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Brandon Ray Kirk

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Brandon Ray Kirk

Category Archives: Spottswood

Jackson Mullins Home, Drawn by John Hartford (1993)

04 Thursday Apr 2013

Posted by Brandon Ray Kirk in Big Harts Creek, Ed Haley, John Hartford, Spottswood

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Appalachia, art, genealogy, Harts Creek, history, Jackson Mullins, John Hartford, Logan County, Milt Haley, Turley Adams, West Virginia

Jackson Mullins Cabin Floorplan 1

Jackson Mullins Home, Sketch by John Hartford, 1993

Bill and Peter Mullins (c.1900)

01 Monday Apr 2013

Posted by Brandon Ray Kirk in Big Harts Creek, Ed Haley, Spottswood

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Appalachia, Bill Mullins, Harts Creek, history, Logan County, Peter Mullins, photos, West Virginia

Bill Mullins and Peter Mullins (right)

Bill Mullins and Peter Mullins, 1900-1910. Courtesy of Joe Mullins.

In Search of Ed Haley 83

28 Thursday Mar 2013

Posted by Brandon Ray Kirk in Big Harts Creek, Ed Haley, Green Shoal, Lincoln County Feud, Spottswood

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Alice Baisden, Appalachia, blind, Cas Baisden, Clifton Mullins, Clyde Haley, Dicy Baisden, Ed Haley, Ella Haley, Green Shoal, Harts Creek, Hazard, history, Imogene Haley, John Hartford, John Henry, Kentucky, Lawrence Haley, Lincoln County Feud, Liza McKenzie, Liza Mullins, Loretta Mullins, Mag Farley, Milt Haley, Perry County, Peter Mullins, Sol Bumgarner, Trace Fork, West Virginia

We found Bum on our way up the hollow and went to sit on his porch with his aunt, Liza McKenzie, two of his sisters, Alice and Dicy — and of course Shermie. As soon as Liza figured out who we were she looked at Lawrence and said he was just a small boy the last time she’d seen him.

“Yeah, I guess around 1940 or ’41 was the last time I come to this area,” Lawrence said.

Liza said, “Well, I lived in Kentucky about sixty years. Perry County, up in Hazard.”

I said to her, “Is that where Milt Haley was from?” and she said, “I don’t know but now Ed Haley was borned and raised right around here. When he was a boy, he got up on top of that house down there where Aunt Mag used to live — in that old two-story house — and rolled off in a box. Mother said, ‘Lord, Ed, are you hurt?’ He said, ‘No, God no. It’s give me eyesight.’ He said he jarred his eyesight back.”

I liked Liza right away.

I asked her if she had any pictures and she said, “Loretta’s mother had all the pictures of Ed Haley I ever did know. They used to have a picture down there at Loretta’s of Ed’s mother. She was a pretty woman.”

She looked at Clifton and said, “Clif, I believe your mother had a picture of Ed Haley that was made down there at the old home where he was born and raised. Down there where Aunt Mag used to live. I know they had them.”

Clifton remembered it.

“Yeah, they was sitting out in the yard,” he said. “They was together. She was in the chair and he was standing. He didn’t have no pants on.”

Clifton said, “Yeah, you’re right. They was a picture down there. But I looked; they was so many pictures in that box.”

     Box of pictures? I thought.

Before I could ask about them, Clifton said, “There’s one down there faded out. It’s in a big frame. I got it in another building.”

He told me, “I can show them to ya.”

About that time, Cas Baisden came up to the porch. Bum said he was Liza’s 83-year-old twin brother. I asked Cas if he remembered Ed and he said, “I knowed him, yeah. He was raised up here. Old man Peter lived down at the mouth of the holler and his boy lived up the road here and old man Ed’d go up there and he’d come down that road a running and jumping just like he could see and cut the awfulest shine that ever was.”

Lawrence joked, “That’s probably how Clyde got to be the way he was.”

Cas said, “Yeah, I guess Clyde took after him. Clyde went out here and got down in a well once and they had the awfulest time that ever was getting him out. Way back in top of a mountain.”

I asked Cas about the first time he ever saw Ed and he said, “It’s been many a year ago. He stayed down here, him and his wife and them. They’d play music and drink and fight and scratch with one another and them boys was so mean… He’d get so drunk he couldn’t walk.”

Bum knew that Ed was real “easy to get mad about music,” but said he could get him to play nearly anything he wanted because Ed liked him. He’d ask Ed to play something like “John Henry” and he’d say, “Are you sure that’s what you want me to play? You know, I was just thinking about playing that.” If Ed didn’t like someone Bum said he’d “goof around” and not play for them.

Things kinda tapered off after that. Nobody knew anything about Ed having any brothers. Cas had heard about Ed’s father, who he thought was named Green.

“You know, he got killed when I was a little fella, I guess,” Cas said. “His name was Green. They took him over yonder on Green Shoal, they said, and killed him. Walked him down here and up Smoke House and over and down Piney and across the river.”

I asked if Lawrence looked like Ed and Liza said, “Yes, he does. Ed was a bigger man than he is. Ed was a big man.”

But Lawrence looks like Ed in the face?

“Yeah, he looks like him all over.”

Cas said, “Ed was a taller man. I guess he takes after his mother. She’s a little short woman.”

Lawrence agreed: “Yeah, she was about five feet tall — not much bigger than Aunt Liza.”

