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Brandon Ray Kirk

Tag Archives: Patsy Haley

Noah Haley, Ed Haley, Ella Haley

28 Tuesday Feb 2017

Posted by Brandon Ray Kirk in Ed Haley, Music

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Appalachia, Ashland, Boyd County, Ed Haley, Ella Haley, fiddler, fiddling, history, Kentucky, music, Noah Haley, Patsy Haley, photos

ed-haley-2

Noah Haley, Ed Haley, and Ella Haley seated for a holiday dinner in Ashland, Kentucky, Christmas 1946. Photo courtesy of Patsy Haley.

In Search of Ed Haley 352

08 Friday Aug 2014

Posted by Brandon Ray Kirk in Chapmanville, Ed Haley, John Hartford, Music

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Ashland, Brandon Kirk, California, Catlettsburg, Catlettsburg Stock Yard, Chapmanville, Clyde Haley, Ed Haley, Ella Haley, genealogy, Halbert Street, history, Horse Branch, Jack Haley, Jean Thomas, John Hartford, Junius Martin, Kenny Smith, Kentucky, Lawrence Haley, Logan County, Mona Haley, music, Ohio, Pat Haley, Patsy Haley, Ralph Haley, Ralph Mullins, Rosie Day, San Quentin, South Point, Wee House in the Wood, West Virginia, Wilson Mullins, writing

The next day, Brandon and I got Mona to ride around town and show us some of the places where Ed played, as well as where he’d made the home recordings on 17th Street. In the car, she tried to recount the places the family had lived since her birth at Horse Branch in 1930.

The first place she remembered was an old brown house built on a slope at Halbert Street. This was the place where Ralph built the trap door.

When Mona was seven or eight years old, the family moved to 337 37th Street.

When she was about thirteen, they moved to 105 17th Street. She lived there in 1944 when she married Wilson Mullins and moved away to Chapmanville, near Harts. After her divorce, she moved back to 17th Street. At that time, Ed was separated from Ella and living in West Virginia.

For a brief spell, the Haleys lived at 5210 45th Street. Rosie Day lived nearby in a basement apartment.

Around 1948, the family moved to 1040 Greenup Avenue. Mona lived there when she married Kenny Smith and moved to South Point, Ohio.

Around 1950, Ed, Ella, Lawrence, Pat, and little Ralph moved to 2144 Greenup Avenue. Jack and Patsy lived there for a while because Patsy — who was pregnant with twins — wanted to be near the hospital. It was there that Ed passed away in February of 1951.

Thereafter, Ella stayed intermittently with Lawrence and Pat in Ashland or with Jack and Patsy in Cleveland until her death in 1954.

Brandon and I drove Mona around town later and she pointed out the sight of the Catlettsburg stock sale, where she remembered Ed making “good money” around 1935-36. She also directed us to at least three different locations of Jean Thomas’ “Wee House in the Wood.” One was remodeled into an office building and used by the county board of education, while another was out in what seemed like the middle of nowhere on a wooden stage in a valley surrounded by tall grass. Brandon and I thought this latter location was almost surreal, like something out of a weird dream.

Later at dinner, Mona told us what happened to her records.

“I sent Clyde some records when he was in San Quentin, California but he never brought them back with him,” she said.

I told her that some guy named Junius Martin had brought Lawrence some of Ed’s recordings and she said, “Seems like Junius Martin was one of Pop’s drinking buddies. I thought his name was Julius.”

In Search of Ed Haley 351

07 Thursday Aug 2014

Posted by Brandon Ray Kirk in Ed Haley, John Hartford

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Allie Trumbo, Ashland, Beautiful Isle of Somewhere, Brandon Kirk, California, Cincinnati, Cleveland, Doug Owsley, Ed Haley, Ella Haley, Florida, genealogy, history, Jack Haley, Janet Haley, Jimmy Haley, John Hartford, Kentucky, Lawrence Haley, life, Margaret Ryan, Mona Haley, music, Noah Haley, Oak Hill Cemetery, Ohio, Pat Haley, Patsy Haley, Ralph Haley, Ralph Payne, Rosemary Haley, Wilson Mullins, World War II, writing

Early in December, Brandon and I met at Pat Haley’s. All of our excitement focused on the upcoming meeting with Owsley’s forensic team, although it wasn’t long until we were in the familiar routine of asking Pat and Mona questions. Mostly they spoke of Ralph, a key player in Ed’s story. It was Ralph who recorded Ed’s and Ella’s music. Pat said Patsy knew a lot about Ralph, so she called her in Cleveland.

Patsy said Ralph was a nice and intelligent person.

“All the kids looked up to him when they were growing up,” she said.

As far as Patsy knew, Ralph never had any contact with his real father but he did take the last name of Payne when he was older.

Around 1936, Ralph married Margaret Ryan, an eighteen- or nineteen-year-old Cincinnati girl. The newlyweds took up residence with Ed and Ella, and Ralph stopped drinking (at his wife’s insistence). Margaret remained living with the Haleys during the war, when Ralph was overseas fighting the Japanese.

During the war, Ralph had an affair with a Filipino woman named Celeste, who Pat said bore him a son. Mona thought he actually married Celeste. According to her, his plan was to “set” Margaret up after the war, divorce her and return to his Filipino bride. He had Celeste’s name tattooed on his body. When he returned home from the war, he told Margaret, when she saw his tattoo, that Celeste had been the name of his ship. Ralph and Margaret soon left Ashland and moved to Cincinnati.

It was around that time that Patsy came into the family. She said she married Jack in California on October 25, 1946 and met Ed the following Thanksgiving in Ashland. She and Jack moved in with him for three months at 105 17th Street. Mona, Wilson Mullins, and little Ralph were also living there at the time. Jack only stayed for about three months because he couldn’t find work. Patsy said they moved out near Ralph in Cincinnati. Ella’s brother Allie Trumbo lived there, as did several of her close friends. Mona and her family soon followed them there and found an apartment in the same building.

Mona said Ralph’s thoughts were with Celeste: he was in the process of getting Margaret “set up” when tragedy intervened.

One Sunday in May of 1947, Jack, Patsy, Ralph, Margaret, Mona, Wilson, and little Ralph went fishing at a park about 25 miles outside of Cincinnati. At some point, Patsy said Ralph and Mona began talking about hanging upside down in a nearby tree. Mona climbed up the tree and Patsy took her picture. Then Ralph got in the tree and fell. As he lay on the ground, he told his family that his neck was broken and requested that they put a board under him until the doctors could arrive. Ralph was taken to a hospital where he told Ella, “When I bite down on the ice it makes a musical tone in my head.”

On Thursday, May 22, 1947, Ralph died at the age of 34. The family was afraid that Ella might hear of his death over the radio. She was staying at Mona’s apartment at the time.

On May 24 — Mona’s birthday — Ralph was buried in the Oak Hill Cemetery near Cincinnati. Patsy said Ed never made it to Ralph’s funeral, nor did Lawrence, who was in the service in Florida but Mona remembered that Lawrence was there on emergency leave. Someone played “Beautiful Isle of Somewhere”, Ralph’s favorite hymn.

