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I returned to Nashville talking not so much about new musical developments but rambling on to my wife about murders and the people I’d met in Harts. I spent a lot of time studying over Joe’s photographs, especially the faded family group shot. One of the boys in the picture was propped inside a young woman’s arms and appeared very much to be blind. Was it Ed and his mother? Unfortunately, since the woman was almost completely faded away I couldn’t make a positive identification of her, even when I compared it to the photo of Emma Jean found by Lawrence and I on our first trip to Harts.

There was another interesting development: when I removed the picture of Bill and Peter Mullins from its frame, another equally large picture of the “old couple” kind of popped out from behind it. That made three pictures of those folks and it sure seemed logical to me that Joe Mullins would’ve had three pictures of his grandparents — meaning Ed’s grandparents — and not of an uncle and an aunt.

I sent copies of Joe’s old pictures to Turley and Violet Adams to see if they could show them around for identification. A few weeks later, we spoke over the telephone and they said Liza McKenzie had fingered Ed as the child to the right in the faded group picture. She also said the old folks in the back row were Jackson Mullins and his wife, Chloe.