mother said Ed played many a time where she was raised up over in the head of Francis Creek.”

Lawrence said, “You know, these different places like Hoover and places like that don’t ring a bell to me. I can remember going down here to the end of Trace, and maybe down to Smoke House, and up to George Adams’ who lived on up this way, and up to that store — Maynard’s Store — and buying candy, but that’s about the limit of my travel, except coming up from the mouth of Harts.”

Basically, the next half-hour or so was a giant “get to know everybody session” — mostly between Lawrence and the locals. I sort of hung back a little, taking it all in, while Lawrence spoke of and listened to stories about his father. There was a glow about his face that had been absent in Ashland.

At one juncture, he told Connie how her grandparents, Peter and Liza Mullins, raised his father.

“Oh, really?” she said. “I didn’t know that. Now I remember Granny. They wanted me to stay all night with her and I was always afraid she’d die in her sleep or something. That’s terrible.”

She asked Lawrence if he remembered Uncle Jeff — “he was Granny’s brother and he was kinda slow.”

Violet said, “He liked to go to all these dinner meetings they’d have out in the country. He’d walk for miles and miles.”

Connie asked Lawrence if Ed ever played at Logan — the seat of government for Logan County — and he said, “Yeah, he used to play around Logan quite a bit and Peach Creek. He’d play up there during court days especially. Back in them days, the town would load up. I’ve been there with him during those times. The old courthouse, I think it faced toward the river. One side of it was on Stratton Street.”

Connie asked where Ed was buried and Lawrence said, “He’s buried in the Ashland Cemetery in Ashland. Mom’s buried in the same cemetery but not with him. By the time my mother died — she died three years after Pop — they’d filled that section up.”

I’d never really thought about that. Ed and his wife were not buried together, the kind of seemingly minor detail tossed out randomly that took on somewhat of a greater meaning at a later date. I made a note to myself right then that I would visit Ed’s grave in Ashland before heading back to Nashville.

Violet wondered about Lawrence’s older brother, Clyde.

“Clyde’s out in Stockton, California,” he said. “He’s what I call the black sheep of the family. Never married. He just followed the sun for work. When it was summertime, he’d go north; when it was wintertime, he’d go south.”

Just then, an old man called Bum showed up at Turley’s. Bum remembered Ed and his family well. He asked Lawrence about the Haleys. It was hard to focus on their conversation — everyone in the room seemed to be talking at once — but I heard Bum mention something about how Lawrence’s brother Ralph used to hang from tree limbs by his “sticky toes” and would “do anything.”

“That’s exactly how he got killed,” Lawrence said. “He was hanging by his toes and he was gonna let go with his toes and flip over and land on his feet but he didn’t make it. He was just active like that. See, Ralph danced around these carnivals and fairs and places.”

A few minutes later, things quieted down a little. I moved over near Bum to ask him about Haley. His answers seemed to come through his nose more than his mouth and were usually followed by a little chuckle. He was great. Bum said he was 67 years old and first saw “Uncle Ed” in the thirties.

“He lived down in Ashland and he’d come up pretty often,” Bum said. “People come from everywhere to listen at him play whenever they’d have them big dances and stuff. He’d play half the night. Yeah, I’ve been right there.”

I asked Bum about Ed’s tunes and he said, “Ah, he played so many… There was one religious tune he’d put the bow under the fiddle, and the hair, he’d turn it right over and slip his fiddle between it, and play that. I forgot what it was.”

Bum told me all about the old dances.

“They used to have a big working,” he said. “About every family on this creek and Harts Creek down here, they’d all gather up and hoe one man’s field out and then move to the next one. And they’d all go to each other’s farms that way and help each other, and when they got done one man would have a big dance. They’d have a dance on Saturday night. They’d have them at just about every home, mostly at Uncle Peter’s up here, in the house. Like one room in there, they’d gather everything up and take it outside and they’d have a dance in there, and when they got through they’d put the furniture all back in. Anybody that wanted to come was invited. They’d have food right in the house. There were usually three or four around to call the reel: ‘Dosy doe and here she comes and there she goes.'”

“It’d just be Uncle Ed and John Hager playing?” I asked.

“Well, Ed mostly,” Bum said. “Uncle Johnny, he played some with him. Uncle Ed, he played by himself most all of these dances. Mrs. Haley played with him a lot. She played the mandolin, guitar or accordion.”