Celeste later wrote Ella, mentioning how her son had an ear problem. When the family wrote to tell her of Ralph’s death, she figured they were making it up just so she would stop writing.

We figured that Ralph was Mona’s favorite brother since she had named her oldest son after him, but she said Jack was her favorite brother because he had taken up for her the most. She said Ella had been the one who named her son after Ralph. She also spoke highly of Noah, who contracted malaria and saw a lot of combat during World War II.

“Noah was good to send things home to Mom and Pop during the war,” Mona said. “And when he came home he laid carpet and fixed doorbells did things like that for Mom there at 17th Street.”

Noah went to Cleveland around 1950. Pat said Noah’s wife was a high-strung person. Their daughter Rosemary killed herself when she was eighteen. She wanted to get married but her mother protested, so she went into her brother’s room and shot herself in the head. In later years, Noah and Janet divorced. Pat said Noah’s son Jimmy really did a good job of looking after them. Janet died several years ago.

In Search of Ed Haley 344

26 Saturday Jul 2014

Posted by Brandon Ray Kirk in Ed Haley, John Hartford, Lincoln County Feud, Music

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Ashland, banjo, Bobby Taylor, Brandon Kirk, Charleston, Clyde Haley, Cultural Center, Deborah Basham, Ed Haley, Ella Haley, Forked Deer, Green McCoy, Grey Eagle, history, Jack Haley, John Hartford, Kentucky, Lawrence Haley, life, mandolin, Michigan, Milt Haley, Mona Haley, music, Pat Haley, Patsy Haley, Ralph Haley, Ralph Mullins, Rounder Records, San Quentin, Scott Haley, Smithsonian Institution, Steve Haley, West Virginia, writing

Around that time, Brandon and I received confirmation from Doug Owsley at the Smithsonian that he was interested in exhuming the Haley-McCoy grave. Doug gave us instructions on what we needed to do before his office could actually become involved — most importantly, to get permission from the state authorities, as well as from Milt’s and Green’s descendants. We felt pretty good about our chances of getting support from the family but weren’t sure what to expect from “officials.” For some guidance in that department, we called Bobby Taylor and Deborah Basham at the Cultural Center in Charleston, who told us all about exhumation law and codes in West Virginia. They felt, considering the interest of the Smithsonian, that we would have no trouble on the bureaucratic end of things.

Meanwhile, Rounder Records was in the final stages of releasing a two-CD set of Ed’s recordings called Forked Deer. The sound quality was incredible on the re-masters although to the uninitiated ear some of the music still sounded like it was coming from behind a waterfall in a cellophane factory. In addition to Forked Deer, Rounder was slated to release two more CDs of Ed’s music under the title of Grey Eagle in the near future.

I was very excited about all of these tunes getting out because I had fantasies of some “young Turk” fiddler getting a hold of them and really doing some damage.

In July, I called Pat Haley to tell her about the CDs, but we ended up talking more about her memories of Ed.

“I know when we lived in 1040 Greenup — when I first came over here — Pop would play very little. Only if he was drinking and maybe Mona would get him to play. I never knew of Pop ever playing sober. I didn’t hear Pop play too much but then his drinking days were just about over. But Mom would play. They had a mandolin and might have been a banjo and Mom would play a little bit. I didn’t know their brother, Ralph. He passed away, I believe, in ’46 or ’47 and I didn’t come into the family until ’48 — when I met Larry — but we married in ’49.”

Pat and I talked more about Ed’s 1951 death.

“Larry and I lived with Mom and Pop on 2144 Greenup Avenue and little Ralph lived with us,” she said. “Clyde had just come home from San Quentin, and a couple of months before Pop died Patsy was due to have Scott and so she moved into the house with us. Her and Jack had the front living room as their bedroom so that Patsy could be close to the hospital. Scott was born January 4th. My Stephen was born January 27th. We were all in the same house when Pop died. But about three days before Pop died, Clyde decided to rob his mother and came in in the middle of the night and stole her sweeper and radio while we were sleeping and he was picked up by the police and he was in jail when his daddy died. He didn’t get to come to his daddy’s funeral. His mother’s either, actually. He was in a Michigan prison when his momma died.”

In Search of Ed Haley 330

02 Wednesday Jul 2014

Posted by Brandon Ray Kirk in Ed Haley, Music

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Ashland, Ashland Daily Independent, Benny Martin, Brad Leftwich, Bruce Molsky, Buddy Spicher, Charlie Acuff, Earl Scruggs, Ed Haley Fiddle Contest, Ella Haley, fiddling, Fletcher Bright, history, Hoot Hester, Jim Wood, John Hartford, Kentucky, mandolin, Mike Compton, Mona Haley, music, My Happy Childhood Days Down on the Farm, Nashville, Pat Gray, Pat Haley, Patsy Haley, Poage Landing Days, writing

Meanwhile, plans were underway for an “Ed Haley Fiddle Festival” in Ashland. The whole idea was conceived by Pat Gray, a local real estate agent who’d been inspired by an article in the Ashland Daily Independent regarding our interest in Ed’s life. Pat incorporated the “festival” (which was actually a fiddling contest) into Ashland’s Poage Landing Days, a citywide carnival-like celebration centered on the downtown area. The fiddle contest was scheduled to take place in the basement/auditorium of a Presbyterian church in Ashland. Pat declared me the “Grand Marshall” of the Poage Landing Parade, booked my band and I for an evening show and even offered to put us up at her place.

We pulled into Ashland on September 20th, 1996 and parked the bus in a church parking lot just down the hill from Pat Haley’s. Mike Compton, my mandolin player, and I walked up to Pat’s for breakfast (at her invitation) where I found her entertaining Mona and Patsy (Jack’s wife). Mona had written out the words to some of Ed’s songs for me, like “My Happy Childhood Days Down on the Farm”:

When a lad I used to dwell

In a place I loved so well

Far away among the clover and the bees.

Where the morning glory vine

‘Round our cabin door did twine

And the robin red breast sang among the trees.

In my happy boyhood days down on the farm.

There was a father old and gray

And a sister young and gay

And a mother dear to keep us from all harm.

There I passed life’s sunny hours

Running wild among the flowers

In my happy boyhood days down on the farm.

It was obvious that Mona had been thinking a lot about Ed’s music, so I didn’t waste any time getting my fiddle out for her. She caught me a bit off guard when she asked me if she could accompany me using Mike’s mandolin. The next thing I knew, she was playing right along with me — scarily like her mother. After we’d finished a tune everyone got really quiet, then Patsy looked at Mike and said, “You’ve just lost your job.”

Several tunes later, I asked Mona about Ed’s bowing style. There was a lot of conflicting information on that, so I wanted to get her opinion again. She said Ed “mixed things up,” or more specifically, that he varied his bowing between long and short strokes.

