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Brandon Ray Kirk

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Brandon Ray Kirk

Tag Archives: music

In Search of Ed Haley 255

03 Monday Mar 2014

Posted by Brandon Ray Kirk in Ed Haley, Harts, Music

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Appalachia, Bill Adkins, Billy Adkins, Black John Adkins, Brandon Kirk, Dood Dalton, Fed Adkins, fiddlers, fiddling, Harts, history, Lincoln County, music, West Virginia

Meanwhile, Brandon and Billy were back at the bedside of Bill Adkins. Bill said Ed used to visit his father Fed Adkins for two or three days at a time when he was a boy. Fed and his family lived in Harts with Black John Adkins, a mulatto cousin who had neen present at the Haley-McCoy executions in 1889. When Haley came by, he usually traveled with Dood Dalton, a fiddler from Big Branch who played with a similar style. Ed and Dood played for all night dances at Fed’s but never sang anything. Bill said Ed played fast and smooth and was a “long bow” fiddler. He tapped his feet while playing.

Fed and Black John were both fiddlers, Bill said, but they never played with Ed and Dood. Instead, they tried to copy them after they left.

Bill said Ed didn’t drink at his father’s home and was a very serious person, never carrying on much. People led him around. When he stayed overnight, he slept in the same bed as Bill and the other Adkins boys.

In Search of Ed Haley

02 Sunday Mar 2014

Posted by Brandon Ray Kirk in Big Sandy Valley, Ed Haley, Music, Women's History

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Appalachia, culture, fiddle, fiddler, history, Josie Cline, Kentucky, Kermit, life, music, photos, Tug River, Warfield, West Virginia

The fiddle of Josie (Spaulding) Cline, "Lady Champion Fiddler of Kentucky, Virginia, Ohio & West Virginia"

The fiddle of Josie (Spaulding) Cline, “Lady Champion Fiddler of Kentucky, Virginia, Ohio & West Virginia”

In Search of Ed Haley 254

02 Sunday Mar 2014

Posted by Brandon Ray Kirk in Big Sandy Valley, Ed Haley, Music

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blind, Charleston, Ed Haley, Ella Haley, fiddlers, history, John Spaulding, Josie Cline, Kentucky, Kermit, Martin County, Mont Spaulding, music, Norton, Virginia, Warfield, Wayne County, West Virginia, writing

John and Mary A. Spaulding were the parents of Josie Cline and Mont Spaulding, two fiddlers in Kermit, West Virginia, somehow affiliated with Ed Haley. In all, John and Mary had six children: Mont Spaulding (1860), Josephine Spaulding (c.1864), Virginia Spaulding (c.1867), Linsy Spaulding (1870), Nickiti Spaulding (c.1873) and Lizzie Spaulding (1878). In 1870, the Spauldings lived in the Lincoln District of Wayne County, West Virginia. In the late 1870s, they moved over to the Warfield area of Martin County, Kentucky. John died around 1878. In 1880, Mont was listed in census records as a blind person. In 1900, he and his mother Mary lived with his sister Lizzie Fitzpatrick in Martin County.

In 1910, according to census records, “Monterville Spaulding” lived in the Big Elk Precinct of Martin County where he was listed as a 48-year-old widowed traveling musician. Listed with him in that census were five children, including 20-year-old Dora Spaulding and 11-year-old James Spaulding. Based on this census, there was a solid (although not genealogical) connection between Ella Haley and the Spauldings. Between 1911-12, Ella received several postcards from a “Mont, Dora, and Jim Spaulding” from various places — Richmond, Virginia; Charleston, West Virginia; and Norton, Virginia. In light of the 1910 census, which gave Mont’s occupation as that of a traveling musician while listing him with two children named Dora and James, it seemed obvious that Ella knew Mont from her early years. Mont was gone from Martin County in 1920.