“Did Johnny Hager play the banjo about like Grandpa Jones?” Turley asked Bum.

“Yeah, over-handed they call it,” Bum said. “Molly O’Day, she played that way. My grandpaw would whittle out two little sticks and he’d sit and beat on them strings and Ed a playing the fiddle.”

“Ed played with Ed Belcher,” Turley said.

“Yeah, I’ve heard Pop talk about Ed Belcher,” Lawrence said.

Now who was Ed Belcher?

“He played the guitar,” Bum said. “He could play the piano, too. They’d get together at times and play together. They’d go up Buck Fork.”

Bum said he last saw Ed Haley “over here on that mountain yonder” at Clifford Belcher’s beer joint.

“He’d go down there and play and people’d give him beer and stuff. That’s about all he wanted. I run into him over there one night. I said, ‘Uncle Ed, where you been?’ He said, ‘I ain’t been no where but right here. I come up here to sit around and play music a while.’ I bought him a beer and he sat there and played music. Well, a Conley boy run in and went to playing and thought he was better than Ed and everything. Ed finally told that boy, said, ‘Why don’t you quit playing that music? You can’t play. You’re cutting my music up too much.’ That boy come back at him, you know, and aimed to fight him. He said, ‘Shut up, old man. You don’t know what you’re a talking about.’ I was standing there and I told him, I said, ‘Now listen. If you jump on that man, you’ll have me to fight and him both.’ And Ed took his fiddle and hit that feller right down over the head with it and busted that fiddle all to pieces.”

Lawrence laughed.

Turley said Ed Haley was high-tempered, as well as strong, and hinted at his mean streak.

“Dad said Peter had a dog that Ed couldn’t get along with at all. Ed told Uncle Johnny, ‘You get me close to him and I’ll hit him in the mouth. I’ll knock him out.’ And he said Ed hit that dog and killed him with his fist. Hit him in the ear and killed him. That’s what my daddy told.”

Bum was very familiar with Ed Haley’s family on Trace. He said Uncle Peter Mullins was “pretty bad to get out and get drunk and get into it with people.” He knew all about Ed’s uncle Weddie Mullins’ murder at an election in Dingess. “There used to be a train come in there and they’d bring flour and stuff over there and people’d go over there to Dingess and get it,” he said. “They’d take wagons and go through these hills, like up Henderson and all them places and they got into it over there.” Bum wasn’t sure who shot Weddie but knew that his killer survived the fracas. Once the news reached Harts Creek, John Adams got a pistol from Jackson Mullins and rode to Dingess where he found Weddie’s killer laid up in a bed clinging to life. Someone told him the guy probably wouldn’t make it so (like something out of a Hollywood Western) he pulled out a .38 pistol and said, “I know he won’t,” and shot him in cold blood.

I wasn’t exactly sure who any of these people were — Jackson Mullins, John Adams — but I had the impression that they were some relation to Ed Haley. At that juncture, I just let the tape recorder roll and tried to take notes and absorb everything, figuring that what seemed like unimportant details would perhaps later develop into major items of interest.

In Search of Ed Haley 21

07 Friday Dec 2012

Posted by Brandon Ray Kirk in Big Harts Creek, Ed Haley, Spottswood, Whirlwind

≈ Leave a comment

Tags

Appalachia, Ashland, Harts Creek, history, Jack Haley, Joe Mullins, John Hartford, Kentucky, Lawrence Haley, Liza Mullins, Liza Napier, music, Pat Haley, Sherman Baisden, Stella Mullins, U.S. South, West Virginia

Later that night, Lawrence, Pat and I talked more at the kitchen table. For reasons I cannot remember — but possibly because I was so determined to get at the root of the music — our conversation kept returning to the subject of Ed’s childhood and birthplace in West Virginia.

Pat said she first went to Harts Creek with Lawrence, Jack and Jack’s wife Patsy in the summer of 1951. Noah and his wife Janet also made the trip.

“We went up in Jack’s Packard,” she said. “Three in the front and three in the back, plus Beverly and two babies. It was a horrible ride and it was at night and all the way up there the boys was telling us what to expect. They was telling us that you better be careful because going up to Harts like that at night — strangers — they could shoot you in a minute. They told us there was a headless horseman that rode up and down that hollow and a screaming banshee and they told us if the creek was up we’d have to walk it. Patsy and I was scared to death.”

I asked about Aunt Liza, the lady who raised Ed.