I had kinda figured that was true and had even come to think that maybe he had “area bowings,” much like his “area tunes.” It’s really a very natural thing. I play different tunes and different ways when I’m with the Goforths and Hawthornes in Missouri than when I’m with Earl Scruggs and Benny Martin in Nashville, or Fletcher Bright, or Jim Wood, or Bruce Molsky and Brad Leftwich, or Charlie Acuff, or Buddy Spicher, or Hoot Hester.

I should say here that all this business of bow holds, short and long bow strokes, and whether Ed held the fiddle under his chin or not, should never be taken as Scripture. In my own experience, I’ve held the fiddle under my chin, on my arm, on my chest, with all kinds of chin rests, no chin rests, shoulder rests, and used different kinds of bows. (I even used to tape a tin penny nail or two on the bow shaft for weight when I pulled it for long square dances so I wouldn’t have to press down with my index finger.) I’ve bowed heavy, light, long strokes, short strokes, off-string, on-string, and so forth. I’m sure that Ed’s technique — like mine or probably any musician — was constantly changing. What I have tried to document with Ed is who saw him play a certain way, where and when. It’s important to keep that in mind so as to not get lost in the contradictions.

In Search of Ed Haley 239

11 Tuesday Feb 2014

Posted by Brandon Ray Kirk in Ed Haley

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Ashland, Bill Day, genealogy, history, Jack Haley, Johnny Hager, Laury Hicks, Nan Trumbo, Pat Haley, Patsy Haley, Ralph Haley, Rosie Day, writing

Inspired by Louise’s letter, I called Pat Haley, who told me what she knew about Ed’s meeting of Laury Hicks.

“Ed knew Laury Hicks through Bill Day, who was Rosie Day’s husband at that time,” Pat said. “Pop was here in Ashland, I guess. Him and Bill Day got together and then Aunt Rosie and Bill Day took him to Laury Hicks. And that’s the way he got acquainted with him.”

I said, “So he never met Laury Hicks until after Rosie and Bill Day got married? But that doesn’t sound right because Ugee told me that Ed used to come up there with John Hager way back. She’s known Ed since she was a little girl. And the reason John Hager stopped traveling with Ed was because he didn’t like his lifestyle. He said he was drinking too much.”

Pat said, “Well now that makes sense, too.”

I asked her more about the circumstances of Ralph Haley’s illegitimate birth.

“I talked to Mona about there being some confusion over Ralph’s birth,” she said. “Oh, she got very uptight with me about that. She said, ‘Yes, my mother was married because my mother told me so.’ Well, I was explaining this to my sister-in-law, Patsy. She said, ‘No, no, Patricia. That’s not right. Ralph was illegitimate. Payne was a married man and Mom was teaching his daughter piano. That’s how she became pregnant.’ And the reason she’s so sure about that is Patsy had a little girl before she was married and gave her up for adoption and later she told Jack out in California and he said, ‘Well, don’t let it bother you. My mother also had a child out of wedlock.’ We got to wondering why Jack would know that and nobody else would, and then we came to the conclusion that Jack stayed with Ella Haley’s dad and stepmother for many, many years. Patsy said she figured he learned that from Nan, the stepmother.”

In Search of Ed Haley 168

08 Sunday Sep 2013

Posted by Brandon Ray Kirk in Ed Haley

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Allie Trumbo, Cincinnati, Ed Haley, Ella Haley, Harts Creek, history, Imogene Haley, Liza Mullins, Mona Haley, Patsy Haley, Ralph Haley, West Virginia, writing

After getting familiar with the postcards, I called Patsy Haley to see if she could tell me any more about Ella’s young life with Ralph.

“Ralph was about five years old when Mom married Ed Haley,” Patsy said. “Ralph is not by Ed Haley. I figure that Mom and Pop must’ve got married about the end of the teens.”

I asked Patsy if Ed was very close to Allie Trumbo, who often wrote to Ella in her younger days.

“They weren’t really close or anything like that,” she said. “My husband and I moved to Cincinnati and that’s when I got acquainted with Allie and his wife. In fact, we lived right across the street from them. They really didn’t talk too much. Allie used to tell me about their father Mr. Trumbo auctioning off land and selling it for a dollar ’cause he owned quite a bit of land by that college. I think Mom had a falling out with him. Mom used to go and stay with them, like on weekends, when she’d go to Cincinnati to work. Allie had called her ‘Penny Ella’ ’cause when she paid them for staying with them she always paid them with change ’cause that’s what Mom got from selling her newspapers.”

Was Allie a musician?

“No, not that I know of,” Patsy said. “He was a fine pool player.”

Patsy didn’t remember Ralph making the records.

“No, that was just before I come in the family,” she said. “I don’t think he did any more recordings after I came into the family. You know, Mom had divorced when I come in the family and they never got remarried. But he lived in the house because the kids wanted him there. Now I can remember when I first came in the family and Mona and I talked, she was quite afraid of her father when she was a little girl because I guess he must’ve been mean. And he musta been abusive and mean to Mom or she wouldn’t a divorced him. But he was a sweet old guy when I knew him. I never ever saw Pop drunk or drinking. But I do remember one time — it was at the holidays — and Noah took his father and went up to Ferguson’s I believe for Pop to play music for them. Well, he kept them out all night ’cause I guess he got pretty loaded. But I never ever saw Pop drink. Now Pat said she had, but I never had.”

I updated Patsy on some of the things I’d found out about Ed’s past on Harts Creek and asked if she knew anything about his mother.

“He really didn’t talk about her too much,” she said. “Only thing that I understood — and he didn’t tell me this — Mom told me — that she was killed when the father was killed. There was never no bad feelings about his parents, either one.”

Patsy said she learned more about Ed’s parents on a trip to Harts in 1947.

“We went up to Harts Creek because Pop had gone up there and we went to get him back,” she said. “That was the first time I met Aunt Liza.”

Aunt Liza said Milt came from “the other side of the mountain,” and that he and his wife were buried up behind their old log cabin on Trace Fork.

“I can remember Aunt Liza pointing to where they were buried,” she said. “When she pointed up, she pointed over towards where the log cabin was.”

In Search of Ed Haley 164

04 Wednesday Sep 2013

Posted by Brandon Ray Kirk in Ed Haley

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Ashland, fiddling, genealogy, Jack Haley, John Hartford, Kentucky, Lawrence Haley, Morehead, music, Pat Haley, Patsy Haley, Ralph Haley, Scott Haley

A few days later, I was in Ashland at Pat Haley’s house, where the Haley clan had gathered in for Lawrence’s funeral. All of Lawrence’s kids were there, of course (Beverly, Steve and David), as was Clyde and Mona. I also spotted Noah, who introduced me to his son, James Edward Haley (Ed’s namesake). Pat made a point to introduce me to Patsy Haley and her son Scott, who were in from Cleveland. A little later, I played Ed’s fiddle for Lawrence’s service and it sounded so good that I seriously considered making it my main fiddle on stage. I quickly slipped into “the zone” and it was the first time I seemed to experience (as crazy as it may seem) the sensation of Ed and Lawrence both whispering in my ear, guiding me along, looking over my shoulder, and saying things like, “Easy now, don’t play so many notes.” “Yeah, try that and see if it works.” “You’re getting too far away from the melody.”