In Search of Ed Haley 253

01 Saturday Mar 2014

Posted by Brandon Ray Kirk in Big Harts Creek, Culture of Honor, Ed Haley, Music

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Ben Adams, Billy Adkins, Brandon Kirk, Cas Baisden, Clyde Haley, crime, Dingess, Ed Haley, Ella Haley, Ewell Mullins, genealogy, Greasy George Adams, Harriet Baisden, Harts Creek, history, Jeff Baisden, John Frock Adams, Johnny Hager, Maggie Mullins, murder, music, Peter Mullins, Ticky George Adams, Weddie Mullins, West Virginia, writing

One fall day, Brandon and Billy drove to see 80-something-year-old Cas Baisden, a son of Jeff and Harriet (Jonas) Baisden. Cas lived on a farm near the mouth of Smoke House with a relative of Uncle Peter Mullins. He had been mostly raised by Uncle Peter and had vivid memories of watching Ed Haley play in his yard, as well as in the house. He said Ed didn’t usually have a very big crowd around him. “People didn’t care a bit, even though he was about as good as they was,” Cas said. He said Ed and his wife could play anything. “He was real skinny and would drink anything he could get his hands on.” He added that Ed knew all the roads and trails up around the creek and could walk them as well as a sighted person.

Ed’s uncle Weddie Mullins married Cas’ aunt, Maggie Jonas. Cas said Weddie went to Dingess to get some booze one time and was killed in a shooting scrape. The man who shot him was laid up in bed when Weddie’s half-brother John Adams came in and asked, “Do you think he’ll make it?” Someone said he might live so Adams pulled out his gun and said, “I know he won’t,” and opened fire on him. Later, in unrelated events, Adams “blew his wife’s head off.”

Cas said Ed’s uncle Ticky George Adams was harmless. He was a small man, short and chubby, who dug ginseng a lot on Big Creek. George was a brother-in-law to Ed’s friend Johnny Hager, who came from the North Fork of Big Creek and stayed a lot with Ewell Mullins and others around Harts. Johnny was a good fellow, a musician and a non-drinker.

Cas knew that Ed sold his homeplace on Trace to Uncle Peter’s son, Ewell Mullins. It was a plank building with two long rooms. In the rear of the eating room there was a flat-rock chimney with a long fireplace. The other room was used for sleeping. Later, an old store building was pushed up against the sleeping room to make a kitchen. The house had no porch.

Cas said Ed’s son Clyde Haley was “like a monkey” when it came to climbing trees; one time, he climbed 40 feet up into a tree and all the other kids ran away because they didn’t want to see him fall.

Cas remembered sketches about Ben Adams but didn’t know if he had been involved in the 1889 feud. At one time, he operated a store on main Harts Creek below the mouth of Smoke House. Across the creek, he had a saloon made entirely of rock. Later, he lived on Trace. Cas said part of his old mill-dam could be seen in the creek at the Greasy George Adams place.

In Search of Ed Haley 252

28 Friday Feb 2014

Posted by Brandon Ray Kirk in Big Harts Creek, Chapmanville, Ed Haley, Music

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Anna Adams, Billy Adkins, Brandon Kirk, Chapmanville, Ed Haley, Ella Haley, fiddling, Gaynelle Thompson, history, Imogene Haley, John Adams, Kiahs Creek, Little Harts Creek, Logan County, Milt Haley, Mona Haley, music, Roxie Mullins, Ticky George Adams, Wayne County, West Virginia, writing

In Chapmanville, Brandon and Billy dropped in on Gaynelle (Adams) Thompson, a granddaughter of Ticky George Adams who spent a lot of time with Aunt Roxie Mullins during her “last days.” Gaynelle said Ed Haley’s mother never remarried after Milt’s death and died prematurely when Ed was eight to ten years old. She said Ed used to visit her parents, John and Anna Adams, on Trace Fork during the summers in the ’30s and ’40s. “Everybody in the country thought they was nothing like him,” she said. Gaynelle heard that Ed was a drinker and could get rough but said he was well mannered at the Adams home. He never cursed or drank and talked mostly to Gaynelle’s mother. He came with his daughter and wife and stopped visiting when he became too sick to travel just a few years before his death. In earlier years, he played on Kiah’s Creek and Little Harts Creek near the Wayne County line.