“When we went up there the first time, Aunt Liza was living in the old log homeplace,” Pat said. “Aunt Liza, Little Liza, Joe and Stella lived there.”

Aunt Liza was Ed’s aunt, Lawrence said, while Joe was his first cousin. Joe was married to Stella and was a close relative to Little Liza.

The Haley trip was a real experience for Pat and her sisters-in-law.

“When we went up there, Joe had a couple of kids,” Pat said. “One was about two maybe and it was wearing a little gown and had this beautiful blonde curly hair. I picked it up and said, ‘Oh, what a beautiful girl you are,’ but when I raised it up I saw that it didn’t have a diaper on and was a little boy. Aunt Liza said Stella had just had a baby the day before and was ‘feeling puny.’ That was a new word to me. Oh, we asked to see the baby and they said it was in the bed. Well, we couldn’t find that baby because it was down in the feather bed. And what surprised us was that Stella was up and about.”

Pat remembered the trip fondly.

“They were very down-to-earth people and I’m assuming that very little had changed from the time Pop grew up there,” she said. “It was like the cowboy movies where they cooked on those wood stoves and the way they served it at that great, big wooden table. Little Liza and Aunt Liza cooked us a meal. The food was good.”

Pat said she and the rest of the Haley wives probably made a big impression on Aunt Liza and company as well.

“We were outside on the porch and Aunt Liza said she’d never seen anybody dressed like us,” she said, laughing. “I guess we looked like painted jezebels. We had make-up on and modern hairdos. Janet was wearing a white blouse and a black skirt. I had a short-sleeved yellow dress on. Patsy’s was blue. Patsy used to wear a lot of make-up, always painted her fingernails. Janet didn’t wear too much make-up but she always dressed nice. She loved to wear those silk blouses, and they tied at the neck. I think something else that fascinated them: we weren’t smoking a pipe. Aunt Liza smoked a pipe.”

At one point, Pat said she was standing outside with the girls when this “funny boy” came up and scared them nearly to death. “We were outside when this boy came up through the yard making funny noises,” she said. “He got so excited — moreso than when we saw him — and touched Janet’s shoulder and she screamed bloody murder. Poor old Aunt Liza didn’t know what happened. And of course, Jack and Larry thought it was the funniest thing they’d ever heard.”

Pat made another trip to Harts a short time later with Jack and Lawrence.

“Jack took a movie camera and filmed everybody,” she said. “It seems like Jack took some pictures inside the cabin but I’m not sure. I know he was taking pictures outside of Aunt Liza and Little Liza and Liza’s daughter. I believe they thought he was just taking pictures. When he got back to Cleveland, he had the film developed.”

Later, in 1956, Pat made another trip to Harts Creek with Lawrence, Jack and Patsy. At that time, Joe Mullins was living in the old log cabin and Aunt Liza had moved into her daughter’s home just down the creek. Next door was an old log home covered in dilapidated paneling, which was supposedly built by Ed’s father, Milt Haley.

“And then when we went back the third time, Jack had brought the film from the previous visit,” Pat said. “I can almost hear him now saying, ‘Now Aunt Liza, I’ve got something I want you to see.’ They put a sheet over a mirror that was on the side wall and when the movie started Aunt Liza got real excited and started pointing toward Little Liza and saying, ‘There’s you. That’s me.’ You could see their lips moving in the movie but there wasn’t any sound. And Little Liza got excited too.”

A highlight of the trip occurred when Pat found herself in a conversation with Aunt Liza. “I suppose listening to Aunt Liza and Little Liza and me trying to talk was like a foreign language. Old Aunt Liza was telling me all about her property and I’m talking to her and I’m thinking she is talking about land but she isn’t. She’s talking cattle, dogs, and the oxen. And Little Liza was talking about her daughter going to school. And we got on the subject of the meals and what did she take for lunch. ‘Oh,’ she said, ‘she takes her lunch in the lard bucket and she put biscuits and cornbread and different things in it.’ And I asked her about her husband and she said, ‘We’re not certified,’ and I wasn’t really sure what that meant so I said, ‘Oh, Lawrence and I aren’t, either.'” On the way home, Lawrence asked her if she knew what she’d meant to say because Little Liza had meant that she and the girl’s father weren’t married.

Lawrence could tell that I was really interested in his father’s birthplace so he asked me if I would like to see it. I said I would love to — and was more than happy to provide the car and gasoline for such a trip.