After the funeral, I returned to Pat’s and played for the family in the kitchen. I wasn’t really sure what to expect. I mean, with Lawrence gone it would have been really easy for the Haleys to say, “Thanks for showing an interest in Pop, now see ya later,” but instead they took me into their fold — with Pat leading the way.

There were a few new stories. For instance, Patsy’s son Scott Haley told me about “catching” his father Jack in private moments playing a fiddle right along with Ed’s records. I was excited to hear that and could easily imagine that Jack was the child who had inherited Ed’s talent for the fiddle. But when I asked Pat and Steve about it they gave Scott’s claim little credence. They said Jack might have tried to play with the records but he couldn’t really play anything. They fancied Scott’s memory to be a lot like the one they had of Lawrence, who occasionally strung up Ed’s fiddle (backwards because he was left-handed) and attempted to play along with the records. I never forgot the possibility, though, that Jack Haley could play the fiddle, which seemed to irritate Pat.

Before I left Ashland, Pat gave me Ed’s records. She said she wanted me to keep them because I would “know what to do with them.”

“I have a real love-hate relationship with those records,” Steve said jokingly. “When we were kids we had to tip-toe through the house to keep from scratching them.”

Pat also loaned me Ella’s postcards and explained why Lawrence hadn’t wanted me to see them on my first visit roughly four years earlier. Apparently, they alluded to the fact that Ella had conceived Ralph not by a previous marriage — but out of wedlock. Pat said Ella was boarding with a Mr. Payne and giving piano lessons to his five-year-old daughter in Farmers, Kentucky, when she became pregnant. Mr. Payne promptly returned her to her family in nearby Morehead.

In Search of Ed Haley 151

15 Thursday Aug 2013

Posted by Brandon Ray Kirk in Ed Haley

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blind, Bruce Nemerov, Cincinnati, Ed Haley, Ella Haley, fiddling, Jack Haley, Kentucky, Kentucky School for the Blind, Lawrence Haley, Minnie Hicks, music, Patsy Haley

A few weeks later, I gave Lawrence another call. I wanted to update him on Bruce Nemerov’s work with Ed’s records. I’d heard some of the cleaned-up tracks and noticed that Ella’s mandolin was extremely loud at times. I asked Lawrence if it was because she was seated closest to the microphone.

“I’m pretty sure my brother did it all on one microphone,” he said. “But I guess it was placement of the microphone. She was just there to keep a good solid beat going. It wasn’t anybody trying to hog the music someway.”

I really bragged on Ed’s “Fifteen Days in Georgia” and “Over the Waves” — two of the “new” tunes from the Holbrook records. I played Ed’s recording of “Over the Waves” for Lawrence; it was an incredible, up-tempo version with Ella seconding him on the mandolin.

“Well you see, the record I’ve got of that tune she was playing the piano, so they had to be in a studio somewhere for that,” he said, after the recording ended.

“It’s amazing how fast he played back then,” I said.

Lawrence agreed, “Yeah, yeah, it sure was. That was a waltz, and you’d have to waltz the hall if you waltzed that one.”

Lawrence stressed that I had “a lifetime of stuff to study in there.”

I asked him if his father ever listened to the home recordings much and he said, “No, I think Mom put them up and left them up until Pop was dead and then she started dividing them out. You know, letting the kids come in and get pieces that they enjoyed. I had 45 or 50 records that I know of. One or two of them kind of got lost. I think I know who lost them for me. That’s the way things go, I guess. You can’t hold onto every little scrap of treasure all the time. It eventually goes. My mom used to have a whole library — I mean it took up quite a bit of space — ’cause these blind books, the letters had to be big enough to finger them, and they was pretty good size books. When I went into the service, they all left, and her mandolin left, and I guess her accordion went up to Aunt Minnie’s and got burnt up, and some of Pop’s stuff left. They just got rid of it, I guess, just stuff that was in the way for my brother Jack and his wife Patsy. Things like the mandolin and his fiddle I woulda kept.”

I got the impression that Lawrence was satisfied that he had told me all he could about his father, and that his father’s music would have to speak for itself. He was more in the mood to talk about his mother.

“I’m not sure, but I think they put her in school when she’s about four,” he said of Ella. “I think she come out of school when she was nineteen or 20 years old. They must’ve kept them segregated or something. You know, she was in with mostly girls. She had quite a few friends she made while she was at school. I guess they was times when she had bad times, too. Missed her family and missed her friends back at Morehead, Kentucky. She was pretty well-educated. She would read old Chaucer’s English. She’d come out with that on us every now and then when she wanted to really stress something to us. To let us know that she didn’t approve of what we was doing. I don’t know, she was just a wonderful woman to me. She’d sit down and read. You know we’d be laying in a bed in a room pitch black and she’d be a reading that story to us. It didn’t take long to put us to sleep like that. She read the whole Robin Hood stories and Jungle Boy. Stories like that she’d read to us. That was all we had for entertainment. It was a different life for the whole Haley bunch I guess from what most people would realize.”

“I know she had a bunch of friends,” Lawrence continued. “They was one — all I knew her name was was Bridget — and she come right out of school and went to a home-type thing that they had in Mt. Healthy, Ohio. Mt. Healthy is just more or less an outlying suburb of Cincinnati. When Mom would be down in Cincinnati visiting her sister or running her newsstand or something, she’d always go to Mt. Healthy to see Bridget. I think we’d ride a trolley bus or something out there. We’d spend the day out there with Bridget. It was a nice home — great big mansion-type home — plenty of grounds and things. And I’d get out in the grounds the biggest part of the time. I’d be out checking things out on the grounds — fishes in the ponds — and I’d check on Mom every now and then and find out when she wanted to leave or something. But we’d spend that day up there just about every time she went up there till I guess Bridget died.”

In Search of Ed Haley 96

27 Saturday Apr 2013

Posted by Brandon Ray Kirk in Ed Haley, John Hartford, Music

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Appalachia, Catlettsburg, Clyde Haley, Ed Haley, Ella Haley, fiddle, fiddlers, fiddling, Harts Creek, history, Irish lilt, Kenova, Kermit, Kevin Burke, Lawrence Haley, music, Nashville, Noah Mullins, Norfolk and Western Railroad, Patsy Haley, snap bowing, West Virginia, Williamson, writing

Nestled in Nashville, I worked obsessively on Ed Haley’s music. First, I made a real effort to transcribe it note for note and break it down “under the microscope.” Initially, I had tried to play it generally the way he did while keeping its spirit — with my own twists, of course, which is nearly impossible not to do. This time, though, I wanted to study it as you might a fabulous book — break it down, look at it mechanically… I made a huge discovery regarding Ed’s bowing during that time. With Lawrence’s help via telephone conversations, I deduced that Ed used what Scotch fiddlers call “snap bowing,” which is when you separate notes by applying pressure (“little stops”) with the bow — not by changing its direction. Of course, Ed didn’t use those patterns exclusively and mixed them with more conventional strokes.