In Search of Ed Haley 240

12 Wednesday Feb 2014

Posted by Brandon Ray Kirk in Ed Haley, Music

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Cincinnati, Doc White, Ed Haley, Ella Haley, Harts Creek, history, Jeff Duty, Laury Hicks, music, Ugee Postalwait, West Virginia, writing

A few days later, I called Ugee Postalwait with a whole bunch of questions, mostly related to my recent trip to Harts. I asked her if Laury Hicks ever went to Harts Creek with Ed.

“Oh, yeah,” she said immediately. “All through them places. Dad had a car and he had a driver, and they’d go a lot of places. Anybody was willing to take Dad any place.”

“Did Doc White ever take them anywhere?” I asked.

“Oh, yeah,” Ugee said. “They’ve all run around together. He was a photographer, he could make teeth, he was a doctor, he was everything — and he learned it all in the penitentiary. He was a mid-wife. He could do anything. Played the fiddle. He was crazy about the railroad. He had a railroad steam engine and all that stuff back of his house. He was a smart man. Even my dad doctored with him.”

Ugee remembered Ed playing a tune called “Getting off the Raft” and figured her father also played it.

“I don’t remember Dad ever playing it but if Ed played it he played it, too,” she said. “Whatever one played, the other’n played. They was just that close together, John. They was just that way.”

I asked if Laury ever talked about a fiddler named Jeff Duty and she said, “Yeah, he talked about a fiddler by that name.”

What about Cain Adkins?

“Adkins. That sounds right.”

“Ought to be some people in Cincinnati to know Ed Haley real well,” Ugee said, kind of changing the direction of our conversation. “Him and Ella went down there and played music a lot. They made some money there. Whenever they’d get close and need some money they would go to Cincinnati and stay maybe for three or four days.”

In Search of Ed Haley

10 Monday Feb 2014

Posted by Brandon Ray Kirk in Ed Haley, Music

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Blackberry Blossom, Cacklin Hen, Charleston, Ed Haley, fiddler, Forked Deer, Great Depression, Hell Among the Yearlings, history, Huntington, life, music, photos, Ragged John, WOBU

Depression-era advertisement for Ed Haley records, Charleston, WV

Ed Haley records offered for sale during the Depression, Charleston, WV

In Search of Ed Haley 238

10 Monday Feb 2014

Posted by Brandon Ray Kirk in Ed Haley, Music

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Appalachia, Billy Adkins, Boone County, Brandon Kirk, Chapmanville, Ed Haley, fiddler, Guyandotte Voice, history, John Hartford, Johnny Hager, Louise Johnson, music, Simeon Bias, West Virginia, writing

As Brandon and Billy dug up more information in West Virginia, I received a letter in the mail from Louise (Adkins) Johnson of Powderly, Texas. She’d read an article about my Ed Haley search in a now-defunct Chapmanville newspaper called The Guyandotte Voice.

“I was so pleased to hear some one mention Blind Ed & his wife,” Johnson wrote. “I’m 72 yrs. old, was born and raised, in Boone Co. just over the hill from Chapmanville, W.V. My Uncle Simeon Bias & his wife Bertha (Baisden) & my family were (I guess you could say backwood singers & musicians) but Ed & his wife came to my Uncle Sim’s often & everyone played. I remember my brother was 3 1/2 or 4 (he’s 65 now) had the most beautiful blonde curls, & Ed would feel his head and say how pretty he was. They would stay a couple of wks. at a time. If you would contact the older people of Bias Branch in Boone Co. you may be able to find out more about them.”

“Now Johnny Hager lived with my mother & Daddy my sister, my Brother & me all our growing up yrs. @ home,” Louise continued. “He was a handy man, & a fiddle player. I also have his picture. He had no family as my Parents knew of, & he stayed more with us, some time’s a neighbor would need him to come live with them, to build them an out house for them. He was noted for the best out houses, he earned his keep by living with & helping others. A very neat man.”