Sol Bumgarner

26 Tuesday Mar 2013

Posted by Brandon Ray Kirk in Big Harts Creek, Ed Haley, John Hartford, Lincoln County Feud, Spottswood

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Appalachia, culture, Ed Haley, genealogy, Harts Creek, history, John Hartford, life, Logan County, photos, Sol Bumgarner, Trace Fork, U.S. South, West Virginia

Sol Bumgarner, 1993

Sol Bumgarner, a key source of information about Ed Haley and the history of Trace Fork of Harts Creek, Logan County, WV, 1993

In Search of Ed Haley 82

26 Tuesday Mar 2013

Posted by Brandon Ray Kirk in Big Harts Creek, Ed Haley, John Hartford, Music, Spottswood

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Appalachia, Clifton Mullins, Connie Mullins, Crawley Mountain, Ed Haley, Enslow Baisden, fiddle, Harts Creek, history, Joe Mullins, John Hartford, Lawrence Haley, Logan County, Loretta Mullins, Peter Mullins, Sol Bumgarner, Trace Fork, Turley Adams, West Virginia

I told Turley that Lawrence and I needed to visit Joe Mullins, who had been gone during our last trip to Harts Creek. Turley completely deflated us: Joe, he said, had recently suffered a stroke. He now lived with his daughter Connie Mullins in a trailer just up the creek. Turley pointed the way. Driving a short distance, Lawrence and I parked our car by the creek and walked over a little narrow bridge where an army of barking dogs greeted us. At the porch, Connie introduced us to her brother, Clifton. We stepped on inside and found Joe seated in a wheelchair, surrounded by more dogs. His mind — or at least his ability to communicate a great deal — was all but gone due to the lingering effects of his stroke. Lawrence sat next to him with his hand on his arm. Almost in tears over Joe’s condition, he tried to rekindle Joe’s memories by saying, “I’m Ed Haley’s boy.”

I hung out with Joe’s kids — Connie, Clifton and Loretta. While all were reasonably young, Clifton and Connie had Parkinson’s Disease.

“They’s four of us got it,” Clifton said. “They said it runs through the family some way another. Musta come down the tree somewhere.”

I asked him how old he was.

“38,” he said.

Clifton had just moved back to Harts.

“I got hurt in Michigan and Daddy was sick so I said, ‘Well, it’s a good chance for me to go help my daddy and my sisters.'”

Clifton’s sisters said he was the one who found Ed’s smashed fiddle years ago in the rafters of Uncle Peter’s old smokehouse.

“I was up in there — we was playing around one day — and it fell out on me,” he said. “And I just looked at it and I said, ‘Well, I’ll try to glue it together.’ I started gluing it and it wouldn’t glue so I dumped it into the creek. I didn’t know whose it was. I was about eight but all the pieces wasn’t there to it. When it hit that guy it just splintered everywhere.”

Clifton suggested that we visit Bum and his family just up the hollow. Two years earlier, Bum had told originally Lawrence and I how he had witnessed Ed smash the fiddle over a man’s head while at a tavern on Crawley Mountain. Bum lived only a short distance from Joe’s trailer, up the hollow past Uncle Peter’s old homeplace, in a house situated near Enslow Baisden’s log cabin.

In Search of Ed Haley 81

20 Wednesday Mar 2013

Posted by Brandon Ray Kirk in Big Harts Creek, Cemeteries, Ed Haley, John Hartford, Music, Spottswood

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accordion, Bernie Adams, blind, Clifford Belcher, Ed Belcher, Ed Haley, Ewell Mullins, fiddle, guitar, harmonica, history, Hoover Fork, Inez, John Adams, John Hartford, Johnny Adams, Johnny Hager, Kentucky, Liza Mullins, Milt Haley, music, Peter Mullins, Robert Martin, Turley Adams, Violet Adams, West Fork

Satisfied with our stop on West Fork, Lawrence and I said our farewells to the Kirks and went to see Turley and Violet Adams on Trace Fork. After some small talk about new developments, Turley told us about his uncle Johnny Hager and father Johnny C. Adams traveling with Ed in the early days. He said Uncle Johnny was the one who got Haley to take his music on the road, while his father just traveled around with them.

“They left here playing music together,” Turley said. “My father just helped them take care of their musical instruments — carried it around and stuff — but they done the music. He would sing with somebody but he never did sing by hisself. And Ed Belcher, I think, played with them then. He could play anything but played a guitar mostly.”

So where all did they travel to?

“They played up at Logan on the radio at one time,” Turley said. “They had a program on up there, Ed Belcher did. Oh man, that’s been back in the thirties. Maybe ’36, ’35. I was just a little bitty boy. I just heard these tales — I don’t know them for sure.”

I asked about Johnny Hager.

“I was just a great old big boy the last time I seen Johnny Hager,” Turley said. “He came to our house, stayed around a little while and left. He was kindly a small fella. My dad was, too. Ed would make two of ary one of them. He was a great big feller, Ed was. Now Ewell Mullins, they was all buddies. Now Johnny Hager and Ed could play music. I heard an old guy on television one day talking about how him and Ed used to play in front of a church somewhere together. Yeah, he called him ‘Blind Fiddling Ed Haley.’ Said he’s just a real good friend to him. But he lives in Inez, Kentucky, that feller does.”

I said, “Well, isn’t Inez where Milt is supposed to be from?”

Turley said, “Milt, now my dad just could remember him. He said he was a hard-working fellow and when he’d come in home he’d just tell them boys, ‘Right now, we got to have a fight and get everything settled and we’ll be all right.’ They liked to fight. I guess that was Ed and he had how many more — two more?”

I said, “You mean Ed had brothers?” and Turley said, “I think he did. I believe my dad said he had a brother and one of them got in a fight one time and he bit Milt’s ear off right in the yard right down there. Now, they was Milt’s boys. I guess Ed is Milt’s boy, ain’t he?”

Lawrence said he’d never heard of his father ever having any brothers or sisters, but it sure was a strange coincidence that we heard a story about “Milt’s ear” right after hearing Bob Adkins’ account of Green and “the nick.” Maybe Milt had the nick — which would’ve reversed their roles in Bob’s story of their final days.

So Ed had brothers?