In Search of Ed Haley 20

07 Friday Dec 2012

Posted by Brandon Ray Kirk in Ed Haley

≈ Leave a comment

Tags

Appalachia, Arkansas Traveler, Ashland, Blackberry Blossom, blind, Chillson Leach, Ella Haley, fiddler, fiddlers, fiddling, Fisher's Hornpipe, J P Fraley, John Hartford, Kentucky, Lawrence Haley, Mt. Sterling, music, Ralph Haley, Turkey in the Straw, U.S. South, Virgil Alfrey, West Virginia, Williamson

Later that evening, Lawrence and I went to see J.P. Fraley. On the way, he told me more about his father’s recordings.

“Well, he depended on my brother Ralph to tap him on the shoulder when he wanted him to start, and when he was getting near the end of the disc he’d tap him again, see? And Pop, sometimes he’d stop right then, cut it off real short, and then sometimes he’d go to the end of that run and hit that shave and a haircut at the end of it. Sometimes it sounded like he was gonna quit, see? Ralph hadn’t give him the signal that they was close to the end of the recording, so you can hear a little bit of hesitation at times. I thought Mom was getting ready to stop, too.”

Lawrence figured the records were made in the daytime but wasn’t sure of the time of year. “I guess the good part of maybe one spring or something because I was in the service and I wasn’t home.”

At the time of the recordings, Ed was no longer playing professionally. “He’d go out, like I say, a few times. Somebody’d come and get him, take him somewhere. He thought, ‘Well, if they’re gonna have a good time, I’ll go up and play for them and have a good time with them.’ As time went on, the older he got, the harder it was to get him to go. I guess he was having more trouble with his circulatory system.”

At J.P.’s, we met Virgil Alfrey and Chillson Leach, two old-time fiddlers from around Ashland. Virgil began playing the fiddle as a boy of twelve in the early thirties, around the time he used to see Ed in Williamson, West Virginia. The last time he saw him there he reached Ed a dollar and requested “Fisher’s Hornpipe”. Haley recognized his voice, played the tune then tried to give his dollar back because he liked him.

Chillson Leach, an 83-year-old retired rigger from Mt. Sterling, Kentucky, had been playing the fiddle since he was nine years old.

“Uncle Ed was one of the best fiddlers in this country,” he said. “He would get an audience in front of him and he kinda knowed that they was a lot of people by the sound of the money they throwed in his cup. And he’d say, ‘People, they’s a mental strain and a physical strain on playing the violin.’ Now that’s what he would tell them. He wanted them to know that he was earning his money when he was a playing that violin. And lord, when he would pull that bow across that fiddle he’d get some of the prettiest notes that ever you heard in your life. His fingers was long and slim and as nimble right up I reckon till he died.”

Lawrence, who was taking all of this in, said, “Pretty close. He slowed down the last five or six years.”

Chillson said, “Yeah but when I knowed him, my goodness, he’d get way down on that neck. Any position you wanted him to play. He was wonderful. It’s a shame that a person has to die. I’d give him a quarter and I’d say, ‘Play that ‘Blackberry Blossom’ and he played that for me and man he could just make your hair stand on your head. And then he played a lot of reels, you know. He could play anything you’d ask him: ‘Turkey in the Straw’, ‘Arkansas Traveler’.”

Chillson was obviously a fan.

“I just thought the world of him because he entertained everybody in Ashland,” he said. “He had a blind fellow that played the guitar with him and this blind fellow would sit there and man they’d make some pretty music.”

On the way home, Lawrence told me that his father hated to play “Turkey in the Straw”.

In Search of Ed Haley 19

06 Thursday Dec 2012

Posted by Brandon Ray Kirk in Ed Haley

≈ 1 Comment

Tags

Appalachia, Ashland, blind, California, Clyde Haley, culture, Cumberland Gap, Ed Haley, fiddler, fiddling, Halbert Street, history, Ida Red, John Hartford, Kentucky, Lawrence Haley, life, music, Pat Haley, square dances, Stockton, U.S. South

On the way home in the car, Lawrence told a story about his father getting drunk and trying to find his way home one winter night.

“We lived on Halbert Street,” he said. “The Prices down the street took Pop off somewhere or brought him back to their house and turned him loose after he got real good and drunk. Well, he was coming home by himself. It might have been two or three city blocks. He was walking on this blacktop street but he was so drunk and it was pretty cold weather, too, and he just fell over in the ditch and went to sleep. They found him the next day at daylight. They said if he hadn’t been drunk he would’ve froze to death. That was way back I guess when I was a baby.”