Rebellion in the Hills

09 Sunday Feb 2014

Posted by Brandon Ray Kirk in Civil War, Logan, Music, Women's History

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Appalachia, banjo, Cathy Grant, Chief Logan State Park, civil war, fiddler, fiddling, life, Logan, Logan County, music, photos, Union Army, West Virginia

A Civil War re-enactor plays the banjo while an unknown woman plays the fiddle at Chief Logan State Park, September 2002.A Civil War re-enactor plays the banjo while Cathy Grant plays the fiddle at Chief Logan State Park in Logan County, WV, September 2002.

In Search of Ed Haley

07 Friday Feb 2014

Posted by Brandon Ray Kirk in Ed Haley, John Hartford

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Appalachia, Brandon Kirk, history, Huntington, John Hartford, life, Marshall University, music, photos, West Virginia

My first meeting with John Hartford, Morrow Library, Huntington, West Virginia, 1 March 1995

My first meeting with John Hartford, Morrow Library, Huntington, West Virginia, 1 March 1995

Station Inn

24 Friday Jan 2014

Posted by Brandon Ray Kirk in John Hartford, Music

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bluegrass, fiddlers, fiddling, Gillian Welch, John Hartford, Larry Cordle, music, Nashville, Nashville Bluegrass Band, photos, Ronnie McCoury, Station Inn, Tennessee

Station Inn, Nashville, TN, July 1998

Station Inn, Nashville, TN, August 1998

John Hartford Home 1

22 Wednesday Jan 2014

Posted by Brandon Ray Kirk in John Hartford, Music

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bluegrass, country, culture, Cumberland River, fiddler, history, John Hartford, life, Madison, music, Nashville, photos, Tennessee

John Hartford's front porch, Madison, TN.

John Hartford’s front porch, Madison, TN.

Cliff Top

22 Wednesday Jan 2014

Posted by Brandon Ray Kirk in Ed Haley, John Hartford, Music

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Carol Hardway, Cliff Top, culture, fiddlers, fiddling, history, John Hartford, life, music, photos, West Virginia, Wilson Douglas

Carol Hardway, Wilson Douglas, and John Hartford at Cliff Top, West Virginia, 1995

Carol Hardway, Wilson Douglas, and John Hartford at the Appalachian String Band Festival in Cliff Top, West Virginia, 1995

West Virginia Musicians

17 Friday Jan 2014

Posted by Brandon Ray Kirk in Ed Haley, Music

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Appalachia, culture, East Lynn, guitar, history, life, music, photos, Ralph McCoy, Spicie McCoy, Wayne County, West Virginia

McCoy Time Quartet of Wayne County, West Virginia, 1940s

McCoy Time Quartet of Wayne County, West Virginia, c.1940

In Search of Ed Haley 222

11 Saturday Jan 2014

Posted by Brandon Ray Kirk in Ed Haley

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Cary Mullins, Ed Belcher, Ed Haley, fiddle, fiddling, Harts Creek, history, Joe Adams, Logan County, music, Noah Mullins, West Virginia, writing

When I pressed Joe for specific details about Ed’s technique he said, “He’d play up on the bow about four or five inches, but he played the full stroke with the bow all the time. He didn’t jiggle it.”

I asked if he always sat down when he played and Joe said, “I’ve seen him sitting down and standing up both. They said he danced, but I never did see him dance none. He pat his foot when he played. You’d never hardly know he was patting it. He just patted one foot. He had that chin rest…”

“So Ed put the fiddle up under his chin?” I interrupted.

“He put it up under his chin and played,” Joe confirmed. “Ed Belcher, he played with it under his chin, too. Now Robert Martin, sometimes he’d have it under his chin, sometimes he’d have it down here on his chest.”

Brandon asked if Ed packed his fiddle in a case and Joe said, “Yeah, he had a case. If it was raining or something, I’ve seen him with it under his coat. He had two or three bows. I’ve seen him take the bow loose… He took the end of it loose and put it under the string and played some kind of a tune. They was just one tune he played like that. I believe it was some kind of a religious song. I don’t know how he done it.”