“Far as I know, they was two or three more of them from the tales they told, you know,” Turley said. “Uncle Peter and Aunt Liza used to tell it. Said every time they come home — Milt and them boys — said he’d just fight with all of them at one time. Have a good time. Say, ‘Now we’re friends.’ Back then, that’s what they believed in.”

This was a major development.

“I just heard these tales,” Turley said. “I don’t know how true they are. About Milt coming home and say, ‘Now, we’ll straighten ‘er out right now and we won’t have no more problems while I’m here.’ That’s the way he run his family, you know. That old woman said, ‘I’ll agree to that. That’s the way it ought to be done.’ I don’t guess she could do anything with them boys.”

Hoping for clues about Ed’s “brothers,” I asked if any of the old gravestones in the cemetery behind Turley’s had any writing on them. Unfortunately, Violet said all the markers had rolled down the hill in recent years and the land had leveled out to where it didn’t even resemble a cemetery. All she knew about the cemetery was that there was a “big grave” in it at one time that belonged to a woman with the last name of Priest (she was the only person buried there who her mother-in-law had actually known).

Turley said he last heard Ed play the fiddle at Clifford Belcher’s tavern on Harts Creek where he played for money and drinks. Violet remembered him playing music all night at her father’s home on Hoover Fork with Robert Martin (her great-uncle) and Bernie Adams. She described Bernie as a “real skinny” bachelor who sang “a little bit but not much” and who “was a real good guitar player, but he never would hardly play.”

“He’d get to drinking and he’d play but if he wasn’t drinking he wouldn’t play,” she said.

Turley said Bernie could also play the banjo, harmonica, fiddle and accordion.

Lawrence Haley and Aunt Liza

27 Thursday Dec 2012

Posted by Brandon Ray Kirk in Big Harts Creek, Ed Haley, Spottswood

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Appalachia, culture, genealogy, Harts Creek, history, Lawrence Haley, life, Liza Mullins, Logan County, photos, U.S. South, West Virginia

Lawrence Haley with Aunt Liza, 1950-1953

Lawrence Haley with Aunt Liza on Harts Creek, 1950-1953

In Search of Ed Haley 26

11 Tuesday Dec 2012

Posted by Brandon Ray Kirk in Big Harts Creek, Ed Haley, Music, Spottswood

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Appalachia, Clyde Haley, Ed Haley, Ella Haley, Enslow Baisden, Harts Creek, history, John Hartford, Lawrence Haley, Logan County, music, Ralph Payne, Robert Martin, Sol Bumgarner, West Virginia

In talking with Enslow and Bum, Lawrence and I were able to piece together some of Ed’s family connections on Harts Creek. Everyone seemed to know about the Mullinses — Ed’s mother’s people — but drew a blank when it came to his father. Enslow remembered his kids well, hinting at their mischief.

“I don’t know whether you remember, them boys — I don’t know whether it was Clyde or who — put them three-inch firecrackers in Ed’s coat pockets and shot them off.”

Lawrence said, “That must’ve been Ralph. They’d do that to each other.”

“They used to come in here a whole lot and get out and get in a fight,” Bum said. “They’d fight with each other.”

I was slowly getting this picture of Ed’s children running wild on Harts Creek — or anywhere else for that matter — so long as they kept at a safe distance from their parents. If true, it may have severely crippled Ed and Ella’s ability as traveling musicians to find people willing to give them room and board. Then Enslow told a horrible story about one of the kids getting stuck in a well.

“They just had a cement tile for a well out there at Robert Martin’s and one of them kids went down in it and he couldn’t get back up out of it,” he said. “He wedged his feet and his arms going down in it. Got down there, couldn’t get out. They had to rescue him out of that well.”

I asked Bum what Ed did when his kids started fighting or getting into mischief and he said, “He’d tell them to quit. They’d pretty well quit whenever he told them to, too.”

In Search of Ed Haley 25

10 Monday Dec 2012

Posted by Brandon Ray Kirk in Big Harts Creek, Ed Haley, Music, Spottswood

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Appalachia, Ashland, blind, Cleveland, Ed Haley, Ella Haley, Enslow Baisden, fiddler, fiddlers, fiddling, Harts Creek, Hell Up Coal Hollow, history, Huntington, Jack Haley, Jeff Baisden, John Hartford, John Martin, Kentucky, Las Vegas, Lawrence Haley, Liza Mullins, Logan County, Milt Haley, music, Nevada, Noah Mullins, Ohio, Oklahoma, Peter Mullins, Robert Martin, Sherman Baisden, Sol Bumgarner, Trace Fork, Turley Adams, U.S. South, West Virginia, writing

After visiting with Turley and Joe’s girls, Bum guided Lawrence and I up a nearby hollow to see his uncle Enslow Baisden. Enslow lived in a newly built single story log cabin. He said he’d gone blind recently due to sugar and cataracts. At Enslow’s, we met “Shermie”, who Lawrence indicated was the “funny boy” that chased the Haley women off of Aunt Liza’s porch in 1951.

“A lot of times I wouldn’t have no company if it wasn’t for him,” Enslow said of Shermie, who was epileptic. Shermie wasted little time in pulling out a few cards from the pocket of his overalls and sputtering toward me, even reaching for my fiddle case. I knew right then I was surrounded by “good people”: they had kept Shermie under their care all of these years as a valued member of the family in lieu of institutionalization.

When I mentioned Ed Haley’s name, Enslow said, “I was young but I can remember him all the time a coming. They was some Martins lived on top of a mountain out here — Robert Martin and John — and they fiddled all the time, and he’d go out there and fiddle with them. I don’t know how he walked from up this creek and out on that mountain and him blind, for I can’t find my way through the house.”

Enslow said he didn’t know much about Ed because he left Harts during the early years of the Depression.

