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Brandon Ray Kirk

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Brandon Ray Kirk

Tag Archives: San Quentin

In Search of Ed Haley 352

08 Friday Aug 2014

Posted by Brandon Ray Kirk in Chapmanville, Ed Haley, John Hartford, Music

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Ashland, Brandon Kirk, California, Catlettsburg, Catlettsburg Stock Yard, Chapmanville, Clyde Haley, Ed Haley, Ella Haley, genealogy, Halbert Street, history, Horse Branch, Jack Haley, Jean Thomas, John Hartford, Junius Martin, Kenny Smith, Kentucky, Lawrence Haley, Logan County, Mona Haley, music, Ohio, Pat Haley, Patsy Haley, Ralph Haley, Ralph Mullins, Rosie Day, San Quentin, South Point, Wee House in the Wood, West Virginia, Wilson Mullins, writing

The next day, Brandon and I got Mona to ride around town and show us some of the places where Ed played, as well as where he’d made the home recordings on 17th Street. In the car, she tried to recount the places the family had lived since her birth at Horse Branch in 1930.

The first place she remembered was an old brown house built on a slope at Halbert Street. This was the place where Ralph built the trap door.

When Mona was seven or eight years old, the family moved to 337 37th Street.

When she was about thirteen, they moved to 105 17th Street. She lived there in 1944 when she married Wilson Mullins and moved away to Chapmanville, near Harts. After her divorce, she moved back to 17th Street. At that time, Ed was separated from Ella and living in West Virginia.

For a brief spell, the Haleys lived at 5210 45th Street. Rosie Day lived nearby in a basement apartment.

Around 1948, the family moved to 1040 Greenup Avenue. Mona lived there when she married Kenny Smith and moved to South Point, Ohio.

Around 1950, Ed, Ella, Lawrence, Pat, and little Ralph moved to 2144 Greenup Avenue. Jack and Patsy lived there for a while because Patsy — who was pregnant with twins — wanted to be near the hospital. It was there that Ed passed away in February of 1951.

Thereafter, Ella stayed intermittently with Lawrence and Pat in Ashland or with Jack and Patsy in Cleveland until her death in 1954.

Brandon and I drove Mona around town later and she pointed out the sight of the Catlettsburg stock sale, where she remembered Ed making “good money” around 1935-36. She also directed us to at least three different locations of Jean Thomas’ “Wee House in the Wood.” One was remodeled into an office building and used by the county board of education, while another was out in what seemed like the middle of nowhere on a wooden stage in a valley surrounded by tall grass. Brandon and I thought this latter location was almost surreal, like something out of a weird dream.

Later at dinner, Mona told us what happened to her records.

“I sent Clyde some records when he was in San Quentin, California but he never brought them back with him,” she said.

I told her that some guy named Junius Martin had brought Lawrence some of Ed’s recordings and she said, “Seems like Junius Martin was one of Pop’s drinking buddies. I thought his name was Julius.”

In Search of Ed Haley 344

26 Saturday Jul 2014

Posted by Brandon Ray Kirk in Ed Haley, John Hartford, Lincoln County Feud, Music

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Ashland, banjo, Bobby Taylor, Brandon Kirk, Charleston, Clyde Haley, Cultural Center, Deborah Basham, Ed Haley, Ella Haley, Forked Deer, Green McCoy, Grey Eagle, history, Jack Haley, John Hartford, Kentucky, Lawrence Haley, life, mandolin, Michigan, Milt Haley, Mona Haley, music, Pat Haley, Patsy Haley, Ralph Haley, Ralph Mullins, Rounder Records, San Quentin, Scott Haley, Smithsonian Institution, Steve Haley, West Virginia, writing

Around that time, Brandon and I received confirmation from Doug Owsley at the Smithsonian that he was interested in exhuming the Haley-McCoy grave. Doug gave us instructions on what we needed to do before his office could actually become involved — most importantly, to get permission from the state authorities, as well as from Milt’s and Green’s descendants. We felt pretty good about our chances of getting support from the family but weren’t sure what to expect from “officials.” For some guidance in that department, we called Bobby Taylor and Deborah Basham at the Cultural Center in Charleston, who told us all about exhumation law and codes in West Virginia. They felt, considering the interest of the Smithsonian, that we would have no trouble on the bureaucratic end of things.