I also spent a lot of time listening to Ed’s recordings and playing my versions of his songs into a tape recorder. One of the first things I figured out was that he used what fiddler Kevin Burke calls the “Irish lilt” to give his music a “dotted note feel.” It would be like playing a tune in triplets with the middle note taken out.

I also discovered that Lawrence was right about Ed not playing so many notes; instead, he created the illusion of doing so by phrasing his tunes in a way that gave them a nice “crooked” flavor.

Throughout these discoveries, Lawrence continued his role as my brutally honest fiddle teacher. His comments were surprisingly musical for someone who kept reminding me that he didn’t even play anything. When I played “Yellow Barber” for him over the telephone, he said, “That sounded right except when you get down to that low end, you’re doing a little skipping in there and it seemed to me like Pop played that a little bit smoother. Like he had a roll to his… And I noticed you had a few jumping notes in there that really I don’t remember hearing. Maybe you can hear them. Other than that, it sounded great to me.”

Lawrence seemed pleased with my playing of Ed’s “Catlettsburg”.

“That was good, John,” he said. “That was really good.”

I told him I didn’t know how Ed was able to get up into second position on that tune with the fiddle sitting at his shoulder.

“I always thought that he kinda controlled the violin with his thumb and the meaty part of his hand between his finger and thumb,” Lawrence said. “He could relax that up and down the neck of the violin or he could tighten that and he could still have the flexibility of his fingers, plus that give him the ability to rock that violin body underneath the bow, too.”

I was trying that and eventually got to where I could will my fingers into third position still holding the fiddle at my shoulder, which if you have to play for a long time is sure easier on the neck of the player.

I told Lawrence about talking with Clyde, especially about his memories of Ed mistreating him as a child.

“I don’t know, maybe my dad was mean to him when he was a young’n,” Lawrence said. “But I can’t remember my dad ever laying a hand on me to hurt me. I musta been a rowdy little kid ’cause it seemed like whenever Pop’d pick me up he’d call me ‘muddy duck’ because I was always dirty, I reckon, whenever he’d get a hold of me. He’d just rub my head or something like that and call me his ‘muddy duck.’ I don’t know where Clyde got his story from.”

Lawrence agreed that his dad sometimes abused his mother, although he placed a lot of blame for their marital problems on her.

“Well, he could be temperamental with my mother at times, but I think she was temperamental, too. I think my mother’s people had higher tempers than Dad’s people did. They seemed to be kinda quiet people. Noah Mullins was supposed to killed a revenuer up there at Harts. They waylaid a revenuer and they laid it on Noah, but Noah Mullins always seemed to me like just as quiet and as calm a fella as could be. But I had some of my uncles on my mother’s side, they were a little bit of a temperamental type of people. So I’d put some of the blame on my mother for her treatment of my dad. You know, a woman can upset a man and whip him quicker with words than he can whip her with his fists.”

I totally agreed, then asked Lawrence if he knew anything about the Muncys from Patsy’s genealogy.

“We’d ride the Norfork and Western train up from Kenova and stop at Kermit and stay there with Muncy people,” he said. “They lived in an apartment up over their store and filling station-type thing and they had one of them small monkeys. I went up there one day and got right at the top of the steps and was playing with that monkey and I musta made it mad and it made a rush at me and I musta jumped back and I went to the bottom of them steps. That made me remember it more than anything else. I can’t even remember that Pop played music while he was there for them. They mighta just talked. We used to stop there maybe and stay all night and Pop and Mom and me would go on to Williamson and they’d play at courthouse days or something there. Pop musta had people up in there, but he never said anything to me about it.”

In Search of Ed Haley 94

24 Wednesday Apr 2013

Posted by Brandon Ray Kirk in Ashland, Ed Haley, Music

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Appalachia, Ben Haley, Chloe Mullins, Cleveland, Clyde Haley, Ed Haley, Ella Haley, genealogy, history, Imogene Haley, Jack Haley, Jackson Mullins, Janet Haley, Laura Belle Trumbo, Lawrence Haley, Margaret Ryan, Milt Haley, Mona Haley, music, Nellie Muncy, Noah Haley, Pat Haley, Patsy Haley, Ralph Payne, Sherman Luther Haley, William Trumbo, Wilson Mullins

Not too long after talking with Patsy, her son Scott sent me a copy of Ed’s genealogy, most of which came directly from Ed and Ella. “James Edward Haley was born in August and was the son of Milt and Imogene (Mullins) Haley,” the notes began. “He died February 4, 1951 in Ashland, KY. He married Martha Ella Trumbo, a daughter of William A. and Laura Belle (Whitt) Payne Trumbo. She was born July 14, 1888 and died November 26, 1954 in Cleveland, OH. At the time of their marriage, Ella had one child from a previous relationship: Ralph A. Payne who married Margaret Ryan and who died on May 22, 1947.”

Patsy listed Milt Haley’s parents as Benjamin Haley and Nellie Muncy, and Emma Jean (Imogene) Haley’s parents as Andrew Jackson Mullins and Chloe Ann Gore.

There was detailed information on Ed and Ella’s children.

“Sherman Luther Haley, the oldest, died as an infant. Clyde Frederick Haley was born on June 13, 1921 and never married. Noah Earl Haley was born on October 26, 1922 and married Janet J. Fried in September of 1951. Allie Jackson Haley was born on April 6, 1924. He married Patsy J. Cox on October 25, 1946 and died on March 23, 1982. Lawrence Alfred Haley was born on January 8, 1928. He married Patricia M. Hulse in February of 1949. Monnie May Haley was born on May 5, 1930 and married in 1945 to Wilson Mullins.”

In Search of Ed Haley 93

22 Monday Apr 2013

Posted by Brandon Ray Kirk in Ed Haley

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Ashland, banjo, Ella Haley, fiddle, Kentucky, Lawrence Haley, Molly O Day, Mona Haley, music, Patsy Haley, Ralph Haley, Wilson Mullins

After securing Patsy’s telephone number from Lawrence Haley, I called her up with questions about Ed’s background. Patsy said she first met Ed just after Thanksgiving in 1946 when she and Jack moved in with the family at 105 17th Street in Ashland. At the time, Mona and her husband Wilson Mullins lived there, as did Mona’s son, “little Ralph.” She was in daily contact with Pop for the next three months.

I asked if Ed drank a lot in those days. “Sir, I never saw the man drunk,” she said, in a very pronounced Cleveland accent. “I know one time he went off with his son to play for some people that were having a party and I guess he got kinda high on the horse then, but he never came home.”

Patsy said Ed never played on the street after she came into the family but would play around the house for the kids. She remembered Ed putting the fiddle on his shoulder and playing tunes like “Black Jet” and “Lightning Express”.

“Pop had one special song for me,” she said. “It was, ‘I took a fat gal by the hand the other afternoon and someone yelled out where’s the string that goes with your balloon?’’ because I was a little on the chubby side. Oh, that man could play anything. He could listen to the radio and play popular music. He played the guitar. Beautiful banjo. I don’t think he used a pick.”