“See, I lost all time, about everything nearly. I left here in ’35 and went up to the northern part of the state here and then went out in Las Vegas, Nevada, a while. Then, when I come out, I went in the Army in April of ’41. I stayed in there four and a half years and got married out in Oklahoma and we never did come back but just on visits. And Ed, he died in ’51.”

Enslow’s recounting of his travels was sort of an interesting revelation since it reminded me that these folks on Harts Creek — like many mountain people — were not as isolated as some may think. Ed Haley himself left the creek and traveled widely with his music just after the turn of the century, while Lawrence and his siblings had lived in Ashland and Cleveland and served overseas in the armed forces. Several of the people I had met on Harts Creek had been to faraway places and lived in big cities but chose at some point to return to the grounds of their ancestors.

I asked Enslow how old he was the first time he saw Haley and he said, “Oh man I was about nine or ten years old. He all the time played that fiddle. He used to come down here to old man Peter Mullins’ and Liza Mullins’. I guess they was real close kin to him. And Ed’s daddy’s name was Milt Haley. I don’t know whether Lawrence knowed that or not.”

Lawrence said, “Yeah, I knew that. But I understood from the way Aunt Liza told me, he came from over the mountain and I think that she was talking about from up around Williamson or over in that area. My dad, he was born right down here below Uncle Peter’s, where Turley’s at now, in the old house.”

Lawrence’s mentioning of “the old house” really got Enslow going. He remembered it well.

“There used to be an old log house there he was born in and they had a chimney outside on that old house down there — just an old rock chimney. Dad all the time talked about it. He said Ed got him one of them little old homemade sleds, you know, and he got him a ladder and put it on top of that house. And he got right up by that chimney and then when he come off’n there on that sled he knocked the rocks off with him.”

What? Why would he have done such a thing?

“I’ve always heard my dad tell it,” Enslow said. “Said that rock just barely did miss him.”

I wasn’t sure what to make of such a story but before I could really ask anything about it Enslow was off on another tale.

“Dad said one time they sent Ed down there to get some milk or butter or something. When Ed got out there on his way back he got in a briar patch. Dad took a notion to have some fun out of Ed. They had an old horse they called Fred. Dad got to stomping and snickering like that old horse and Ed said, ‘Old Fred, don’t you come here, now. Don’t you come here, Fred.’ Dad said he kept stomping and Ed throwed that stuff at him and tore hisself all to pieces in them briars.”

I asked Enslow to describe Haley and he said, “Well, he just always dressed pretty nice. He was a big man, too. They used to buy him these plugs of tobacco and these guys would get this beech bark and whittle it out about the size of a plug of tobacco and let Ed have that bark and they’d take his tobacco. If he ever got a hold of you, though, he’d eat you up, see. They said you couldn’t get loose from him.”

Apparently, Ed and his wife were so self-sufficient that locals sometimes forgot they were blind. Enslow told a great story about Ella and Aunt Liza, who were sitting by a lamp together one night. “Well, Mrs. Haley, I’m going to bed,” Liza said. “Well, just blow out the light,” Ella answered. “I’m going to read a while.” Liza said, “How’re you going to read in the dark?” Ella said, “Well, I can’t see no way.”

Enslow’s mentioning of Aunt Liza conjured up a great memory from Lawrence.

“Uncle Peter liked to wore me to death one time. Me and my brother Jack went with him up there behind his house and he had a old team of oxen we was snaking logs out of a hollow with. These oxen got hot. One of them got in the creek trying to cool off. Well, Uncle Peter couldn’t get him to move, so he went over underneath a tree and sat down. Well, me and my brother Jack was a cutting up, you know. He was teasing me. I was younger than he was. And I picked up a big rock and throwed it at him and hit Uncle Peter right where it hurts. And he got up. I knowed I could outrun him. My brother — I looked at him — he took off. And I was afraid to move. Uncle Peter come up there. I thought, ‘Well, I’m dead meat.’ It looked like he pulled down a half a tree and got a hold of me and he didn’t let go until he wore that limb out.”

I asked Enslow about Ed Haley’s music.

“I used to hear him play all them old tunes,” he said. “He’d sit and play for hours and hours at a time, him and her.”

Enslow motioned toward Lawrence, saying, “His mother played a mandolin and had a thing on that sat on her shoulders there and had a harp and played them both at the same time.”

He leaned back a little, reflecting, “Yeah, he played all the old music. He’d make up songs. Be sitting around and just directly he’d write a song. Like ‘Hell Up Coal Hollow’ and two or three more he made up that way. You’d come up and say, ‘What was that Ed?’ He’d just tell them what it was.”

Enslow and Bum said Haley made “Hell Up Coal Holler” and named it for Cole Branch, a tributary of Harts Creek. I didn’t know if Ed was the source of that story but I later learned that “Hell Up Coal Hollow” (at least the title) actually predated Haley’s lifetime. As I was gradually learning, Ed wasn’t preoccupied with historical accuracy and was good at creating temporary titles and weaving stories based on coincidence.

Enslow said, “Ed had some kind of saying he always said when he played on the radio down there about ‘carbide acid and acifidity gum’ or something.”

Lawrence said he’d never heard anything about his father playing on the radio but Enslow seemed sure of it.

“He played on the radio down there at Ashland or Huntington or somewheres way back there. I’m pretty sure they said he did.”

I wondered what acifidity gum was and no one knew, although Lawrence had heard Ed talk about it. (We later learned it was an old folk remedy for treating asthma.) Enslow said Uncle Peter asked Ed about it one time and he said, “Well, you have to get a little comedy with the music.”

Wow — so Ed told jokes?

Enslow said, “I guess to draw their attention or something.”