I asked Joe if Ed sang any and he said, “I heard him sing a little bit one or two times on one or two tunes. He’d play a verse and then he’d sing a little bit but not much. Seems to me like that his wife sung a little bit with him on some of them but they didn’t do too much singing. He’d play a little bit, then sing a little bit. They was just a few tunes that he done like that. He didn’t play none of this modern music or nothing like that. He played old-time tunes, like ‘The Arkansas Traveler’. He’d play that and some of them boys’d be sitting off someplace and talking about the big rock in the field and all about the feller digging the taters out and that old sow rooting them out. Ed would play the music and they’d put that in. They’re all dead now, them boys that used to do that. Noah Mullins and my brother Howard and Burl Mullins and Cary and them.”

Joe’s memories seemed to stretch back fondly to that time.

“Yeah, it was all right,” he said. “Every time I played with him he played ‘Lady of the Lake’. Real old tunes.”

Joe said Ed played “Love Somebody”, “Birdie”, “Brownlow’s Dream”, “Hell Up Coal Hollow”, “Hell Among the Yearlings”, “Wild Hog in the Red Brush”, and “Jenny’s Creek”. He also played “Mockingbird” with “everything in it.”

“He’d make the bird holler and everything else,” Joe said.

I asked Joe if Ed played a tune for a long time and he said, “Well, some of his tunes he played a long time and some of them were just short and sweet. He put a lot extra in them sometimes. It went along with it but if you didn’t know him pretty well and watch what you was doing you’d get off. It just come natural for me to follow him because he played good time.”

Johnny Hager and friends

10 Friday Jan 2014

Posted by Brandon Ray Kirk in Ed Haley

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Appalachia, banjo, Boone County, culture, fiddle, fiddler, fiddling, history, Johnny Hager, life, music, photos, U.S. South, West Virginia

Johnny Hager on extreme right holding a banjo, Boone County, WV, 1950s.

Johnny Hager on extreme right holding a banjo, Boone County, WV, 1950s.

In Search of Ed Haley 221

10 Friday Jan 2014

Posted by Brandon Ray Kirk in Ed Haley

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Appalachia, Arthur Smith, banjo, Ed Belcher, Ed Haley, fiddlers, George Mullins, Geronie Adams, Grand Ole Opry, Harts Creek, history, Joe Adams, Johnny Hager, Logan County, music, Robert Martin, West Virginia, writing

I wondered if people around Trace listened to the radio, especially the Grand Ole Opry, in the early days.

“They was a few radios,” Joe said. “We had one here. We ordered it from a company called Jim Brown. It had five batteries. And like Jerry Clower said, you’d take them and set them in front of the fire and get them hot and then plug them in, they’d play. They was kindly hard to get — they didn’t cost much. I think they was about ten or twelve dollars for all of them. But Robert Martin had one on top of that hill and my brother had one on Twelve Pole, and on Saturday night when the Grand Ole Opry come on, it was a sight to watch these people a going. It come in good and clear. Robert learned a lot of Arthur Smith tunes off the radio. Yeah, Arthur Smith come down there at Branchland and stayed a week with him and I was talking to Robert after he left and he said, ‘I wish you boys’d come down.’ I said, ‘Well, if you’d a let us know, we woulda come.'”

Brandon said to Joe, “I remember you were telling me last time I talked to you that you thought Robert Martin was about the best around.”

Joe said, “In the modern music. Now, in the old-time music, you’d take Ed Haley and Johnny Hager and Ed Belcher. Ed Belcher, he stayed at George Mullins’ and he was like my brother: he was an all around musician. He could tune a piano and play it, he could play an organ. He could play anything he picked up. I never did hear him play a banjo but he could play anything on the fiddle or guitar. He’d note the guitar all the time. He played like these fellers play on Nashville. They was several people around here had banjos and played. Geronie Adams — Ticky George’s boy — he played a banjo a little bit. And they was a fella — Johnny Johnson — played with Robert Martin out on that hill. He was from someplace in Kentucky.”

I asked Joe what kind of banjo style Johnny Hager played.