A hard picture began to emerge: alcohol, music, meanness and the desolation it produces. Lawrence, however, emphasized that his father was actually a happy person who lived an eventful life.

“These people that put these jackets on these albums and things, they take a tune like ‘Man of Constant Sorrow’ and make it out like my dad should play a piece of music like that because that was his place in life: being a poor old down-and-out blind man — that he lived the life of ‘constant sorrow,'” he said. “That’s the way they make these tunes seem: that should be maybe my dad’s signature tune or something, playing a dirge like that. When really he enjoyed life and had a good time whenever it could be had. If he had somebody to carouse with, he’d carouse as long as they would and probably wear three or four people out.”

I said, “I get the feeling that as well as he played the dirges, that his favorite stuff was like ‘Cumberland Gap’ and ‘Ida Red’.”

Lawrence agreed, “Yeah, and he enjoyed people dancing. My brother Clyde, I guess he stayed around Pop a lot and he could call any of those ‘birdie in the cage’-type clogging square dance. The old hoedown square dance. He lives in California. He’s in Stockton somewhere out there, or was the last time I heard.”

I wondered if it would be okay to call him.

“Yeah,” Lawrence said, “if Pat has his number at the house.”

Ed Haley with eyes closed

06 Thursday Dec 2012

Posted by Brandon Ray Kirk in Ed Haley, Music

≈ Leave a comment

Tags

Appalachia, Ashland, blind, culture, Ed Haley, fiddler, history, John Hartford, Kentucky, life, music, photos, U.S. South

Ed Haley (1885-1951)

Ed Haley (1885-1951)

In Search of Ed Haley 18

05 Wednesday Dec 2012

Posted by Brandon Ray Kirk in Ed Haley

≈ Leave a comment

Tags

Appalachia, Ashland, blind, Charleston, Clark Kessinger, Ed Haley, fiddler, fiddlers, fiddling, history, John Hartford, Kentucky, Lawrence Haley, music, U.S. South, West Virginia

Lawrence and I drove to an Ashland restaurant where I asked more about Haley’s background between bites of seafood. I was desperate for clues about his early musical experience.

Just where did he learn to play?

Lawrence said his dad was like other mountain folks: music “absolutely come freely to these people.” He said, “A lot of people think old-time music is a simple art form because so many people that play it have a poor educational background. These people think, ‘If they can learn to play it, it has to be a simple thing to do.’ But it’s actually a complicated business.”

A little later, I asked him about Clark Kessinger and Charleston, West Virginia.

“I been to Charleston with Pop a few times, but if Clark Kessinger was around he never let Pop know,” he said. “He’d probably request a tune from him. Of course, Pop was pretty sharp on voices, too. He recognized a lot of people just by their voice. If Clark come up and requested a piece of music from him, Dad probably knew it. He never said anything to me about it. We were just kids.”

I said, “Well, Clark Kessinger studied your dad close. Of course, he knew what good fiddling was.”

“You have to give him credit for that,” Lawrence said, taking a bite of fish.

In Search of Ed Haley 17

04 Tuesday Dec 2012

Posted by Brandon Ray Kirk in Ed Haley

≈ Leave a comment

Tags

Appalachia, Ashland, banjo, Chapmanville, Charley Gore, East Tennessee Blues, Ed Haley, Ethel, fiddle, fiddler, fiddling, Fire on the Mountain, Great Depression, Harts, Harts Creek, Hell Among the Yearlings, history, Ira Gore, John Hartford, Johnny Hager, Kentucky, Lawrence Haley, Lee Trick Gore, Liza Mullins, Logan County, Mag Gore, Mona Haley, music, Ode Curry, Peter Mullins, Stoney Ferrell, The Dying Californian, U.S. South, West Fork, West Virginia, Wild Horse

Later in the evening, Pat put me in touch with Lee “Trick” Gore, an Ashland preacher and musician who remembered Ed Haley from his childhood days on Harts Creek. We met Gore the following day at his home in what was my first meeting with someone from Ed’s birthplace. He was a polite man with a loud clear voice, somewhat thick in stature and decked out in a tie and button-up sweater.

“I understand what you’re trying to do,” Gore said right away.

It wasn’t long until he and Lawrence were in a deep discussion about the people and places in and around Harts.