I asked Enslow if he’d ever heard Ed play for a dance and he said, “Well, I used to go to lots of things he played for, but I can’t remember now. They’d go out there on that mountain and play all night at Robert and John Martin’s. They’d be maybe two hundred people out there. Robert Martin all the time played the fiddle and I don’t know whether John played or not.”

Enslow thought Ed and Robert played their fiddles “together,” but Bum added, “Bob played a little different than Ed did. He played newer stuff.”

Enslow thought for a moment, then said, “Yeah, my dad, he used to play the banjo all the time, him and his nephew. They used to play for dances way back years ago.”

What was his name?

“Jeff Baisden.”

Bum said, “I was telling him about Grandpaw taking them two little sticks and beating on the fiddle for Ed.”

Someone said, “He’s the one had the big old feet and he’d get up and dance and play the banjo.”

Enslow said, “They called him ‘Jig-Toe’ Baisden. He wore a twelve or thirteen shoe and he’d get up on his toes and dance. And Noah Mullins, Uncle Peter’s son, he could flat dance. He’d get on his heels and dance all over. He called their square dance about all the time.”

In Search of Ed Haley 24

09 Sunday Dec 2012

Posted by Brandon Ray Kirk in Big Harts Creek, Ed Haley, Spottswood

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Appalachia, Ashland, Ashland Cemetery, Buck Fork, Clifford Belcher, Connie Woods, Dingess, Ed Belcher, Ed Haley, Ella Haley, fiddle, fiddler, fiddling, genealogy, George Greasy Adams, guitar, Harts Creek, history, Hoover Fork, Jackson Mullins, Jeff Baisden, John Frock Adams, John Hartford, Johnny Hager, Kentucky, Lawrence Haley, Liza Mullins, Logan, Logan County, Maynard's Store, music, Nashville, Peach Creek, Peter Mullins, Ralph Haley, Sol Bumgarner, square dances, Trace Fork, Turley Adams, Violet Mullins, Weddie Mullins, West Virginia

At some point, Connie showed up with a small entourage of women toting some of Joe Mullins’ old pictures. My eyes immediately went to a large, framed photograph of two serious mustachioed men. Turley said one was Weddie Mullins — his grandfather on “both sides” of the family tree — while the other was Ed Haley’s Uncle Peter Mullins. Both men were brothers. Turley said his grandfather Weddie — Ed’s uncle — was murdered at the little town of Dingess just after the turn of the century.

Lawrence said, “Mom and Pop used to play at Dingess — just a little community over in MingoCounty.”

That got us back on the subject of Ed, although most of the commentary was choppy and mixed between looking at photographs. One of the girls said, “We’ve heard talk of Ed all our lives.” Another made the unusual remark, “He could see lightning. Some way he could feel it or something and tell it was hitting.” Someone said Ella could tell the difference between the Haley children by their smell.

Turley, who had been fairly quiet throughout our visit, said to Lawrence, “Bernie Adams used to play a lot of music with your dad.”

Violet said, “Bernie’s the one took him in the chicken house for the toilet. They stayed all night up at our house. Robert Martin and Bernie and Ed and them played music all night. I can remember it. I was just a little girl. Mother said Ed played many a time where she was raised up over in the head of Francis Creek.”

Lawrence said, “You know, these different places like Hoover and places like that don’t ring a bell to me. I can remember going down here to the end of Trace, and maybe down to Smoke House, and up to George Adams’ who lived on up this way, and up to that store — Maynard’s Store — and buying candy, but that’s about the limit of my travel, except coming up from the mouth of Harts.”

Basically, the next half-hour or so was a giant “get to know everybody session” — mostly between Lawrence and the locals. I sort of hung back a little, taking it all in, while Lawrence spoke of and listened to stories about his father. There was a glow about his face that had been absent in Ashland.

At one juncture, he told Connie how her grandparents, Peter and Liza Mullins, raised his father.

“Oh, really?” she said. “I didn’t know that. Now I remember Granny. They wanted me to stay all night with her and I was always afraid she’d die in her sleep or something. That’s terrible.”

She asked Lawrence if he remembered Uncle Jeff — “he was Granny’s brother and he was kinda slow.”

Violet said, “He liked to go to all these dinner meetings they’d have out in the country. He’d walk for miles and miles.”

Connie asked Lawrence if Ed ever played at Logan — the seat of government for Logan County — and he said, “Yeah, he used to play around Logan quite a bit and Peach Creek. He’d play up there during court days especially. Back in them days, the town would load up. I’ve been there with him during those times. The old courthouse, I think it faced toward the river. One side of it was on Stratton Street.”

Connie asked where Ed was buried and Lawrence said, “He’s buried in the Ashland Cemetery in Ashland. Mom’s buried in the same cemetery but not with him. By the time my mother died — she died three years after Pop — they’d filled that section up.”

I’d never really thought about that. Ed and his wife were not buried together, the kind of seemingly minor detail tossed out randomly that took on somewhat of a greater meaning at a later date. I made a note to myself right then that I would visit Ed’s grave in Ashland before heading back to Nashville.

Violet wondered about Lawrence’s older brother, Clyde.

“Clyde’s out in Stockton, California,” he said. “He’s what I call the black sheep of the family. Never married. He just followed the sun for work. When it was summertime, he’d go north; when it was wintertime, he’d go south.”

Just then, an old man called Bum showed up at Turley’s. Bum remembered Ed and his family well. He asked Lawrence about the Haleys. It was hard to focus on their conversation — everyone in the room seemed to be talking at once — but I heard Bum mention something about how Lawrence’s brother Ralph used to hang from tree limbs by his “sticky toes” and would “do anything.”

“That’s exactly how he got killed,” Lawrence said. “He was hanging by his toes and he was gonna let go with his toes and flip over and land on his feet but he didn’t make it. He was just active like that. See, Ralph danced around these carnivals and fairs and places.”