“He played the old…,” he started. “They’s some of them calls it the ‘overhand’ and some of them call it just ‘plunking’ the banjo. They was several people played like that. Bob Dingess down here, he played that a way a little bit. My dad, he played the banjo and he played that.”

I asked Joe how Ed dressed in the early forties.

“Well, he wore dress pants most of the time,” he said. “He wore mostly colored shirts — blue or green or just any color. Work shirts. Most of the time he wore suspenders with them. And had buttons sewed on them to buttom them with. Buttons on the inside. Mostly he wore slippers. They was a lace-up slipper. Three laces. He could tie his shoes just as good as you could tie yorn. He wasn’t a big man — he was a little small man. About 5’4″, 5’5″.”

Brandon asked what Ed was like when he wasn’t playing and Joe said, “Well, he’d just sit around and talk and tell tales about first one thing and then another. They’d just talk about how hard they was raised and how they come up.”

Did the ladies like him?

Joe said, “They all liked him but they wasn’t girlfriends. If he went into a place to play, they’d all come around and hug him and talk to him.”

In Search of Ed Haley 220

08 Wednesday Jan 2014

Posted by Brandon Ray Kirk in Ed Haley

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Billy Adkins, crime, Ed Haley, fiddlers, fiddling, George Mullins, Harts Creek, history, Joe Adams, Johnny Hager, music, Peter Mullins, Robert Martin, Ticky George Adams, writing

The next day, Billy and Brandon suggested that we visit 70-year-old Joe Adams on Trace Fork. Joe had all the right genealogical connections to know about many of the major characters in Ed and Milt’s story. According to Billy’s records, both of Joe’s grandfathers were brothers to Ben Adams, a key player in the 1889 feud. Joe’s grandmother was a Mullins, while the other was a half-sister to Burl Farley. (Burl Farley of course was in the Brumfield mob and even “gave the order to shoot” Milt and Green, according to some sources.) Brandon reminded me that he had talked with Joe earlier in the summer and heard him speak about having played music with Ed in his younger days.

As we pulled up to Joe’s nice house at the mouth of Trace, he and his wife met us at the end of their driveway. Joe, I noticed right away, looked a lot like Kenny Baker and was dressed in work clothes, indicating that he was probably in the middle of some project (a garden, working under a truck hood…). When we got out of the car, Mrs. Adams laughed and jokingly said, “Billy, is that you? What are you a doing up here?” Billy told them who I was and the reason for our visit and Joe basically said, “Well, come up to the porch and I’ll tell you boys all I can.” We gathered in chairs and swings under Joe’s carport where the conversation just took off. Joe was born in 1925.

I asked Joe when he first played with Ed and he said, “I’d say that was around ’40 up to ’43. It was before I went in the Army. We was down there at old man Peter Mullins’ — just out in the yard up there. They had a big old porch and they had a bunch of seats out under a bunch of big apple trees and stuff. Big shade. Had a swing out there. And I said, ‘How about bringing your fiddle out and playing a few tunes?’ And he told one of them boys — I forgot which one it was — said, ‘Go in there and bring my fiddle out here.’ He didn’t have it in a case that day but they brought it out and he played ‘Red Wing’ and he played ‘Soldiers Joy’ and he played ‘The Arkansas Traveler’ and he said, ‘Well, I’m tired now,’ and he just laid the fiddle down and we just quit. Sat around and talked a few minutes. He had some of them boys take it back and put it back in the house when he got through playing it. He took good care of his fiddle.”

“Now after I come out of the Army in ’46 and it seems to me like I seen Ed once after that and he left here and I never did see him anymore,” Joe said.

Brandon asked Joe where he remembered Ed staying on Harts Creek.

“I remember him staying up there with old man Peter and Liza and he stayed there off and on for years,” he said. “His wife and some of the children were there. Aunt Rosie married George Mullins on Buck Fork — he stayed up there a lot, too. Johnny Hager stayed with Ticky George Adams — old man George and Vic — that lived up in that holler up here at this store. Greasy George lived across the creek. And old man Ed, he’d go up there.”

What about Johnny Hager?