“We used to spend a week or two with Aunt Liza or Uncle Peter,” Lawrence said, prompting Gore. “Most of the time we’d ride the train up there and get off at Harts. They run passenger trains up into coalfields then. We’d get off there at the mouth of Hart and walk up and it was nothing but creek. You’d ford that creek a dozen times trying to stay close to the road and the road was in the creek half the time. You had to wade the creek half the way up through there. It’d take us half the day it seemed like.”

Lawrence said his father spent some time in Chapmanville, a town upriver from Harts about nine miles.

“I remember staying in Chapmanville, too. There was a beer joint or something that Pop wanted to stop at. They was some guy in there got to down-mouthing Pop. Stoney Ferrell, that’s exactly who it was. This guy kept aggravating him and Pop just edged toward his voice, you know. Instead of carrying a blind man’s cane, Pop carried a big heavy cattle cane. He got pretty close to him and he reached out and grabbed him around the neck with that cane.”

Gore said Ed used to come see his uncle Charley Gore at Ferrellsburg, a settlement about two miles upriver from Harts.

“Uncle Charley was a fiddler,” he said. “Charley was the principal of the school and Ed stayed with him. Well, once a year he’d happen by. That was right on the heels of the Depression. I was twelve. I was just learning to play the guitar then.”

Gore looked at Lawrence and said, “Either you or Mona was leading him.”

I asked Gore what Ed looked like at that time and he said, “He just dressed ordinary. He never dressed up, but he wasn’t dirty looking or nothing like that — just old-fashioned.”

He stopped for a moment, lost in thought, then said, “He was just something else. He was far ahead of a lot of fiddlers, buddy. There wasn’t none of this grinding on that violin. When he played it, it was just as smooth in that bow hand. I know he played ‘Hell Among the Yearlings’, ‘Fire on the Mountain’ and ‘The Wild Horse’. Uncle Charley played those tunes, too. I guess he learned them from Ed Haley.”

“I wish my daddy was alive,” Gore said. “Boy, he could tell you about Ed Haley because he loved him. Uncle Charley loved him dearly. And Ed knew that he was welcome at our house and that’s where he hung his hat buddy — where he was welcome. Do you know how I think of him? I think of him as kind of a mountain poet. He sung religious songs and them old mournful mountain tunes. It seems to me like he sung a song called ‘The Dying Californian’. I can’t remember the poetry to it, but it was a mile long.”

Ed sang while fiddling it.

Gore said Ed sometimes traveled with “Little Johnny” Hager, a banjo player who used to stay weeks at a time with his family when he was a boy. Lawrence Haley had shown me a picture earlier of Ed with Johnny Hager in Webster Springs in 1914.

I asked Gore if he knew that Ed could play the banjo and he said, “Seems like I heard him play it when him and Johnny was together. No doubt he could play it.”

Gore asked Lawrence if he remembered a man his father used to play with named Ode Curry (he didn’t), then said, “Ode Curry was just a fella that played the banjo and sang and he had a big nose, as well as I remember, and it’d vibrate when he’d sing because he sung through his nose. But let me tell you something: they would give him all he could drink to play and Ode knew some of the lonesomest, heart-breaking songs you ever listened to.”

Gore got his guitar and sang several songs for me, then whistled the melody for “East Tennessee Blues” and named it as one of Haley’s tunes. He said, “That’s funny how things come back to you when you sit down and get to talking about it, and reminiscing.”

I encouraged him to “play another tune and see what it stirs up,” so he strummed and whistled out a few more melodies.

At some point, Gore’s wife said she remembered seeing Haley play at Logan Court House and in a nearby coal town named Ethel.

Just before Lawrence and I left, Gore called his 85-year-old aunt, Mag Gore, about Haley. “Mag was a singer,” he said. “She married Ira Gore, her third cousin. She couldn’t get out of the Gore family.” He spoke with her briefly on the phone, then told us: “The only thing she remembers was that her husband Ira went to town one day and Ed Haley come home with him because Ira had a little bit of that good ol’ ‘moon’ they make over on the West Fork. They was a sipping that a little bit.”

West Fork, Gore said, was a tributary of Harts Creek with its headwaters in Logan County.

← Older posts
Newer posts →

Feud Poll 1

If you had lived in the Harts Creek community during the 1880s, to which faction of feudists might you have given your loyalty?