Around 1948, Molly O’Day came to see Ed at his home on 45th Street in Ashland. She brought her husband and fiddling brother — and a lot of recording equipment. Everyone settled in the living room, where Ed played the fiddle, “long neck” banjo and mandolin. Patsy said it seemed like they were just “horsing around,” although there was one song that Molly wanted to hear “real bad.” She didn’t recall much else about the visit because she mostly stayed with Ella and little Ralph in the kitchen.

Patsy said Ed never told any stories but she heard from Ella how his parents were killed on Harts Creek. It was a totally different account from anything I’d heard. “Mom Haley told me that they were both murdered in the log cabin,” she said. “Now, that’s not what happened according to what everybody has been telling me from down in Kentucky.”

I asked Patsy why she thought Ella would have told her something that was apparently untrue and she said, “Well, they might’ve just not wanted me to know everything. They thought I was just one of them big city girls from Los Angeles.”

She had also heard how Ed came to be blind.

It was measles that did it — that’s what Mom Haley told me — and that they left him out in his buggy in the sun.”

In Search of Ed Haley 92

18 Thursday Apr 2013

Posted by Brandon Ray Kirk in Ed Haley

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Clyde Haley, Ella Haley, Frank Creech, Harts Creek, Kentucky, music, Noah Mullins, Patsy Haley, Peter Mullins, Ralph Haley, Sherman Luther Haley, writing

Clyde said, “My brother Ralph, he was my dad’s favorite because Ralph was smarter than I was. He wouldn’t ever beat up on Ralph. Well, Ralph was bigger than he was. Did you ever know a guy from this part of the area named Frank Creech? Well, he was one of the bad boys around my area when I was growing up. And he come and borrowed Ralph’s guitar from my dad. Ralph had a great big Martin guitar. He’d bought it from one of those Ruffner boys, I think. He worked. But this guy Frank Creech borrowed Ralph’s guitar and took it somewhere and had a truck run over it — smashed it up. So Frank Creech come to the house and told my dad about it and my dad wasn’t saying a word about it. I was there in the house when this happened. And my mother didn’t like to hear anybody cuss. She was a Puritan about things like that. She didn’t allow any of that in her house.”

Clyde’s memories trailed off at that point, but I knew he was telling more about Ed’s attack on Frank Creech, an event which I’d first heard about while watching a Christmas video at Lawrence’s house.

Clyde said Ed and Ella argued sometimes about music.

“He’d want to play it one way and she’d want to play it the other,” he said. “But a mandolin and a fiddle are tuned up the same way — got the same pitch on the strings — but it’s a different kind of music.”

I asked him who usually won the arguments and he said, “Well she did because he’d give up on her.”

Clyde laughed, “He was mean. If he didn’t win with his talking, he’d do it with his fists to my mother.”

So Ed beat on his wife? I knew that was something Lawrence would have never told.

“He was a mean devil,” Clyde continued. “The worst I ever done him in my life, we was up on Harts Creek at Uncle Peter’s house. And he wanted to go somewhere and she didn’t want to go at that particular minute [and he started hitting her with his fists, so I got a hold of a plowpoint] and hit him in the head with it. Knocked a pretty good-sized hole in the head. Noah Mullins and the other Mullins boy Tennis chased me all over that mountain with a great big piece of a hoe-club. He never did catch me because I was pretty fast on my feet, too, running through those mountains and I could really get over the land. I was a boy then — a minor, you know — and they took us all down to Catlettsburg to the city jail and they threatened him with putting him in the penitentiary for beating on my mother that way and after that he never did beat her up too much.”

I asked Clyde if Ed did a lot of jail time and he said, “Just for minutes, like to hold him over for a few hours. Let him get sobered up a little bit. They weren’t mean to him, but they were mean to us boys, the police were. We deserved it.”

When I mentioned Ed’s oldest son, the boy who had died young, Clyde said, “He was born before I was. His name was Sherman Luther. Sherman was between me and Ralph.”

I said, “Now Ralph was your mother’s boy by somebody else.”

“Well, I didn’t know that,” Clyde said, kind of rattled. “See, you’re telling me things I don’t know and that kinda shakes me around a little bit and I don’t know what to say.”

I tried to smooth things up by saying, “Well I heard that but I wasn’t sure.”

Clyde said, “Well it seems to me like it could be, because my mother was a woman just like all the rest of the women. She had her good points about her. She was a Christian. I think that in my heart. But my dad wasn’t. He was just an ornery, old mean man. I hate to keep saying that about him because I… I hated him for a long time for the way he treated my mother and I finally got out of that hate and I got so I could talk about it to people who had business a knowing about it. I’m telling you things that I wouldn’t say to anybody else because I believe in you and I believe you’re being honest about what you’re doing. I wish it could be known widely about what he did for a living.”

Clyde promised if I’d come and see him, he’d tell me a lot more about Ed that he didn’t “dare mention over the telephone.” He said, “You know, I had a skull fracture here about a year ago and I can’t think real properly like I could if I set down. I’ve had my head broke, my brains knocked out a couple of times, and that affected me, too. If I saw you… Maybe if I could be prodded a little bit, I might could recall some things that might go good in a book.”

In the meantime, he said I should contact his sister-in-law, Patsy (Cox) Haley, who’d done some research on Ed’s family years ago.

“That was Jack’s wife,” Clyde said. “Her husband Jack, he blew up with a heart attack. You ought to get in touch with her. She can tell you more about that than any of us boys could ’cause she was a genealogist. She took that up as a hobby and she got into it and she couldn’t get out of it.”

In Search of Ed Haley 77

06 Wednesday Mar 2013

Posted by Brandon Ray Kirk in Ashland, Cemeteries, Ed Haley, Music

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Allie Trumbo, Appalachia, Ashland, Ashland Cemetery, Bath Avenue, Boyd County, Calvary Episcopal Church, Cincinnati, Cleveland, Clyde Haley, Ed Haley, Ella Haley, Francis M. Cooper, genealogy, history, Huntington, Jack Haley, John Hartford, Kentucky, Lawrence Haley, Lezear Funeral Home, Michigan, Minnie Hicks, Mona Haley, Morehead, Noah Haley, Ohio, Patsy Haley, South Point, William Trumbo

After Ed’s death, Ella lived with Lawrence and his family in Ashland. Every Thursday, she went to Cincinnati where she sold newspapers until Saturday. On Saturday nights, Lawrence would meet her at the bus station in Ashland and bring her home. She and Lawrence would then go into her bedroom where she would empty out her bounty from special slips Aunt Minnie had sewn into her bodice and count her money. It was somewhat of a humbling job for Ella; her own brother Allie Trumbo would call her “Penny Elly” and tease her for taking in pennies and nickels at Cincinnati. The whole experience came to a humiliating end when she “wet” on herself at the bus depot one afternoon. Apparently, no one would help her to a bathroom.

Pat said Ella took to her bed shortly afterwards and didn’t live much longer.