“Johnny Hager, he played a fiddle, too,” Joe said. “He didn’t play much. Just once in a while maybe he’d pick it up and play one tune. I had an older brother that’s dead, Howard — he played with them a lot. He played a fiddle, a guitar, mandolin, accordion, anything. He played anything he picked up. And we played around here for years.”

Joe said, “I played with a man lived right up in the head of this creek — I don’t know whether you ever heard tell of him — Robert Martin. He lived on top of the hill back there. Him and John Martin was the only two houses back there. He was a good fiddler. Robert played like ‘Lady of the Lake’ and ‘Blackberry Blossom’ and ‘Sugar Tree Stomp’. He had one he said he made it hisself and he made it for old man Will Farley — he called ‘Possom Creek’.”

Robert Martin left Harts, Joe said, after his brother John was murdered at Big Branch.

“You may have heard something about that,” he elaborated. “When they got in that trouble and his brother got killed down here at Big Branch they claimed that Robert cut him, but I don’t think so. I think it was somebody else. And he moved down here at Branchland and me and my brother’d go down there and play with him. He lived on that riverbank and he’d come out there and play with the fiddle till the bow got plum wet and he’d take it in and hang it up and go get another one. We played lots of times till three or four o’clock in the morning with him and then we’d come back to the house.”

In Search of Ed Haley 216

30 Monday Dec 2013

Posted by Brandon Ray Kirk in Big Ugly Creek, Ed Haley

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Bill Duty, Billy Adkins, Chloe Mullins, Durg Fry, Ed Haley, fiddlers, genealogy, Green McCoy, history, Hollena Brumfield, John Wesley Berry, Jupiter Fry, Mayme Ferrell, Milt Ferrell, Milt Haley, music, writing

I asked Mayme who her father’s favorite fiddler was and she laughed and said, “I suppose my daddy’s favorite fiddler was a man named Jupiter Fry. He married my daddy’s aunt.”

Billy asked, “Was he a brother to Durg Fry?”

“Yes,” she said. “You smart people. He went to New York one time and won a fiddling contest. He used to live down the creek here on the Laurel Fork of Big Ugly. My daddy used to go around there to Uncle Jupiter’s — they didn’t have much — and they would play poker all night long with just two or three pennies. They were very, very poor. Not many people were very well off. You wouldn’t think it by looking at this dilapidated place now but we had quite a bit. All the buildings are torn down. We had plenty — enough for us. We had some money here all the time. But Uncle Jupiter was the best fiddler in the country at one time.”

I asked Mayme if Jupiter was a right- or left-handed fiddler and she said, “Oh goodness, I don’t know. I don’t remember Uncle Jupiter. I remember Durg. He played some, too. He was right-handed. Durg would play and dance while he played. He did the hoedown. He did enjoy dancing.”

I asked Mayme if she remembered hearing any talk about Milt Haley and Green McCoy and she said, “Heavens, yes. Why didn’t I listen? Daddy talked about them. There was a great deal said but I just dismissed it from my mind. I didn’t try to remember it. Did Hollene Ferguson come in there in any way? She was a real kind person. I was there a few times. Incidentally, my mother’s daddy built that house.”

What was his name?

“John Wesley Berry. He was a riverboat captain and a carpenter from Guyandotte.”

I said, “I know Hollene put people up for the night and I’ve heard that Ed Haley had gone through there and stopped off and played the fiddle.”

“Well, Ed Haley frequented the place in this area,” Mayme said. “He’s been on this creek, too.”

She wasn’t sure if her father ever met Ed but she heard him talk about him.

Brandon figured they knew each other based on some interesting genealogical connections: one of Milt Ferrell’s uncles married Money Makin’ Sol Mullins’ granddaughter, while another uncle married a sister to Chloe Mullins (Ed’s grandmother).

I got kinda excited about Mayme confirming Ed’s trips through Big Ugly.

“Well see, we knew that he’d been to see Bill Duty a lot,” I said. “And we have found that Milt Haley, his father, was actually living in Bill Duty’s household at one time.”