Categories

  • Adkins Mill
  • African American History
  • American Revolutionary War
  • Ashland
  • Atenville
  • Banco
  • Barboursville
  • Battle of Blair Mountain
  • Beech Creek
  • Big Creek
  • Big Harts Creek
  • Big Sandy Valley
  • Big Ugly Creek
  • Boone County
  • Breeden
  • Calhoun County
  • Cemeteries
  • Chapmanville
  • Civil War
  • Clay County
  • Clothier
  • Coal
  • Cove Gap
  • Crawley Creek
  • Culture of Honor
  • Dingess
  • Dollie
  • Dunlow
  • East Lynn
  • Ed Haley
  • Eden Park
  • Enslow
  • Estep
  • Ethel
  • Ferrellsburg
  • Fourteen
  • French-Eversole Feud
  • Gilbert
  • Giles County
  • Gill
  • Green Shoal
  • Guyandotte River
  • Halcyon
  • Hamlin
  • Harts
  • Hatfield-McCoy Feud
  • Holden
  • Hungarian-American History
  • Huntington
  • Inez
  • Irish-Americans
  • Italian American History
  • Jamboree
  • Jewish History
  • John Hartford
  • Kermit
  • Kiahsville
  • Kitchen
  • Leet
  • Lincoln County Feud
  • Little Harts Creek
  • Logan
  • Man
  • Matewan
  • Meador
  • Midkiff
  • Monroe County
  • Montgomery County
  • Music
  • Native American History
  • Peach Creek
  • Pearl Adkins Diary
  • Pecks Mill
  • Peter Creek
  • Pikeville
  • Pilgrim
  • Poetry
  • Queens Ridge
  • Ranger
  • Rector
  • Roane County
  • Rowan County Feud
  • Salt Rock
  • Sand Creek
  • Shively
  • Spears
  • Sports
  • Spottswood
  • Spurlockville
  • Stiltner
  • Stone Branch
  • Tazewell County
  • Timber
  • Tom Dula
  • Toney
  • Turner-Howard Feud
  • Twelve Pole Creek
  • Uncategorized
  • Warren
  • Wayne
  • West Hamlin
  • Wewanta
  • Wharncliffe
  • Whirlwind
  • Williamson
  • Women's History
  • World War I
  • Wyoming County
  • Yantus

Feud Poll 2

Do you think Milt Haley and Green McCoy committed the ambush on Al and Hollene Brumfield in 1889?

Blogroll

  • Ancestry.com
  • Ashland (KY) Daily Independent News Article
  • Author FB page
  • Beckley (WV) Register-Herald News Article
  • Big Sandy News (KY) News Article
  • Blood in West Virginia FB
  • Blood in West Virginia order
  • Chapters TV Program
  • Facebook
  • Ghosts of Guyan
  • Herald-Dispatch News Article 1
  • Herald-Dispatch News Article 2
  • In Search of Ed Haley
  • Instagram
  • Lincoln (WV) Journal News Article
  • Lincoln (WV) Journal Thumbs Up
  • Lincoln County
  • Lincoln County Feud
  • Lincoln County Feud Lecture
  • LinkedIn
  • Logan (WV) Banner News Article
  • Lunch With Books
  • Our Overmountain Men: The Revolutionary War in Western Virginia (1775-1783)
  • Pinterest
  • Scarborough Society's Art and Lecture Series
  • Smithsonian Article
  • Spirit of Jefferson News Article
  • The Friendly Neighbor Radio Show 1
  • The Friendly Neighbor Radio Show 2
  • The Friendly Neighbor Radio Show 3
  • The Friendly Neighbor Radio Show 4
  • The New Yorker
  • The State Journal's 55 Good Things About WV
  • tumblr.
  • Twitter
  • Website
  • Weirton (WV) Daily Times Article
  • Wheeling (WV) Intelligencer News Article 1
  • Wheeling (WV) Intelligencer News Article 2
  • WOWK TV
  • Writers Can Read Open Mic Night

Feud Poll 3

Who do you think organized the ambush of Al and Hollene Brumfield in 1889?

Recent Posts

  • Logan County Jail in Logan, WV
  • Absentee Landowners of Magnolia District (1890, 1892, 1894)
  • Charles Spurlock Survey at Fourteen Mile Creek, Lincoln County, WV (1815)

Ed Haley Poll 1

What do you think caused Ed Haley to lose his sight when he was three years old?