A few minutes later, things quieted down a little. I moved over near Bum to ask him about Haley. His answers seemed to come through his nose more than his mouth and were usually followed by a little chuckle. He was great. Bum said he was 67 years old and first saw “Uncle Ed” in the thirties.

“He lived down in Ashland and he’d come up pretty often,” Bum said. “People come from everywhere to listen at him play whenever they’d have them big dances and stuff. He’d play half the night. Yeah, I’ve been right there.”

I asked Bum about Ed’s tunes and he said, “Ah, he played so many… There was one religious tune he’d put the bow under the fiddle, and the hair, he’d turn it right over and slip his fiddle between it, and play that. I forgot what it was.”

Bum told me all about the old dances.

“They used to have a big working,” he said. “About every family on this creek and Harts Creek down here, they’d all gather up and hoe one man’s field out and then move to the next one. And they’d all go to each other’s farms that way and help each other, and when they got done one man would have a big dance. They’d have a dance on Saturday night. They’d have them at just about every home, mostly at Uncle Peter’s up here, in the house. Like one room in there, they’d gather everything up and take it outside and they’d have a dance in there, and when they got through they’d put the furniture all back in. Anybody that wanted to come was invited. They’d have food right in the house. There were usually three or four around to call the reel: ‘Dosy doe and here she comes and there she goes.'”

“It’d just be Uncle Ed and John Hager playing?” I asked.

“Well, Ed mostly,” Bum said. “Uncle Johnny, he played some with him. Uncle Ed, he played by himself most all of these dances. Mrs. Haley played with him a lot. She played the mandolin, guitar or accordion.”

“Did Johnny Hager play the banjo about like Grandpa Jones?” Turley asked Bum.

“Yeah, over-handed they call it,” Bum said. “Molly O’Day, she played that way. My grandpaw would whittle out two little sticks and he’d sit and beat on them strings and Ed a playing the fiddle.”

“Ed played with Ed Belcher,” Turley said.

“Yeah, I’ve heard Pop talk about Ed Belcher,” Lawrence said.

Now who was Ed Belcher?

“He played the guitar,” Bum said. “He could play the piano, too. They’d get together at times and play together. They’d go up Buck Fork.”

Bum said he last saw Ed Haley “over here on that mountain yonder” at Clifford Belcher’s beer joint.

“He’d go down there and play and people’d give him beer and stuff. That’s about all he wanted. I run into him over there one night. I said, ‘Uncle Ed, where you been?’ He said, ‘I ain’t been no where but right here. I come up here to sit around and play music a while.’ I bought him a beer and he sat there and played music. Well, a Conley boy run in and went to playing and thought he was better than Ed and everything. Ed finally told that boy, said, ‘Why don’t you quit playing that music? You can’t play. You’re cutting my music up too much.’ That boy come back at him, you know, and aimed to fight him. He said, ‘Shut up, old man. You don’t know what you’re a talking about.’ I was standing there and I told him, I said, ‘Now listen. If you jump on that man, you’ll have me to fight and him both.’ And Ed took his fiddle and hit that feller right down over the head with it and busted that fiddle all to pieces.”

Lawrence laughed.

Turley said Ed Haley was high-tempered, as well as strong, and hinted at his mean streak.

“Dad said Peter had a dog that Ed couldn’t get along with at all. Ed told Uncle Johnny, ‘You get me close to him and I’ll hit him in the mouth. I’ll knock him out.’ And he said Ed hit that dog and killed him with his fist. Hit him in the ear and killed him. That’s what my daddy told.”

Bum was very familiar with Ed Haley’s family on Trace. He said Uncle Peter Mullins was “pretty bad to get out and get drunk and get into it with people.” He knew all about Ed’s uncle Weddie Mullins’ murder at an election in Dingess. “There used to be a train come in there and they’d bring flour and stuff over there and people’d go over there to Dingess and get it,” he said. “They’d take wagons and go through these hills, like up Henderson and all them places and they got into it over there.” Bum wasn’t sure who shot Weddie but knew that his killer survived the fracas. Once the news reached Harts Creek, John Adams got a pistol from Jackson Mullins and rode to Dingess where he found Weddie’s killer laid up in a bed clinging to life. Someone told him the guy probably wouldn’t make it so (like something out of a Hollywood Western) he pulled out a .38 pistol and said, “I know he won’t,” and shot him in cold blood.

I wasn’t exactly sure who any of these people were — Jackson Mullins, John Adams — but I had the impression that they were some relation to Ed Haley. At that juncture, I just let the tape recorder roll and tried to take notes and absorb everything, figuring that what seemed like unimportant details would perhaps later develop into major items of interest.

In Search of Ed Haley 23

09 Sunday Dec 2012

Posted by Brandon Ray Kirk in Ed Haley, Spottswood

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Tags

Adeline Adkins, Appalachia, blind, Buck Fork, Connie Woods, Ed Haley, George W. Adams, Harts Creek, history, Jack Mullins, Joe Mullins, John Hartford, Johnny Hager, Lawrence Haley, life, Logan County, Louie Mullins, Milt Haley, music, Peter Mullins, Roxie Mullins, Trace Fork, Turley Adams, U.S. South, Victoria Adams, Violet Adams, West Virginia, Yellow Leg Spaulding

Connie suggested we go see her neighbor Turley Adams, who lived just down the creek near the mouth of a branch. She pointed toward a man working in his yard a few hundred yards away at his one-story white home. That’s Turley? We took off right away. As we approached the place, Lawrence mentioned that Turley lived at the same approximate location of Milt Haley’s old cabin. While the cabin was long gone, I noticed the front yard still had the same beautiful roll to it I had seen in an old picture at Lawrence’s house. I tried to imagine how the cabin would have looked in Ed Haley’s day.