Meanwhile, Rounder Records was in the final stages of releasing a two-CD set of Ed’s recordings called Forked Deer. The sound quality was incredible on the re-masters although to the uninitiated ear some of the music still sounded like it was coming from behind a waterfall in a cellophane factory. In addition to Forked Deer, Rounder was slated to release two more CDs of Ed’s music under the title of Grey Eagle in the near future.

I was very excited about all of these tunes getting out because I had fantasies of some “young Turk” fiddler getting a hold of them and really doing some damage.

In July, I called Pat Haley to tell her about the CDs, but we ended up talking more about her memories of Ed.

“I know when we lived in 1040 Greenup — when I first came over here — Pop would play very little. Only if he was drinking and maybe Mona would get him to play. I never knew of Pop ever playing sober. I didn’t hear Pop play too much but then his drinking days were just about over. But Mom would play. They had a mandolin and might have been a banjo and Mom would play a little bit. I didn’t know their brother, Ralph. He passed away, I believe, in ’46 or ’47 and I didn’t come into the family until ’48 — when I met Larry — but we married in ’49.”

Pat and I talked more about Ed’s 1951 death.

“Larry and I lived with Mom and Pop on 2144 Greenup Avenue and little Ralph lived with us,” she said. “Clyde had just come home from San Quentin, and a couple of months before Pop died Patsy was due to have Scott and so she moved into the house with us. Her and Jack had the front living room as their bedroom so that Patsy could be close to the hospital. Scott was born January 4th. My Stephen was born January 27th. We were all in the same house when Pop died. But about three days before Pop died, Clyde decided to rob his mother and came in in the middle of the night and stole her sweeper and radio while we were sleeping and he was picked up by the police and he was in jail when his daddy died. He didn’t get to come to his daddy’s funeral. His mother’s either, actually. He was in a Michigan prison when his momma died.”

Feud Poll 1

If you had lived in the Harts Creek community during the 1880s, to which faction of feudists might you have given your loyalty?

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Feud Poll 2

Do you think Milt Haley and Green McCoy committed the ambush on Al and Hollene Brumfield in 1889?

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Feud Poll 3

Who do you think organized the ambush of Al and Hollene Brumfield in 1889?

Recent Posts

  • Logan County Jail in Logan, WV
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Ed Haley Poll 1

What do you think caused Ed Haley to lose his sight when he was three years old?

Top Posts & Pages

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Tags

Appalachia Ashland Big Creek Big Ugly Creek Blood in West Virginia Brandon Kirk Cabell County cemeteries Chapmanville Charleston civil war coal Confederate Army crime culture Ed Haley Ella Haley Ferrellsburg feud fiddler fiddling genealogy Green McCoy Guyandotte River Harts Harts Creek Hatfield-McCoy Feud history Huntington John Hartford Kentucky Lawrence Haley life Lincoln County Lincoln County Feud Logan Logan Banner Logan County Milt Haley Mingo County music Ohio photos timbering U.S. South Virginia Wayne County West Virginia Whirlwind writing

Blogs I Follow

  • OtterTales
  • Our Appalachia: A Blog Created by Students of Brandon Kirk
  • Piedmont Trails
  • Truman Capote
  • Appalachian Diaspora

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OtterTales

Writings from my travels and experiences. High and fine literature is wine, and mine is only water; but everybody likes water. Mark Twain

Our Appalachia: A Blog Created by Students of Brandon Kirk

This site is dedicated to the collection, preservation, and promotion of history and culture in Appalachia.

Piedmont Trails

Genealogy and History in North Carolina and Beyond

Truman Capote

A site about one of the most beautiful, interesting, tallented, outrageous and colorful personalities of the 20th Century

Appalachian Diaspora

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