The day after Thanksgiving in 1954, Ella died of a stroke while staying with Jack and Patsy in Cleveland. Lawrence showed me her obituary from a Huntington newspaper:

HALEY – Funeral services for Mrs. Martha Haley, 66, 4916 Bath Avenue, who died Friday night at the home of a son, Allen Haley, at Cleveland, O., will be held today at 3:30 P.M., at the Lezear Funeral Home by the Very Rev. Francis M. Cooper, rector of the Calvary Episcopal Church.  Burial will be in Ashland Cemetery. The body is at the funeral home.

Mrs. Haley suffered a stroke while visiting her son. She was born July 14, 1888, at Morehead, Ky., a daughter of Mr. and Mrs. William Trumbo. 

Surviving are three other sons, Lawrence Haley, Ashland, Noah E. Haley, Cleveland, and Clyde F. Haley, Michigan; one daughter, Mrs. Mona Mae Smith, South Point, O.; a brother, Allie Trumbo, Cincinnati; and nine grandchildren.

Sensing that Ella’s death might be a sensitive subject, I just kind of left it at that.

In Search of Ed Haley 76

05 Tuesday Mar 2013

Posted by Brandon Ray Kirk in Ed Haley, John Hartford, Music

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Ashland, blind, Charles Dickens, Cleveland, Ed Haley, Ella Haley, England, Freddie Smith, Great Expectations, Harts Creek, history, Jack Haley, James Hager, John Hartford, Kenny Smith, Kenny Smith Jr., Kentucky, Kentucky School for the Blind, Lawrence Haley, Michigan, Mona Haley, Mona Lisa Hager, Morehead Normal School, Morehead University, music, Noble Boatsman, Ohio, Pat Haley, Patsy Haley, Ralph Haley, Ralph Mullins, Raymond Willis, Robin Hood, Scott Haley, Washington DC, Wilson Mullins, writing

That evening, back at Lawrence’s, I was full of questions about Mona. She had made a real impression. As I spoke about her, I could sense a little hostility from Pat, as if there were years of family trouble between them, barely hidden away.

“Mona was married to Wilson Mullins,” Pat said. “He was from Harts. Mona was fourteen, I guess, when she married and he was 23 years older than her. She had one boy by Wilson Mullins — Ralph Andrew, who was named after Ralph Andrew Haley. When I came over here in 1949, Mona was divorced from Wilson and she was married to a Kenny Smith. She had two boys by Kenny Smith. Freddie lives in Michigan and Kenny Jr. lives in Ohio. Kenny Sr. is dead. Had a heart attack in Cleveland.”

After a brief marriage to Raymond Willis, a railroad engineer in Ashland, Mona married James Hager.

Pat said, “We met him once. I think they lived in Ohio.”

Mona had a daughter by Mr. Hager named Mona Lisa.

Pat seemed to think the most of Lawrence’s brother, Jack.

“Jack was a very devoted husband and father and had a beautiful home,” she said. “He worked very hard. Larry and Jack were very, very close. Jack was five years older than Lawrence.”

Jack’s wife Patsy had done a lot of family research “but found nothing beyond Uncle Peter and Aunt Liza.”

I asked if Patsy had any pictures of Ed and Pat said, “No more than what we have, because when Rounder Records came to Larry and we was getting pictures for them we went up to Pat’s and Larry got records from them. Jack had four or five records left and their son Scott brought those to Washington and whatever pictures they had.”

Pat promised to ask Patsy if she had anything.

Later that night, Lawrence told me more about his mother. He said Ella was a very small person, only about five feet tall. As a young woman, she attended the Kentucky School for the Blind at Louisville and earned a piano teaching certificate at the Morehead Normal School (now Morehead University).

“Mom was very refined,” Pat said. “No matter where she went, you could always tell she was an educated lady. Mom had very good manners. She was very good at speaking. And when you saw her and Pop together, and listening to both of them, you could tell there was a vast difference in the way they were raised.”

“Mom would read Dickens to us,” Lawrence said. “Robin Hood, Great Expectations — all them classical stories that came out of England and places at that time.”

When young, Ella was proficient at playing the piano and organ. After marrying Ed, she learned to play the mandolin and banjo-mandolin so that she could play “his type of music.”

“She used to sing more of the old English-type music,” Lawrence said. “Little nonsense stuff. We’d ask for it a lot of times ’cause we didn’t have anything else but the radio. I remember her singing one that had to do with a sea captain and it went something like this:

There was a noble boatsman.

Noble he did well.

He had a lovin’ wife

But she loved the tailor well.

And then it went on to state that the sea captain had to take his boat and go on a trip and he left his house and kissed his wife and started out. And the local tailor came in. And it just so happened the captain had forgot his sea chest so he came back and when he knocked on the door the wife was trying to find a place for him to hide. Guess where he hid? In the sea chest. And what happened to the tailor, he got chucked into the sea sometime or another on that cruise.”

In Search of Ed Haley 14

02 Sunday Dec 2012

Posted by Brandon Ray Kirk in Ed Haley

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2144 Greenup Avenue, Appalachia, Ashland, Ashland Cemetery, Bake Lee, Bill Bowler, Charlie Ferguson, Ed Haley, Ella Haley, fiddle, fiddler, fiddling, Freeman's Shoe Store, Ghost Riders in the Sky, guitar, history, Imogene Haley, Ironton, John Hartford, Kentucky, Lawrence Colliver, Lawrence Haley, Lazear Funeral Home, Logan County, Milt Haley, music, Noah Haley, Ohio, Over the Waves, Pat Haley, Patsy Haley, radio, Steve Haley, The Shadow, U.S. South, West Virginia, Winchester Avenue, writers, writing

I asked about Ed during that time period. Lawrence said he stayed in a little room just back of the kitchen, which was furnished with a chair, cot, wardrobe and small radio. His fiddle was always on top of the wardrobe, although he seldom played it.

“He listened to the radio quite a bit,” Lawrence said. “You surely have heard of Vaughn Monroe, his version of ‘Ghost Riders in the Sky’. Pop had a transistor radio he carried up to his ear. ‘Goddamn,’ he’d let out, ‘That’s some tune.’ Cause he felt hell was a place where you had to do something you done all your life. I never heard him try to play it but he’d listen to it and listen to it. He’d say, ‘That’s some hell, ain’t it?'”

Pat said, “Pop would shiver when he would hear ‘Ghost Riders in the Sky’. Pop heard it once or twice on that little radio he carried, and he kept his ear right to it.”

I found it strangely odd that Haley had such a high opinion of the tune — maybe he just liked the words.

The cowpokes loped on past him and he heard one call his name,

If you want to save your soul from hell a-riding on our range,

Then, cowboy, change your ways today, or with us you will ride,

A-trying to catch the devil’s herd across these endless skies.

Yippee-yi-ya, yippee-yi-yo, ghost riders in the sky.

Lawrence said Ed eventually gave up on music broadcast over the radio and started tuning in to programs like “The Shadow.”

“We had a great old big crank-up record player and we had a great old big stack of thick RCA records a quarter of an inch thick, I guess,” he said. “They played a lot of them. I guess they learned some pieces of music off of that. ‘Over the Waves’, I guess that’s been around for a hundred years. Pop was pretty good at those slow pieces, too.”