Turley met us near the porch, where Lawrence introduced us and told our reason for visiting him. Turley was immediately friendly and, in his gruff voice, invited us inside. At first, our conversation went pretty slow. Then Lawrence said, “I never did get much about my granddad, Milton Haley. Joe said he’s buried down here somewhere in a graveyard and I thought maybe he was talking about down at the mouth of Trace somewhere.”

Turley’s wife Violet said there was an old cemetery just back of their house, although it had been in terrible condition for many years.

“Well now, they was some graves out there. Turley’s mom told me that some of them were Mullinses and some of them were Haleys. They was some babies and then they was some older people. All unmarked. They was sort of in a row and they was rocks up to them but by the time I married Turley they’d rolled down the hill so you couldn’t tell where the graves really were.”

Oh god. I could just imagine someone finding a Milt Haley tombstone (probably no more than a rock with “MH” carved on it) lying at the foot of the hill and just tossing it in the creek.

“Well one grave we could tell pretty well where it was at, the others we couldn’t,” Violet said. “It had all growed up so we started cutting the bushes and keeping it mowed and cleaned up but we still don’t know where the graves are.”

We walked outside briefly to survey the site.

“They’s eleven graves,” Turley said. “I used to help Uncle Jack Mullins keep them cleaned up a little bit.”

Was this little embankment with a sunken spot the final resting place of Ed Haley’s parents?

Back inside, Turley said he remembered Ed, which seemed to please Lawrence somewhat. He told this story about a local girl who danced to Ed’s music.

“When I was in high school, Ed was around my house and he said, ‘I’d like to fiddle for somebody to dance.’ And I asked this girl, Adeline Adkins from around here on Buck Fork, if she could dance and she said, ‘I can dance to anything.’ She danced three or four tunes and my dad come in. Ed said, ‘By god, John, she’s just like Yellow Leg Spaulding. She can hit ever thing I do on this fiddle. And Dad said that they was a guy that used to go with them and dance that he called Yellow Leg Spaulding.”

“Well I didn’t know whether we’d even find anybody up here now, except Joe,” Lawrence said. “I thought I’d come up and see if I could find him, maybe introduce John to somebody that could give us some information on my dad. I know they couldn’t be very many people old enough to probably appreciate his music.”

“He come to my mom and dad’s house one time and played music all night,” Violet said. “Robert Martin was with him. I guess they’d been drinking or whatever because they was gonna take him out to the toilet and instead of taking him to the toilet they took him into the chicken house. They didn’t pay no attention to what they was doing. But they played all night. I never will forget.”

I had never really considered the possibility that Ed’s cousins and neighbors played jokes on him. I saw him as this great musician — an elevated status that may not have been shared by many of his contemporaries. All of a sudden, I was flooded with images of this little blind orphan — alone in the world — victimized mercilessly throughout his childhood. How did he take it? And how would Lawrence react to hearing these kind of stories? In quick time, I had this latter question answered. Lawrence immediately countered Violet’s story about the outhouse with a tale that cast his father in a more triumphant light.

“Joe said when Pop was just a little kid he got to the point to where he could travel from this house over to Uncle Peter’s,” Lawrence said. “Uncle Peter kept cattle in the field out here or something — a bull or two. Well, the boys teased him. You know, he’d get about half way across that field and then they’d go to snorting like a bull — scare him — and then stand way back and laugh at him. Pop took that for a while and finally found a pistol over here at the old house and he went across the field and they started doing that to him. Well, he just pulled that pistol and, where that sound was coming from, he started shooting that pistol. I guess that broke that little game up.”

Lawrence was obviously determined to guard his father’s legacy, which was a perfectly legitimate thing to do.

Violet got out a few albums filled with old photographs of Ed’s kinfolk from up and down the creek, which stirred Lawrence’s memories.

“Seemed to me like we walked down here to Trace to go up the hill there and there was a store down there,” he said.

Violet said, “Turley’s dad run a store around on Hart at one time and Ewell Mullins had a store up here.”

Lawrence remembered Ewell’s store. “Yeah, he had a store up here, I know that. And then they was one on up and over the hill there where you could go and buy a nickel’s worth of brown sugar. We’d get one of them little penny-paper pokes full of brown sugar and we thought we was having a big time.”

Lawrence’s mind was starting to click in high gear. “I heard Pop talk about how he’d ride a horse up the hollow going up through there,” he said.

Lawrence asked Turley if he knew anything about a George Adams. Turley said his grandfather was named George Washington Adams but he went by the nickname of “Ticky George” to distinguish him from a cousin, “Greasy George.” Ticky George spent most of his life in the woods hunting for ginseng where he apparently acquired a great number of ticks.

“He didn’t have good mind,” Violet said later. “He just knowed enough to get by.”

Turley said his grandmother Adams was a sister to Ed’s friend, Johnny Hager.

“Well, there’s how Johnny Hager came into this,” Lawrence said.

Turley didn’t know much about his genealogy but said his aunt Roxie Mullins could tell us the “whole history” of the Hagers.

“She lives around there above Louie on Harts Creek there,” he said.

Louie Mullins was a grandson to Uncle Peter, making him a third cousin to Lawrence (at least by our count).

This was sort of a confusing moment. Names of people I’d never heard of were popping into the conversation and converging upon one another in seemingly irrelevant connections.

It was great.

There was an unmatchable poetry in it: Turley, Yellow Leg Spaulding, Ticky George… I mean nobody could make this kind of stuff up.

In Search of Ed Haley 21

07 Friday Dec 2012

Posted by Brandon Ray Kirk in Big Harts Creek, Ed Haley, Spottswood, Whirlwind

≈ Leave a comment

Tags

Appalachia, Ashland, Harts Creek, history, Jack Haley, Joe Mullins, John Hartford, Kentucky, Lawrence Haley, Liza Mullins, Liza Napier, music, Pat Haley, Sherman Baisden, Stella Mullins, U.S. South, West Virginia

Later that night, Lawrence, Pat and I talked more at the kitchen table. For reasons I cannot remember — but possibly because I was so determined to get at the root of the music — our conversation kept returning to the subject of Ed’s childhood and birthplace in West Virginia.