Top Posts & Pages

  • New Year's Raid (1888): Randolph McCoy's Testimony
  • Civil War Gold Coins Hidden Near Chapmanville, WV
  • Feudist Jim McCoy (1929)
  • Paw Paw Incident: Dan Whitt Deposition (1889)
  • Paw Paw Incident: Ellison Mounts Deposition (1889)

Copyright

© Brandon Ray Kirk and brandonraykirk.wordpress.com, 1987-2023. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Brandon Ray Kirk and brandonraykirk.wordpress.com with appropriate and specific direction to the original content.

Archives

  • February 2025
  • January 2025
  • October 2023
  • September 2023
  • December 2022
  • November 2022
  • May 2022
  • April 2022
  • February 2022
  • November 2021
  • October 2021
  • September 2021
  • June 2021
  • May 2021
  • April 2021
  • March 2021
  • February 2021
  • January 2021
  • December 2020
  • November 2020
  • October 2020
  • July 2020
  • June 2020
  • May 2020
  • April 2020
  • March 2020
  • February 2020
  • January 2020
  • December 2019
  • November 2019
  • October 2019
  • September 2019
  • August 2019
  • July 2019
  • June 2019
  • May 2019
  • April 2019
  • March 2019
  • February 2019
  • January 2019
  • December 2018
  • November 2018
  • October 2018
  • September 2018
  • August 2018
  • July 2018
  • June 2018
  • May 2018
  • April 2018
  • March 2018
  • February 2018
  • January 2018
  • December 2017
  • November 2017
  • October 2017
  • September 2017
  • August 2017
  • July 2017
  • June 2017
  • May 2017
  • April 2017
  • March 2017
  • February 2017
  • January 2017
  • December 2016
  • November 2016
  • October 2016
  • September 2016
  • August 2016
  • July 2016
  • June 2016
  • May 2016
  • April 2016
  • March 2016
  • February 2016
  • January 2016
  • December 2015
  • November 2015
  • October 2015
  • September 2015
  • August 2015
  • July 2015
  • June 2015
  • May 2015
  • April 2015
  • March 2015
  • February 2015
  • January 2015
  • December 2014
  • October 2014
  • September 2014
  • August 2014
  • July 2014
  • June 2014
  • May 2014
  • April 2014
  • March 2014
  • February 2014
  • January 2014
  • December 2013
  • November 2013
  • October 2013
  • September 2013
  • August 2013
  • July 2013
  • June 2013
  • May 2013
  • April 2013
  • March 2013
  • February 2013
  • January 2013
  • December 2012
  • November 2012

Enter your email address to follow this blog and receive notifications of new posts by email.

Join 2,925 other subscribers

Tags

Appalachia Ashland Big Creek Big Ugly Creek Blood in West Virginia Brandon Kirk Cabell County cemeteries Chapmanville Charleston civil war coal Confederate Army crime culture Ed Haley Ella Haley Ferrellsburg feud fiddler fiddling genealogy Green McCoy Guyandotte River Harts Harts Creek Hatfield-McCoy Feud history Huntington John Hartford Kentucky Lawrence Haley life Lincoln County Lincoln County Feud Logan Logan Banner Logan County Milt Haley Mingo County music Ohio photos timbering U.S. South Virginia Wayne County West Virginia Whirlwind writing

Blogs I Follow

  • OtterTales
  • Our Appalachia: A Blog Created by Students of Brandon Kirk
  • Piedmont Trails
  • Truman Capote
  • Appalachian Diaspora

BLOOD IN WEST VIRGINIA is now available for order at Amazon!

Blog at WordPress.com.

OtterTales

Writings from my travels and experiences. High and fine literature is wine, and mine is only water; but everybody likes water. Mark Twain

Our Appalachia: A Blog Created by Students of Brandon Kirk

This site is dedicated to the collection, preservation, and promotion of history and culture in Appalachia.

Piedmont Trails

Genealogy and History in North Carolina and Beyond

Truman Capote

A site about one of the most beautiful, interesting, tallented, outrageous and colorful personalities of the 20th Century

Appalachian Diaspora

  • Subscribe Subscribed
    • Brandon Ray Kirk
    • Join 787 other subscribers
    • Already have a WordPress.com account? Log in now.
    • Brandon Ray Kirk
    • Subscribe Subscribed
    • Sign up
    • Log in
    • Report this content
    • View site in Reader
    • Manage subscriptions
    • Collapse this bar
 

Loading Comments...