Pat said she never had a real conversation with Ed, so I guess he kind of kept to himself. She remembered him having a white, foot-long beard, which he was very proud of and combed out every day. She said she had a picture of him with Lawrence and Ella in the back yard at 2144 Greenup but couldn’t find it. It was taken in the fall of 1950, when Lawrence was called back into the service.

Around that time, Bill Bowler, a blind guitar player in town, came and asked Ed to play a gig for the grand opening of Freeman’s Shoe Store in Ironton, Ohio. It was kind of a big deal — there was some type of parade going on. Pat said, “We were so happy somebody had finally got him out because he just all of a sudden stopped playing.” Lawrence drove the two over in his brother Noah’s car, then came home. Pat said, “Larry had hardly got back and was telling his mother, ‘Yes, he sat Pop down with Bill Bowler,’ and the next thing we knew Pop came through the front door just cursing a blue streak.” Something had really upset Ed at the shoe store, but the family never did know what happened or how he made it home. Lawrence said, “He just saw that they wasn’t nothing over there for him. He didn’t tell me that I done wrong by taking him over there or anything. He just wasn’t happy, so he didn’t stay.”

Not long afterwards, Lawrence saw his dad play for the last time at Charlie Ferguson’s. He said Noah got him so drunk that he sat down on the floor and played until he fell over. I wanted Lawrence to show me how Ed was playing at Ferguson’s, which he did after joking, “Now John, I don’t want you to involve me in what my dad did.” As he sat there in the floor with my fiddle, Pat laughed and said, “Oh boy, this was a good idea.”

Pat told me about February 3, 1951, the snowy day Ed passed away at home.

“It was very, very cold. My son Stephen was born January 27th, and it was exactly a week later. Pop was in the front room listening to the radio and he came through our bedroom around three o’clock. He had my daughter Beverly on his shoulders and he took her off and he rubbed his head in her tummy and he said, ‘Mmm, you smell so good. You don’t smell like those pissy-ass babies out in the country.’ The children in the country apparently didn’t wear diapers a lot of times and we always kept rubber pants on Beverly and of course the baby powder. After my father-in-law had played with my little girl, he went through and asked my sister-in-law, ‘Patsy, when will supper be ready?’ She was fixing dinner and she said, ‘Aw shortly, Pop.’ And he said, ‘Well I’m going to take a nap.’ He had a room in the back of the house. And we had a nephew Ralph Mullins living with us. He was born in 1946, so he was about five years old. And he took little cars and he was running them up and down while Poppy was napping.”

Pat said, “And when Patsy got dinner ready, she called for Pop to come to the table. My mother-in-law got a little bit irritated because Pop didn’t come. Larry and his brother Jack had been working on a car outside and they went in to check Pop.” Lawrence said, “Mom went in and lifted up his hand and said, ‘Ed.’ Shook his hand, you know. She said, ‘I can’t get him awake. I know he’s alive. I can hear him breathe.’ Well, when she was lifting up his hand, you know, she was pumping out his last breath of air.” Pat said, “And the boys told their mother then that Pop was dead. But the whole time Ralphy had been playing with his cars, so Pop apparently did not cry out in pain. That was it. He just passed away. It was a massive coronary that took him.”

“Pop died just as peaceful a death as could be, I reckon,” Lawrence said. “He died in his sleep.”

When the Ashland newspaper ran Ed’s obituary on Sunday, February 4, 1951, it mistakenly referred to him as the “flower huckster” of Winchester Avenue. Much to the embarrassment of the family, the newspaper had confused Ed with Bake Lee, a blind man in the area who sold pencils and flowers on sidewalks. Bake usually worked the streets with his wife, Lula Lee, an old schoolmate of Ella’s who played the mandolin and French harp.

“Mr. Haley, who had been blind for 65 years, was a familiar figure on Ashland’s streets, having sold flowers in the 1400 block on Winchester Avenue for several years,” the paper partially read. “A resident of Ashland for 35 years, he was born in Logan County, W.Va., a son of Milton and Emma Mullins Haley.”

Lawrence showed me a copy of his father’s corrected obituary: “HALEY: Funeral services for James Edward Haley, 67, retired musician, who died Saturday at his home, 2144 Greenup Avenue, will be conducted at 2 p.m. tomorrow at the Lazear Funeral Home with the Rev. Lawrence Colliver officiating. Burial will be in AshlandCemetery. The body is at the funeral home.”

No one played the fiddle at Ed’s funeral.

“Had a little organ music,” Lawrence said. “I don’t reckon they was anybody he’d care for playing at his funeral.”

Pat said she heard that Ed didn’t look “natural” because the funeral home had shaved off his white beard. Ella had his favorite flower, morning glory, carved on his tombstone.

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If you had lived in the Harts Creek community during the 1880s, to which faction of feudists might you have given your loyalty?

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Do you think Milt Haley and Green McCoy committed the ambush on Al and Hollene Brumfield in 1889?

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Who do you think organized the ambush of Al and Hollene Brumfield in 1889?

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  • Logan County Jail in Logan, WV
  • Absentee Landowners of Magnolia District (1890, 1892, 1894)
  • Charles Spurlock Survey at Fourteen Mile Creek, Lincoln County, WV (1815)

Ed Haley Poll 1

What do you think caused Ed Haley to lose his sight when he was three years old?

Top Posts & Pages

  • History for Boone County, WV (1928)
  • Origin of Place Names in Logan County, WV (1937)
  • Big Harts Creek Post Offices
  • Early Coal Mines in Logan County, WV
  • Post Offices of Wayne County, WV

Copyright

© Brandon Ray Kirk and brandonraykirk.wordpress.com, 1987-2023. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Brandon Ray Kirk and brandonraykirk.wordpress.com with appropriate and specific direction to the original content.

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Appalachia Ashland Big Creek Big Ugly Creek Blood in West Virginia Brandon Kirk Cabell County cemeteries Chapmanville Charleston civil war coal Confederate Army crime culture Ed Haley Ella Haley Ferrellsburg feud fiddler fiddling genealogy Green McCoy Guyandotte River Harts Harts Creek Hatfield-McCoy Feud history Huntington John Hartford Kentucky Lawrence Haley life Lincoln County Lincoln County Feud Logan Logan Banner Logan County Milt Haley Mingo County music Ohio photos timbering U.S. South Virginia Wayne County West Virginia Whirlwind writing

Blogs I Follow

  • OtterTales
  • Our Appalachia: A Blog Created by Students of Brandon Kirk
  • Piedmont Trails
  • Truman Capote
  • Appalachian Diaspora

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OtterTales

Writings from my travels and experiences. High and fine literature is wine, and mine is only water; but everybody likes water. Mark Twain

Our Appalachia: A Blog Created by Students of Brandon Kirk

This site is dedicated to the collection, preservation, and promotion of history and culture in Appalachia.

Piedmont Trails

Genealogy and History in North Carolina and Beyond

Truman Capote

A site about one of the most beautiful, interesting, tallented, outrageous and colorful personalities of the 20th Century

Appalachian Diaspora

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