Pat said she first went to Harts Creek with Lawrence, Jack and Jack’s wife Patsy in the summer of 1951. Noah and his wife Janet also made the trip.

“We went up in Jack’s Packard,” she said. “Three in the front and three in the back, plus Beverly and two babies. It was a horrible ride and it was at night and all the way up there the boys was telling us what to expect. They was telling us that you better be careful because going up to Harts like that at night — strangers — they could shoot you in a minute. They told us there was a headless horseman that rode up and down that hollow and a screaming banshee and they told us if the creek was up we’d have to walk it. Patsy and I was scared to death.”

I asked about Aunt Liza, the lady who raised Ed.

“When we went up there the first time, Aunt Liza was living in the old log homeplace,” Pat said. “Aunt Liza, Little Liza, Joe and Stella lived there.”

Aunt Liza was Ed’s aunt, Lawrence said, while Joe was his first cousin. Joe was married to Stella and was a close relative to Little Liza.

The Haley trip was a real experience for Pat and her sisters-in-law.

“When we went up there, Joe had a couple of kids,” Pat said. “One was about two maybe and it was wearing a little gown and had this beautiful blonde curly hair. I picked it up and said, ‘Oh, what a beautiful girl you are,’ but when I raised it up I saw that it didn’t have a diaper on and was a little boy. Aunt Liza said Stella had just had a baby the day before and was ‘feeling puny.’ That was a new word to me. Oh, we asked to see the baby and they said it was in the bed. Well, we couldn’t find that baby because it was down in the feather bed. And what surprised us was that Stella was up and about.”

Pat remembered the trip fondly.

“They were very down-to-earth people and I’m assuming that very little had changed from the time Pop grew up there,” she said. “It was like the cowboy movies where they cooked on those wood stoves and the way they served it at that great, big wooden table. Little Liza and Aunt Liza cooked us a meal. The food was good.”

Pat said she and the rest of the Haley wives probably made a big impression on Aunt Liza and company as well.

“We were outside on the porch and Aunt Liza said she’d never seen anybody dressed like us,” she said, laughing. “I guess we looked like painted jezebels. We had make-up on and modern hairdos. Janet was wearing a white blouse and a black skirt. I had a short-sleeved yellow dress on. Patsy’s was blue. Patsy used to wear a lot of make-up, always painted her fingernails. Janet didn’t wear too much make-up but she always dressed nice. She loved to wear those silk blouses, and they tied at the neck. I think something else that fascinated them: we weren’t smoking a pipe. Aunt Liza smoked a pipe.”

At one point, Pat said she was standing outside with the girls when this “funny boy” came up and scared them nearly to death. “We were outside when this boy came up through the yard making funny noises,” she said. “He got so excited — moreso than when we saw him — and touched Janet’s shoulder and she screamed bloody murder. Poor old Aunt Liza didn’t know what happened. And of course, Jack and Larry thought it was the funniest thing they’d ever heard.”

Pat made another trip to Harts a short time later with Jack and Lawrence.

“Jack took a movie camera and filmed everybody,” she said. “It seems like Jack took some pictures inside the cabin but I’m not sure. I know he was taking pictures outside of Aunt Liza and Little Liza and Liza’s daughter. I believe they thought he was just taking pictures. When he got back to Cleveland, he had the film developed.”

Later, in 1956, Pat made another trip to Harts Creek with Lawrence, Jack and Patsy. At that time, Joe Mullins was living in the old log cabin and Aunt Liza had moved into her daughter’s home just down the creek. Next door was an old log home covered in dilapidated paneling, which was supposedly built by Ed’s father, Milt Haley.

“And then when we went back the third time, Jack had brought the film from the previous visit,” Pat said. “I can almost hear him now saying, ‘Now Aunt Liza, I’ve got something I want you to see.’ They put a sheet over a mirror that was on the side wall and when the movie started Aunt Liza got real excited and started pointing toward Little Liza and saying, ‘There’s you. That’s me.’ You could see their lips moving in the movie but there wasn’t any sound. And Little Liza got excited too.”

A highlight of the trip occurred when Pat found herself in a conversation with Aunt Liza. “I suppose listening to Aunt Liza and Little Liza and me trying to talk was like a foreign language. Old Aunt Liza was telling me all about her property and I’m talking to her and I’m thinking she is talking about land but she isn’t. She’s talking cattle, dogs, and the oxen. And Little Liza was talking about her daughter going to school. And we got on the subject of the meals and what did she take for lunch. ‘Oh,’ she said, ‘she takes her lunch in the lard bucket and she put biscuits and cornbread and different things in it.’ And I asked her about her husband and she said, ‘We’re not certified,’ and I wasn’t really sure what that meant so I said, ‘Oh, Lawrence and I aren’t, either.'” On the way home, Lawrence asked her if she knew what she’d meant to say because Little Liza had meant that she and the girl’s father weren’t married.

Lawrence could tell that I was really interested in his father’s birthplace so he asked me if I would like to see it. I said I would love to — and was more than happy to provide the car and gasoline for such a trip.

Ed Haley (c.1889)

30 Friday Nov 2012

Posted by Brandon Ray Kirk in Ed Haley, Music, Spottswood, Warren

≈ Leave a comment

Tags

Appalachia, blind, Ed Haley, fiddler, Harts Creek, John Hartford, Logan County, music, Ollie Farley, photos, Spottswood, U.S. South, Warren, West Virginia

ed-haley-copyright-photo

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