“Milt Haley lived with Bill Duty before Bill Duty ever moved here, when he was still down in Logan County,” Brandon said, “and we think Milt may’ve moved up this way with Bill when he moved up here.”

“Well, I think maybe he did,” Mayme said quickly. “I think maybe he did. You’re awakening some old memories. I think he lived with them.

“Was there music in Bill Duty’s household?” I asked.

“I don’t know about that,” Mayme said. “Bill Duty married my daddy’s aunt.”

“Let me ask you a question,” I said to Mayme. “In the community back when you were a little girl did most people talk about the Haley-McCoy affair, or did they try not to talk about it for fear that somebody might hurt them or something?”

“I don’t think that there was any fear of being hurt,” she said. “They were not quite as notorious as the Hatfields and McCoys were.”

Just before we left, Mayme “made” me promise to come back and play for her in the fall.

I asked her for a favor: Could I go up into the old part of her house?

“Sure,” she said, “Just be careful.”

When I opened the door from the living room leading into the original cabin, I was so overwhelmed with sights and smells of the nineteenth century that it chilled me to the bone. It was dark, except for a little light streaming through a window, and everything was dilapidated, dusty, damp — and in most cases, ruined. A lot of the furniture had just rotted or collapsed to the floor and there were piles of papers everywhere at my feet. It was as if the people living there fifty years ago had just walked out, blew out the candles and never went back. Upstairs was the same. The whole experience made such an impression on me that I later began packing a picture of Mayme’s cabin in my fiddle case and eventually used it as a graphic on one of my albums.

In Search of Ed Haley 213

20 Friday Dec 2013

Posted by Brandon Ray Kirk in Ed Haley

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Appalachia, Calhoun County, Doc White, Ed Haley, fiddling, history, Laury Hicks, life, moonshine, music, West Virginia, Wilson Douglas, writing

The next day, Wilson Douglas and Kim Johnson came on the bus where Wilson spun another one of his great stories, this time about Ed and Doc White.

Ed was already over at Laury Hicks’, but Laury was gone somewhere. That mail carrier brought the word through that Ed wanted Doc to come over and go down there to Bear Fork and play some music for that dance. Well, Doc lived in Ivydale. He played the fiddle a little, the banjo a little. He come down there and he got me one evening. Doc said, “Now, if you’ll drive, we’ll both go. We’ll hear Ed fiddle.” I said, “All right.” So we started. It must’ve been four o’clock in the evening. It was warm, you know. It was maybe the middle of August.

We stopped over on the Calhoun County line. That’s between Calhoun and Clay. Doc said, “Stop here. I know this old lady here. We’ll get some wine.” She had a bunch of green beans and set them out along the road selling them you know in little baskets. She said, “Now Doc, I’m gonna sell them beans right there for six dollars a basket.” Doc said, “My god, I don’t want to buy them beans.” So she kept on, you know. She looked at me and winked. Said, “Now Doc, better take a couple of baskets. Well, I’m gonna rake in here and show you how nice they are.” She had a quart jar of moonshine in each one of them. She was a bootlegging and Doc said, “Yeah, by god, yeah, I’ll take two baskets.”

We got down the road a little bit, Doc he pulled them two-quart fruit jars out and throwed them baskets and green beans over the hill. I said, “Now, look, Doc. If you get too drunk and cause trouble over there, they’ll throw all of us in jail.” Time we got to Bear Fork they was all drunk but me and I was a driving. Some old man there was calling that dance and Ed Haley was fiddling some of the prettiest fiddling I ever heard, but as the evening progressed the alcohol went to working on him. He lost his coordination. And he got so high, he was a making bad notes. Doc did, too. Doc was a talking fine — his glasses way down on the end of his nose. And Doc said, “Well, we better go home.” They liked Ed. They wanted to keep him all night. He said, “I gotta go with Doc and this boy. I gotta get back over to Laury Hicks’.” We come in the next morning. He was so drunk when we got back to Hicks’ I had to lead him up the steps. That’s the way it happened, all them things over there.

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If you had lived in the Harts Creek community during the 1880s, to which faction of feudists might you have given your loyalty?

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